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Imaging Diamond with X-Rays
Home Search Collections Journals About Contact us My IOPscience Imaging diamond with x-rays This article has been downloaded from IOPscience. Please scroll down to see the full text article. 2009 J. Phys.: Condens. Matter 21 364217 (http://iopscience.iop.org/0953-8984/21/36/364217) View the table of contents for this issue, or go to the journal homepage for more Download details: IP Address: 129.49.56.80 The article was downloaded on 30/06/2010 at 16:59 Please note that terms and conditions apply. IOP PUBLISHING JOURNAL OF PHYSICS: CONDENSED MATTER J. Phys.: Condens. Matter 21 (2009) 364217 (15pp) doi:10.1088/0953-8984/21/36/364217 Imaging diamond with x-rays Moreton Moore Department of Physics, Royal Holloway University of London, Egham, Surrey TW20 0EX, UK E-mail: [email protected] Received 5 April 2009 Published 19 August 2009 Online at stacks.iop.org/JPhysCM/21/364217 Abstract The various techniques for imaging diamonds with x-rays are discussed: x-radiography, x-ray phase-contrast imaging, x-ray topography, x-ray reciprocal-space mapping, x-ray microscopy; together with the characterization of the crystal defects which these techniques reveal. 1. Introduction may also be sharp characteristic peaks superimposed upon the continuous spectrum, characteristic of the target material. X-rays may be used to image whole diamonds, or selected These come from the brief promotion of electrons dislodged regions, by radiography or by using various techniques from target atoms to discrete higher energies. These (or other) employing a Bragg reflection for x-ray diffraction contrast. -
SPECIALE SERIE X Ottica Intercambiabile E Ottica Fissa
E FUJIFILM SPECIALE SERIE X ottica intercambiabile e ottica fissa NEW COMPACT SYSTEM CAMERA I l Sistema di fotocamere Fujiifilm sta ottenendo Iun buon consenso tra i fotografi, siano essi professionisti o amatori. Il motivo sta nelle E soluzioni proposte: apparecchi dalle dimensioni contenute, soluzioni tecniche innovative. Entrambe portano a risultati di elevata qualità. Al vertice della produzione Fujifilm sta la Serie X. Comprende sia apparecchi a ottica intercambiabile, sia apparecchi a ottica fissa. Proprio alla serie X è dedicata questa guida. Una pubblicazione, come nostra abitudine, pensata e realizzata per i fotografi di oggi. Articoli brevi ma esaustivi. Aggiornamento continuo, man mano che compaiono nuovi modelli di fotocamere, nuovi obiettivi, nuove soluzioni tecnologiche. Collegamenti ipertestuali a link esterni, a videotutorial, arricchiscono la guida e la rendono molto più completa rispetto a una tradizionale pubblicazione su carta. I nuovi mezzi di comunicazione lo consentono e la nostra redazione cerca di offrire ai lettori un mezzo di consultazione allo stato dell’arte. Un mezzo che li aiuti a capire nel modo migliore gli strumenti fotografici oggetti del loro desiderio o della loro necessità. Fujifilm ha saputo proporre strumenti fotografici innovativi, adatti alle esigenze di specifiche categorie di fotografi. Quella dei professionisti in primo luogo e in particolare Milano EXPO2015 - Fujifilm X-T10 e XF90mm F2 R LM WR - 1/100 f/5.6 250 ISO dei professionisti che si dedicano alla fotografia di reportage, a quella di matrimonio, a quella di viaggio. Categorie che hanno bisogno di apparecchi e obiettivi poco ingombranti, capaci di alte prestazioni e, nello stesso tempo, da usare in modo facile e intuitivo. -
All That Is Solid: a Celluloid Exploration of Brutalist Architecture
ALL THAT IS SOLID: A CELLULOID EXPLORATION OF BRUTALIST ARCHITECTURE EVA KOLCZE A THESIS SUBMITTED TO THE FACULTY OF GRADUATE STUDIES IN PARTIAL FULFILLMENT OF THE REQUIREMENTS FOR THE DEGREE OF OF MASTER OF FINE ARTS GRADUATE PROGRAM IN FILM YORK UNIVERSITY TORONTO, ONTARIO MAY, 2014 © Eva Kolcze, 2014 Abstract All That Is Solid is an experimental film that investigates Brutalist architecture through the decayed surface of black and white celluloid. The film features three locations: Robarts Library, The University of Toronto Scarborough campus (UTSC) and the Ross building at York University. All are prominent examples of Brutalist architecture on university campuses. Footage of the buildings has been degraded using photochemical processes that result in unique patterns of decay. The decay processes are used to draw material and aesthetic connections between concrete and celluloid. By distressing and dissolving images of massive buildings, the film explores how time breaks down all materials, even solid concrete. The film also explores the shifting reactions and responses to the buildings, from their initial praise by the architectural community as cutting edge and futuristic, to the intense public backlash that followed shortly after they were built. ii TABLE OF CONTENTS Abstract .................................................................................................................. ii Table of Contents……………………………………………………………………….iii Evolution Of The Project ....................................................................................... -
UK Photography Activity Badge
making a start in photography Jessops is proud to support The Scout Association and sponsor the Scout Photographer Badge know your camera! welcome to the Single use cameras SLRs Digital cameras Single use cameras offer an inexpensive and ‘Single lens reflex’ cameras, often called SLRs, Digital cameras come in both compact and SLR exciting world of risk-free way to take great photos. They are built come in two main types - manual and auto-focus. formats. Rather than saving an image to film, complete with a film inside and once this is used SLRs give you greater artistic control as they can digital cameras save images onto memory cards. photography! up, the whole camera is sent for processing. They be combined with a vast range of interchangeable They have tiny sensors which convert an image are perfect for taking to places where you may lenses and accessories (such as lens filters). You electronically into ‘pixels’ (short for picture To successfully complete the Photographer Badge, be worried about losing or damaging expensive can also adjust almost every setting on the camera elements) which are put together to make up the you will need to learn the basic functions of a equipment (Scout camp for example) and you can yourself - aiding your photographic knowledge complete image. camera, how to use accessories, and how to care even get models suitable for underwater use - and the creative possibilities! for your equipment. You will also need to Capturing images this way means that as soon as perfect for taking to the beach! understand composition, exposure and depth of With manual SLRs, the photographer is in complete the picture is taken, you can view it on the LCD field, film types, how to produce prints and control - and responsible for deciding all the screen featured on most digital cameras. -
Price List NEW.Pmd
Price List November 2014 The essential guide to the very best photographic equipment and materials Telephone: 01636-823922 Fax: 01636-821719 Email: [email protected] wwwwww.mor.morcoco.uk.com.uk.com We supply all these top brands... Agfa Hahnemühle Manfrotto Quantum Ansmann Harman Marrutt Reflecta Apple Heliopan Marumi Richards B+W Hensel Medalight Rodenstock Beattie Herma Metz Rosco Benbo Hewes Morco Rotatrim Benro Hitech NEC Samyang Billingham Holga Nissin Sandisk Bowens Hot Press Nova Savage Braun Hoya Omega Sekonic Camlink HP OpTech Sigma Canon Ilford Orchard Silvestri Canson Just Oregon Slik Cokin Kaiser Osram Snapshut Colorama Kenko Panasonic Sony Creativity Kenro Pantone Sunpak Delkin Kentmere Paterson Tamrac Douglas Kodak Peli Tamron Eclipse LaCie PermaJet Tetenal Elinchrom Lastolite Philips Toyo Energizer Lee Photolux Velbon Epson Lensbaby PhotoTherm Visible Dust Falcon Lexar Pinnacle Wein Fotospeed Light Craft Pocket Wizard Westcott Fuji Linhof Polaris X-Rite GePe Lowepro Polaroid Zeiss Gossen Lyson Morco Limited College Farmhouse, Cromwell, Newark, Nottinghamshire, NG23 6JE England Telephone: +44 (0)1636-823922 Fax: +44 (0)1636-821719 Email: [email protected] www.morco.uk.com Introduction Contents Welcome to The MORCO Price List. Page Inkjet Paper and Digital Consumables Since 1987 Morco has been a supplier of a wide range of Ilford Paper.................................................. 1 top quality products to the professional and amateur Fotospeed Paper......................................... 2 photographic and allied markets. Permajet Paper........................................... 2 - 6 Pinnacle Paper............................................ 7 We are the UK distributor for BEATTIE, PHOTOTHERM Hahnemühle Paper...................................... 8 - 9 and WEIN products, we also manufacture/produce MORCO Harman Paper............................................. 10 PHOTOGRAPHIC products. These products are available SnapShut Folio Covers............................... -
Photographic Facts and Formulas
B o o ks o n Pho tography ti cs for P oto r a ers Hans Harti n Ph. D . r ansl ated O p h g ph , by g, T by F M . F. P . S . 2 2 a es. Clot n Fra ri e S . r a k R. p , , R 3 p g h, s i lli am li nt. nd i t emi str fo r P oto r a er W . F 2 ed i on. Ch y h g ph , by R 18 a es. Cl ot 2 p g h , i t ri al C om osi ti on i n P oto r a rt ur Hammond . 2 P c o p h g phy, by A h 34 a es i ll ustrati ons. Cl ot p g , 49 h, - P oto En r avi n P ri mer Ste en H . Hor an. Clot h g g , by ph g h, . E i te r ank Fr a ri S M f amer a d d F . e . F C as r om Y our C . h by R p , , R r P . 8 . P ape , Pi ctori al L and sca e P oto r a the P oto Pi cto ri ali sts of B uf p h g phy, by h i l str ti ns. Cl ot f alo . 2 2 a es l u a o 5 p g , 5 5 h, P oto r a i c A musements W alter E . Wood u r . -
Photography: a Basic Course for Art Students
Rochester Institute of Technology RIT Scholar Works Theses 1-10-1968 Photography: A Basic Course for Art Students Donald Dickinson Follow this and additional works at: https://scholarworks.rit.edu/theses Recommended Citation Dickinson, Donald, "Photography: A Basic Course for Art Students" (1968). Thesis. Rochester Institute of Technology. Accessed from This Thesis is brought to you for free and open access by RIT Scholar Works. It has been accepted for inclusion in Theses by an authorized administrator of RIT Scholar Works. For more information, please contact [email protected]. in c a; =3 4-> </> ti a* o CO as C3 >- X < U o O X a. I wish to express my thanks to my advisor Professor Hans J. Barschel, and to Professors Charles A. Arnold and Stuart Ross who acted as technical advisors Thanks are also extended to The George Eastman House of Photography for the use of the Research Center and material made available. 111 Thank you A. M., for your presence. iv if what one makes is not created with a sense of sacredness, a sense of wonder; if it is not a form of love making; if it is not created with the same passion as the first kiss, it has no right to be called a work of art, ALFRED STIEGLITZ Table of Contents ACKNOWLEDGEMENTS i i i DEDICATION iv Statement' by Alfred Stieglitz v LIST OF ILLUSTRATIONS vii INTRODUCTION viii THESIS PROPOSAL 1 PROCEDURES 4 PHOTOGRAPHY - A BASIC COURSE FOR ART STUDENTS 9 ILLUSTRATIONS 62 CONCLUSION 77 mnmnmnimimnmniTnnmiimTinmnmnninmnmnmnmnmnmnmnninmnninm OOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOO nmnmnmnmnmnmnmnmnninmnmnmnmnmnninmnmnmnTnnmnmnmnmn VI List of Illustrations A SHORT STATEMENT PRECEEDS EACH ILLUSTRATION Presensitized metal plate 62 Silver image reduction 64 Photomechanical paper 68 Autoscreen film 71 Sensitizing agent 73 vn The project undertaken by this candidate proved extremely interesting with the newly acquired knowledge discovered and generated during the five months, January to May. -
CODE by R.Mutt
CODE by R.Mutt dcraw.c 1. /* 2. dcraw.c -- Dave Coffin's raw photo decoder 3. Copyright 1997-2018 by Dave Coffin, dcoffin a cybercom o net 4. 5. This is a command-line ANSI C program to convert raw photos from 6. any digital camera on any computer running any operating system. 7. 8. No license is required to download and use dcraw.c. However, 9. to lawfully redistribute dcraw, you must either (a) offer, at 10. no extra charge, full source code* for all executable files 11. containing RESTRICTED functions, (b) distribute this code under 12. the GPL Version 2 or later, (c) remove all RESTRICTED functions, 13. re-implement them, or copy them from an earlier, unrestricted 14. Revision of dcraw.c, or (d) purchase a license from the author. 15. 16. The functions that process Foveon images have been RESTRICTED 17. since Revision 1.237. All other code remains free for all uses. 18. 19. *If you have not modified dcraw.c in any way, a link to my 20. homepage qualifies as "full source code". 21. 22. $Revision: 1.478 $ 23. $Date: 2018/06/01 20:36:25 $ 24. */ 25. 26. #define DCRAW_VERSION "9.28" 27. 28. #ifndef _GNU_SOURCE 29. #define _GNU_SOURCE 30. #endif 31. #define _USE_MATH_DEFINES 32. #include <ctype.h> 33. #include <errno.h> 34. #include <fcntl.h> 35. #include <float.h> 36. #include <limits.h> 37. #include <math.h> 38. #include <setjmp.h> 39. #include <stdio.h> 40. #include <stdlib.h> 41. #include <string.h> 42. #include <time.h> 43. #include <sys/types.h> 44. -
"Agfaphoto DC-833M", "Alcatel 5035D", "Apple Ipad Pro", "Apple Iphone
"AgfaPhoto DC-833m", "Alcatel 5035D", "Apple iPad Pro", "Apple iPhone SE", "Apple iPhone 6s", "Apple iPhone 6 plus", "Apple iPhone 7", "Apple iPhone 7 plus", "Apple iPhone 8”, "Apple iPhone 8 plus”, "Apple iPhone X”, "Apple QuickTake 100", "Apple QuickTake 150", "Apple QuickTake 200", "ARRIRAW format", "AVT F-080C", "AVT F-145C", "AVT F-201C", "AVT F-510C", "AVT F-810C", "Baumer TXG14", "BlackMagic Cinema Camera", "BlackMagic Micro Cinema Camera", "BlackMagic Pocket Cinema Camera", "BlackMagic Production Camera 4k", "BlackMagic URSA", "BlackMagic URSA Mini 4k", "BlackMagic URSA Mini 4.6k", "BlackMagic URSA Mini Pro 4.6k", "Canon PowerShot 600", "Canon PowerShot A5", "Canon PowerShot A5 Zoom", "Canon PowerShot A50", "Canon PowerShot A410", "Canon PowerShot A460", "Canon PowerShot A470", "Canon PowerShot A530", "Canon PowerShot A540", "Canon PowerShot A550", "Canon PowerShot A570", "Canon PowerShot A590", "Canon PowerShot A610", "Canon PowerShot A620", "Canon PowerShot A630", "Canon PowerShot A640", "Canon PowerShot A650", "Canon PowerShot A710 IS", "Canon PowerShot A720 IS", "Canon PowerShot A3300 IS", "Canon PowerShot D10", "Canon PowerShot ELPH 130 IS", "Canon PowerShot ELPH 160 IS", "Canon PowerShot Pro70", "Canon PowerShot Pro90 IS", "Canon PowerShot Pro1", "Canon PowerShot G1", "Canon PowerShot G1 X", "Canon PowerShot G1 X Mark II", "Canon PowerShot G1 X Mark III”, "Canon PowerShot G2", "Canon PowerShot G3", "Canon PowerShot G3 X", "Canon PowerShot G5", "Canon PowerShot G5 X", "Canon PowerShot G6", "Canon PowerShot G7", "Canon PowerShot -
Společnost FUJIFILM Uvádí Na Trh FUJIFILM X-A1: Kompaktní a Stylový
Společnost FUJIFILM uvádí na trh FUJIFILM X-A1: kompaktní a stylový základní fotoaparát řady FUJIFILM X s výměnnými objektivy, velkým snímačem APS-C CMOS a procesorem EXR II. FUJIFILM Corporation (Prezident: Shigehiro Nakajima) dnes oznámila, že uvede na trh svůj čtvrtý fotoaparát s výměnnými objektivy, přístroj FUJIFILM X-A1. Díky nejnovějšímu přírůstku bude řada FUJIFILM X atraktivní pro širší cílovou skupinu; fotoaparát je navržen jako posun vzhůru proti kompaktním fotoaparátům a zacílen na uživatele, kteří si chtějí pořídit svůj první systémový fotoaparát s výměnnými objektivy. Základní charakteristika a funkce Fotoaparát X-A1 působí kompaktním a lehkým dojmem stejně jako v nedávné době představený přístroj Fujifilm X-M1, oproti němu je však vybaven snímačem APS-C CMOS a procesorem EXR II, které umožňují pořizovat snímky vysoké kvality. Velký snímač APS-C CMOS o rozlišení 16 milionů pixelů přináší bohaté barevné tóny, nádherný efekt „bokeh“, větší dynamický rozsah a maximální citlivost až ISO 25600. Design plně odpovídá řadě X, přičemž společnost Fujifilm zde v rámci této řady poprvé nabízí širší škálu různých barev. Fotoaparát je navržen tak, aby umožňoval ovládání jednou rukou a intuitivní a rychlou volbu funkcí pro pohodlnou práci. Veškerá tlačítka a otočné ovládací prvky jsou tedy umístěny v pravé části zadní stěny fotoaparátu. Speciální tlačítko pak umožňuje snadný záznam videa. Díky výklopnému LCD displeji s vysokým rozlišením, vestavěnému blesku a modulu Wi-Fi® (*6) pro přenos fotografií do chytrých telefonů má FUJIFILM X-A1 vše, co zájemci požadují při výběru svého prvního systémového kompaktního fotoaparátu. Podrobná charakteristika Velký snímač APS-C CMOS pro živé barevné podání a úžasných detailů FUJIFILM X-A1 je vybaven velkým snímačem typu APS-C CMOS o rozlišení 16,3 milionu pixelů, jenž je schopen zachytit bohatý tonální výraz, přináší větší dynamický rozsah a umožňuje nastavit citlivost až na hodnotu ISO 25600. -
Backup of 2014 Update Backup of Lensbaby Class Lesson 1 Copy
Lensbaby Magic Lesson 1 “When subject matter is forced to fit into preconceived patterns, there can be no freshness of vision.” -Edward Weston Welcome to my Lensbaby Magic Class! The Basics Craig Strong invented the Lensbaby when he was trying to find a different look for his images. He was looking for a way to be able to do this in-camera, instead of spending hours sitting at his computer. He wanted to combine the soft, imperfect look produced by Holga film cameras, with the convenience of digital imagery. He says that the Lensbaby he developed gave him some options to match a certain mood in a theme, or to render an image the way he envisioned it. With the trend these day being the most refined, precise, high speed automatic lenses, the Lensbaby is a refreshing Lensbaby Magic Kathleen Clemons 1 step backwards. It’s sort of an odd combination of an old, manual focus lens where you had to do it right the first time, and a modern day video game joystick. The original lens models are mounted on a plastic bellows, which allows you to manually focus by pushing, pulling and bending. A selected part of your image will be in focus, and you control just where that ‘sweet spot” of focus will be by manipulating either the bellows section (the part that looks like vacuum cleaner hose) on the Muse and the original models, or the focus ring on the Composer, which has a ball and socket type design. The remaining areas of your image are softly and gradually blurred, creating unique, eye-catching images. -
Plastic Cameras
PLASTIC CAMERAS PRELIMS.indd i 7/30/2010 10:10:40 PM To Ike Royer and Mary Ann Lynch who harassed and inspired me in my journey and made all of this possible. Ike Royer, 1932 – 2008, © Michelle Bates. Image of Ike made in his office at Freestyle Photographic, with a Lensbaby lens on Nikon DSLR. PRELIMS.indd ii 7/30/2010 10:10:40 PM PLASTIC CAMERAS Toying with Creativity Second Edition Michelle Bates Foreword by Mary Ann Lynch Amsterdam • Boston • Heidelberg • London New York • Oxford • Paris • San Diego San Francisco • Singapore • Sydney • Tokyo Focal Press is an imprint of Elsevier PRELIMS.indd iii 7/30/2010 10:10:44 PM Contributing Editor: Mary Ann Lynch Technical Editors: Frank Hamrick and Nic Nichols Title page photo: Coney Island, © Michelle Bates, 1992. Focal Press is an imprint of Elsevier 30 Corporate Drive, Suite 400, Burlington, MA 01803, USA The Boulevard, Langford Lane, Kidlington, Oxford, OX5 1GB, UK Second Edition, 2011 Copyright © 2011 by Michelle Bates. Published by Elsevier, Inc. All rights reserved No part of this publication may be reproduced or transmitted in any form or by any means, electronic or mechanical, including photocopying, recording, or any information storage and retrieval system, without permission in writing from the publisher. Details on how to seek permission, further information about the Publisher’s permissions policies and our arrangements with organizations such as the Copyright Clearance Center and the Copyright Licensing Agency, can be found at our website: www.elsevier.com/permissions. This book and the individual contributions contained in it are protected under copyright by the Publisher (other than as may be noted herein).