From Tea Garden to Tea Pot
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EVERYTHING SERVED ALL DAY Your Table Number
Please order at the bar with MENU EVERYTHING SERVED ALL DAY your table number... BREAKFAST & BRUNCH – SERVED ALL DAY Our scrambled egg includes tomato and basil NEW The Boss £10.95 Flatbreads West Country Breakfast £8.50 Bacon, sausage, hog’s pudding, Za’atar flatbread, date chutney, harissa, herb Bacon, sausage, scrambled egg, roasted mushrooms, roasted new potatoes, salad, Greek yoghurt, toasted sesame seeds, tomatoes, baked beans, toast roasted tomatoes, baked beans, pickled red onion, sumac Veggie Breakfast £8.25 scrambled egg, two rounds of toast ...with spiced lamb £9.50 ...with crispy halloumi £9.25 Roasted new potatoes, mushrooms, Chorizo Hash £8.75 baked beans, roasted tomatoes, Poached eggs, mushrooms, spinach, Grain Bowls scrambled egg, toast roasted tomatoes Buckwheat, black quinoa, avocado, lime Vegan option available £6.95 pickled beetroot, orange, harissa, Greek Sweetcorn Hash £8.75 £6.35 yoghurt, nuts & seeds Mushrooms on Halloumi, poached eggs, avocado & tomato Sourdough Toast ...with pork belly salsa, coriander, Tabasco maple syrup £10.95 ...with hot smoked mackerel £10.25 Vegan option available Sourdough Eggy Bread with £8.75 Poached or Scrambled Eggs £5.00 Smoked Bacon & Avocado Cheddar & Jalapeño £8.75 on Toast Veggie option £7.75 Cornbread ...add smoked salmon £2.60 Fried egg, smashed avocado, spicy salsa, ...add smoked bacon £2.50 Smoked Salmon, Avocado £8.75 yoghurt, coriander, Tabasco maple syrup ...add mushrooms £2.10 & Scrambled Eggs Eggs Royale £8.75 On sourdough toast Baps Eggs Benedict £7.95 Sausage or smoked -
High Tea Menu
Hippopotamus High Tea Menu Our tea has been carefully selected by Dilmah, this selection celebrates the individuality and taste of tea from estates around the world known only for their excellence. Museum High Tea Your preferred choice of tea, selection of French delights to tease your palette. $25.00 Elegant High Tea Museum High Tea accompanied by a glass of Cloudy Bay Pelorus, method traditional. $40.00 Luxury High Tea Museum High Tea accompanied by a glass of Laurent Perrier champagne. $50.00 Ginger spice tea The pronounced sharp flavour of ginger balances perfectly with a high grown Ceylon Tea to offer a delicious refreshing spice tea. Green with Jasmine flowers The sweet Jasmine flowers are mixed with green tea to impart the fragrance and distinctive flavour. Supreme Ceylon The tea garden of the British empire. One of the most outstanding teas, full bodied, and complex. Natural rosehip and hibiscus Rosehip and hibiscus flowers produce a reddish infusion with a strong fruity aroma. Earl Grey A rich and strong brew enhanced with oil of bergamot offering a very distinctive and unique flavour. Pure peppermint leaves Pure peppermint leaves provide a cooling and refreshing taste. Morrocan mint green tea Pure Ceylon Young Hyson green tea with peppermint, a combination of a gentle green tea with the sweet fragrance of peppermint. Pure Chamomille flowers The Chamomille flowers have an uplifting aroma reminiscent of apples. Prince of Kandy A high grown Ceylon tea, delicate with an almost greenish character. Mediterranean Mandarin The lightness of the liquor is deliciously and gently lifted by the sweet, slightly tart flavour of mandarin. -
Look Through the Heart Teahouse”
ShinKanAn Teahouse – The “Look Through the Heart Teahouse” 1. Introduction: History and Name • Our Teahouse in unique on the Central Coast. It is a traditional structure, using mostly Japanese joinery instead of nails, traditional tatami mats and hand-made paper sliding doors. Additionally, it is perhaps the only traditional Japanese Teahouse between the Greater Los Angeles area and the San Francisco peninsula, and the only one in California using California natives in an intentional Japanese style. • It was originally built in Kyoto during the postwar period: a wooden plaque on the wall near the entry doors commemorates the architect and the date: 1949. The Teahouse was a gift from the President of the Nippon Oil Company to a local resident, Mr. H. Royce Greatwood, as an expression of appreciation for his assistance after the war. It was shipped in wooden boxes, each piece numbered, and reassembled in Mr. Greatwood’s Hope Ranch lemon orchard in the early 1950’s. This teahouse is evidence of the tremendous efforts that were made to renew the ties of friendship between former wartime adversaries. • The rich cultural tradition of Cha-do, The Way of Tea, graces this teahouse. In 2000, it was given the name ShinKanAn , meaning “Look Through the Heart” by the 15th Grandmaster of the Urasenke Tea school, an unusual event. • The name was generously given in honor of Heartie Anne Look, a teacher of flower arrangement and Japanese culture for many years in the Santa Barbara community. This teahouse is being used and maintained in a manner authentic to the tradition of Cha-do. -
The Demand Curve in the Boston Tea Party: When All Else Fails, Shift the Demand, Ye Patriots
Document Section 2 The Demand Curve in the Boston Tea Party: When all else fails, shift the Demand, ye Patriots. BACKGROUND: Students should have prior knowledge of the economic models describing supply and demand. Students should have working knowledge of shifting and movement along the demand and supply curves. Knowledge of marginal utility analysis is also assumed. Application of the theory of indifference curves in the creation of the demand curve could be helpful but not necessary for this exercise. GOAL: Students will apply their knowledge of supply and demand analysis to the events leading up to the Boston Tea Party. They will evaluate the effectiveness of their models in describing the consumer behavior of tea. CONCEPT REVIEW: Using regular demand/supply analysis, describe 1. What factors cause a shift in demand? 2. What factors cause a movement along the demand curve? DOCUMENT ANALYSIS: Read the following set of documents pertaining to the background of the Boston Tea Party. 1. On a separate piece of paper answer the “Consider” question that corresponds with each document. 2. Discuss your answers with your group and come to some consensus over the meaning of the documents. 3. GRAPH—Using your best demand/supply analysis, show how the Patriots were shaping and influencing the market for tea in the years leading up to the Boston Tea Party. TASK: Based on the documents and your knowledge of 18th century American history, do you think the Patriots were able to change demand for tea? Why or why not? Would you recommend it as sound policy to continue to try to change demand? If so, how would you go about it? If not, what might you do instead to keep up with the demand? Be able to provide a coherent explanation to your fellow Patriots. -
GROUP TEA PARTY RESERVATION SIP Tea Room Policies & Agreement: 6-12 Guests
..r GROUP TEA PARTY RESERVATION SIP Tea Room Policies & Agreement: 6-12 guests Please find a list of all the very boring, yet very important, details below. We are grateful for your consideration and look forward to being a part of your special day. Terms & Conditions • Capacity: In order to accommodate all guests, we limit parties in the tea room to 12 guests. *We offer full private rental of the Tea Room for parties of 13-30, visit our website for full details on Private Tea Room Rentals. • Availability: Large party reservations begin at 11:00am, 1:00pm or 3:00pm. • Time Limits: Parties are reserved for 1 hour 45 minutes. Please note that the party must be completed by the agreed upon time. In order for us to properly clean and seat our next reservation, it is imperative that the space be vacated on time. In the event that guests stay over the allotted time, a fee may be charged. • Children (8 years and under). We have found that a max of 5 children is ideal for the tea room seating. Our facility is best suited for those ages 8 or older. We do not have space for large stroller’s. No highchairs available. • Space Usage: There is NOT room to open gifts, play games or give speeches in the tea room – consider a Private Tea Room Rental if you wish to have activities. • No Last-Minute Guests: Host must make sure that the number of guests does not over-exceed the guaranteed number. We do not “squeeze” in guests. -
“The China of Santa Cruz”: the Culture of Tea in Maria Graham's
“The China of Santa Cruz”: The Culture of Tea in Maria Graham’s Journal of a Voyage to Brazil (Article) NICOLLE JORDAN University of Southern Mississippi he notion of Brazilian tea may sound like something of an anomaly—or impossibility—given the predominance of Brazilian coffee in our cultural T imagination. We may be surprised, then, to learn that King João VI of Portugal and Brazil (1767–1826) pursued a project for the importation, acclimatization, and planting of tea from China in his royal botanic garden in Rio de Janeiro. A curious episode in the annals of colonial botany, the cultivation of a tea plantation in Rio has a short but significant history, especially when read through the lens of Maria Graham’s Journal of a Voyage to Brazil (1824). Graham’s descriptions of the tea garden in this text are brief, but they amplify her thorough-going enthusiasm for the biodiversity and botanical innovation she encountered— and contributed to—in South America. Such enthusiasm for the imperial tea garden echoes Graham’s support for Brazilian independence, and indeed, bolsters it. In 1821 Graham came to Brazil aboard HMS Doris, captained by her husband Thomas, who was charged with protecting Britain’s considerable mercantile interests in the region. As a British naval captain’s wife, she was obliged to uphold Britain’s official policy of strict neutrality. Despite these circumstances, her Journal conveys a pro-independence stance that is legible in her frequent rhapsodies over Brazil’s stunning flora and fauna. By situating Rio’s tea plantation within the global context of imperial botany, we may appreciate Graham’s testimony to a practice of transnational plant exchange that effectively makes her an agent of empire even in a locale where Britain had no territorial aspirations. -
Don't Shake Me #1
Issue One ''ttSShhaakkeeMM oonn ee DD MAN 1997 MAN BURNING IIssssuueeOOnnee Bay Area WELCOME TO Cosplay THE INTRANCE 1 Don’t Shake Me Issue One Don't Shake Me Issue One January 2005 Published by Back Numbers Press Editor Warren Harris Staff Artist Anjuli Towner Front cover design by Warren Harris Back cover art by Anjuli Towner Thanks to Bill Barker for permission to reprint cartoons from SCHWA and COUNTER-SCHWA. email: [email protected] _______________________________ Don't Shake Me is published whenever Warren Harris gets around it it. Don't Shake Me issue one is © 2005 by Warren Harris. Artwork on page two, back cover © 2005 by Anjuli Towner. Used by permission. SCHWA, COUNTER-SCHWA and all related images are © 1993-1998 by Bill Barker. Used by permission. Don't Shake Me was prepared for electronic distribution in PDF format through www.efanzines.com. 2 3 Don’t Shake Me Issue One Issue One Contents: Art .................................................................... Anjuli Towner............................................ 2 Editorial ............................................................ Warren Harris............................................ 3 Convention Roundup ....................................... Warren Harris.......................................4-13 SCHWA Cartoons............................................. Bill Barker ..........................................12-13 Burning Man Festival 1997................................ Warren Harris.....................................14-27 Wired NextFest 2004 ....................................... -
Growing an Herbal Tea Garden
Growing an Herbal Tea Garden By Lynn Heagney March 1, 2019 Teas if you please Growing an herbal tea garden is fun and rewarding. It involves selecting the site for your garden, deciding which herbs you’d like to grow, choosing a design, then planting, harvesting, and using the herbs you’ve grown in delicious teas. When you’re finished, not only will you have a wonderful source for all of your favorite teas, but you’ll also have a place that attracts butterflies, bees, and hummingbirds. Your first major decision is deciding where you’d like to locate your garden. Be sure to pick a site that has lots of sun, at least 4-6 hours per day because most herbs like sunny locations. Also, pick an area that drains well. Only mint likes “wet feet;” the rest prefer drier areas. If your only option is a damp area, you might consider planting your herbs in a raised bed, or in containers. It’s also nice if you can find a site that’s relatively close to your house so you can have fast and easy access to fresh herbs. Now you’re ready to choose which herbs you’d like to include in your garden. You can decide to establish a site exclusively for herbs used only in teas, or you can combine those with culinary herbs. You can also mix both types of herbs with a variety of flowers. If you’d like see how these combinations might work, plan a visit to the Discovery Gardens in Mount Vernon, where the Herb Garden and Cottage Garden provide inspiring examples of these strategies. -
Castletown List 55
National Library of Ireland Collection List No. 55 Lord Castletown Papers (Mss 35,295-332) (Accession 2503) Compiled by Mary Colley, 2000 The papers of Bernard Edward Barnaby FitzPatrick (1848-1937), 2nd Baron Castletown of Upper Ossory, consisting of correspondence and papers mainly relating to his literary and cultural activities and his political involvements. There is also a relatively small amount of material relating to the management of his estates. Introduction The Lord Castletown Papers were mainly generated by Bernard Edward Barnaby FitzPatrick (1848-1937), 2nd Baron Castletown of Upper Ossory, who was descended from a branch of the illustrious family of Mac Giolla Phádraig. In Gaelic times this branch of the FitzPatricks ruled the area of the present counties Laois and Kilkenny, successive heads of the family being styled chiefs or lords of Upper Ossory. The chiefs were generally politically adroit, and managed to retain their extensive estates even in the most adverse circumstances. For instance, in the reign of Henry VIII, Barnaby (or Bryan) FitzPatrick made a timely submission, whereupon he had his estates re-granted and was subsequently created Baron of Upper Ossory, a title that remained in the family for a century and a half. In the eighteenth and early nineteenth centuries, heads of the family were again ennobled and held the titles Baron Gowran and Earl of Upper Ossory. Following a break in the succession, in 1869 John Wilson FitzPatrick was created 1st Baron Castletown of Upper Ossory. On his death in 1883, his only son, Bernard, succeeded to the title as 2nd Lord Castletown, and inherited the extensive family estate based on Granston Manor in Queen's County, the present Co. -
Japanese Gardens at American World’S Fairs, 1876–1940 Anthony Alofsin: Frank Lloyd Wright and the Aesthetics of Japan
A Publication of the Foundation for Landscape Studies A Journal of Place Volume ıv | Number ı | Fall 2008 Essays: The Long Life of the Japanese Garden 2 Paula Deitz: Plum Blossoms: The Third Friend of Winter Natsumi Nonaka: The Japanese Garden: The Art of Setting Stones Marc Peter Keane: Listening to Stones Elizabeth Barlow Rogers: Tea and Sympathy: A Zen Approach to Landscape Gardening Kendall H. Brown: Fair Japan: Japanese Gardens at American World’s Fairs, 1876–1940 Anthony Alofsin: Frank Lloyd Wright and the Aesthetics of Japan Book Reviews 18 Joseph Disponzio: The Sun King’s Garden: Louis XIV, André Le Nôtre and the Creation of the Garden of Versailles By Ian Thompson Elizabeth Barlow Rogers: Gardens: An Essay on the Human Condition By Robert Pogue Harrison Calendar 22 Tour 23 Contributors 23 Letter from the Editor times. Still observed is a Marc Peter Keane explains Japanese garden also became of interior and exterior. The deep-seated cultural tradi- how the Sakuteiki’s prescrip- an instrument of propagan- preeminent Wright scholar tion of plum-blossom view- tions regarding the setting of da in the hands of the coun- Anthony Alofsin maintains ing, which takes place at stones, together with the try’s imperial rulers at a in his essay that Wright was his issue of During the Heian period winter’s end. Paula Deitz Zen approach to garden succession of nineteenth- inspired as much by gardens Site/Lines focuses (794–1185), still inspired by writes about this third friend design absorbed during his and twentieth-century as by architecture during his on the aesthetics Chinese models, gardens of winter in her narrative of long residency in Japan, world’s fairs. -
Teahouse N I T O
n i northwest:scale 1/8" t o b teahouse ea.r.thomson 2002 southeast:scale 1/8" N The Japanese Teahouse : Ritual and Form Buddhism had branched after about 600bc, into several distinct teachings. Of these, A Paper for M.Cohen’s Seminar on Architectural Proportion Mahayana (meaning 'big raft') Buddhism worked its way to Tibet, Mongolia, China, Korea May 2002, UBC | SoA and Japan. Of these five regional variations is the 'intuitive' school of Mayahana - or Zen. Submitted by a.r.thomson Zen (strictly literally!) means, 'meditation that leads to insight'. In order to make some sense of the Teahouse design, and more specifically its mode of Mahakasyapa, apparently, was the only acolyte present at The Flower Sermon, who proportioning, scale and materiality, it is necessary to understand something of the context understood. The Flower Sermon, it is said, was one where, "Standing on a mountain with his out of which the ‘Culture of Tea’, aka. ’Teaism’ first developed. This paper will attempt to disciples around him, Buddha did not on this occasion resort to words. He simply held aloft distill some sense of this ambient culture, and then relate the aesthetic of Zen, to the a golden lotus." (H.Smith, pg 134) components of the Teahouse proper, and finally, conclude with an examination of the proportions used in the Teahouse design. UBC’s Nitobe Teahouse was the primary resource Mahakasyapa was declared the Buddha's successor. 28 patriarchs later, in 520ad, studied, which is unique in that it is a ‘traditional’ structure on foreign soil, and thus Bodhidharma introduced the teaching of Zen to Japan. -
Journal of the of Association Yachting Historians
Journal of the Association of Yachting Historians www.yachtinghistorians.org 2019-2020 The Jeremy Lines Access to research sources At our last AGM, one of our members asked Half-Model Collection how can our Association help members find sources of yachting history publications, archives and records? Such assistance should be a key service to our members and therefore we are instigating access through a special link on the AYH website. Many of us will have started research in yacht club records and club libraries, which are often haphazard and incomplete. We have now started the process of listing significant yachting research resources with their locations, distinctive features, and comments on how accessible they are, and we invite our members to tell us about their Half-model of Peggy Bawn, G.L. Watson’s 1894 “fast cruiser”. experiences of using these resources. Some of the Model built by David Spy of Tayinloan, Argyllshire sources described, of course, are historic and often not actively acquiring new material, but the Bartlett Over many years our friend and AYH Committee Library (Falmouth) and the Classic Boat Museum Member the late Jeremy Lines assiduously recorded (Cowes) are frequently adding to their specific yachting history collections. half-models of yachts and collected these in a database. Such models, often seen screwed to yacht clubhouse This list makes no claim to be comprehensive, and we have taken a decision not to include major walls, may be only quaint decoration to present-day national libraries, such as British, Scottish, Welsh, members of our Association, but these carefully crafted Trinity College (Dublin), Bodleian (Oxford), models are primary historical artefacts.