The Pure Gold Baby
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Recent British Fiction: Part 3 Catherine Bernard, Liliane Campos, Michelle Ryan-Sautour
Recent British Fiction: part 3 Catherine Bernard, Liliane Campos, Michelle Ryan-Sautour To cite this version: Catherine Bernard, Liliane Campos, Michelle Ryan-Sautour. Recent British Fiction: part 3. In- ternational conference of the Société d’études Anglaises Contemporaines (SEAC) State of Britain: Representing/Writing Britain in the 20th and 21st Centuries, Société d’études anglaises contempo- raines, Oct 2014, Paris, France. hal-01292636 HAL Id: hal-01292636 https://hal.archives-ouvertes.fr/hal-01292636 Submitted on 23 Mar 2016 HAL is a multi-disciplinary open access L’archive ouverte pluridisciplinaire HAL, est archive for the deposit and dissemination of sci- destinée au dépôt et à la diffusion de documents entific research documents, whether they are pub- scientifiques de niveau recherche, publiés ou non, lished or not. The documents may come from émanant des établissements d’enseignement et de teaching and research institutions in France or recherche français ou étrangers, des laboratoires abroad, or from public or private research centers. publics ou privés. Études britanniques contemporaines 49 (2015) State of Britain ................................................................................................................................................................................................................................................................................................ Catherine Bernard, Liliane Campos and Michelle Ryan-Sautour Recent British Fiction (Part 3) Concluding panel of the 2014 SÉAC -
Margaret Drabble's Writing Emerged from The
argaret Drabble’s writing emerged right after the Nobel Winner’s death, in 2013, is of extraordi- from the turbulences of the second nary emotional power and political wisdom while seeming a wave feminist movement and the rad- simple recollection of Lessing as a visitor and as a host. ical demands and changes it brought I spoke with Margaret Drabble in Toronto, during her to contemporary fiction. She married brief stay at a writers’ festival, where she came to talk about Myoung, had children, and started work on what would become her most recent novel, The Pure Gold Baby. She is a gener- her first published novel at the age of twenty-one, soon after ous interlocutor, and after the first quarter-hour it felt like a graduating from the University of Cambridge, in 1960. In a basic understanding was tacitly established, many of the for- BBC documentary about the young Drabble, recorded around malities left aside. —Lydia Perović the time of her first literary successes—mid-to-late sixties, the time of her award-winning novels The Millstone and Jeru- I. THE PRESSURE salem the Golden—she appears the embodiment of cool: the FOR THINGS TO BE SAID young Glenda Jackson style, the mini-skirt, the knee-high boots, the effortless, understated 1960s glamour. THE BELIEVER: The big Feminist Fiction wave that you Her first novel,A Summer Bird-Cage, is a joyful bundle were part of, together with Doris Lessing, Margaret Atwood, of contradictions, in which the chatty musings about clothes, Angela Carter, Toni Morrison, A.S. Byatt, Octavia Butler— popularity, and men do not distract from the historical ques- how did it take shape? That kind of critical mass of fiction tion at hand: what can a young woman do with her life in the and criticism that focused on gender philosophy and poli- latter half of the twentieth century? All her young novels have tics can’t be matched with anything happening today. -
1. Narrative As Soft Violence in Margaret Drabble's the Pure Gold Baby
Page no.1 1. Narrative as Soft Violence in Margaret Drabble’s The Pure Gold Baby Bushra Juhi Jani Research Student School of English The University of Sheffield United Kingdom ORCID iD http://orcid.org/0000-0001-6329-3603 E-Mail: [email protected] Abstract This article deals with Pierre Bourdieu’s concept of “symbolic” or “soft” violencein Margaret Drabble’s latest novel, The Pure Gold Baby (2013). The novel is about a young anthropologist student, who becomes pregnant whilst in a relationship with her married professor. Her promising academic career and dreams of being a field anthropologist and of returning to Africa are put to one side and she becomes a desk-bound anthropologist in north London while caring for her daughter, the “pure gold baby” of the title, who suffers from serious developmental problems. The article reflects the importance of the ambiguity of narration in the novel in which soft violence is practiced by the author, the narrator, the protagonist, the educational and religious institutions, as well as through the class structure. It shows a complex and interrelated thematic and theoretical strands, discussing the novelist as anthropologist, narration as controlling authorial act, the shift from victimhood to perpetration of violence in the exploration of gender, education and sexuality.It explores the soft violence of racism and colonial exploitation and domination. Keywords Margaret Drabble; The Pure Gold Baby; Pierre Bourdieu; soft Violence; anthropology; disability; education; domination; IQ racism; colonialism; neo-Colonialism; missionaries. Vol 3 No 1 (2015) ISSUE – March ISSN 2347-6869 (E) & ISSN 2347-2146 (P) Narrative as Soft Violence in Margaret Drabble’sThe Pure Gold Baby by Bushra J. -
Gender, Culture and Social Change in the Fiction of Margaret Drabble
ANGLIA RUSKIN UNIVERSITY FACULTY OF ARTS, LAW AND SOCIAL SCIENCES GENDER, CULTURE AND SOCIAL CHANGE IN THE FICTION OF MARGARET DRABBLE TALLA ABDULLAH RASHID A thesis in partial fulfilment of the requirements of Anglia Ruskin University for the degree of Doctor of Philosophy Submitted: July 2018 ACKNOWLEDGMENTS I would like to express my special appreciation and thanks to my supervisor, Professor Mary Joannou, who ploughed through several drafts of this thesis, gave me the courage to strive and the stimulus to write, and has been an invaluable source of guidance and constant encouragement throughout the several years of preparing this thesis when great changes in my life happened. She is exemplary as a supervisor and a scholar. Additional thanks must go to Professor Valerie Purton who gave me very incisive comments and helpful suggestions on the final draft of the thesis. l am indebted to Andy Salmon, Acting Dean of the Faculty of Arts and Letters, for his understanding and support when this was needed. Outside the sphere of academia, I am indebted to my parents. Though far away, their emotional support was always by my side and their belief in me has been unfailing – it is to them that this work is dedicated. Last but not least, I would like to thank Areen and Nma, my lovely son and sweet daughter, who both challenged and inspired me as a mother. I appreciate their patience and to them this work is dedicated as well. i ANGLIA RUSKIN UNIVERSITY ABSTRACT FACULTY OF ARTS, LAW AND SOCIAL SCIENCES DOCTOR OF PHILIOSOPHY GENDER, CULTURE AND SOCIAL CHANGE IN THE FICTION OF MARGARET DRABBLE TALLA ABDULLAH RASHID July 2018 This thesis, which is feminist and historicist in its methodological approaches, explores the social, cultural and political circumstances in which Margaret Drabble's nineteen novels were produced by using close textual reading to position her novels in their historical context. -
Dame Margaret Drabble CBE
Dame Margaret Drabble CBE Dame Margaret Drabble was born in Sheffield in 1939 and was educated at Newnham College, Cambridge. She is the author of eighteen novels including A Summer Bird-Cage, The Millstone, The Peppered Moth, The Red Queen, The Sea Lady and the highly acclaimed The Pure Gold Baby. She has also written biographies, screenplays and was the editor of the Oxford Companion to English Literature. She was appointed CBE in 1980, and made DBE in the 2008 Honours list. She was also awarded the 2011 Golden PEN Award for a Lifetime’s Distinguished Service to Literature. Agents James Gill Assistant [email protected] Amber Garvey [email protected] 020 3214 0864 Publications Fiction Publication Notes Details THE PURE Anna is a child of special, unknowable qualities. She is a happy child, always GOLD BABY willing to smile at the world around her. But she also presents profound 2013 challenges. For her mother Jess, still in her early twenties, living alone in North CANONGATE London and hoping to embark on an adventurous career, her arrival will prove life-transforming. Over the course of decades, in ways large and small, Anna will affect the lives and loves of those around her. While Anna herself will remain largely unaltered by the passing years, she will live through a period of dramatic change, her journey illuminating our shifting attitudes towards motherhood, responsibility and the way we care for one another. Both personal and political, The Pure Gold Baby is a remarkable portrait of a family, a friendship, and a neighbourhood.It is a novel of great beauty, wisdom and stealthy power by one of our country's foremost and acclaimed writers. -
F13 Canadian Cat.Pdf
CONTENTS PAGE 2 New Fiction and Non-fiction PAGE 49 Harper Paperbacks PAGE 78 Young Adult & Children's Titles PAGE 90 Author Index PAGE 91 Title Index PAGE 92 Key Contacts Please note: Prices, dates and specifications listed in this catalogue are subject to change without notice. The suggested retail prices are in Canadian dollars and do not include GST/HST. All resellers are free to establish their own prices. Consumer prices are suggestions only and do not reflect the prices at which books and other products will be sold. 2 HarperCollins Strikingly original in form, The Kraus Project is a feast of thought, passion and literature hundred years ago, the writings of Viennese satirist Karl Kraus A were among the most penetrating and prophetic in Europe: a relentless criticism of the popular media’s manipulation of reality, the JO NATHAN FRANZ EN dehumanizing machinery of technology and consumerism, and the jin- goistic rhetoric of a fading empire. But even though Kraus’s followers included Franz Kafka and Walter Benjamin, he remained something of a lonely prophet, and few people today are familiar with his work. Thank- The Kraus Project fully, Jonathan Franzen is one of them. Translations and Annotations In The Kraus Project, Franzen not only presents his definitive new by Jonathan Franzen translations of Kraus but annotates them spectacularly, with supplemen- tary notes from the Kraus scholar Paul Reitter and the Austrian writer WITH ASSISTANCE AND ADDITIONAL Daniel Kehlmann. Kraus was a notoriously cantankerous and difficult NOTES FROM PAUL REITTER author, and in Franzen he has found his match: a novelist unafraid to voice unpopular opinions strongly, and a critic capable of untangling AND DANIEL KEHLMANN Kraus’s o"en dense arguments to reveal their relevance to contempo- ņěŖŚńŝŝ rary America. -
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JNROnline Journal Journal of Natural Remedies ISSN: 2320-3358 (e) Vol. 21, No. 7(S1). 2020 ISSN: 0972-5547(p) EXPLORATION OF SOCIAL IDENTITY IN MARGARET DRABBLE’S JERUSALEM THE GOLDEN Author R. ANTO SINDHUJA Ph.D Scholar (Reg. No:18121274012021), St. John’s College, Palayamkottai Manonmaiam Sundaranar University, Abishekapatti Co-Author Dr. D. NALINA PALIN Assot. Prof of English, St.John’s College, Palayamkottai Manonmaiam Sundaranar University Abishekapatti ABSTRACT The contemporary women seek social identity and fight to attain a greater position in the society. This struggle can be seen in the lives of the protagonists of Drabble’s novel. Margaret Drabble is a post modern writer. Her works are the great fiction of the individuals’ growth and development in the society. Her novels usually end with its protagonists’ attainment of wisdom and triumph. Her protagonists struggle for their identity in the society. In the novel Jerusalem the Golden Clara Maugham’s quest for the social identity has been depicted clearly. The novel has been portrayed in the postmodern aspect. In her every work and character the readers can sense the strong feminist view. She sketches the characters as searching for their position in academic level and in the society. According to Drabble, one becomes relevant to others by living with external rhythms. This is how relationships in the society are formed and this helps human beings to lead harmonious life. This paper deals with the efforts of Clara Maugham, the central character of Jerusalem the Golden who seeks her social identity. Key Words: Post modernism, Feminism, Social identity.