DOCSLIB.ORG

C:\Users\Randy\Documents\Wesley\Poetry and Hymns\Charles Wesley Files\Published Primary Sources\First Editions Revised\Scriptur

Total Page：16

File Type：pdf, Size：1020Kb

Download full-text PDF Read full-text
C:\Users\Randy\Documents\Wesley\Poetry and Hymns\Charles Wesley Files\Published Primary Sources\First Editions Revised\Scriptur Modernized text Scripture Hymns (1762), Vol. 21 [Baker list, #249] Editorial Introduction: Charles Wesley was sidelined in Bristol for much of 1760–61 with an extended illness (the gout). He frequently visited Bath nearby to drink the waters and he occupied his time writing a series of verse arising from reading through the entire Bible. Unlike his earlier work on the psalms and other scripture passages, which sought mainly to paraphrase scripture in verse, most of the work collected in this two-volume set is reflective in tone. The short hymns often pick up a single theme provoked by the passage being read, with emphasis on relevance to the current struggles in the Methodist movement. As Charles notes in the preface (included in volume 1), many of the hymns focus on current debates about Christian perfection. Charles also notes in the preface that the reflections on scripture contained in these short hymns were often suggested by reading alongside of scripture some commentaries on the text (particularly by Johann Bengel, Robert Gell and Matthew Henry). As he had done with his two-volume collection HSP (1749), Charles sought copyright protection for this two-volume set, registering it at Stationers Hall on August 23, 1762. While Charles does not provide a table of contents for his volume, we have provided one below, organized by scripture reference, because he occasionally gives a hymn on a particular verse out of sequence. Edition: Charles Wesley. Short Hymns on Select Passages of the Holy Scriptures. 2 vols. Bristol: Farley, 1762. Notes: John Wesley’s personal copy of this two-volume set is present in the remnants of his personal library at Wesley’s House, London (shelfmark, J. 25–26). His significant reactions to the text and suggested corrections will be recorded in footnotes. For a more complete list (including minor spelling corrections) and reflections on these manuscript insertions, see S T Kimbrough Jr. “John Wesley: Editor-Poet-Priest,” Methodist History 43 (2005): 131–59. All of the hymns in this volume on the Gospels and Acts (2:127–276) were copied or adapted by Charles in his later collections: MS Matthew, MS Mark, MS Luke, MS John, and MS Acts. Transcriptions of these manuscript collections, provided elsewhere on this website, cite each item taken from Scripture Hymns (1762). We did not deem it necessary to provide parallel individual citations in Scripture Hymns (1762) for occurrences in these various manuscript collections. In this second volume, on page 293, Wesley (or the printer) mistakenly numbered two consecutive hymns in the New Testament section “556.” 1This document was produced by the Duke Center for Studies in the Wesleyan Tradition under editorial direction of Randy L. Maddox, with the diligent assistance of Aileen F. Maddox. Last updated: January 13, 2021. TABLE OF CONTENTS (Ordered by Scripture reference) Jeremiah Jeremiah (cont.) Lamentations 2:13 #1161 2:3 17:9–10 #1203 2:21–22 1:12 #1245 2:39 2:17 #1162 2:3–4 17:14 #1205 2:23 1:12 #1246 2:39 2:19 #1163 2:4 23:5 #1206 2:23 3:22 #1247 2:40 2:19 #1164 2:4 23:6 #1207 2:23–24 3:[22–]23 #1248 2:40 2:20 #1165 2:4–5 23:28 #1208 2:24 3:24 #1249 2:40 2:32 #1166 2:5 23:29 #1209 2:24 3:25 #1250 2:41 2:34 #1167 2:5–6 23:29 #1210 2:24 3:26 #1251 2:41 3:4–5 #1168 2:6 24:7 #1211 2:25 3:27–29 #1252 2:41–42 3:12–13 #1169 2:6–7 29:13 #1212 2:25 3:31 #1253 2:42 3:14–15 #1170 2:7 30:7 #1213 2:25–26 3:32 #1254 2:42 3:16 #1171 2:8 30:8 #1214 2:26 3:33 #1255 2:42–43 3:17 #1172 2:8 30:9 #1215 2:26 3:39 #1256 2:43 3:18 #1173 2:9 30:10 #1216 2:27 5:16 #1257 2:43–44 3:19 #1174 2:9 30:11 #1217 2:27 3:19 #1175 2:10 30:11 #1218 2:27–28 Ezekiel 3:22 #1176 2:10 30:17 #1219 2:28 3:23 #1177 2:10–11 30:21 #1220 2:28 16:62–63 #1258 2:44–45 4:1 #1178 2:11 31:3 #1221 2:28 18:31 #1259 2:45 4:14 #1179 2:11 31:11 #1222 2:29 18:31 #1260 2:45 4:14 #1180 2:11 31:12 #1223 2:29 34:23 #1261 2:46 6:8 #1181 2:11–12 31:12 #1224 2:29–30 34:25 #1262 2:46 6:14 #1182 2:12 31:14 #1225 2:30 34:26 #1263 2:47 6:14 #1183 2:12–13 31:17 #1226 2:30 34:27 #1264 2:47 6:16 #1184 2:13 31:18 #1227 2:30 34:27 #1265 2:47–48 7:4 #1185 2:13–14 31:18 #1228 2:31 34:28 #1266 2:48 8:9 #1186 2:14 31:19 #1229 2:31 34:29–30 #1267 2:48–49 8:20 #1187 2:14–15 31:20 #1230 2:31–32 36:26 #1268 2:49 8:22 #1188 2:15 31:22 #1231 2:32 36:26 #1269 2:49 9:1 #1189 2:15–16 31:33 #1232 2:32 36:36 #1270 2:49–50 9:23 #1190 2:16 31:34 #1233 2:33 36:37 #1271 2:50 10:24 #1191 2:17 31:34 #1234 2:33 37:1–2 #1272 2:50 10:25 #1192 2:17 31:34 #1235 2:33 37:3–4 #1273 2:51 13:16 #1193 2:17–18 32:39 #1236 2:33–34 37:4–5 #1274 2:51–52 13:23 #1194 2:18 32:40 #1237 2:34 37:7–8 #1275 2:52 13:27 #1195 2:18 33:6 #1238 2:34–35 37:9–10 #1276 2:52–53 13:27 #1196 2:18 33:16 #1239 2:35 37:11–12 #1277 2:53 13:27 #1197 2:19 44:4 #1240 2:35 37:13–14 #1278 2:53–54 14:8–9 #1198 2:19–20 49:11 #1241 2:36 37:17 #1279 2:54 15:6 #1199 2:20 50:5 #1242 2:36–37 37:21–22 #1280 2:54 15:18 #1200 2:20–21 50:20 #1243 2:37 37:23 #1281 2:54–55 17:9 #1201 2:21 50:33–34 #1244 2:37–38 37:23 #1282 2:55 17:9 #1204 2:22–23 37:24 #1283 2:55 17:9–10 #1202 2:21 37:24 #1284 2:55 Ezekiel (cont.) Hosea (cont.) Jonah (cont.) 37:25 #1285 2:56 12:4 #1326 2:71 4:6 #1361 2:84 37:26 #1286 2:56 12:12 #1327 2:71 4:7 #1362 2:84 37:26 #1287 2:56 13:9 #1328 2:72 4:8 #1363 2:84 37:27 #1288 2:56–57 13:10 #1329 2:72 37:28 #1289 2:57 13:14 #1330 2:72 Micah 39:29 #1290 2:57 14:2 #1331 2:72 14:4 #1332 2:72–73 2:7 #1364 2:85 Daniel 4:5 #1365 2:85 Joel 4:6–7 #1366 2:85–86 2:35 #1291 2:58 4:8 #1367 2:86 2:44 #1292 2:58–59 2:28 #1333 2:73 5:2 #1368 2:86 3:16 #1293 2:59 2:30–31 #1334 2:73–74 6:9 #1369 2:86–87 3:17 #1294 2:59 2:32 #1335 2:74 6:9 #1370 2:87 3:17 #1295 2:59–60 3:12 #1336 2:74 7:7 #1371 2:87 3:18 #1296 2:60 3:13ff #1337 2:74–75 7:8 #1372 2:87 3:25 #1297 2:60 3:16–17 #1338 2:75 7:9 #1373 2:88 4:30 #1298 2:60–61 3:18 #1339 2:75–76 7:18 #1374 2:88 4:37 #1299 2:61 3:20–21 #1340 2:76 7:19 #1375 2:88 5:17 #1300 2:61 7:20 #1376 2:89 5:25 #1301 2:61–62 Amos 6:5 #1302 2:62 Nahum 6:10 #1303 2:62 3:3 #1341 2:77 6:10 #1304 2:63 3:8 #1342 2:77 1:7 #1377 2:89 6:20 #1305 2:63 4:11 #1343 2:77 1:13 #1378 2:89 7:18 #1306 2:63–64 4:12 #1344 2:78 1:15 #1379 2:90 9:24 #1307 2:64 5:4 #1345 2:78 1:15 #1380 2:90 12:13 #1308 2:64 5:12 #1346 2:78 8:11 #1347 2:78–79 Habakkuk Hosea 9:9 #1348 2:79 9:11–12 #1349 2:79 1:2 #1381 2:91 2:14 #1309 2:65 2:1 #1382 2:91 2:14 #1312 2:66–67 Obadiah 2:3 #1383 2:92 2:15 #1310 2:65–66 2:4 #1384 2:92 2:15 #1311 2:66 v. 17 #1350 2:80 2:14 #1385 2:92 2:15 #1313 2:67–68 v. 17 #1351 2:80 3:2 #1386 2:92–93 4:17 #1314 2:68 v. 17 #1352 2:80–81 3:2 #1387 2:93 5:15 #1315 2:68 v.
Load more

Recommended publications
  • Jesus I Am Statements in the Book of John
    Jesus I Am Statements In The Book Of John Churchill is chummiest and siege scantily as anaesthetized Bruce attests lissomely and cooed snottily. Commissarial and seely Frederic never kalsomined tartly when Bernard etiolated his Charterhouse. Tad cross-reference logographically? It from below is also noted, sell the statements jesus in of i the john distinctively presents jesus is a massive. Like certain other heir in the Bible the buck I Am statements of Jesus in addition book of John follow the progressive ten steps of God's need of redemption. I kiss that knowledge Am Wikipedia. Is Yahweh the title God? The 7 I AM Statements of Jesus OT Background & NT. Jesus is Lord above I am statements in Revelation Cregrina. Lord and salvation in china i am i statements in the jesus book of john! Daily newsletter to know you: what does it is not yet have written books, you can take away with. Talk about the scene, am of his father; the king and have you will also discussed being a bracelet at two. John's gospel has brought distinct moments where Jesus claims to war something that certain human could possibly be with language that no devout. The various I AM Statements In John Grace thru faith. The pray I lack's Of Jesus What Christians Want him Know. While before he spoke of jesus i in the john? The road AM Statements of Jesus Series Mountain Creek. Why do something explicitly clear: baháʼí publishing trust jesus, i am statements in this book is not hunger that was? Book of John accounts in detail what Jesus claimed to predict and loud He did while even earth I encourage job to desktop with big I AM statements Wrestle away the.
    [Show full text]
  • Examining the Influence of Popular Music and Poetry Therapy on The
    CORE Metadata, citation and similar papers at core.ac.uk Provided by Louisiana State University Louisiana State University LSU Digital Commons LSU Doctoral Dissertations Graduate School 2009 Examining the influence of popular music and poetry therapy on the development of therapeutic factors in groups with at-risk adolsecents Leah Olson-McBride Louisiana State University and Agricultural and Mechanical College, [email protected] Follow this and additional works at: https://digitalcommons.lsu.edu/gradschool_dissertations Part of the Social Work Commons Recommended Citation Olson-McBride, Leah, "Examining the influence of popular music and poetry therapy on the development of therapeutic factors in groups with at-risk adolsecents" (2009). LSU Doctoral Dissertations. 634. https://digitalcommons.lsu.edu/gradschool_dissertations/634 This Dissertation is brought to you for free and open access by the Graduate School at LSU Digital Commons. It has been accepted for inclusion in LSU Doctoral Dissertations by an authorized graduate school editor of LSU Digital Commons. For more information, please [email protected]. EXAMINING THE INFLUENCE OF POPULAR MUSIC AND POETRY THERAPY ON THE DEVELOPMENT OF THERAPEUTIC FACTORS IN GROUPS WITH AT-RISK ADOLESCENTS A Dissertation Submitted to the Graduate Faculty of the Louisiana State University and Agricultural and Mechanical College in partial fulfillment of the requirements for the degree of Doctor of Philosophy in The School of Social Work by Leah Olson-McBride B.S.W., University of Wisconsin-Eau Claire,
    [Show full text]
  • M-Phazes | Primary Wave Music
    M- PHAZES facebook.com/mphazes instagram.com/mphazes soundcloud.com/mphazes open.spotify.com/playlist/6IKV6azwCL8GfqVZFsdDfn M-Phazes is an Aussie-born producer based in LA. He has produced records for Logic, Demi Lovato, Madonna, Eminem, Kehlani, Zara Larsson, Remi Wolf, Kiiara, Noah Cyrus, and Cautious Clay. He produced and wrote Eminem’s “Bad Guy” off 2015’s Grammy Winner for Best Rap Album of the Year “ The Marshall Mathers LP 2.” He produced and wrote “Sober” by Demi Lovato, “playinwitme” by KYLE ft. Kehlani, “Adore” by Amy Shark, “I Got So High That I Found Jesus” by Noah Cyrus, and “Painkiller” by Ruel ft Denzel Curry. M-Phazes is into developing artists and collaborates heavy with other producers. He developed and produced Kimbra, KYLE, Amy Shark, and Ruel before they broke. He put his energy into Ruel beginning at age 13 and guided him to RCA. M-Phazes produced Amy Shark’s successful songs including “Love Songs Aint for Us” cowritten by Ed Sheeran. He worked extensively with KYLE before he broke and remains one of his main producers. In 2017, Phazes was nominated for Producer of the Year at the APRA Awards alongside Flume. In 2018 he won 5 ARIA awards including Producer of the Year. His recent releases are with Remi Wolf, VanJess, and Kiiara. Cautious Clay, Keith Urban, Travis Barker, Nas, Pusha T, Anne-Marie, Kehlani, Alison Wonderland, Lupe Fiasco, Alessia Cara, Joey Bada$$, Wiz Khalifa, Teyana Taylor, Pink Sweat$, and Wale have all featured on tracks M-Phazes produced. ARTIST: TITLE: ALBUM: LABEL: CREDIT: YEAR: Come Over VanJess Homegrown (Deluxe) Keep Cool/RCA P,W 2021 Remi Wolf Sexy Villain Single Island P,W 2021 Yung Bae ft.
    [Show full text]
  • ED 353 517 CG 024 735 TITLE Fighting Back: the Cultural
    ED 353 517 CG 024 735 TITLE Fighting Back: The Cultural Context of Drug and Alcohol Use among Youth. INSTITUTION Social Development Commission, Milwaukee, WI. PUB DATE [92] NOTE 130p.; Funding for this study was provided by Fighting Back, United Way of Greater Milwaukee, and the Milwaukee Foundation. PUB TYPE Reports Research/Technical (143) EDRS PRICE MF01/PC06 Plus Postage. DESCRIPTORS American Indians; Asian Americans; *At Risk Persons; Blacks; Community Involvement; *Cultural Context; *Drinking; *Drug Use; Family Relationship; Hispanic Americans; *Incidence; Minority Groups; Substance Abuse; Whites; *Youth Problems IDENTIFIERS African Americans; Native Americans; Wisconsin (Milwaukee) ABSTRACT In this study 194 African American, Southeast Asian, Hispanic, Native American, and White adolescents and young adults aged 12 to 25 were interviewed during April and May of 1991. Subjects were recruited through several community-based organizations, schools, and other youth-serving programs in the Fighting Back program area ;.n Milwaukee, Wisconsin. Open-ended interviews were conducted and the interviews were taped, translated, and transcribed for analysis. Twenty-six percent reported that they had never used alcohol or drugs. Using alcohol and drugs in the company of friends was the primary recreational activity for 40% of those interviewed. Warnings against drug and alcohol abuse from family members did not seem to work. About half felt that their neighborhood was a good one to live in, with Whites expressing the most negative feelings about their neighborhoods. Youth perceptions of the effectiveness of community messages aimed at deterring youth from substance abuse were divided into three categories: effective, not effective, and Lomewhat effective. Youth who were involved in some form of organized community, sports, or church activity were less likely to be engaged in use and abuse of alcohol and drugs.
    [Show full text]
  • 5 Letter from the Editors
    BURNmagazine Issue 5 Letter from the Editors What is Burn? As new editors resurrecting Burn Magazine from its last publication in 2010, we look to embody our preceding editors’ hopes for Burn, despite moving into the future; that is, compiling a literary magazine that allows its readers to momentarily escape their busy collegiate lives in Boston and immerse themselves in the words, thoughts, and images of their undergraduate colleagues. We chose the following pieces based on both on their unique concepts and varying styles, though we decided against a specific theme for this issue to bind the contributions together aside from the fact that they all were written by undergraduates. Our hope is that because of the wide range of pieces we chose, Burn will appeal to all types of people at Boston University as a way to experience the creativity of those who may be outside of their discipline’s realm—we want this magazine and its contributors’ voices to reach people outside of just family and friends (though we do appreciate these you). We hope you enjoy the pieces we selected from our submissions this semester, and we look forward to the future of Burn Magazine. Best, Jenna Bessemer and Tori Sommerman, Co-Editors Zachary Bos, Advising Editor Founded in 2006 by Catherine Craft, Mary Sullivan, and Chase Quinn. Boston University undergraduates may send submissions to [email protected]. Manuscripts are considered year-round. Burn Magazine is published according to an irregular schedule by the Boston University Literary Society; printed by the Pen & Anvil Press. Front cover photograph by Tori Sommerman, COM 2013.
    [Show full text]
  • El Paso Odyessy Tafari Amin Nugent University of Texas at El Paso, [email protected]
    University of Texas at El Paso DigitalCommons@UTEP Open Access Theses & Dissertations 2015-01-01 El Paso Odyessy Tafari Amin Nugent University of Texas at El Paso, [email protected] Follow this and additional works at: https://digitalcommons.utep.edu/open_etd Part of the American Literature Commons, and the Literature in English, North America Commons Recommended Citation Nugent, Tafari Amin, "El Paso Odyessy" (2015). Open Access Theses & Dissertations. 1113. https://digitalcommons.utep.edu/open_etd/1113 This is brought to you for free and open access by DigitalCommons@UTEP. It has been accepted for inclusion in Open Access Theses & Dissertations by an authorized administrator of DigitalCommons@UTEP. For more information, please contact [email protected]. El Paso Odyssey TAFARI NUGENT Department of Creative Writing APPROVED: Lex Williford Chair Jeffery Sirkin Ph.D. Esther Al-Tabaa MA Charles Amber, Ph.D. Dean of the Graduate School COPYRIGHT © by T.A. Nugent 2015 An El Paso Odyssey by TAFARI A. N UGENT, BA Creative Writing Thesis Presented to the Faculty of the Graduate School of The University of Texas at El Paso in Partial Fulfillment of the Requirements for the Degree of MASTER OF FINE ARTS Department of Creative Writing THE UNIVERSITY OF TEXAS AT EL PASO MAY 2015 Table of Contents Introduction ...........................................................................................................................vi Section I- In the Absence of Narration ............................................................................vii
    [Show full text]
  • Download English Translation of Act
    This is the translation of ACT TWO of LA BOHÉME (Transcript of the full Opera available here: https://www.opera-arias.com/puccini/la- bohème/libretto/english/ ) Cast: MIMI, a seamstress (Soprano) RODOLFO, a poet (Tenor) MARCELLO, a painter (Baritone) COLLINE, a philosopher (Bass) SCHAUNARD, a musician (Baritone) BENOIT, a landlord (Bass) MUSETTA, a grisette (Soprano) ALCINDORO, a state councellor and follower of Musetta (Bass) PARPIGNOL, an itinerant toy vendor (Tenor) CUSTOM-HOUSE SERGEANT (Bass) CHORUS Students, Working girls, Bourgeois, Shopkeepers, Street vendors, Soldiers, Waiters, Children, Tavern drinkers, Scavengers, Carters, Milkmaids, Peasant women ACT TWO (SECOND TABLEAU) Later the same evening, outside the Café Momus in the Latin Quarter; the café is so crowded that customers have to be accommodated at tables outside. All round them street vendors are shouting their wares. STREET VENDORS variously Oranges, dates! Hot chestnuts! Trinkets, crosses! Nougat! Whipped cream! Fruit pies, ho! Toffees! Flowers for the pretty girls! Fruit pies! Whipped cream! Finches, sparrows! dates! URCHINS Oranges, trinkets! Hot chestnuts and toffees! Nougat! Come on, let's hurry, come on, hurry! MEN What crowds! What a din! WOMEN Oh, what a lot of people! STUDENTS to midinettes Come on, let's run! Stick close to me! What a row! Come on, let's run! CROWD Make way! Let's run! STREET VENDORS, URCHINS repeating as before Hot chestnuts! Cream, nougat! etc. Coconut milk! Fruit pies! Ho! etc., etc. CROWD What a crowd! Let's be off! Oh! … Let us pass! VARIOUS
    [Show full text]
  • Download Ruth Devotional
    Ruth a verse-by-verse commentary and devotional how to use this study → Start every day by praying first, then reading the Bible, then read this devotional alongside the Bible. This study will be a verse-by-verse commentary with personal reflection at the end. Every week will also include a different spiritual discipline that might be new to you. Those days just might become your favorite. → We should also discuss the types of Bible translations that are available. Some translations that are close to being what the Hebrew literally says, while others take some freedom in how they translate the text. When it comes to studying the Bible carefully and in detail, it is most helpful to have a translation that is close to being literal. Wayne Grudem has a helpful chart for this in one of his articles, “Are Only Some Words of Scripture Breathed Out By God?”. (The article is amazing too, and I would highly recommend reading it. You can find it by going to WayneGrudem.com -> “Articles” -> “Bible Translation”) www.waynegrudem.com/wp-content/uploads/2013/02/Are-Only- Some.pdf 2 → Ask yourself what you are seeking. Are you seeking God above all else, and seeking to establish regular, daily time with him? Or are you just seeking to finish the reading so you can be “prepared” for Wednesdays? This study will mean nothing if God is not first. Don’t worry about getting through it just to get it done. Give God your full attention and your whole heart, and ask him to speak to you through this study.
    [Show full text]
  • Praise Songs
    When I Consider Your Heavens Songs of Worship & Praise 4 .1 Compiled by Dwayne Kingry Printed 2008 Praise and Worship When I Consider Your Heavens Praise and Worship v4.1 A Quiet Place [001] Above All [002] C E7 (Verse) There is a quiet place G/B C D G Am C7 Fmaj7 Above all powers above all kings Far from the rapid pace where God G/B C D G A7 D7 G9 Above all nature and all created things Can soothe my troubled mind D/F# Em D C G/B Gm9 C9 Above all wisdom and all the ways of man Sheltered by tree and flower C Am7 D G F9 Dm Am You were here before the world began There in my quiet hour with Him G/B C D G B7 E Dm7 G7 Above all kingdoms above all thrones My cares are left behind G/B C D G C E7 Above all wonders the world has ever known Whether a garden small D/F# Em D C G/B Am C7 Above all wealth and treasures of the earth Or on a mountain tall C Am7 B7 F Bm7 E7 Am C7 There's no way to measure what You're worth New strength and courage there I find F Fm6 Em (Chorus) Then from this quiet place I go G C D G Em7 A7 Dm7 Crucified laid behind a stone Prepared to face a new day G C D G G9 Dm7 G7 C You lived to die rejected and alone With love for all mankind D/F# Em D C G/B Like a rose trampled on the ground C G/B C D You took the fall and thought of me G Above all (Verse) (Chorus x2) D/F# Em D C G/B Like a rose trampled on the ground C G/B C D You took the fall and thought of me G Above all Page 1 of 218 When I Consider Your Heavens Praise and Worship v4.1 Adonai [003] Agnus Dei [004] (Capo 1st Fret) G C G Em C Intro: Gsus G G/B C Alleluia, alle---luia
    [Show full text]
  • Service Lyrics February 14, 2021 Materials to Be Used Only with Franconia United Methodist Church’S Virtual Services and Adhere with Published Licensing Guidelines
    Service Lyrics February 14, 2021 Materials to be used only with Franconia United Methodist Church’s virtual services and adhere with published licensing guidelines. One Day (Verse) One day there’ll be no more waiting left for our souls One day there’ll be no more children longing for home One day when the kingdom comes right here where we stand We will see the promised land One day there’ll be no more lives taken too soon One day there’ll be no more need for a hospital room One day every tear that falls will be wiped by His hand We will see the promised land (Chorus) Hallelujah There will be healing From this heartbreak we’ve been feeling We’ll sing in the darkest night ‘Cause we know that the light will come And there will be healing Hallelujah (Verse) One day there’ll be no more anger left in our eyes One day the color of our skin won’t cause a divide One day we’ll be family standing hand in hand And we will see the promised land We will see the promised land (Chorus) (Verse) One day every knee will bow every tongue will confess One day when our tired and weary bones find their rest One day when the power of evil's brought to an end We will see the promised land (Chorus) 6037 FRANCONIA ROAD, ALEXANDRIA, VA 22310 | WWW.FRANCONIAUMC.ORG | (703) 971-5151 I Need a Miracle (Verse) Well late one night she started to cry And thought He ain't coming home She was tired of the lies tired of the fight But she didn't wanna see him go She fell on her knees and said I haven't prayed since I was young But Lord above I need a miracle (Chorus) Well
    [Show full text]
  • Songs by Title
    16,341 (11-2020) (Title-Artist) Songs by Title 16,341 (11-2020) (Title-Artist) Title Artist Title Artist (I Wanna Be) Your Adams, Bryan (Medley) Little Ole Cuddy, Shawn Underwear Wine Drinker Me & (Medley) 70's Estefan, Gloria Welcome Home & 'Moment' (Part 3) Walk Right Back (Medley) Abba 2017 De Toppers, The (Medley) Maggie May Stewart, Rod (Medley) Are You Jackson, Alan & Hot Legs & Da Ya Washed In The Blood Think I'm Sexy & I'll Fly Away (Medley) Pure Love De Toppers, The (Medley) Beatles Darin, Bobby (Medley) Queen (Part De Toppers, The (Live Remix) 2) (Medley) Bohemian Queen (Medley) Rhythm Is Estefan, Gloria & Rhapsody & Killer Gonna Get You & 1- Miami Sound Queen & The March 2-3 Machine Of The Black Queen (Medley) Rick Astley De Toppers, The (Live) (Medley) Secrets Mud (Medley) Burning Survivor That You Keep & Cat Heart & Eye Of The Crept In & Tiger Feet Tiger (Down 3 (Medley) Stand By Wynette, Tammy Semitones) Your Man & D-I-V-O- (Medley) Charley English, Michael R-C-E Pride (Medley) Stars Stars On 45 (Medley) Elton John De Toppers, The Sisters (Andrews (Medley) Full Monty (Duets) Williams, Sisters) Robbie & Tom Jones (Medley) Tainted Pussycat Dolls (Medley) Generation Dalida Love + Where Did 78 (French) Our Love Go (Medley) George De Toppers, The (Medley) Teddy Bear Richard, Cliff Michael, Wham (Live) & Too Much (Medley) Give Me Benson, George (Medley) Trini Lopez De Toppers, The The Night & Never (Live) Give Up On A Good (Medley) We Love De Toppers, The Thing The 90 S (Medley) Gold & Only Spandau Ballet (Medley) Y.M.C.A.
    [Show full text]
  • Bullets High Five
    DUC REDAKTION Hofweg 61a · D-22085 Hamburg T 040 - 369 059 0 WEEK 08 [email protected] · www.trendcharts.de 13.02.2020 Approved for publication on Tuesday, 18.02.2020 THIS LAST WEEKS IN PEAK WEEK WEEK CHARTS ARTIST TITLE LABEL/DISTRIBUTOR POSITION 01 04 04 Roddy Ricch The Box Atlantic/WMI/Warner 01 02 03 04 Future Ft. Drake Life Is Good Epic/Sony 02 03 01 09 Tyga Ayy Macarena Last Kings/Columbia/Sony 01 04 08 04 Nicky Jam & Daddy Yankee Muévelo Sony Latin/Sony 04 05 02 03 Oryane Ft. Sean Paul Love Mi Ladies El Cartel/Scorpio 02 06 06 03 Juju & Loredana Ft. Miksu & Macloud Kein Wort JINX/Chapter One/Universal 06 07 07 03 Ozuna Ft. Diddy & DJ Snake Eres Top Aura/Sony Latin/Sony 06 08 10 05 DJ Polique Ft. David Correy Tempo DJCity 08 09 05 06 DaBaby BOP South Coast/Interscope/UMI/Universal 05 10 NEW Joker Bra & VIZE Baby Bra Musik/Urban/VEC/Universal 10 11 15 04 Karol G Ft. Nicky Minaj Tusa Universal Latin/UMI/Universal 11 12 11 09 The Cratez, Bausa & Maxwell Skifahren RBK/Gold League/Sony 03 13 14 05 Helly Luv Boy Bye Columbia/Sony 13 14 09 05 RAF Camora & The Cratez Maschine RBK/Gold League/Sony 09 15 NEW Eminem Ft. Juice WRLD Godzilla Aftermath/Shady/Interscope/UMI/Universal 15 16 16 04 Arizona Zervas Roxanne Arizona Zervas/Columbia/Sony 13 17 25 04 Y2K & bbno$ Ft. Enrique Iglesias & Carly Rae Japsen Lalala (Remix) YK & BBNO/Columbia/Sony 08 18 18 09 Tory Lanez Ft.
    [Show full text]