Georgia Mcbride Cast Announcement
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OSLO Big Winner at the 2017 Lucille Lortel Awards, Full List! by BWW News Desk May
Click Here for More Articles on 2017 AWARDS SEASON OSLO Big Winner at the 2017 Lucille Lortel Awards, Full List! by BWW News Desk May. 7, 2017 Tweet Share The Lortel Awards were presented May 7, 2017 at NYU Skirball Center beginning at 7:00 PM EST. This year's event was hosted by actor and comedian, Taran Killam, and once again served as a benefit for The Actors Fund. Leading the nominations this year with 7 each are the new musical, Hadestown - a folk opera produced by New York Theatre Workshop - and Sweeney Todd: The Demon Barber of Fleet Street, currently at the Barrow Street Theatre, which has been converted into a pie shop for the intimate staging. In the category of plays, both Paula Vogel's Indecent and J.T. Rogers' Oslo, current Broadway transfers, earned a total of 4 nominations, including for Outstanding Play. Playwrights Horizons' A Life also earned 4 total nominations, including for star David Hyde Pierce and director Anne Kauffman, earning her 4th career Lortel Award nomination; as did MCC Theater's YEN, including one for recent Academy Award nominee Lucas Hedges for Outstanding Lead Actor. Lighting Designer Ben Stanton earned a nomination for the fifth consecutive year - and his seventh career nomination, including a win in 2011 - for his work on YEN. Check below for live updates from the ceremony. Winners will be marked: **Winner** Outstanding Play Indecent Produced by Vineyard Theatre in association with La Jolla Playhouse and Yale Repertory Theatre Written by Paula Vogel, Created by Paula Vogel & Rebecca Taichman Oslo **Winner** Produced by Lincoln Center Theater Written by J.T. -
Elmore Leonard, 1925-2013
ELMORE LEONARD, 1925-2013 Elmore Leonard was born October 11, 1925 in New Orleans, Louisiana. Due to his father’s position working for General Motors, Leonard’s family moved numerous times during his childhood, before finally settling in Detroit, MI in 1934. Leonard went on to graduate high school in Detroit in 1943, and joined the Navy, serving in the legendary Seabees military construction unit in the Pacific theater of operations before returning home in 1946. Leonard then attended the University of Detroit, majoring in English and Philosophy. Plans to assist his father in running an auto dealership fell through on his father’s early death, and after graduating, Leonard took a job writing for an ad agency. He married (for the first of three times) in 1949. While working his day job in the advertising world, Leonard wrote constantly, submitting mainly western stories to the pulp and/or mens’ magazines, where he was establishing himself with a strong reputation. His stories also occasionally caught the eye of the entertainment industry and were often optioned for films or television adaptation. In 1961, Leonard attempted to concentrate on writing full-time, with only occasional free- lance ad work. With the western market drying up, Leonard broke into the mainstream suspense field with his first non-western novel, The Big Bounce in 1969. From that point on, his publishing success continued to increase – with both critical and fan response to his works helping his novels to appear on bestseller lists. His 1983 novel La Brava won the Edgar Award for best mystery novel of the year. -
EMMY®-WINNING COMEDIAN PATTON OSWALT SET to HOST the 21St ANNUAL ART DIRECTORS GUILD’S EXCELLENCE in PRODUCTION DESIGN AWARDS
FOR IMMEDIATE RELEASE: EMMY®-WINNING COMEDIAN PATTON OSWALT SET TO HOST THE 21st ANNUAL ART DIRECTORS GUILD’S EXCELLENCE IN PRODUCTION DESIGN AWARDS Oscar®-Winning Director Brad Bird, Emmy-winning Production Designer René Lagler and late Production Designer Gene Allen will be honored at the Feb. 11 ceremony LOS ANGELES, Feb. 2, 2017 – Emmy®-winning comedian Patton Oswalt will host the 21st Annual Art Directors Guild’s Excellence in Production Design Awards (IATSE Local 800) announced today by ADG Council Chair Marcia Hinds and Awards Producers Thomas Wilkins and Thomas Walsh. The Awards, celebrating “Return to Hollywood,” will be held Saturday, February 11, 2017 at the Ray Dolby Ballroom at Hollywood and Highland. A comedian, actor, and writer, Patton Oswalt continues to find success in all areas of entertainment. From his Grammy®-nominated comedy specials to his many memorable film roles and guest appearances on his favorite TV shows (including Parks and Recreation, for which he received a TV Critics Choice Award), Oswalt continues to choose work that inspires him and entertain audiences. Oswalt recently won an Emmy for 'Outstanding Writing for a Variety Special’ for his sixth comedy special Talking for Clapping (Netflix) and was nominated for a Grammy Award for his comedy album of the same name. He is currently on the Netflix show Lady Dynamite, starring fellow comedian Maria Bamford, and on HBO’s Veep. Oswalt will next be seen on the big screen this April in the film adaptation of Dave Eggers’ novel The Circle, alongside Tom Hanks and Emma Watson. Oswalt has appeared in many films including The Secret Life Of Walter Mitty with Ben Stiller, Steven Soderbergh’s The Informant alongside Seth Rogen, Observe and Report, Magnolia, Zoolander, Starsky and Hutch, and Reno 911!: Miami, among many others. -
The Inheritance CONNECTICUT ROOTS, CONNECTICUT CONNECTICUT with DEEP
NEWS / CULTURE / HEALTH / COMMUNITY / TRAVEL / FASHION / FOOD / YOUTH / HISTORY / FEATURES CONNECTICUT VOICE CONNECTICUT CONNECTICUT VOICETM WITH DEEP CONNECTICUT ROOTS, The Inheritance BROADWAY’S WHAT’S IN A NAME? IN A WORD, GAY EPIC EVERYTHING IN HIS OWN WORDS SPRING 2020 GEORGE TAKEI SHARES HIS STORY more happy in your home There have never been more ways to be a family, or more ways to keep yours healthy — like our many convenient locations throughout Connecticut. It’s just one way we put more life in your life. hartfordhealthcare.org Let’s go over some things. Did you know we have a mobile app? That means you can bank from anywhere, like even the backseat of your car. Or Fiji. We have Kidz Club Accounts. Opening one would make you one smart Motherbanker. Retiring? Try a Nutmeg IRA. We have low rates on auto loans, first mortgages, & home equity loans. Much like this We can tiny space squeeze we have in even smallfan-banking-tastic more business fantastic deals here. BankingAwesome.com loans. We offer our wildly popular More-Than-Free Checking. And that’s Nutmeg in a nutshell. And, for the record, we have to have these logos on everything, cuz we’re banking certified. TWO-TIME ALL-STAR JONQUEL JONES 2020 SEASON STARTS MAY 16TH! GET YOUR TICKETS: 877-SUN-TIXX OR CONNECTICUTSUN.COM EXPERIENCE IT ALL Book a hotel room on foxwoods.com using code SPIRIT for 15% OFF at one of our AAA Four-Diamond Hotels. For a complete schedule of events and to purchase tickets, go to foxwoods.com or call 800.200.2882. -
Patton Oswalt
UNDEREMPLOYED? MEET YOUR PATTONARCHNEMESIS: STAND-UP COMIC, DRAMATIC ACTOR, CARTOON VOICE, AUTHOR, INTERNET SCOLD AND PROFESSIONAL GEEK q1 Playboy: Princess of the and I would write “princess” United Kingdom” is how too, except what I do can’t Kate Middleton listed her compare with all that boring occupation on her son Prince stuff the royals are obligated George’s birth certificate. to do. Honestly, I always say What would you write down I’m a stand-up comedian as your occupation, consid- who, through sheer luck, has ering your numerous jobs, been allowed to write books including playing a constable and be in some pretty great on Justified, delivering an epic movies and some pretty Star Wars rant on Parks and amazing TV. Stand-up com- Recreation, getting dramatic in edy is what brought me to Young Adult, writing books and the dance, and I will leave voicing animated characters with the one who brung me. in Ratatouille and two Grand Theft Auto video games? Plus, q2 there’s your longtime career PLAYBOY: In the new in stand-up comedy. movie The Secret Life of OSWALT: Kate Middleton Walter Mitty, you play an 2 should write down “princess,” online-dating counselor to OSWALT 3 “THE ONLY THING I LIE TO MY WIFE ABOUT IS WHAT TIME I GET UP. I’M HAVING AN AFFAIR WITH SLEEPING LATE. ” Ben Stiller’s sad, meek title character, a q4 OSWALT: There was more. I got into guy who finds reality so unfulfilling that PLAYBOY: You grew up with a father the kind of trouble gotten into by kids he fantasizes alternate identities and who was a colonel in the Marines, and who wanted to be rebels but were puss- big adventures. -
JUSTIFICATION and Knowledgenew Studies in Epistemology JONATHAN BENNETT, University Board of Consulting Editors: GEORGE S
PHILOSOPHICALIN PHILOSOPHYSTUDIES SERIES JUSTIFICATION AND¶87 W ILKEITH F RID SLEHRER, ELLA REditors.s, UniversityUniversityofof Arizona Pittsburgh KNOWLEDGENew Studies in Epistemology JONATHAN BENNETT,Board of Consulting University Editors: GEORGEEdited S. byPAPPAS ROBERTROBERTALAN G.GIBBARD, STALNAKER,TURNBULL, UniversityOhioCornell Stateofof PittsburghBritishUniversity University Columbia The Ohio State University VOLUME 17 DORDRECHT:D. REIDELLONDON PUBLISHING HOLLAND: ENGLAND / BOSTON COMPANY: U.S.A. ALVIN I. GOLDMAN WHAT IS JUSTIFIED BELIEF? The aim of this paper is to sketch a theory of justified belief. What I have in mind is an explanatory theory, one that explains in a generalway why certain beliefs are counted as justified and others as unjustified. Unlikesome tradi- tiorial approaches, I do not try to prescribe standards for justification that differ from, or improve upon, our ordinary standards. I merely try to expli- cate the ordinary standards, which are, I believe, quite different from those of many classical, e.g., 'Cartesian', accounts. Many epistemologists have been interested in justification because of its presumed close relationship to knowledge. This relationship is intendedto be preserved in the conception of justified belief presented here. In previous papers on knowledge,1I have denied that justification isnecessary for knowing, but there I had in mind 'Cartesian' accounts of justification.On the account of justified belief suggested here, it isnecessary for knowing, and closely related to it. The term 'justified', I presume, is an evaluativeterm, a term of appraisal. Any correct definition or synonym of it would also feature evaluativeterms. I assume that such definitions orsynonyms might be given, but I am not interested in them. I want a set of substantive conditions that specify when a belief is justified. -
Master Class Faculty
VIRTUAL MASTER CLASS FACULTY Sunday, January 24th VOICE | THEATER | BUSINESS SKILLS NANCY ANDERSON “Advice From a Pro” *please come with a song prepared and a recorded track. Students may have the opportunity to coach their song. Nancy Anderson is a 20-year veteran singer, actor and dancer of Broadway, Off-Broadway and regional stages. Last year Anderson understudied Glenn Close in the Broadway revival of “Sunset Boulevard” followed by a Helen Hayes nominated performance as Gladys in “The Pajama Game” at Arena Stage in Washington, D.C. She made her Broadway debut as Mona in “A Class Act,” played the roles of Helen and Eileen in the Broadway revival of “Wonderful Town” and starred as Lois/Bianca in the national tour and West End premiere of Michael Blakemore’s and Kathleen Marshall’s Broadway revival of “Kiss Me Kate,” for which she received Helen Hayes and Olivier Award nominations. Great Performances audiences are familiar with her London debut as Lois/Bianca, which was filmed for PBS in 2002 as well as her featured performance in the Carnegie Hall concert of “South Pacific” starring Reba McIntyre and Brian Stokes Mitchell. Other television appearances include Madame Secretary (The Middle Way, “Alice”) and PBS’s Broadway: The American Musical as the voice of Billie Burke. Anderson is a three-time Drama Desk Award Nominee; in 2000 for best supporting actress as eight female roles in Jolson & Co., in 2006 for best leading actress in Fanny Hill and in 2017 for Best Solo Performance in the one-woman musical “The Pen.” She has thrice been nominated for the Helen Hayes Award: in addition to last year’s “The Pajama Game,” she was also nominated for her role in “Side by Side by” Sondheim at Signature Theatre in 2011. -
[email protected]
FOR IMMEDIATE RELEASE Media contact: Susan E. Evans Media phone: 925.283.6673 Email: [email protected]; [email protected] TOWN HALL THEATRE OPENS SEASON 2019/20 WITH FABULOUS COMEDY, THE LEGEND OF GEORGIA MCBRIDE AUGUST 13, 2019 – Town Hall Theatre 75TH “TRANSFORMATIONS” Season 2019/20 kicks off with Matthew Lopez’s fabulously flamboyant comedy THE LEGEND OF GEORGIA MCBRIDE. THE LEGEND OF GEORGIA MCBRIDE will have 12 performances, including two previews, September 26 through October 19, 2019, at Town Hall Theatre Company, 3535 School Street, in Lafayette, CA. Tickets are $18 - $30, and are available through the Box Office at (925) 283-1557 or online at www.TownHallTheatre.com. THT will host three Special Events for THE LEGEND OF GEORGIA MCBRIDE: Opening Night gala on Saturday, September 28, 2019; LIT UP at Town Hall, a literary salon themed “Making It Up” on Wednesday, October 9, 2018; and Theatre Clubs, our post-show talk-backs with complimentary wine, on Friday, October 4, and Friday, October 18, 2018. We welcome audiences to enjoy THT’s full bar and entertainment in our lobby one hour before performances. Town Hall is thrilled to welcome Drag Queen Story Hour as a new community partner with this production. “Stitch-in-your-side funny … full of sass and good spirits.” – New York Times THE LEGEND OF GEORGIA McBRIDE is a gender-defying, sweet and campy, hilarious, and heartfelt celebration of divas and difference! It’s showtime at Town Hall Theatre, THE LEGEND OF GEORGIA MCBRIDE P. 2 of 5 Cleo’s Lounge, a dilapidated, small-time club in the Florida Panhandle. -
36Th Annual Lucille Lortel Awards Announcement
FOR IMMEDIATE RELEASE Press Contact: Chris Kanarick [email protected] O: 646.893.4777 THE OFF-BROADWAY LEAGUE & LUCILLE LORTEL THEATRE TO PRESENT AN ORIGINAL FILMED PROGRAM FOR THE 36TH ANNUAL LUCILLE LORTEL AWARDS SPECIAL CELEBRATION OF THE OFF-BROADWAY COMMUNITY – ON-STAGE, BEHIND THE SCENES, AND IN THE AUDIENCE – WILL PREMIERE ON SUNDAY, MAY 2, 2021 New York, NY (April 14, 2021) – In an unprecedented year without live theatre to recognize, The Off- Broadway League and the Lucille Lortel Theatre will present the 2021 Lucille Lortel Awards as a celebration of all the people who create Off-Broadway excellence. The pre-taped special will honor the writers, actors, directors, choreographers, designers, musicians, stagehands, producers, theatre staff, and the audiences who all contribute to the incomparable magic of Off-Broadway theatre. Featuring testimonials from members of the community, as well as fun facts, video footage from past awards shows, the Lucille Lortel Vault, and more, the program will premiere Sunday, May 2, at 7:00PM on www.lortelawards.org and will, as always, be a benefit for The Actors Fund. The 36th Annual Lucille Lortel Awards will feature an appearance by Bebe Neuwirth, Vice Chair, Board of Trustees, The Actors Fund, as well as Quincy Tyler Bernstine, Tracee Chimo Pallero, Edmund Donovan, Scott Elliott, Will Eno, Stephen McKinley Henderson, Bill Irwin, Francis Jue, Judy Kuhn, Grace McLean, Annette O'Toole, Larry Owens, Tonya Pinkins, Daryl Roth, Kristen Schaal, Jeremy Shamos, Susan Stroman, Jason Tam, and more; a brand-new performance choreographed by actor and dancer Reed Luplau; comedy sketches by the improv group The Foundation; a monologue by Phillip Taratula as Pam Goldberg; a musical performance by Crystal Monee Hall, Allen René Louis, and Michael McElroy; and an original song by Bobby Daye in memory of Off-Broadway community members who lost their lives this past year. -
Newsday - Long Island, N.Y
BELL PROSECUTION DOUBTS: LEGAL EXPERTS SAY WITNESS TESTIMONY THUS FAR BOLSTERS COPS’ CLAIMS THEY OPENED FIRE IN SELF-DEFENSE Newsday - Long Island, N.Y. Author: ANTHONY M. DESTEFANO Date: Mar 10, 2008 Section: NEWS Murray Richman is considered one of the deans of the criminal defense bar in New York City. With nearly 45 years’ experience trying and handling cases, Richman, 70, thought there was strong evidence of guilt against the detectives accused in the Sean Bell shooting - at least until their trial started two weeks ago. Now, he isn’t so sure. Richman is among a number of defense attorneys contacted by Newsday - none of whom have any connection to the case - who believe that so far the charges against the three cops are facing some serious headwind. The trial resumes today in Queens State Supreme Court. “The early impression thus far, to my satisfaction, they [prosecutors] have not made a case beyond a reasonable doubt,” Richman said after court adjourned last week. Richman was commenting in particular about the most serious first-degree manslaughter charge lodged against Detectives Michael Oliver, 36, and Gescard Isnora, 29. They are also accused of assault. Det. Marc Cooper, 40, faces misdemeanor reckless endangerment charges. Bell, 23, was killed and his friends Joseph Guzman and Trent Benefield wounded on Nov. 25, 2006, in a 50-shot fusillade after they partied at the Kalua Cabaret. More evidence to come Richman and the other attorneys stressed that there was still more evidence to come for the prosecution and they could change their minds. But all agreed that witnesses called by the Queens district attorney’s office so far seemed to bolster the police officers’ self-defense argument. -
Putting It Together
46th Season • 437th Production SEGERSTROM STAGE / September 11 - October 11, 2009 David Emmes Martin Benson Producing ArtiStic director ArtiStic director presents PUTTING IT TOGETHER words and music by Stephen Sondheim devised by Stephen Sondheim and Julia McKenzie Thomas Buderwitz Soojin Lee Steven Young Drew Dalzell Scenic deSign coStume deSign Lighting deSign Sound deSign Joshua Marchesi Jamie A. Tucker* Production mAnAger StAge mAnAger musical direction by Dennis Castellano directed by Nick DeGruccio Dr. S.L. and Mrs. Betty Eu Huang Huang Family Foundation honorAry ProducerS corPorAte Producer Putting It Together is presented through special arrangement with music theatre international (mti). All authorized performance materials are also supplied by mti. 421 West 54th Street, new york, ny 10019; Phone: 212-541-4684 Fax: 212-397-4684; www.mtiShows.com Putting It Together• SOUTH COA S T REPE R TO R Y P1 THE CAST (in order of appearance) Matt McGrath* Harry Groener* Niki Scalera* Dan Callaway* Mary Gordon Murray* MUSICIANS Dennis Castellano (conductor/keyboards), John Glaudini (synthesizer), John Reilly (woodwinds), Louis Allee (percussion) SETTING A New York penthouse apartment. Now. LENGTH Approximately two hours including one 15-minute intermission. PRODUCTION STAFF Casting ................................................................................ Joanne DeNaut, CSA Dramaturg .......................................................................... Linda Sullivan Baity Assistant Stage Manager ............................................................. -
Filmic Tomboy Narrative and Queer Feminist Spectatorship
UNHAPPY MEDIUM: FILMIC TOMBOY NARRATIVE AND QUEER FEMINIST SPECTATORSHIP A Dissertation Presented to the Faculty of the Graduate School of Cornell University in Partial Fulfillment of the Requirements for the Degree of Doctor of Philosophy by Lynne Stahl May 2015 © 2015 Lynne Stahl ALL RIGHTS RESERVED UNHAPPY MEDIUM: FILMIC TOMBOY NARRATIVE AND QUEER FEMINIST SPECTATORSHIP Lynne Stahl, Ph.D. Cornell University, 2015 ABSTRACT This dissertation investigates the ways in which American discourses of gender, sexuality, and emotion structure filmic narrative and the ways in which filmic narrative informs those discourses in turn. It approaches this matter through the figure of the tomboy, vastly undertheorized in literary scholarship, and explores the nodes of resistance that film form, celebrity identity, and queer emotional dispositions open up even in these narratives that obsessively domesticate their tomboy characters and pair them off with male love interests. The first chapter theorizes a mode of queer feminist spectatorship, called infelicitous reading, around the incoherently “happy” endings of tomboy films and obligatorily tragic conclusions of lesbian films; the second chapter links the political and sexual ambivalences of female-centered sports films to the ambivalent results of Title IX; and the third chapter outlines a type of queer reproductivity and feminist paranoia that emerges cumulatively in Jodie Foster’s body of work. Largely indebted to the work of Judith Butler, Lauren Berlant, and Sara Ahmed, this project engages with past and present problematics in the fields of queer theory, feminist film criticism, and affect studies—questions of nondichotomous genders, resistant spectatorship and feminist potential within linear narrative, and the chronological cues that dominant ideology builds into our understandings of gender, sexuality, narrative, and emotions.