Please Find Enclosed Proposals for the Stained Glass Windows at First Presbyterian Church Along with Qualification and References

January 19, 2016

Mr. Edward Kinner First Presbyterian Church PO Box 1094 Columbus, GA 31901

Dear Mr. Kinner:

Please find enclosed proposals for the stained glass windows at First Presbyterian Church along with Qualification and References. Willet-Hauser has been a part of building America’s Stained history for over a century. Our reputation has been built over these many years with innovative artisanship and quality craftsmanship. Our experience ranges from the legacy of design that has influenced the look of windows across the United States to the historic restorations and preservations of priceless windows that have been damaged by catastrophic weather and unpredictable circumstances. Enclosed in this folder are proposals specifically designed for your windows’ needs including an architectural rendering of the proposals. There is also a CD about our company and references from other churches. We look forward to serving your church’s needs.

Sincerely yours,

WILLET HAUSER™ ARCHITECTURAL GLASS, INC.

Mark Davidson Studio Consultant 800-533-3960 X710

MD/pjh Enclosures

! TM

where light learns to speak™

toll free: (800) 533-3960 • fax: (877) 495-9486 1685 wilkie drive • winona, mn 55987 www.willethauser.com [email protected] page ii TABLE OF CONTENTS Introduction ...... 2 Our History and Legacy ...... 2 The Willets...... 3 The Hausers ...... 4 The Phillips ...... 5 The Bohannons ...... 6 Noteworthy Projects ...... 6 References ...... 11 Services & Products ...... 12 Inspection and Documentation ...... 12 Historic Restoration and Conservation ...... 12 Frame Renovation ...... 14 Fabrication of New Designs ...... 14 Leaded ...... 17 Faceted ...... 20 Sculptured Gold ...... 21 Etched Glass ...... 23 Lamination ...... 23 Bringing Back Tradition ...... 24 Master Apprenticeship Program ...... 24 Studio Tour ...... 25

page 1 INTRODUCTION A significant part of the history of stained glass industry in the United States over the past 100 years belongs to Willet Hauser Architectural Glass™, Inc., the largest stained glass enterprise in North America. The company, located in Winona, MN, specializes in the design, fabrication, restoration and protection of leaded stained glass and faceted glass windows. One of the oldest in North America, the company was formed through the merger of two American stained glass studios: The Willet Stained Glass Studio of Philadelphia, Pennsylvania, and the Hauser Art Glass Company, Inc., located in Winona, Minnesota. When the two united in 1977 they formed one of the largest stained glass studios in North America. In 2005, the company changed its name to Willet Hauser Architectural Glass™, Inc. to more accurately reflect the long- term direction of the studio. In 2014, the company was purchased by another stained glass family, the Phillips, owners of Associated Crafts™, who have been in the business for over 40 years. Today, the company specializes in complete conservation, protection and design of stained glass windows and the products that are involved in that process. From window inspection for insurance and historical documentation purposes to restoration and covering for those windows, Willet Hauser Architectural Glass™ is a full-service provider. OUR HISTORY AND LEGACY What is now known as Willet Hauser Architectural Glass™ goes back to its roots in 1898 when William Willet and his wife Anne Lee founded The Willet Stained Glass and Decorating Co. (now Willet Hauser Architectural Glass™) in Pittsburgh, Pennsylvania. Shortly thereafter, the studio was relocated to Philadelphia. Willet windows today can be found in churches and historic buildings in all 50 states and 14 foreign countries. Among the thousands of Willet creations are windows in the National Cathedral and the National Presbyterian Church in Washington DC; St. John the Divine Cathedral and the chapel at the United Nations in New York; and Grace and St. Mary’s Cathedrals in San Francisco, CA. For the 1964 New York World’s Fair, the Studio designed and fabricated the panels for an entire nine-story building constructed of faceted glass. The studio originally gained significant recognition in 1910 in a special international competition for stained glass window design and installation at West Point Military Academy. Twenty-six studios entered the competition—one of which was the famed Tiffany Studios of New York.

page 2 Willet was the winner, and in the long range project installed lancets which are tall, narrow windows with a pointed arch top. They were contracted to install 2 lancets each year for 66 years—one lancet in honor of each year’s graduating class and one in memory of the graduating class of 100 years previous. Completed in 1976, it remains the longest continuing commission in the history of American stained glass. Willet Hauser Architectural Glass™ has received many coveted awards—from the American Institute of Architects and others— for their fine works. Recent awards include the President’s Award for Product/ Service of the Year by the Baltimore Chapter of American Institute of Architects and a Craftsmanship Award for stained glass restoration from the Baltimore Building Congress and Exchange.

THE WILLETS Three generations of Willets have devoted their lives to what we today recognize as Willet Hauser Architectural Glass™. Studio founder William Willet was an American portrait painter, muralist, stained glass designer, studio owner and writer. An early proponent of the Gothic Revival and active in the Early School of American stained glass, he founded the Willet Stained Glass and Decorating Company—now Willet Hauser Architectural Glass™—with his wife and partner Anne Lee Willet, in protest against the opalescent pictorial windows which were the rage at the turn of the twentieth century. Before he began creating works in stained glass, William Willet was a portrait painter with a rather distinguished clientele. He painted portraits for President McKinley, John Jacob Astor, and many others. Willet was considered by many to be the foremost American stained glass designer at the time of his death in 1921. After William’s untimely death his widow Anne assumed management of the studio, followed by their son Henry Lee in 1934. Henry favored the Gothic tradition, and inspired staff artists such as George Gugert and Marguerite Gaudin to produce its bolder styling in intense hues. Under Henry’s guidance, the studio experimented with new techniques, and in the 1950s, was one of the first American studios to design and fabricate faceted glass windows. Willet Studio also developed the famous sculptured gold window

page 3 technique and experimented with laminating stained glass, a technique known as Farbigem. Henry Lee Willet was an undeniably dynamic force in American stained glass until his death in 1983. In 1965, his son E. Crosby Willet—who had worked at the studio since he was 14 years old— became the third generation President of Willet Studio. Under his leadership, Willet windows were created for many of the major churches and cathedrals in the United States including the National Cathedral in Washington, DC and the Cathedral of St. Mary of the Assumption in San Francisco. Mr. Willet has a lengthy list of unique accomplishments and commendations from stained glass, architectural and artistic organizations. In 2009, on behalf of the Stained Glass Association of America, Mr. Willet received the Association’s Lifetime Achievement Award—celebrating his lifelong pursuit of excellence in the art and craft of stained glass. His lifelong devotion to the studio his grandfather began continues today in his role as studio consultant for Willet Hauser Architectural Glass™.

THE HAUSERS The focus of the Hauser Art Glass corporation, since its founding in 1946 in Winona, Minnesota, has been the maintenance, repair and restoration of existing stained glass windows. During World War II, the stained glass windows in the United States were neglected as the metal and glass that would normally be used for their repair was rationed for the war effort. Recognizing an opportunity to aid many of the churches whose windows needed care, James E. Hauser founded the Hauser Art Glass Company. James guided the company on a steady growth pattern, while the company continued to be dedicated to serving small, remote churches. Glass artists specializing in replicating different design

page 4 styles joined the studio as the company’s projects became larger and more complex. In 1960, Hauser Art Glass began creating moderately priced windows for neighborhood churches as well as windows for hotels, restaurants, and private homes. Hauser Art Glass has aided over 10,000 churches in caring for their windows. In 1977, Willet Studio became a division of the Hauser Art Glass Company. In 1994, James E. Hauser retired; however, the tradition of excellence continued with his two sons, James A. Hauser and Michael Hauser. The brothers led the company in developing new and innovative opportunities. In 2005, the company changed its name to Willet Hauser Architectural Glass™ to more accurately reflect the long-term direction of the business. And in 2014, it was purchased by Associated Crafts™.

THE PHILLIPS In November of 1973, the Hausers hired John Phillips, Sr. as their new territorial studio consultant for the Pittsburgh area. John quickly learned the business and very successfully represented the studio in the western Pennsylvania region. For John it was a family affair, as he often took his young son along and taught him about stained glass. His son, John Jr., rarely left his father’s side as he learned the stained glass business. John Jr. eventually came to work for his father, and later consulted for other studios and performed contract work for Willet Hauser. In 1997, he and his wife Mary started their own stained glass studio, Associated Crafts™, which quickly grew to become one of the largest and most respected restoration studios in the nation. In the fall of 2013, the Hausers decided to retire, and they contacted John. Having known John Phillips, Jr. since he was eight years old and having mentored him over the years and watched him grow in the industry, he fit the criteria.

page 5 THE BOHANNONS Along with John and Mary, longtime friend and colleague Robert Bohannon and his wife Diane also invested in the future of Willet Hauser Architectural Glass™, Inc. taking over operations in January of 2014. Robert has a rich background in stained glass and operations management. He currently serves as the Vice President of Operations at Associated Crafts™ and has overseen operations there since 2004. From 1982 to 1994, Robert was founder and owner of Bohannon Construction before he decided to open his own repair and restoration stained glass studio, Alpha 1. He continued with Alpha 1 for 11 years before joining the Associated Crafts™, and now, Willet Hauser family. NOTEWORTHY PROJECTS The history of stained glass is full of talented people who have created an impressive body of work. We have windows in every state and many overseas. Following are samples of some of our more noteworthy windows. REFORM CONGREGATIONAL KENESETH ISRAEL, ELKINS PARK, PENNSYLVANIA The stained glass windows at Reform Congregation Keneseth Israel in Elkins Park, PA are the result of our collaboration with well-known artist and teacher Jacob Landau. His visionary interpretation of “The Prophetic Quest” was translated into stained glass in a series of 10 windows each over 24 feet tall by 5 feet wide, depicting various Patriarchs and Prophets starting with Abraham and ending with Job. They are rendered in a kaleidoscope of color and animated with rich symbolism. Calligraphy in both English and Hebrew add to its iconography.

page 6 THE CATHEDRAL OF THE SACRED HEART, WINONA, MINNESOTA After finishing major renovations in 2007, the Cathedral clergy began working with Willet Hauser to establish a plan to integrate the windows in the new entrance, narthex and meeting room areas. The Sacred Heart window (located above the entrance) was given to the Cathedral as a gift from the Hauser family in memory of James and Genevieve Hauser. Designed by Charles Z. Lawrence, the work is a masterful example of Lawrence’s contemporary take on a traditional theme.

“I hear just about every week from a visitor or a member of the Cathedral how beautiful the stained glass window of the Sacred Heart is and what a beautiful addition it is to our Cathedral.” —Rev. Richard Colleti

page 7 CATHEDRAL OF ST. JOHN THE EVANGELIST SPOKANE, WASHINGTON The Cathedral of St. John the Evangelist in Spokane, WA, a rare example of classic Gothic architecture in the United States, houses a tre- mendous collection of our traditional, figural work. When the historic stained glass firm Charles J. Connick and Associates closed its doors in 1986 we were invited to continue the work that they began in the late 1920s. To date, we have designed and installed 5 four-lancet nave clerestory windows and 5 single-panel high sacristy windows, according to the masterful designs of long-time Willet Hauser artist, Kenneth Crocker. GRACE CATHEDRAL, SAN FRANCISCO, CALIFORNIA Long-time studio designer Marguerite Gaudin designed a series of six two-lancet windows with rose tracery for San Francisco’s Grace Cathedral depicting the theme of Renewal. Designed in 1964, the work is an example of Gaudin’s departure from the traditional leaded glass design aesthetic and exhibits her masterful contemporary approach. The Studio’s six windows are part of a larger collection of art at the Cathedral which includes stained glass works by Charles Connick, Gabriel Loire and an altar piece by Keith Haring.

page 8 ST. JOHN’S EPISCOPAL CHURCH, LAFAYETTE SQUARE, Photo, before and after: WASHINGTON, DC example of necessary Willet Hauser was honored to care for cleaning: The window was the restoration of the historic stained hardly recognizable after glass windows at St. John’s Episcopal years of accumulated candle Church in Washington DC. Known as smoke, dirt and dust. The “The Church of the Presidents” and left image shows a century’s registered as a national historic landmark, accumulation of grime. The St. John’s Episcopal Church in Lafayette right image shows the same Square’s first service was held in October section after careful cleaning 1816. From that time to the present, and restoration. every President of the United States has attended a service at St. John’s.

One of several leaded windows restored and installed with new ventilated protective coverings for St. John’s Episcopal Church in Washington, DC.

page 9 BROWN MEMORIAL PARK AVENUE PRESBYTERIAN CHURCH, BALTIMORE, MARYLAND In 2003, Willet Hauser Architectural Glass™ completed the historic restoration of two large Tiffany windows for Brown Memorial Park Avenue Presbyterian Church, located in the historic Bolton Hill neighborhood of Baltimore, Maryland. Each measuring 32 feet tall by 16 feet wide, they are considered two of the largest Tiffany windows in the world. Willet Hauser Architectural Glass™ and its craftspeople were proud to receive the 2003 Craftsmanship Award for stained glass restoration given by the Baltimore Building Congress and Exchange in recognition of the high quality of craftsmanship exhibited in the care and protection of the stained glass windows at Brown Memorial Park Avenue Presbyterian Church.

page 10 REFERENCES The proof of our artistry is in the projects that we have designed and restored. Here are just a few prominent examples of the over 20,000 churches and institutions that have been our clients during the last century, internationally and domestically:

The Church Center at the United Nations, New York, NY • The Smithsonian Institute, Associates Dining Room, Washington, DC • Freedom Panel presented by the United States to the people of Poland The National Cathedral, Washington, DC • Ohio State University Medical School, Columbus, OH • St. Anselm’s Roman Catholic Church, Tokyo, Japan • St. Mary’s Cathedral, San Francisco, CA • The Cadet’s Chapel at the United States Military Academy, West Point, NY • Washington Dining Hall, United States Military Academy, West Point, NY • The Detroit Institue, Detroit, MI • The National Presbyterian Church and Church Center, Washington, DC • St. John’s Episcopal Church, Southendoh, England • Alice Millar Chapel, Northwestern University, Evanston, IL • Jeanne Vail Chapel, Northwestern University, Evanston, IL • Children’s Research Hospital, Krakow, Poland • The Cathedral of St. John the Divine, New York, NY • Cardinal Dougherty’s Residence, Philadelphia, PA • The United States Navel Academy Chapel, Annapolis, MD • Grace Cathedral, San Francisco, CA • President Lyndon Johnson Memorial, National City Christian Church, Washington, DC • President John Garfield Memorial, National City Christian Church, Washington, DC • A. I. Dupont Children’s Research Hospital, Wilmington, DE • Temple Beth Zion, Buffalo, NY • Second Baptist “The windows are Church, Houston, TX • Mellon Memorial spectacular! We are Presbyterian Church, Palatka, FL • Chapel and thrilled with the results Graduate School, Princeton University, Princeton, and happy to have NJ • Museum of Science and Technology, New them done.” York, NY • Forest Hills Cemetery, Glendale, CA • Walter Reed Hospital Chapels, Washington, —Julie Strait, Executive DC • Acadia University Chapel, Wolfville, Nova Director, Drake County Scotia • Boston University Medical Center Chapel, Center for the Arts Boston, MA • Veterans of Foreign Wars National Memorial, Washington, DC • Cathedral of St. Phillip, Atlanta, GA • Cathedral Christ the King, Atlanta, GA • First Presbyterian Church, Pittsburgh, PA • Cathedral of St. Paul, Pittsburgh, PA • Philadelphia Museum of Art, Philadelphia, PA • Temple Beth El Synagogue, Cherry Hill, NJ • Covenant Presbyterian Church, Charlotte, NC • George Washington University Chapel, Washington, DC • Highland Park Presbyterian Church, Dallas, TX • American Lutheran Church, Oslo, Norway • University of Tennessee, Knoxville, TN • Christ Church Cathedral, New Orleans, LA • Michigan State University, Lansing, MI • House of Hope Presbyterian Church, St. Paul, MN • Temple Israel, West Bloomfield, MI • Four Seasons Restaurant, JFK International Airport, New York, NY • Most Blessed Sacrament Cathedral, Detroit, MI • Cathedral of Mary Our Queen, Baltimore, MD • Arlington National Cemetery Chapel, Arlington, VA • University of Illinois Lutheran, Presbyterian and Christian Chapels, Champaign, IL

page 11 SERVICES & PRODUCTS Our studio offers a variety of stained glass styles and mediums to choose from when planning your window program, from traditional leaded glass windows to the more contemporary styles that faceted and etched glass windows offer. In addition to the many ecclesiastical themed works Willet Hauser has completed over the years, the studio has created a large amount of secular stained glass windows for a number of buildings throughout the US and world. INSPECTION AND DOCUMENTATION Willet Hauser understands the need to educate each client on the art of stained glass. It’s a large decision for the church community and the church’s budget. We offer an on-site inspection program where a professional stained glass consultant travels to your site to inspect and document your stained glass windows. Our trained consultants can help you design the scope of work for your stained glass project. At the time of the inspection, photos and measurements are taken documenting the current condition of the stained glass collection. Using this collected information, we provide you with a full report and replacement cost appraisal. This detailed information assures you that, in the case of a disaster that damages or destroys the windows, you have the needed documentation for your insurance company. You also have the technical and artistic information needed to restore or replicate the windows. Additionally, we offer every church the use of our online appraisal tool where the church or insurance agent can enter and submit basic information, such as window size and description, along with a photo of each stained glass window. With this information Willet Hauser will prepare for you a custom complementary replacement appraisal of your stained glass windows and send it back to you. This information is designed to verify your insurance coverage and will also act as a documentation of the windows in case of catastrophic loss. HISTORIC RESTORATION & CONSERVATION Stained glass window restoration is becoming increasingly critical as North America’s stained glass windows are maturing. Willet Hauser is the leader in caring for the stained glass treasures of the United States. We maintain a repair and historic preservation department staffed by specialists devoted solely to preserving the beauty of stained glass. Willet Hauser is especially experienced in the restoration of fine stained glass windows. We have had the honor of repairing, restoring and protecting some of the finest windows in the United States. Windows by Charles J. Connick, Louis Comfort Tiffany, John LaFarge,

page 12 Henry Wynd Young, Francis Xavier Zettler, Franz Mayer and Innsbruck Studios are among the thousands of windows restored by our studios. Perhaps the most complex restorations are those of the multi-plated windows by Tiffany and La Farge. We also specialize in the installation of protective covering, offering a time-tested proven system that preserves and protects your stained glass in the best manner possible as well as completing the existing architecture with the use of bending techniques. TRINITY EPISCOPAL CHURCH, GALVESTON, TEXAS When Hurricane Ike struck in 2008, Willet Hauser was in the process of restoring an eclectic collection of stained glass at Trinity Episcopal Church in Galveston, TX. The strength of the hurricane was so intense that it blew out and nearly destroyed an entire panel from the church’s beloved Tiffany window known as “Christ and the Children.” Thanks to the detailed documentation recorded by our talented craftspeople, Willet Hauser was able to restore the badly damaged Tiffany window back to its original splendor.

This is what “Panel W” looked Piecing together “Panel W” Making some ﬁnal touch-ups “Panel W” after undergoing like when it arrived at our studio. on “Panel W” historic restoration

DRAKE COUNTY CENTER FOR THE ARTS, GREENVILLE, OH In 2008, The Drake County Center for the Arts commissioned Willet Hauser Architectural Glass™ to restore 3 large, Tiffany-style windows. Aside from being extremely dirty, their windows showed signs of bulging, metal fatigue, and oxidation. It also contained numerous cracked, shattered and mismatched glasses that called for repair and replacement.

Windows, before and after.

page 13 FRAME RENOVATION When planning your restoration work it is important to repair the existing stained glass window frames. The frame is what houses and stabilizes your valuable stained glass not to mention that is a very visible part of the window. This is a very important service— whether the frames are made of wood or steel. Without a quality repair, there cannot be a quality paint job and without a quality paint job, your completed window project will not appear finished.

FABRICATION OF NEW DESIGNS For over 100 years some of the finest of American stained glass window designs have been created by the artisans of Willet Hauser Architectural Glass™. Now as new designs of architecture are being developed, our artists and craftspeople are experimenting with new styles and new techniques to complement them. Our talented designers and sales consultants draw upon our repository of nearly 20,000

Left: Colum Sharkey design Above: Jane Collins design

page 14 original stained glass designs to assist our clients in realizing exactly what they want in their stained glass window – aesthetically and thematically. ARMSTRONG BROWNING LIBRARY, WACO TEXAS. The below window depicting the city of Rome was created for the Armstrong Browning Library. Windows have been created depicting Florence, Venice, Asolo, Vallombrosa and the country of Italy. In the window pictured below, the city of Rome is the central focus.

page 15 COWLES HALL AT ELMIRA COLLEGE, NEW YORK American novelist and humorist Mark Twain was celebrated in this recent window designed for Cowles Hall at Elmira College in Elmira, New York. Willet Hauser offers the skills of its talented staff of craftspeople as well as artists from outside our organization. An independent glass designer can have their vision brought to life by the exceptional hands at Willet Hauser. We encourage artists who have never designed in glass to look anew at local public arts projects and to look at Willet Hauser as part of their team in creating new ideas in architectural glass. NEW YORK CITY METROPOLITAN TRANSPORTATION AUTHORITY ARTS FOR TRANSIT NEW YORK CITY, NEW YORK Perhaps one of our favorite projects utilizing the talented work of artists of another medium is our work with the New York City Metropolitan Transportation Authority Arts for Transit Program. The Arts for Transit, or MTA, program encourages the use of public transit by presenting visual and performing arts projects in subway and commuter rail stations. As part of the overall project, neighborhood artists working in various media are invited to compete for projects in nearby stations- Willet Hauser has been chosen to fabricate faceted stained glass panels based on the winning designs of many of these artists.

page 16 LEADED Leaded stained glass windows bring to mind the glories of the great gothic cathedrals. A leaded stained glass window is a mosaic made up of pieces of beautifully colored glass, cut to the desired shapes and held together by strips of grooved lead, which are reinforced and anchored in the window frame. To control the passage of light as well as add details like faces, drapery ornament and lettering, the glass is hand-painted with reddish brown or black powdered pigment, which is later permanently fused to the glass once fired. The same methods of leaded glass fabrication, perfected more than eight hundred years ago in Europe, are in use today. The art of stained glass is one of the few handcrafts that are still practiced much as it was during the Middle Ages. Our studio boasts a collection of nearly 900 unique individual glass colors, many of which are rare and date back to the early - mid 20th century. MOORINGS PRESBYTERIAN CHURCH, NAPLES, FLORIDA The stained glass window program that Willet Hauser Architectural Glass™ designed and fabricated for Moorings Presbyterian Church in 2007 serves as an example of the successful combination of both leaded and faceted stained glass set within an ecclesiastical setting. Designed by award winning artist Charles Z. Lawrence, the program offers a fascinating example of stained glass in the twenty-first century. The windows were designed specifically for the unique architecture of the sanctuary. Independent of the building they would not have the same effect.

page 17 BLACK RIVER FALLS UNITED METHODIST CHURCH BLACK RIVER FALLS, WISCONSIN In 1995, Willet Hauser Architectural Glass™ was commissioned to create a Tiffany-like landscape scene with a contemporary aesthetic for the Chancel window at Black River Falls United Methodist Church in the small town of Black River Falls, Wisconsin. The 20 foot wide by 24 foot high Chancel window depicts a landscape scene featuring lambs grazing along the banks of a river as the sun sets in the background. The depth of color, and the stunning variances of light and dark throughout the window, is due entirely to the glass—as not a single piece of glass is painted.

page 18 ST. MARTIN’S EPISCOPAL CHURCH, HOUSTON, TEXAS Between 2001 and 2004, Willet Hauser Architectural Glass™ designed, fabricated and installed 36 stained glass windows depicting over 100 Biblical stories for St. Martin’s Episcopal Church in Houston Texas. The Neo-Gothic style windows are made up of approximately 133,000 pieces of painted glass. That impressive number translates to 6,000 square feet of glass —approximately 1,000 sheets—used to fabricated the windows.

SPRING GROVE CEMETERY, CINCINNATI, OHIO The studio captured the historic moment astronaut Neil Armstrong spoke the famous words, “That’s one small step for a man, one giant leap for mankind,” as he planted the first foot on the moon. This epic event was captured in the Peace Bay window designed for Spring Grove Cemetery in Cincinnati, Ohio the year following when man first landed on the moon. The window is a great example of the many secular themed windows we’ve done and continue to do in addition to our ecclesiastical work.

page 19 FACETED Handcrafting faceted windows, like leaded glass, is an involved, multi-step process. Brilliantly colored glass, approximately one inch in thickness, is first cut to the desired size in the studio. The surface is then chipped or faceted to enhance the design, imparting a jewel- like quality. The matrix, composed of epoxy, is then poured around the carefully arranged pieces of glass, holding them in place to form a structural unit of great strength that is also water repellent. The design possibilities of this medium are infinite as it adapts to the smallest openings and to larger areas up to entire wall surfaces of great proportions. The medium lends itself to representational design as successfully as to abstract, and the matrix can be a mere hairline, or any desired width up to several feet. The bold design is created through controlling the size and shape of the glass pieces and the shape and width of the dark matrix. It is a creative mosaic of light. As in all art, faceted windows can be well designed, exciting and vibrant, or they can be trite and dull. The skill and sensitivity of our designers and craft artisans assure that each of our faceted windows is a work of fine art worthy of your building. For the architect and building owner who desire the ageless beauty of detailed traditional leaded stained glass but have a limited budget, we can develop similar faceted stained glass designs at a fraction of the cost. Through skillful manipulation of the negative area of the matrix, the impression of complex traditional tracery and detailed classical design can be obtained. SECOND BAPTIST CHURCH, HOUSTON, TEXAS The largest commission the studio accomplished in the 1980s was for Second Baptist Church in Houston, Texas. This megachurch was created to seat 6,000 people in a plan in the round with a pulpit centered in the middle of the sanctuary. Echoing the grandness of the church, the faceted glass windows Willet Hauser designed and fabricated for this sacred space are monumental in size- a skylight, composed entirely of faceted glass measures 58 feet in diameter and the two nave windows, also fabricated in faceted glass, each measure 70 feet tall by 80 feet wide.

page 20 NEW YORK WORLD’S FAIR: HALL OF SCIENCE, FLUSHING MEADOWS, NEW YORK 1964 In the early 1960s Willet Studio illuminated architect Wallace Harrison’s Hall of Science, designed for the 1964-65 World’s Fair, with thousands of pieces of faceted blue glass. The ninety foot serpentine structure is made up of over 5,000 3 feet tall by 2 feet wide panels pierced with one inch Blenko glass dalles cast into a matrix of reinforced concrete. Designed to give the impression of being in deep space the primary glass color is blue- more than a dozen shades of blue were used, accented with touches of gold, ruby, green and purple to further intensify the feeling of outer space.

SCULPTURED GOLD Perhaps the most exquisite offering we can bring to your project is the Sculptured Gold window by Willet Hauser. Developed in the 1950s by Henry Lee Willet, this exclusive technique has certainly enhanced our reputation as the leader in American Stained Glass. The Sculptured Gold window is created with very special care and craftsmanship. A traditional leaded stained glass window is overlaid with a low relief sculpture fabricated of sheet lead forming figures and designs. All of the sculpture and the lead are then covered with 23-karat gold leaf. One must personally view a Sculptured Gold window to fully appreciate the magnificence. This fabulous window on the next page is beautiful during the day and spectacular at night.

page 21 Sculptured gold windows allow for the window to be viewed in two very different ways in the day time and night time. During the day light streams through the glass and at night the glass appears black while the special sculptured gold façade is illuminated under the space’s interior lights.

page 22 ETCHED GLASS Another service offered by Willet Hauser is known as Etched Glass. Glass etching refers to the process of abrading or roughening a piece of glass in an effort to produce a decorative design atop the glass surface. Etched glass can be an effective tool when light is limited. The studio uses various techniques in order to achieve an etched surface in glass, all with different artistic effects. Hydrofluoric acid is often used to etch specialized art glass with two or more layers of color, known as flashed glass. Hydrofluoric acid can also be used to engrave detailed designs onto clear glass. Designs can be engraved onto glass using a sandblast process too. Additionally, we can accomplish all of these etching techniques using computer drawn designs and plotter-cut self-adhesive vinyl sheets.

LAMINATION The Willet Studio introduced the Dutch technique of Farbigem to the United States in 1966, after a visit to the Amsterdam glass factory known as Glas-Industrie Van Tetterode. Research and development of the process was carried out at the studio from 1967 into the 1980s. The laminated glass process today is very different from the farbigem technique Willet did in the past. Today’s glass laminating process uses Verifix 2k silicone to bond art glass to modern architectural substrates such as safety glass, float glass, insulated units, or to more art glass. After priming the base glass, a two-part silicone adhesive mixture is applied to this base glass. The art glass is then carefully laid onto this silicone layer following the approved design. The silicone sets solidly in 12 hours and is fully-cured in 72 hours, although heat can be used to reduce the initial setting time. The Verifix 2K silicone technique has been proven for 20 plus years to be structurally permanent, UV and weather resistant and non- yellowing.

page 23 BRINGING BACK TRADITION MASTER APPRENTICESHIP PROGRAM Given that Willet Hauser has over a century of history and a reputable lineage of artisans, Willet Hauser has always been known as a training ground for elite artists in stained glass. Bringing back that tradition formally is important not only to the company but to the stained glass industry. Willet Hauser Architectural Glass™, Inc. offers an esteemed Master Apprenticeship Program in the field of Stained Glass. This historic program offers apprentices the opportunity to learn all aspects of the craft and art of stained glass. The multi-year Master Apprenticeship Program features several major areas of study including Studio Work (creation, fabrication and restoration), Field Work (preservation, on-site restoration and installation of new art) and Design Work (the creation of small scale artwork used to fabricate stained glass windows). In addition to on-site studio work, apprentices complete outside coursework in areas such as Drawing, Computer Arts, History and Glass Studies. Additionally, apprentices are expected to take part in in-house classes. Upon successful completion, individuals are given journeyman status. As certified journeymen, they will be able to perform the tasks of the trade within the field of stained glass and to supervise apprentices.

page 24 OUR COMMUNITY—STUDIO TOUR Guests and clients are invited to tour our studio in beautiful Winona, Minnesota. Taking part in a tour will allow one to better understand the methods behind the incredibly fascinating art of stained glass! If you or your organization is interested in visiting our studio for a tour, please contact us at 1-800-533-3960.

If you would like to learn more about our work or if you would like to speak with a studio representative about a free, on-site inspection and consultation, please contact us by email at [email protected] or call toll free at 1-800-533-3960. Find us virtually at Facebook (https://www.facebook.com/ willethauser) and Twitter (@willethauser) to follow along as we update our fans on all the exciting things happening at the studio!

page 25 TM

toll free: (800) 533-3960 • fax: (877) 495-9486 1685 wilkie drive • winona, mn 55987 www.willethauser.com [email protected]

page 26 January 19, 2016 Attn: Mr. Edward Kinner

First Presbyterian Church PO Box 1094, 1100 1st Avenue Columbus, GA 31901 (706) 322-4523 Project Total: $451,144 Client ID: 1022948 Replacement Value: $562,218

(1) Per Building Sketch (5 ft x 12 ft)

a. The existing protective covering will be removed. b. Remove the stained glass window. c. Install temporary painted plywood in the vacated window opening. d. This entire stained glass window will undergo a program of Historic Restoration. e. Reinstall the stained glass window f. The exterior millwork will be primed with an epoxy consolidator. g. Remove loose paint on the outer surface of the millwork. Apply both a primer coat and finish coat of Sherwin Williams Duration. h. This window shall be covered with our exclusive Klear-flo© protective covering system utilizing 1/4” Acrylic. i.i. The Klear-flo© protective covering system will be installed utilizing a special perimeter frame.

Replacement Value: $18,000

------

(2) Per Building Sketch (5 ft x 12 ft)

Studio Consultant: Mark Davidson Phone: 800-533-3960 x710 Proposal Title: Proposal One Proposal Subtitle: Appraisal, Historic Restoration and Klear-flo© Client ID: 1022948 Page 1 of 29 h. This window shall be covered with our exclusive Klear-flo© protective covering system utilizing 1/4” Acrylic. i.i. The Klear-flo© protective covering system will be installed utilizing a special perimeter frame.

Replacement Value: $18,000

------

(3) Per Building Sketch (5 ft x 12 ft)

Replacement Value: $18,000

------

(4) Per Building Sketch (5 ft x 12 ft)

Studio Consultant: Mark Davidson Phone: 800-533-3960 x710 Proposal Title: Proposal One Proposal Subtitle: Appraisal, Historic Restoration and Klear-flo© Client ID: 1022948 Page 2 of 29 primer coat and finish coat of Sherwin Williams Duration. h. This window shall be covered with our exclusive Klear-flo© protective covering system utilizing 1/4” Acrylic. i.i. The Klear-flo© protective covering system will be installed utilizing a special perimeter frame.

Replacement Value: $18,000

------

(5) Per Building Sketch (5 ft x 12 ft)

Replacement Value: $18,000

------

(6) Per Building Sketch (5 ft x 2.5 ft)

Studio Consultant: Mark Davidson Phone: 800-533-3960 x710 Proposal Title: Proposal One Proposal Subtitle: Appraisal, Historic Restoration and Klear-flo© Client ID: 1022948 Page 3 of 29 g. Remove loose paint on the outer surface of the millwork. Apply both a primer coat and finish coat of Sherwin Williams Duration. h. This window shall be covered with our exclusive Klear-flo© protective covering system utilizing 1/4” Acrylic. i.i. The Klear-flo© protective covering system will be installed utilizing a special perimeter frame.

Replacement Value: $3,125

------

(7) Per Building Sketch (5 ft x 11.5 ft)

Replacement Value: $17,250

------

(8) Per Building Sketch (5 ft x 11.5 ft)

Studio Consultant: Mark Davidson Phone: 800-533-3960 x710 Proposal Title: Proposal One Proposal Subtitle: Appraisal, Historic Restoration and Klear-flo© Client ID: 1022948 Page 4 of 29 f. The exterior millwork will be primed with an epoxy consolidator. g. Remove loose paint on the outer surface of the millwork. Apply both a primer coat and finish coat of Sherwin Williams Duration. h. This window shall be covered with our exclusive Klear-flo© protective covering system utilizing 1/4” Acrylic. i.i. The Klear-flo© protective covering system will be installed utilizing a special perimeter frame.

Replacement Value: $17,250

------

(9) Per Building Sketch (5 ft x 11.5 ft)

Replacement Value: $17,250

------

(10) Per Building Sketch (5 ft x 11.5 ft)

Studio Consultant: Mark Davidson Phone: 800-533-3960 x710 Proposal Title: Proposal One Proposal Subtitle: Appraisal, Historic Restoration and Klear-flo© Client ID: 1022948 Page 5 of 29 e. Reinstall the stained glass window f. The exterior millwork will be primed with an epoxy consolidator. g. Remove loose paint on the outer surface of the millwork. Apply both a primer coat and finish coat of Sherwin Williams Duration. h. This window shall be covered with our exclusive Klear-flo© protective covering system utilizing 1/4” Acrylic. i.i. The Klear-flo© protective covering system will be installed utilizing a special perimeter frame.

Replacement Value: $17,250

------

(11) Per Building Sketch (5 ft x 11.5 ft)

Replacement Value: $17,250

------

(12) Per Building Sketch (4 ft x 9.5 ft)

Studio Consultant: Mark Davidson Phone: 800-533-3960 x710 Proposal Title: Proposal One Proposal Subtitle: Appraisal, Historic Restoration and Klear-flo© Client ID: 1022948 Page 6 of 29 Restoration. e. Reinstall the stained glass window f. The exterior millwork will be primed with an epoxy consolidator. g. Remove loose paint on the outer surface of the millwork. Apply both a primer coat and finish coat of Sherwin Williams Duration. h. This window shall be covered with our exclusive Klear-flo© protective covering system utilizing 1/4” Acrylic. i.i. The Klear-flo© protective covering system will be installed utilizing a special perimeter frame.

Replacement Value: $10,450

------

(13) Per Building Sketch (4 ft x 9.5 ft)

Replacement Value: $10,450

------

(14) Per Building Sketch (3.5 ft x 1.5 ft)

a. No work is specified for this window.

Replacement Value: $1,313

Studio Consultant: Mark Davidson Phone: 800-533-3960 x710 Proposal Title: Proposal One Proposal Subtitle: Appraisal, Historic Restoration and Klear-flo© Client ID: 1022948 Page 7 of 29 ------

(15) Per Building Sketch (3.5 ft x 1 ft)

a. No work is specified for this window.

Replacement Value: $875

------

(16) Per Building Sketch (3.5 ft x 1 ft)

a. Replace non-painted broken, cracked or missing piece of stained glass.

Replacement Value: $875

------

(17) Per Building Sketch (3.5 ft x 1.5 ft)

a. No work is specified for this window.

Replacement Value: $1,313

Studio Consultant: Mark Davidson Phone: 800-533-3960 x710 Proposal Title: Proposal One Proposal Subtitle: Appraisal, Historic Restoration and Klear-flo© Client ID: 1022948 Page 8 of 29 ------

(18) Per Building Sketch (3.5 ft x 1.5 ft)

a. No work is specified for this window.

Replacement Value: $1,313

------

(19) Per Building Sketch (5 ft x 2.5 ft)

a. No work is specified for this window.

Replacement Value: $3,125

------

(20) Per Building Sketch (5 ft x 2.5 ft)

a. No work is specified for this window.

Replacement Value: $3,125

------

(21) Per Building Sketch (3.5 ft x 1.5 ft)

a. No work is specified for this window.

Replacement Value: $1,313

Studio Consultant: Mark Davidson Phone: 800-533-3960 x710 Proposal Title: Proposal One Proposal Subtitle: Appraisal, Historic Restoration and Klear-flo© Client ID: 1022948 Page 9 of 29 ------

(22) Per Building Sketch (3.5 ft x 9 ft)

Replacement Value: $7,875

------

(23) Per Building Sketch (5.5 ft x 2.5 ft)

Studio Consultant: Mark Davidson Phone: 800-533-3960 x710 Proposal Title: Proposal One Proposal Subtitle: Appraisal, Historic Restoration and Klear-flo© Client ID: 1022948 Page 10 of 29 g. Remove loose paint on the outer surface of the millwork. Apply both a primer coat and finish coat of Sherwin Williams Duration. h. This window shall be covered with our exclusive Klear-flo© protective covering system utilizing 1/4” Acrylic. i.i. The Klear-flo© protective covering system will be installed utilizing a special perimeter frame.

Replacement Value: $3,438

------

(24) Per Building Sketch (5.5 ft x 2.5 ft)

Replacement Value: $3,438

------

(25) Per Building Sketch (5.5 ft x 2.5 ft)

Studio Consultant: Mark Davidson Phone: 800-533-3960 x710 Proposal Title: Proposal One Proposal Subtitle: Appraisal, Historic Restoration and Klear-flo© Client ID: 1022948 Page 11 of 29 f. The exterior millwork will be primed with an epoxy consolidator. g. Remove loose paint on the outer surface of the millwork. Apply both a primer coat and finish coat of Sherwin Williams Duration. h. This window shall be covered with our exclusive Klear-flo© protective covering system utilizing 1/4” Acrylic. i.i. The Klear-flo© protective covering system will be installed utilizing a special perimeter frame.

Replacement Value: $3,438

------

(26) Per Building Sketch (3.5 ft x 9 ft)

Replacement Value: $7,875

------

(27) Per Building Sketch (4 ft x 9.5 ft)

Studio Consultant: Mark Davidson Phone: 800-533-3960 x710 Proposal Title: Proposal One Proposal Subtitle: Appraisal, Historic Restoration and Klear-flo© Client ID: 1022948 Page 12 of 29 e. Reinstall the stained glass window f. The exterior millwork will be primed with an epoxy consolidator. g. Remove loose paint on the outer surface of the millwork. Apply both a primer coat and finish coat of Sherwin Williams Duration. h. This window shall be covered with our exclusive Klear-flo© protective covering system utilizing 1/4” Acrylic. i.i. The Klear-flo© protective covering system will be installed utilizing a special perimeter frame.

Replacement Value: $10,450

------

(28) Per Building Sketch (4 ft x 9.5 ft)

Replacement Value: $10,450

------

(29) Per Building Sketch (4 ft x 14.5 ft)

Studio Consultant: Mark Davidson Phone: 800-533-3960 x710 Proposal Title: Proposal One Proposal Subtitle: Appraisal, Historic Restoration and Klear-flo© Client ID: 1022948 Page 13 of 29 Restoration. e. Reinstall the stained glass window f. The exterior millwork will be primed with an epoxy consolidator. g. Remove loose paint on the outer surface of the millwork. Apply both a primer coat and finish coat of Sherwin Williams Duration. h. This window shall be covered with our exclusive Klear-flo© protective covering system utilizing 1/4” Acrylic. i.i. The Klear-flo© protective covering system will be installed utilizing a special perimeter frame.

Replacement Value: $17,400

------

(30) Per Building Sketch (5 ft x 16.5 ft)

Replacement Value: $24,750

------

(31) Per Building Sketch (4 ft x 14.5 ft)

a. The existing protective covering will be removed. b. Remove the stained glass window. c. Install temporary painted plywood in the vacated window opening.

Studio Consultant: Mark Davidson Phone: 800-533-3960 x710 Proposal Title: Proposal One Proposal Subtitle: Appraisal, Historic Restoration and Klear-flo© Client ID: 1022948 Page 14 of 29 d. This entire stained glass window will undergo a program of Historic Restoration. e. Reinstall the stained glass window f. The exterior millwork will be primed with an epoxy consolidator. g. Remove loose paint on the outer surface of the millwork. Apply both a primer coat and finish coat of Sherwin Williams Duration. h. This window shall be covered with our exclusive Klear-flo© protective covering system utilizing 1/4” Acrylic. i.i. The Klear-flo© protective covering system will be installed utilizing a special perimeter frame.

Replacement Value: $17,400

------

(32) Per Building Sketch (4 ft x 9.5 ft)

Replacement Value: $10,450

------

(33) Per Building Sketch (4 ft x 9.5 ft)

a. The existing protective covering will be removed. b. Remove the stained glass window.

Studio Consultant: Mark Davidson Phone: 800-533-3960 x710 Proposal Title: Proposal One Proposal Subtitle: Appraisal, Historic Restoration and Klear-flo© Client ID: 1022948 Page 15 of 29 c. Install temporary painted plywood in the vacated window opening. d. This entire stained glass window will undergo a program of Historic Restoration. e. Reinstall the stained glass window f. The exterior millwork will be primed with an epoxy consolidator. g. Remove loose paint on the outer surface of the millwork. Apply both a primer coat and finish coat of Sherwin Williams Duration. h. This window shall be covered with our exclusive Klear-flo© protective covering system utilizing 1/4” Acrylic. i.i. The Klear-flo© protective covering system will be installed utilizing a special perimeter frame.

Replacement Value: $10,450

------

(34) Per Building Sketch (2.5 ft x 7.5 ft)

a. The existing protective covering will be removed. b. The exterior millwork will be primed with an epoxy consolidator. c. Remove loose paint on the outer surface of the millwork. Apply both a primer coat and finish coat of Sherwin Williams Duration. d. This window shall be covered with our exclusive Klear-flo© protective covering system utilizing 1/4” Acrylic. e. The Klear-flo© protective covering system will be installed utilizing a special perimeter frame.

Replacement Value: $4,688

------

(35) Per Building Sketch (2.5 ft x 7.5 ft)

Replacement Value: $4,688

------

(36) Per Building Sketch (2.5 ft x 7.5 ft)

Replacement Value: $4,688

------

(37) Per Building Sketch (2.5 ft x 7.5 ft)

Replacement Value: $4,688

------

(38) Per Building Sketch (5 ft x 2.5 ft)

a. The existing protective covering will be removed.

Studio Consultant: Mark Davidson Phone: 800-533-3960 x710 Proposal Title: Proposal One Proposal Subtitle: Appraisal, Historic Restoration and Klear-flo© Client ID: 1022948 Page 17 of 29 b. Remove the stained glass window. c. Install temporary painted plywood in the vacated window opening. d. This entire stained glass window will undergo a program of Historic Restoration. e. Reinstall the stained glass window f. The exterior millwork will be primed with an epoxy consolidator. g. Remove loose paint on the outer surface of the millwork. Apply both a primer coat and finish coat of Sherwin Williams Duration. h. This window shall be covered with our exclusive Klear-flo© protective covering system utilizing 1/4” Acrylic. i.i. The Klear-flo© protective covering system will be installed utilizing a special perimeter frame.

Replacement Value: $3,125

------

(39) Per Building Sketch (4 ft x 9.5 ft)

Replacement Value: $10,450

------

(40) Per Building Sketch (4 ft x 9.5 ft)

Studio Consultant: Mark Davidson Phone: 800-533-3960 x710 Proposal Title: Proposal One Proposal Subtitle: Appraisal, Historic Restoration and Klear-flo© Client ID: 1022948 Page 18 of 29 a. The existing protective covering will be removed. b. Remove the stained glass window. c. Install temporary painted plywood in the vacated window opening. d. This entire stained glass window will undergo a program of Historic Restoration. e. Reinstall the stained glass window f. The exterior millwork will be primed with an epoxy consolidator. g. Remove loose paint on the outer surface of the millwork. Apply both a primer coat and finish coat of Sherwin Williams Duration. h. This window shall be covered with our exclusive Klear-flo© protective covering system utilizing 1/4” Acrylic. i.i. The Klear-flo© protective covering system will be installed utilizing a special perimeter frame.

Replacement Value: $10,450

------

(41) Per Building Sketch (5 ft x 12 ft)

Replacement Value: $18,000

------

(42) Per Building Sketch (5 ft x 12 ft)

Studio Consultant: Mark Davidson Phone: 800-533-3960 x710 Proposal Title: Proposal One Proposal Subtitle: Appraisal, Historic Restoration and Klear-flo© Client ID: 1022948 Page 19 of 29 a. The existing protective covering will be removed. b. Remove the stained glass window. c. Install temporary painted plywood in the vacated window opening. d. This entire stained glass window will undergo a program of Historic Restoration. e. Reinstall the stained glass window f. The exterior millwork will be primed with an epoxy consolidator. g. Remove loose paint on the outer surface of the millwork. Apply both a primer coat and finish coat of Sherwin Williams Duration. h. This window shall be covered with our exclusive Klear-flo© protective covering system utilizing 1/4” Acrylic. i.i. The Klear-flo© protective covering system will be installed utilizing a special perimeter frame.

Replacement Value: $18,000

------

(43) Per Building Sketch (5 ft x 12 ft)

Replacement Value: $18,000

------

(44) Per Building Sketch (5 ft x 12 ft)

Studio Consultant: Mark Davidson Phone: 800-533-3960 x710 Proposal Title: Proposal One Proposal Subtitle: Appraisal, Historic Restoration and Klear-flo© Client ID: 1022948 Page 20 of 29 a. The existing protective covering will be removed. b. Remove the stained glass window. c. Install temporary painted plywood in the vacated window opening. d. This entire stained glass window will undergo a program of Historic Restoration. e. Reinstall the stained glass window f. The exterior millwork will be primed with an epoxy consolidator. g. Remove loose paint on the outer surface of the millwork. Apply both a primer coat and finish coat of Sherwin Williams Duration. h. This window shall be covered with our exclusive Klear-flo© protective covering system utilizing 1/4” Acrylic. i.i. The Klear-flo© protective covering system will be installed utilizing a special perimeter frame.

Replacement Value: $18,000

------

(45) Per Building Sketch (5 ft x 12 ft)

Replacement Value: $18,000

------

(46) Per Building Sketch (5 ft x 11.5 ft)

Studio Consultant: Mark Davidson Phone: 800-533-3960 x710 Proposal Title: Proposal One Proposal Subtitle: Appraisal, Historic Restoration and Klear-flo© Client ID: 1022948 Page 21 of 29 a. The existing protective covering will be removed. b. Remove the stained glass window. c. Install temporary painted plywood in the vacated window opening. d. This entire stained glass window will undergo a program of Historic Restoration. e. Reinstall the stained glass window f. The exterior millwork will be primed with an epoxy consolidator. g. Remove loose paint on the outer surface of the millwork. Apply both a primer coat and finish coat of Sherwin Williams Duration. h. This window shall be covered with our exclusive Klear-flo© protective covering system utilizing 1/4” Acrylic. i.i. The Klear-flo© protective covering system will be installed utilizing a special perimeter frame.

Replacement Value: $17,250

------

(47) Per Building Sketch (5 ft x 11.5 ft)

Replacement Value: $17,250

------

(48) Per Building Sketch (5 ft x 11.5 ft)

Studio Consultant: Mark Davidson Phone: 800-533-3960 x710 Proposal Title: Proposal One Proposal Subtitle: Appraisal, Historic Restoration and Klear-flo© Client ID: 1022948 Page 22 of 29 a. The existing protective covering will be removed. b. Remove the stained glass window. c. Install temporary painted plywood in the vacated window opening. d. This entire stained glass window will undergo a program of Historic Restoration. e. Reinstall the stained glass window f. The exterior millwork will be primed with an epoxy consolidator. g. Remove loose paint on the outer surface of the millwork. Apply both a primer coat and finish coat of Sherwin Williams Duration. h. This window shall be covered with our exclusive Klear-flo© protective covering system utilizing 1/4” Acrylic. i.i. The Klear-flo© protective covering system will be installed utilizing a special perimeter frame.

Replacement Value: $17,250

------

(49) Per Building Sketch (5 ft x 11.5 ft)

Replacement Value: $17,250

------

(50) Per Building Sketch (5 ft x 11.5 ft)

Studio Consultant: Mark Davidson Phone: 800-533-3960 x710 Proposal Title: Proposal One Proposal Subtitle: Appraisal, Historic Restoration and Klear-flo© Client ID: 1022948 Page 23 of 29 a. The existing protective covering will be removed. b. Remove the stained glass window. c. Install temporary painted plywood in the vacated window opening. d. This entire stained glass window will undergo a program of Historic Restoration. e. Reinstall the stained glass window f. The exterior millwork will be primed with an epoxy consolidator. g. Remove loose paint on the outer surface of the millwork. Apply both a primer coat and finish coat of Sherwin Williams Duration. h. This window shall be covered with our exclusive Klear-flo© protective covering system utilizing 1/4” Acrylic. i.i. The Klear-flo© protective covering system will be installed utilizing a special perimeter frame.

Replacement Value: $17,250

------

(51) Per Building Sketch (3 ft x 1.5 ft)

a. No work is specified for this window.

Replacement Value: $1,125

------

(52) Per Building Sketch (3 ft x 1.5 ft)

a. No work is specified for this window.

Replacement Value: $1,125

------

Donor Costs:: TheThe donordonor costcost isis aa reasonablereasonable approximationapproximation ofof servicesservices forfor eacheach individualindividual stainedstained glassglass window.window. ThisThis priceprice isis onlyonly valid in the context of acceptance of the entire proposal. Willet Hauser Architectural Glass, Inc.™ only provides these costs for the purpose of fund raising. The costs provided are helpful in presenting an adopt a window campaign to raise funds for the preservation of their stained glass heritage. The donor costs may not total the entire sum of the project due to specific job variables such as access, etc. If the church would like to separate the project into stages please contact Willet Hauser Architectural Glass, Inc.™ for assistance. Stained Glass Replacement Evaluation:: ReplacementReplacement valuesvalues providedprovided areare predicatedpredicated uponupon manymany factors:factors: i.e.i.e. size,size, design,design, numbernumber of figures, painted surfaces, etc.. Willet Hauser Architectural Glass, Inc.™ recommends that the Church photograph and size each window and place this information in an area for safe keeping. In the event of a catastrophic occurrence this documentation will be invaluable.invaluable. Lead Safety:: NecessaryNecessary leadlead abatementabatement (removal(removal ofof allall paint)paint) lawfullylawfully mustmust bebe handledhandled byby certifiedcertified abatementabatement specialists.specialists. WilletWillet Hauser Architectural Glass, Inc.™ is a Lead Safe Certified Firm. We are committed to promoting a safe environment and raising awareness of lead safety. Federal law requires contractors that disturb painted surfaces in homes, child care facilities and schools built before 1978 to be certified and follow specific work practices to prevent lead contamination. Always ask to see your contractor’s certification. For more information on lead safety please visit http://www.epa.gov/lead/. If lead-safe practices are required there may be an additional charge. These costs will be presented to the Church prior to the commencement of the project.

Remove Existing Protective Covering: Remove and discard the existing protective covering from the stained glass windows. If the church does not have sufficient disposal receptacles available Willet Hauser Architectural Glass, Inc.™ will provide this service.

Removal of the Stained Glass Window: Prior to removal, photographs and sizes of this window will be documented. Willet Hauser Architectural Glass, Inc.™ will carefully remove the stained glass window from it’s setting and securely pack and crate in an “as is” condition. The gathered documentation will be attached to the exterior of it’s crate. The crated window will either be left on Church property for storage or prepared for transportation.transportation.

Temporary Plywood Protection: If necessary, after the stained glass is removed for restoration, Willet Hauser Architectural Glass, Inc.™ will install protective plywood in the opening. The church may choose to have the plywood painted on the interior and exterior in a single appropriate color.

Historic Restoration of the Entire Window: Historic Restoration is the term that we give to projects where the entire window, individual window sections or ventilator panels, need extensive restoration including the complete dismantling of the panels, the replacement of the lead, and in some cases the replacement of damaged pieces of glass. In the process of Historic Restoration, your windows will be carefully disassembled, cleaned and reglazed using leads of the same profile as the original. The process of Historic Restoration begins at the Church. Layout diagrams are made showing the location of each panel within the window opening. All windows and panels are labeled. Detailed photographs are taken of the overall area to be Restored and job site measurements are gathered. All panels will be individuallyindividually stabilizedstabilized priorprior toto removalremoval andand willwill bebe carefullycarefully packedpacked forfor transportationtransportation toto thethe studio.studio. AtAt thethe studio,studio, eacheach panelpanel isis photographed to document its pre-Restoration condition. The panel is laid on a table from which the first rubbing is to be made. A

Studio Consultant: Mark Davidson Phone: 800-533-3960 x710 Proposal Title: Proposal One Proposal Subtitle: Appraisal, Historic Restoration and Klear-flo© Client ID: 1022948 Page 25 of 29 largelarge sheetsheet ofof cartooncartoon paperpaper isis laidlaid overover thethe panelpanel andand aa rubbingrubbing isis mademade indicatingindicating thethe size,size, shape,shape, andand exactexact locationlocation ofof eacheach ofof thethe individualindividual glassesglasses andand leadlead lines.lines. AllAll rubbingsrubbings willwill bebe annotatedannotated asas toto thethe leadlead camecame sizessizes andand profiles,profiles, exactexact overalloverall dimensionsdimensions ofof thethe panel,panel, andand thethe locationlocation ofof thethe glassesglasses toto bebe repairedrepaired oror replaced.replaced. CopiesCopies ofof thesethese rubbingsrubbings willwill laterlater serveserve asas thethe reassemblyreassembly cartoons. Painted glasses are checked to assure the stability of the paint. If able, the panel will be soaked in a warm water solution to loosenloosen thethe remainingremaining glazingglazing cementcement inin thethe leadlead cames.cames. TheThe panelpanel willwill thenthen bebe disassembled.disassembled. PiecesPieces ofof thethe glassglass thatthat needneed repairrepair areare now addressed. In most cases the original pieces can be retained and their breaks mechanically repaired, most often by edge gluing with conservation epoxies or by means of copper foil. Badly damaged glasses may be replaced with suitable replacements. Utilizing all notes, photographs and cartoons, each panel is reassembled with new lead. The lead used in the reassembly will be of the same size and profile as the original lead. However, the lead cames used will be made of a restoration alloy containing small amounts of tracetrace elementselements suchsuch asas copper,copper, silversilver andand tin.tin. ThisThis restorationrestoration alloyalloy willwill offeroffer moremore longlong termterm support.support. TheThe nextnext stepstep isis forfor thethe panelpanel toto bebe recemented.recemented. InIn thisthis processprocess aa mixturemixture ofof glazingglazing cementcement isis brushedbrushed overover thethe surfacesurface ofof thethe panelpanel andand forcedforced beneathbeneath thethe flangeflange of the lead. After it sets, the compound is removed from the surface of the window by tracing the interior of the lead flange with a pointed dowel. The last step before reinstallation is that structural tie wires are sunk into the lead joints. The Restored panel will then be reinstalled into it’s original opening. A flexible sealant may be applied to allow for expansion and contraction capabilities. SPECIAL NOTES: The Historic Restoration of the leaded stained glass is guaranteed against defects in workmanship for a period of twentytwenty yearsyears fromfrom thethe datedate ofof completion.completion.

Reinstallation: The stained glass panels will be properly reinstalled into the existing frames. Willet Hauser Architectural Glass, Inc.™ will properly secure the stained glass into the existing openings and seal with a flexible sealant (Silpruf®).

Prime with an Epoxy Consolidator: An epoxy sealer/primer that has been expressly manufactured for the repair of deteriorated wood will be applied to the millwork. The epoxy consolidator permeates the wood to create a strong bond. This is an excellent product for minor wood repair.

Painting of Millwork: Scrape loose paint, putty where necessary, and apply Sherwin Williams Duration paint. The paint color will be selected by the Church. Sealing of minor wood cracks and basic wood infill are included in the painting process.

Klear-flo© Protective Covering System Our exclusive Klear-flo© installation system provides for supporting the individual sections with heavy duty colored aluminum divider bars where necessary. The divider bars will be installed with non-corrosive anchors. Each section of the protective covering will be installed so it supports weight distribution. Where possible, the divider bars will be set to match the existing framing or divider bars in the windows to minimize distracting shadows on the interior. To guarantee a proper installation the crew foreman will determine the correct setting of the aluminum divider bars.Willet Hauser Architectural Glass, Inc.™ will seal the protective covering with a high quality sealant (Dow Corning 795 or Silpruf®). This sealant will help guarantee a durable weatherproof installation.installation. EitherEither 3/8"3/8" breatherbreather tubestubes (in(in frame)frame) oror 1"1" screenedscreened louvers,louvers, dependingdepending onon thethe glazingglazing situation,situation, shallshall bebe thethe ventingventing method for this protective covering installation. This venting system is necessary to abate heat build up, decrease the potential for condensation, and allow air circulation to help preserve your stained glass windows heritage. Willet Hauser Architectural Glass, Inc.™ provides the Church with the flexibility to install the new covering by outset (brick to brick) or by insetting into the traceries of thethe window.window. TheThe WilletWillet HauserHauser crewcrew foremanforeman willwill demonstratedemonstrate thethe optionsoptions forfor thethe protectiveprotective coveringcovering installationinstallation toto aa ChurchChurch

Studio Consultant: Mark Davidson Phone: 800-533-3960 x710 Proposal Title: Proposal One Proposal Subtitle: Appraisal, Historic Restoration and Klear-flo© Client ID: 1022948 Page 26 of 29 representative, thus achieving the best aesthetic option for the Church. In some instances, certain setting options may already be pre- determined in the proposal. Acrylic is estimated to be 60 times more break resistant then the same thickness of glass. Acrylic is break resistant NOT UNBREAKABLE. There is no warranty against breakage or cracking from the manufacture or our company.

Perimeter Frame: Perimeter frame is an aluminum bar that serves as the housing support for protective covering material on the exterior perimeter of thethe window.window. WilletWillet HauserHauser ArchitecturalArchitectural Glass,Glass, Inc.™Inc.™ willwill customcustom fitfit andand installinstall aa newnew aluminumaluminum frame,frame, whichwhich willwill encompassencompass thethe entire perimeter of the stained glass window. This method of installation provides an ideal glazing situation, allowing for proper expansion and contraction with out any undue stress. Perimeter frame is generally recommended for glass, but may also be used for any variety of covering materials. It is available in three standard colors white, bronze and limestone.

Replace Non-painted Stained Glass: Following the guidelines of worldly recognized conservancy experts, Willet Hauser Architectural Glass, Inc.™, maintains a CONSERVATION PHILOSOPHY to preserve the original artwork wherever structurally reasonable, therefore we do not, as a matter of course, replace individual pieces of cracked or faded painted glass unless individually specified. DISCLAIMER - Duplicating existing stained glass replacement pieces might not be possible due to the fact that many of the older stained glass fabricators have long since closed their production facilities. Moreover, some types of glass, i.e.; domestic glass, Cathedral glass and especially American opalescent glass can vary dramatically from one manufacturing run to another. Often, even when the same type or design of glass is available its coloration may vary from the original. We have the largest selection of old and new stained glass in thethe country.country. WeWe willwill useuse ourour bestbest effortsefforts toto replacereplace originaloriginal glassglass wherewhere specifiedspecified fromfrom ourour currentcurrent stockstock oror ourour supplierssuppliers currentcurrent stock, but we cannot guarantee a match.

Scheduling and Work Area: The work area will be cleaned at the end of each day.

Our craftsmen will respect Church functions i.e.: funerals, weddings, etc. by curtailing work during this period. With sufficient notice, simple scaffolding will be removed over the weekends.

Our craftsman generally work Monday through Saturday. Uninterrupted access to the work site is appreciated. It is also most helpful ifif wewe cancan bebe allowedallowed thethe useuse ofof aa storagestorage areaarea inin thethe churchchurch toto securesecure supplies.supplies.

Our Guarantee and Ownership Disclosure: Only the finest stained glass craftsmen are employed by Willet Hauser Architectural Glass, Inc.™ Each project manager has many years of experience and will respect the process of perpetuating the stained glass legacy of your Church.

An inspection with a Church representative will be scheduled by the Willet Hauser Architectural Glass, Inc.™ on-site project manager prior to the completion of project. An explanation of the completed work will be provided along with an opportunity to answer any questions. Any interested individuals are invited to participate in this inspection.

Studio Consultant: Mark Davidson Phone: 800-533-3960 x710 Proposal Title: Proposal One Proposal Subtitle: Appraisal, Historic Restoration and Klear-flo© Client ID: 1022948 Page 27 of 29 occur. In January of 2014 Associated Crafts® of Gilbert, AZ acquired Willet Hauser Architectural Glass, Inc.™ of Winona, MN. This acquisition has brought the best two stained glass studios and their talent together. Since the acquisition both studios have been blending their operations together and operate as one studio. The artist, craftsperson, and administrative talent, work together on every project. Studio operations and on-site operations are staged at our facility in Winona, MN.

Terms: To accept this proposal, please sign one copy and mail it to the home office along with the required deposit. Retain one copy for your reference and file. Once your proposal and deposit is received we will return the proposal, signed by company officer, and a letterletter ofof receipt.receipt.

Please make checks payable to Willet Hauser Architectural Glass, Inc.™ and mail to P.O. Box 587, 1685 Wilke Drive, Winona, MN 55987.

All proposals are subject to a price change 45 days after the date that appears on the proposal.

Our payment terms are as follows: 25% deposit with the signed proposal, 25% payment when the project is half completed, 25% payment when the project is three fourths completed, with the remaining balance due upon completion of the work. Final payment should be made to the on-site project manager (by check payable to the company) upon completion of the work.

Relead projects or new windows project: Our payment terms are as follows: A deposit of 20% of the total price of the project shall be made at the time of acceptance of the proposal. An additional payment of 25% of each windows total price shall be due when the window is fifty percent complete in the studio. An additional payment of 25% of each windows total price shall be due when the window is seventy-five percent complete in the studio. An additional payment of 15% of each windows total price shall be due when thethe windowwindow isis completecomplete inin thethe studio.studio. TheThe finalfinal paymentpayment ofof eacheach windowswindows totaltotal priceprice shallshall bebe duedue uponupon completioncompletion ofof thethe reinstallation of the windows at the Church. Final payment should be made to the project manager (by check payable to the company) upon completion of the work.

Cost: All costs are in US Currency.

Total Price of Proposal: Four Hundred and Fifty-One Thousand, One Hundred and Fourty-Four Dollars ($451,144)

Any State or City taxes are not included and must be added to the above figure.

Options: We will install 1/4" glass as the protective covering instead of 1/4" acrylic. Total price for this change of protective covering material is $ 7,704.40. To accept this option please initial. X______

We will install 1/4" tempered as the protective covering instead of 1/4" acrylic. Total price for this change of protective covering material is $17,231.40. To accept this option please initial. X______

Studio Consultant: Mark Davidson Phone: 800-533-3960 x710 Proposal Title: Proposal One Proposal Subtitle: Appraisal, Historic Restoration and Klear-flo© Client ID: 1022948 Page 28 of 29 Acceptance: Willet Hauser Architectural Glass, Inc.™ will furnish Workman's Compensation, Public Liability, and Property Damage Insurance for this job. Willet Hauser Architectural Glass, Inc.™ of Winona, Minnesota agrees to do all of the work listed above in a good and workmanlike manner furnishing all labor and materials for the indicated sum, which is due and payable as outlined in the terms. Contract valid when accepted for Willet Hauser Architectural Glass, Inc.™ 1685 Wilkie Drive - P.O. Box 587 - Winona, Minnesota 55987, by Company Officer. THE UNDERSIGNED AND/OR THE BOARD HAVE READ AND UNDERSTAND THIS CONTRACT. BY SIGNING THEY ACCEPT THIS CONTRACT AS WRITTEN. THEY UNDERSTAND THAT THIS CONTRACT ALONG WITH ANY WRITTEN AND SIGNED ADDENDA CONSTITUTES THE ENTIRE AGREEMENT. VERBAL PROMISES, DISCUSSIONS OR ADDITIONS NOT PUT INTO THE PROPOSALS OR INTO WRITTEN ADDENDA WILL NOT BE PART OF THE AGREEMENT. CHARGES FOR ANY ADDITIONAL WORK WILL BE COMPUTED AT THE PREVAILING RATES.

Accepted for Client by:

______

Studio Representative:

______

Accepted for Willet Hauser Architectural Glass, Inc. by:

______

Studio Consultant: Mark Davidson Phone: 800-533-3960 x710 Proposal Title: Proposal One Proposal Subtitle: Appraisal, Historic Restoration and Klear-flo© Client ID: 1022948 Page 29 of 29

35 33 28

30 31 29 36 34 32 27

37 26 25 24 23 22

40 39 38 21 20 19 18 6 12 13 16 15 17 14 46 41 5 11

47 42 4 10

48 43 3 9

49 44 2 8

50 45 1 7

51 52

First Presbyterian Church PO Box 1094, 1100 1st Avenue Columbus, GA 31901 (706) 322-4523 Project Total: $63,204 Client ID: 1022948

(29) Per Building Sketch (4 ft x 14.5 ft)

------

(30) Per Building Sketch (5 ft x 16.5 ft)

------

(31) Per Building Sketch (4 ft x 14.5 ft)

------

(41) Per Building Sketch (5 ft x 12 ft)

Studio Consultant: Mark Davidson Phone: 800-533-3960 x710 Proposal Title: Proposal Two Proposal Subtitle: Historic Restoration and Klear-flo © Protective Covering Client ID: 1022948 Page 4 of 8 largelarge sheetsheet ofof cartooncartoon paperpaper isis laidlaid overover thethe panelpanel andand aa rubbingrubbing isis mademade indicatingindicating thethe size,size, shape,shape, andand exactexact locationlocation ofof eacheach ofof thethe individualindividual glassesglasses andand leadlead lines.lines. AllAll rubbingsrubbings willwill bebe annotatedannotated asas toto thethe leadlead camecame sizessizes andand profiles,profiles, exactexact overalloverall dimensionsdimensions ofof thethe panel,panel, andand thethe locationlocation ofof thethe glassesglasses toto bebe repairedrepaired oror replaced.replaced. CopiesCopies ofof thesethese rubbingsrubbings willwill laterlater serveserve asas thethe reassemblyreassembly cartoons. Painted glasses are checked to assure the stability of the paint. If able, the panel will be soaked in a warm water solution to loosenloosen thethe remainingremaining glazingglazing cementcement inin thethe leadlead cames.cames. TheThe panelpanel willwill thenthen bebe disassembled.disassembled. PiecesPieces ofof thethe glassglass thatthat needneed repairrepair areare now addressed. In most cases the original pieces can be retained and their breaks mechanically repaired, most often by edge gluing with conservation epoxies or by means of copper foil. Badly damaged glasses may be replaced with suitable replacements. Utilizing all notes, photographs and cartoons, each panel is reassembled with new lead. The lead used in the reassembly will be of the same size and profile as the original lead. However, the lead cames used will be made of a restoration alloy containing small amounts of tracetrace elementselements suchsuch asas copper,copper, silversilver andand tin.tin. ThisThis restorationrestoration alloyalloy willwill offeroffer moremore longlong termterm support.support. TheThe nextnext stepstep isis forfor thethe panelpanel toto bebe recemented.recemented. InIn thisthis processprocess aa mixturemixture ofof glazingglazing cementcement isis brushedbrushed overover thethe surfacesurface ofof thethe panelpanel andand forcedforced beneathbeneath thethe flangeflange of the lead. After it sets, the compound is removed from the surface of the window by tracing the interior of the lead flange with a pointed dowel. The last step before reinstallation is that structural tie wires are sunk into the lead joints. The Restored panel will then be reinstalled into it’s original opening. A flexible sealant may be applied to allow for expansion and contraction capabilities. SPECIAL NOTES: The Historic Restoration of the leaded stained glass is guaranteed against defects in workmanship for a period of twentytwenty yearsyears fromfrom thethe datedate ofof completion.completion.

Studio Consultant: Mark Davidson Phone: 800-533-3960 x710 Proposal Title: Proposal Two Proposal Subtitle: Historic Restoration and Klear-flo © Protective Covering Client ID: 1022948 Page 5 of 8 representative, thus achieving the best aesthetic option for the Church. In some instances, certain setting options may already be pre- determined in the proposal. Acrylic is estimated to be 60 times more break resistant then the same thickness of glass. Acrylic is break resistant NOT UNBREAKABLE. There is no warranty against breakage or cracking from the manufacture or our company.

Scheduling and Work Area: The work area will be cleaned at the end of each day.

Our craftsmen will respect Church functions i.e.: funerals, weddings, etc. by curtailing work during this period. With sufficient notice, simple scaffolding will be removed over the weekends.

Willet Hauser Architectural Glass, Inc.™ guarantees this project against defective workmanship for a period of 10 years. We do not guarantee a project to be weatherproof without the installation of new protective covering from Willet Hauser Architectural Glass, Inc.™ Willet Hauser Architectural Glass, Inc.™ will return to the Church to correct any problems if that unlikely situation should occur. In January of 2014 Associated Crafts® of Gilbert, AZ acquired Willet Hauser Architectural Glass, Inc.™ of Winona, MN. This acquisition has brought the best two stained glass studios and their talent together. Since the acquisition both studios have been blending their operations together and operate as one studio. The artist, craftsperson, and administrative talent, work together on every project. Studio operations and on-site operations are staged at our facility in Winona, MN.

Please make checks payable to Willet Hauser Architectural Glass, Inc.™ and mail to P.O. Box 587, 1685 Wilke Drive, Winona, MN 55987.

Cost: All costs are in US Currency.

Total Price of Proposal: Sixty-Three Thousand, Two Hundred and Four Dollars ($63,204)

Any State or City taxes are not included and must be added to the above figure.

Option: We will install 1/4" glass as the protective covering instead of 1/4" acrylic. Total price for this change of protective covering material is $1,646.25.00. To accept this option please initial. X______

We will install 1/4" tempered as the protective covering instead of 1/4" acrylic. Total price for this change of protective covering material is $4,680.25. To accept this option please initial. X______

Acceptance: Willet Hauser Architectural Glass, Inc.™ will furnish Workman's Compensation, Public Liability, and Property Damage Insurance for this job. Willet Hauser Architectural Glass, Inc.™ of Winona, Minnesota agrees to do all of the work listed above in a good and workmanlike manner furnishing all labor and materials for the indicated sum, which is due and payable as outlined in the terms. Contract valid when accepted for Willet Hauser Architectural Glass, Inc.™ 1685 Wilkie Drive - P.O. Box 587 - Winona, Minnesota 55987, by Company Officer.

Studio Consultant: Mark Davidson Phone: 800-533-3960 x710 Proposal Title: Proposal Two Proposal Subtitle: Historic Restoration and Klear-flo © Protective Covering Client ID: 1022948 Page 7 of 8 THE UNDERSIGNED AND/OR THE BOARD HAVE READ AND UNDERSTAND THIS CONTRACT. BY SIGNING THEY ACCEPT THIS CONTRACT AS WRITTEN. THEY UNDERSTAND THAT THIS CONTRACT ALONG WITH ANY WRITTEN AND SIGNED ADDENDA CONSTITUTES THE ENTIRE AGREEMENT. VERBAL PROMISES, DISCUSSIONS OR ADDITIONS NOT PUT INTO THE PROPOSALS OR INTO WRITTEN ADDENDA WILL NOT BE PART OF THE AGREEMENT. CHARGES FOR ANY ADDITIONAL WORK WILL BE COMPUTED AT THE PREVAILING RATES.

Accepted for Client by:

______

Studio Representative:

______

Accepted for Willet Hauser Architectural Glass, Inc. by:

______

Studio Consultant: Mark Davidson Phone: 800-533-3960 x710 Proposal Title: Proposal Two Proposal Subtitle: Historic Restoration and Klear-flo © Protective Covering Client ID: 1022948 Page 8 of 8

35 33 28

30 31 29 36 34 32 27

37 26 25 24 23 22

40 39 38 21 20 19 18 6 12 13 16 15 17 14 46 41 5 11

47 42 4 10

48 43 3 9

49 44 2 8

50 45 1 7

51 52