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® Mill Run, Pennsylvania

Building Instructions

Booklet available on: Architectural Drawings Livret disponible sur: Folleto disponible en: Architecture.LEGO.com The History of Fallingwater

21005_BI.indd 1 01/03/2011 6:28 PM Fallingwater Courtesy of Western Pennsylvania Conservancy

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21005_Fallingwater_BI_book_Rettelser_Aug_09.indd 2 9/2/09 11:13:38 AM Contents

Frank ...... 5 History of Fallingwater®...... 6 Facts from the Project ...... 8 The Architect’s Thoughts about the Building ...... 9 Building Instructions ...... 11 A Word from the Artist ...... 104 LEGO® Architecture: Bringing two worlds together ...... 105 References ...... 107

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21005_Fallingwater_BI_book_Rettelser_Aug_09.indd 3 9/2/09 11:13:38 AM © F.L. Wright Fdn.

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21005_Fallingwater_BI_book_Rettelser_Aug_09.indd 4 9/2/09 11:13:43 AM

Frank Lloyd Wright, 1867–1959, is recognized worldwide as one of the greatest architects of the 20th century. His work heralded a new approach to architecture using innovations in design and engineering made possible by newly developed technology and materials.

No other American architect’s work endures, or remains as Photo: OBMA. ® F.L. Wright Fdn. compelling, as that of Frank Lloyd Wright. His was a unique style rooted in nature, that he called “,” emphasizing the harmonious relationship between a building and its landscape. It changed how we came to view our buildings, towns, and the land around us.

© F.L. Wright Fdn.

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21005_Fallingwater_BI_book_Rettelser_Aug_09.indd 5 9/2/09 11:13:46 AM History of Fallingwater®

“He had the design totally in his head, as always, and balconies above it, emphasizes this element of as he recommended to the apprentices, if no whole projecting forms merging building and landscape. idea, no architecture.” , letter of June 20, In most architecture of the world, balconies are smaller 1974. Lautner was an apprentice from 1933 to 1939. features of a larger, more stable mass. At Fallingwater, the entire house is composed of these projections “Mr. Wright was not at all disturbed by the fact that not from and above the rock ledges. one line had been drawn. As was normal, he asked me to bring him the topographical map of Bear Run The rooms themselves, with their adjacent outdoor to his draughting table in the sloping-roofed studio terraces, are all a part of broad-sweeping balconies at , a rustic but wondrous room in itself... reaching out to the branches of the surrounding I stood by, on his right side, keeping his colored trees, and over the stream and waterfalls below.[2]” pencils sharpened. Every line he drew, vertically and especially horizontally, I watched with complete “Fallingwater is a country home, and in the annals of fascination... Mr. Kaufmann arrived and Mr. Wright so-called country homes it differs from any other greeted him in his wondrously warm manner. In the ever built up to that time... Fallingwater achieves studio, Mr. Wright explained the sketches to his client. something that no country home successfully had Mr. Kaufmann, a very intelligent but practical before: it emphasizes, in every place and at every gentleman, merely said... ‘I thought you would place turn, the wonder and beauty of nature in this the house near the waterfall, not over it.’ Mr. Wright woodland setting.[3]” said quietly, ‘E.J. I want you to live with the waterfall, not just to look at it, but for it to become an integral “Fallingwater is that rare work which is composed of part of your lives.’ And it did just that.” Bob Mosher, such delicate balacing of forces and counterforces, Letter of Jan. 20, 1974. transformed into spaces thrusting horizontally, vertically and diagonally, that the whole achieves the “In 1963, Edgar Kaufmann Jr. gave his home, Fallingwater, serenity which marks all great works of art.[4]” to the Western Pennsylvania Conservancy with the intent that it be open to the public for tours. His gift constitutes one of the most magnanimous acts in the annals of architectural and fine art history. This one building, undoubtedly the most famous private residence built in a free, democratic society, has been widely published the world over since its completion in 1939, and its influence continues to this day.[1]”

“The famous view of the house, taken from downstream looking up to the water cascades and under the © F.L. Wright Fdn.

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21005_Fallingwater_BI_book_Rettelser_Aug_09.indd 6 9/2/09 11:13:46 AM © F.L. Wright Fdn.

Left: Elevation and Floor Plan Above: Scaffolding

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21005_Fallingwater_BI_book_Rettelser_Aug_09.indd 7 9/2/09 11:13:48 AM Facts from the Project

Architect: ...... Frank Lloyd Wright Classification: ...... Vacation Home Year: ...... 1935 Construction Type: ...... Reinforced Poured Concrete with Limestone Fascia Square Feet: ...... 2,885 sq. ft. interior Original Cost: ...... $ 155,000

Top right: Scaffolding Bottom left: Construction workers Bottom right: Construction

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21005_Fallingwater_BI_book_Rettelser_Aug_09.indd 8 9/2/09 11:13:52 AM The Architect’s Thoughts about the Building

“The rock-ledges of a stone-quarry are a story and a “This structure might serve to indicate that the sense longing to me. There is suggestion in the strata and of shelter…has no limitations as to form except the character in the formations. materials used and the methods by which they are I like to sit and feel it, as it is. Often I have thought, employed for what purpose.[7]” were great monumental buildings ever given me to “Looking back years later at what he had created build, I would go to the Grand Canyon of to there, in this enchanted glen, Wright said, ‘Fallingwater ponder them… For in the stony bone-work of the is a great blessing – one of the great blessings to be Earth, the principles that shaped stone as it lies, or as experienced here on earth. I think that nothing it rises and remains to be sculptured by winds and yet ever equaled the coordination, sympathetic tide – there sleep forms and styles enough for all the expression of the great principle of repose, where ages for all of Man.[5]” forest and stream and rock and all the elements of “The visit to the waterfall in the woods stays with me structure are combined so quietly that really you and a domicile has taken vague shape in my mind to listen not to any noise whatsoever, although the music the music of the stream. When contours come you of the stream is there. But you listen to Fallingwater will see it. Meantime, to you my affection. [6]” the way you listen to the quiet of the country.’[8]”

© Hedrich-Blessing

Above: Desk and view Left: Living Room © Yukio Futagawa

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21005_Fallingwater_BI_book_Rettelser_Aug_09.indd 9 9/2/09 11:13:55 AM Side elevation Front elevation

Adam Reed Tucker Architectural LEGO Artist

Planview

21005_Fallingwater_BI_book_Rettelser_Aug_09.indd 10 9/2/09 11:13:59 AM Building Instructions

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“Bring out the nature of the materials, let their nature intimately into your scheme ... Reveal the nature of the wood, plaster, brick or stone in your designs, they are all by nature friendly and beautiful.”

– Frank Lloyd Wright, 1908 13

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“By organic architecture I mean an architecture that develops from within outward in harmony with the conditions of its being, as distinguished from one that is applied from without.”

– Frank Lloyd Wright, 1914 25

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“Architecture is the triumph of Human imagination over materials, methods, and men to put man into possession of his own Earth.”

– Frank Lloyd Wright, 1930 31

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“Architecture is the scientifi c art of making structure express ideas.”

– Frank Lloyd Wright, 1930

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“Stone is infl orescent: stone is the mass residue of intense heat. Stone is therefore the simplest mass material. As human hands directed by the imagination begin upon it, it becomes a shapely block.”

– Frank Lloyd Wright, 1937 43

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“Architecture is that great living creative spirit which from generation to generation, from age to age, proceeds, persists, creates, according to the nature of man, and his circumstances as they both change. That really is architecture.”

– Frank Lloyd Wright, 1939 49

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“I had an idea that the horizontal planes in buildings, those planes parallel to the earth, identify themselves with the ground – make the building belong to the ground. I began putting this idea to work.”

– Frank Lloyd Wright, 1943 55

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“In architecture, expressive changes of surface, emphasis of line & especially textures of material or imaginative pattern, may go to make facts more eloquent – forms more signifi cant.”

– Frank Lloyd Wright, 1943 61

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“Organic architecture takes this thought from within the nature of the thing. It is a profound nature study.”

– Frank Lloyd Wright, 1952

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“Rhythm in a building is largely a question of the third dimension or the depth of the building. A thing is out of place when it is not in rhythm. And what is rhythm in a building? In music you listen to it, in painting you look at it, in a building you live with it.”

– Frank Lloyd Wright, 1952 79

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“I began to see a building primarily not as cave but as broad shelter in the open, related to vista; vista without vista within.”

– Frank Lloyd Wright, 1954 83

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“A great architecture, a great building, must have a great con- cept. It must be born according to the depths of the human mind and nature.”

– Frank Lloyd Wright, 1955 89

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21005_Fallingwater_BI_book_Rettelser_Aug_09.indd 90 9/2/09 11:15:01 AM 14

=

“The cantilever is essentially steel at its most economical level of use. Construction lightened by means of cantilevered steel in tension, makes continuity a most valuable characteristic of architectural enlightenment.”

– Frank Lloyd Wright, 1957 91

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21005_Fallingwater_BI_book_Rettelser_Aug_09.indd 94 9/2/09 11:15:03 AM =

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21005_Fallingwater_BI_book_Rettelser_Aug_09.indd 97 9/2/09 11:15:04 AM 10

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21005_Fallingwater_BI_book_Rettelser_Aug_09.indd 99 9/2/09 11:15:05 AM 2

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101

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21005_Fallingwater_BI_book_Rettelser_Aug_09.indd 102 9/2/09 11:15:09 AM “Organic architecture sees the third dimension never as weight or mere thickness but always as depth. Depth an element of space; the third (or thickness) dimension transformed to a space dimension.”

– Frank Lloyd Wright, 1957

21005_Fallingwater_BI_book_Rettelser_Aug_09.indd 103 9/2/09 11:15:09 AM A Word from the Artist

As an Architectural Artist my desire is to capture the essence of a particular architectural landmark into its pure sculptural form. I fi rst and foremost do not view my models as literal replicas, but rather my own artistic interpretations through the use of LEGO® bricks as a medium. The LEGO brick is not initially thought of as a material typically used in creating art or used as an artist’s medium. I quickly discovered the LEGO brick was lending itself as naturally to my applications as paint to a painter or metal to a blacksmith. As I explore how to capture these buildings with the basic shapes of the bricks and plates, I fi nd the possibilities and challenges they offer almost magical.

21005 Fallingwater This model underwent a total of 14 design concepts as it delicately incorporates a unique “pull-apart” interactive feature. Unlike the fi rst 5 models in the LEGO Architecture series which are static by design, I wanted to explore the use of the LEGO Brick even further by expressing the dynamic nature of Fallingwater; with this in mind I was able to have sections of the model slide out. The design challenge was in fi guring out how to cleverly disguise, in an almost puzzle-like design where the model comes apart without distorting one of Mr. Wright’s most recognizable achievements. Another design concern was how to carefully balance the playful nature of the river, waterfall, woods, and bridge that embrace and defi ne Fallingwater. These subtle details give Fallingwater context, without which it would not be possible to truly illustrate its beautiful, sensitive and thoughtful design.

Adam Reed Tucker Architectural LEGO Artist

104

21005_Fallingwater_BI_book_Rettelser_Aug_09.indd 104 9/2/09 11:15:12 AM LEGO® Architecture: Bringing two worlds together

The LEGO Group and Adam Reed Tucker are excited to bring you LEGO Architecture, a new line of LEGO building sets that celebrates world-renowned architects, who continue to inspire the builders of tomorrow. Whether young and eager to learn or simply young at heart and intrigued by these modern day marvels, we hope the Architecture series inspires builders of all ages by celebrating the past, present and future of architecture Visit www.LEGO.com/architecture or through the LEGO brick. Through incredible products www.Brickstructures.com for more information and exciting events, the Architecture series promotes awareness of the fascinating worlds of architecture, engineering and construction.

The launch of the LEGO Architecture series begins with a celebration of Frank Lloyd Wright, and one of the most famous buildings in the world, the Solomon R. Guggenheim in .

We hope to inspire future architects around the world with the LEGO brick as a medium. Enjoy this experience!

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3x 1x 4181134 4590985 8x 4114084 1x 4210998 9x 4113915 4x 13x 4114001 4185177 5x 4141533 17x 4118790 1x 13x 4210997 4109995 19x 4159553 1x 4509897 3x 10x 4124455 4114309 9x 4162465 1x 4x 4211061 4143409 3x 4159196 18x 4114077 5x 3x 4113993 52x 4113916 90x 4569297 4113917 17x 18x 4125253 4568287

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1x 4269651 106

21005_Fallingwater_BI.indd 106 02/09/09 13:49:01 References

2x 300626 The History of Fallingwater [1] Bruce Brooks Pfeiffer, “Frank Lloyd Wright - Fallingwater,” 2003, Pg. 6 [2] Bruce Brooks Pfeiffer, “Frank Lloyd Wright - Fallingwater,” 2003, Pg. 10 [3] Bruce Brooks Pfeiffer, “Frank Lloyd Wright - Fallingwater,” 2003, Pg. 20 1x 4x [4] Paul M. Rudolph, 1970, “Global Architecture – Frank Lloyd Wright 4210725 362226 Kaufmann House, “Fallingwater,” Opening Paragraph.

The Architects Thoughts about the Building 1x [5] Frank Lloyd Wright “In the Cause of Architecture: The Meaning of 4211044 2x Materials – Stone.” 4211085 Architectural Record, 63 (Apr. 1928), pp. 350, 356. [6] Frank Lloyd Wright, “In the Cause of Architecture: The Meaning of Materials – Stone.” 31x 6x 4521915 Architectural Record, 63 (Apr. 1928), pp. 350, 356. 4210719 [7] Frank Lloyd Wright, “Architectural Forum.” 1938 [8] Frank Lloyd Wright, 1955 FLLW Tape Transcript No. 129, part 2, p. 11 Bruce Brooks Pfeiffer, “Frank Lloyd Wright - Fallingwater.” 2003, Pg. 20.

7x 38x 4211063 4245566

14x 4x 4211525 4211133

14x 4216581 For further information please visit: 4x www.franklloydwright.org 4211001

The publicity rights to the name and likeness of Frank Lloyd Wright belong to the Frank Customer Service Lloyd Wright Foundation, , Kundenservice 2x Scottsdale, Arizona. Frank Lloyd Wright, the Service Consommateurs 4211056 Frank Lloyd Wright signature, the Frank Lloyd Servicio Al Consumidor Wright Collection logo, and the authorized www.lego.com/service or dial product logo (rectangular logo box) are registered trademarks of the Frank Lloyd Wright Foundation. The drawings and designs 00800 5346 5555 : of Frank Lloyd Wright are © copyright the 1-800-422-5346 : Frank Lloyd Wright Foundation.

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21005_Fallingwater_BI_book_Rettelser_Aug_09.indd 107 9/2/09 11:15:16 AM This product is authorized by the Frank Lloyd Wright Foundation, Taliesin West, Scottsdale, Arizona.

108LEGO and the LEGO logo are trademarks of the/sont des marques de commerce de/son marcas registradas de LEGO Group. ©2011 The LEGO Group. 4654772

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