Anita Brookner (1928–2016)
OBITUARY Obituary: Anita Brookner (1928–2016) THE DEATH OF Anita Brookner on 10th March brought forth an unsurprisingly extensive response. She had, as a novelist, reached a wider audience than most art historians can command, but one was pleased to find, in the more formal tributes and in blogs, recollections of students who had experienced her teaching at the Courtauld Institute between 1964 and 1988. Among her catchphrases in those days was the admonitory ‘It should not be forgotten that . .’. Ironically, so distinctive was her teaching style, that there was little danger of us forgetting it. Some of her evident determination to excel as a teacher may have stemmed from the boredom she had experienced during her BA History course at King’s College, London, where she enrolled shortly after the conclusion of the Second World War. Although she came out of it with a first in 1949, the chief attraction, we are told, was the proximity of King’s to the National Gallery. Her next move was to register for an MA at the Courtauld under Anthony Blunt. Her report on the painter Jean-Baptiste Greuze was commuted to a Ph.D., and a French government scholarship enabled her to pursue Greuze on his home ground, backed also, she tells us, by Jean Adhémar of the Bibliothèque Nationale, and his wife, Hélène, at the Louvre. To a friend, the author Julian Barnes, she recalled that the happiest time of her life had been travelling round twenty-six French provincial art galleries ‘by bus in a fog’. Her thesis, which includes a pioneering account of the cult of sensibility, is, by contrast, a marvel of lucidity.
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