View the Kathy Staff Blue Plaque Programme

Total Page:16

File Type:pdf, Size:1020Kb

View the Kathy Staff Blue Plaque Programme TAMESIDE METROPOLITAN BOROUGH COUNCIL A TRIBUTE TO KATHY STAFF Blue Plaque unveiled on 11 March 2011 By Roy Barraclough MBE Introduction In celebration of the life and achievements of Kathy Staff, the latest Blue Plaque is to be located at Kathy’s local church in Dukinfield, St. Marks, where Kathy was a lifelong member. Early Life Kathy (born Minnie Higginbottom) was born at 243 Astley Street, Dukinfield on Thursday 12 July 1928 into a Christian family. She kept up her faith and connection with St. Mark’s Church, Dukinfield throughout her life. She attended St. Mark’s C of E Primary School with her sister Constance and went on to Lakes Road Secondary School where she became Head Girl. Kathy wasn’t interested in academic achievement as her one ambition was to be an actress. From a very early age she appeared in productions at church and later with local amateur dramatic and operatic societies. This helped to fuel her ambition, although when she left school at the age of 14, she was made to learn shorthand and Kathy Staff as a young child typing as a backup – just in case the need ever arose! Kathy embarked on a professional acting career in 1949, changing her name to Katherine Brant and headed up to the wilds of Aberdeenshire where she joined the Kinloch Players. There she honed her acting skills by playing a different show each night, touring around local villages. Later that year she was pleased to move on to weekly repertory with the International Players in Llanelli, South Wales. It was while she was working here that she met John Staff and they were later married at St. Mark’s Church, Dukinfield in August 1951. Kathy then took a break from acting, when her shorthand and typing proved useful as she joined Johnson and Nephew Wire Manufacturers as a secretary. Kathy and John set up home in Denton and in December 1956 their first child, Katherine was born followed by Susan in March of 1959. Soon after the birth of her children the family moved to Crescent Close in Dukinfield to be near Kathy’s seriously ill father. The children not surprisingly started Kathy Staff (left) with her Mother (middle) their education at St. Mark’s C of E Primary and sister Constance (right) School. Television Career A chance meeting in Manchester with an actor friend from repertory days, Gerald Harper, persuaded her to have a stab at television work. This was preferable as it would involve working during the daytime as opposed to being on stage in the evenings and John, now a schoolmaster, could collect the girls from school at the end of each day. This meant starting as an ‘extra’ at the BBC, Granada and ATV in Manchester. Her breakthrough came when her Manchester agent, Mrs EVM Mullings, got her the part of Thora Hird’s neighbour in the avant-garde film A Kind of Loving. In 1962 small television parts started to turn up, notably in Coronation Street at Granada TV amongst others. Kathy was offered a role partnering Roy Barraclough in the year long soap Castle Haven for the newly formed Yorkshire TV. They played the parts of a feckless husband and wife living in the bottom flat of a Whitby boarding house. Her next break came when she was booked by Yorkshire Television to work on comedy shows with comedian Les Dawson. The real breakthrough came on 5 June 1972 in an interview at the BBC, Manchester with a producer looking for a large, overbearing woman to be a neighbour to Compo played by Bill Owen, in an episode of Comedy Playhouse. In Holmfirth on 20 July, Kathy spoke the very first line of the trial episode which was to become the world’s longest running comedy series, Last of the Summer Wine. Nora glowers down at scruffy Compo ‘They’re tekin ‘is telly again!’ Roy Clarke had written a winner. It became the life blood of her acting career, turning up each year for outside filming in West Yorkshire, followed by studio work in London. There were stunts to be performed, but she never had a stand-in. In one episode, the script had her riding a bicycle, so she borrowed a modern one to revive skills long forgotten. When it was time to film, a rusty sit-up-and-beg ladies bike with front basket was produced. ‘Action’ involved a push start. Then she is startled by Compo, falls off and pelts him with vegetables from the basket. Hoping it would just be done in a single take, she decided to make it a really good tumble first time round but the director had her repeating it a few times so they could get shots from different angles. Her agent was very cross as she was due to appear in Copyright©BBC Coronation Street and may have been injured and Kathy Staff as Nora Batty (bottom, unable to take the part. right) in the Last of the Summer Wine Life overflowed for Kathy from then on. She worked with Ronnie Barker as Mrs Blewett in Open All Hours for the BBC, and then Doris Luke turned up in Crossroads for Central TV. In one scene she turned the collars of the shirts of the little Scottish chef. Soon after a viewer sent her some of his saying ‘Please could she do them for him?’ The producer sent them back to the sender. When Doris was ill in the story line, viewers sent Kathy get well cards not realising she was away working on another project. Crossroads and Last of the Summer Wine were long runs and she had to intertwine her work on them. Copyright©BBC Kathy Staff as Nora Batty Pantomime, Theatre and Films In 1982 she was invited to be in her first Pantomime playing the title role in Mother Goose at Norwich. To reach Norwich for a promotion day, she flew from Leeds Bradford airport prepared to arrive as Nora Batty. In the last few minutes she put on her apron, wrinkled her stockings and fitted her rollers. The other passengers, mainly business men and women on an internal flight didn’t say a word, perhaps thinking she was about to clean the plane ready for its return flight. Then as they left the aircraft they all walked past a panto reception committee on the runway, comprising a Goose, a Dinosaur and Bernie Clifton on his ostrich without batting an eyelid. In subsequent years she went on to appear in a further seventeen pantomimes, all very energy sapping, particularly when having to give three shows a day. Over the years she found time to appear in shows in London’s West End; When We Are Married at The Whitehall and As the Flying Fairy Godmother in Two into One at the Shaftesbury Theatre. Cinderella at Blackpool 1990/91 There were also tours as far apart as Swansea, Inverness and Plymouth to name but a few. Throughout her life Kathy appeared in a number of films starting with A Kind of Loving in 1962, as well as appearing in The Dresser in 1983, Camille in 1984, Little Dorrit in 1988 and Mary Reilly in 1994. But wherever they found themselves at weekends, Kathy and John would always try to travel back to Dukinfield for church at St. Marks. Later Life Kathy had hoped to be in the finale of Last of the Summer Wine but that was not to be. Sadly Kathy died of cancer, peacefully, in the early hours of 13 December 2008 in Willow Wood Hospice, Ashton-under-Lyne. This plaque today and the place where it is to be mounted are reminders of the faith she held and the God to whom she always looked for guidance. Memorial Service A further memorial is planned for installation in St. Mark’s Church, taking the form of an oak screen supporting a stained glass centrepiece of a welcoming Christ with outstretched arms. An inscription is to read ‘God so loved the world that He gave His only begotten Son that whoever believes in Him should not perish but have everlasting life’. Kathy Staff 12 July 1928 – 13 December 2008 Acknowledgements Tameside Local Studies and Archives Centre John Staff and family BBC The Tameside Blue Plaque Scheme For a comprehensive listing of all Blue Plaques in Tameside, please contact: Tameside Arts & Events Email: [email protected] Tel: 0161 342 4144 Or visit our website: http://www.tameside.gov.uk/blueplaque 70611 .
Recommended publications
  • Film, Television and Video Productions Featuring Brass Bands
    Film, Television and Video productions featuring brass bands Gavin Holman, October 2019 Over the years the brass bands in the UK, and elsewhere, have appeared numerous times on screen, whether in feature films or on television programmes. In most cases they are small appearances fulfilling the role of a “local” band in the background or supporting a musical event in the plot of the drama. At other times band have a more central role in the production, featuring in a documentary or being a major part of the activity (e.g. Brassed Off, or the few situation comedies with bands as their main topic). Bands have been used to provide music in various long-running television programmes, an example is the 40 or more appearances of Chalk Farm Salvation Army Band on the Christmas Blue Peter shows on BBC1. Bands have taken part in game shows, provided the backdrop for and focus of various commercial advertisements, played bands of the past in historical dramas, and more. This listing of 450 entries is a second attempt to document these appearances on the large and small screen – an original list had been part of the original Brass Band Bibliography in the IBEW, but was dropped in the early 2000s. Some overseas bands are included. Where the details of the broadcast can be determined (or remembered) these have been listed, but in some cases all that is known is that a particular band appeared on a certain show at some point in time - a little vague to say the least, but I hope that we can add detail in future as more information comes to light.
    [Show full text]
  • Conservation Area Appraisal
    HOLMFIRTH CONSERVATION g ROu P CONSERVATION AREA APPRAISAL HOLMFIRTH CONTENTS Summary of Special Interest and Issues 1 1. Introduction 6 1.1 What is a Conservation Area? 1.2 What is a Conservation Area Appraisal? 1.3 Who has produced the Appraisal and why? 1.4 Public Consultations 2. Location and Setting 10 2.1 Location and Topography 2.2 Landscape 2.3 Geology 2.4 Archaeology 3. Historical Development 12 4. Open Spaces and Natural Environment 19 4.1 Introduction 4.2 Parks and Open Spaces 4.3 Public Footpaths 4.4 Graveyards 4.5 Riverscape 4.6 Trees 4.7 Public Realm 4.8 Views 5. The Buildings 28 5.1 Understanding 5.2 Condition and Authenticity 5.3 Building Materials 5.4 Mid-to-late 18th century 5.5 Late Georgian to early Victorian 5.6 Mid-to-late Victorian 5.7 Post-Victorian to Modern 5.8 Shops 5.9 Listed Buildings 5.10 Conservation Area Character Buildings 5.10.1 Key Buildings 5.10.2 Positive buildings ii HOLMFIRTH CONSERVATION AREA APPRAISAL 6. The Character of the Conservation Area 43 6.1 Character Areas 6.2 Old Town 6.3 Hightown 6.4 St John’s 6.5 Riverside 6.6 Cliff 6.7 New Town 7. Positive, Neutral and Negative Aspects of the HCA 53 7.1 Positive Aspects 7.2 Neutral Aspects 7.3 Negative Aspects 8. Boundary Review 56 8.1 Review of Holmfrth Conservation Area Boundary 9. Issues in the Conservation Area 58 10. Bibliography 60 11. Acknowledgements 62 This work together with the accompanying appendices is licensed under a Creative Commons Attribution (CC BY 4.0) license, with the exception of the image on the cover page which is copyright Tim Green, licensed under Creative Commons Attribution 2.0 Generic License .
    [Show full text]
  • Two Day Autograph Auction Day 1 Saturday 02 November 2013 11:00
    Two Day Autograph Auction Day 1 Saturday 02 November 2013 11:00 International Autograph Auctions (IAA) Office address Foxhall Business Centre Foxhall Road NG7 6LH International Autograph Auctions (IAA) (Two Day Autograph Auction Day 1 ) Catalogue - Downloaded from UKAuctioneers.com Lot: 1 tennis players of the 1970s TENNIS: An excellent collection including each Wimbledon Men's of 31 signed postcard Singles Champion of the decade. photographs by various tennis VG to EX All of the signatures players of the 1970s including were obtained in person by the Billie Jean King (Wimbledon vendor's brother who regularly Champion 1966, 1967, 1968, attended the Wimbledon 1972, 1973 & 1975), Ann Jones Championships during the 1970s. (Wimbledon Champion 1969), Estimate: £200.00 - £300.00 Evonne Goolagong (Wimbledon Champion 1971 & 1980), Chris Evert (Wimbledon Champion Lot: 2 1974, 1976 & 1981), Virginia TILDEN WILLIAM: (1893-1953) Wade (Wimbledon Champion American Tennis Player, 1977), John Newcombe Wimbledon Champion 1920, (Wimbledon Champion 1967, 1921 & 1930. A.L.S., Bill, one 1970 & 1971), Stan Smith page, slim 4to, Memphis, (Wimbledon Champion 1972), Tennessee, n.d. (11th June Jan Kodes (Wimbledon 1948?), to his protégé Arthur Champion 1973), Jimmy Connors Anderson ('Dearest Stinky'), on (Wimbledon Champion 1974 & the attractive printed stationery of 1982), Arthur Ashe (Wimbledon the Hotel Peabody. Tilden sends Champion 1975), Bjorn Borg his friend a cheque (no longer (Wimbledon Champion 1976, present) 'to cover your 1977, 1978, 1979 & 1980), reservation & ticket to Boston Francoise Durr (Wimbledon from Chicago' and provides Finalist 1965, 1968, 1970, 1972, details of the hotel and where to 1973 & 1975), Olga Morozova meet in Boston, concluding (Wimbledon Finalist 1974), 'Crazy to see you'.
    [Show full text]
  • March 2009 Guide
    Magazine MARCH 2009 David Foster joins us in the AETN studios for the airing of HIT MAN: DAVID FOSTER AND FRIENDS, March 11, 2009, 7:00 p.m., with special guest Renee Olstead SpringMembershipCampaign Arkansas Educational Television Network Contents On The Cover.... AETN MAGAZINE Staff Editor in Chief Reserve your SpringMembershipCampaign Allen Weatherly seats and On the Cover........2 Editors Mona Dixon mark your Concert HIT MAN: DAVID FOSTER AND FRIENDS Kathy Atkinson “Dear Friends,” 15-time Grammy Award- calendars . April of winner David Foster calls them, “some of Editorial & Creative Directors Information.........3 Elizabeth duBignon 2009 - From the my favorite people in the world.” To you Sara Willis Doo Wop and me, however, they’re better known as in Concert Andrea Bocelli, Josh Groban and Michael Editorial Panel Director...............4 Rowena Parr, Pam Wilson, Dan Koops Don’ t Miss Bublé. The gilded trio leads a parade of Tiffany Verkler Digital Transition entertainers nurtured by the Canadian-born The AETN producer, honoring him in the gala concert Copy Editors Foundation, Questions............5 Darbi Blencowe, Catherine Mays, “Hit Man: David Foster & Friends” on Shirley Bowen, Pat Pearce in partnership On AETN..............6 GREAT PERFORMANCES. Airs Wednesday, with Celebrity March 11, 7:00 p.m. AETN Offices Music in March.....8 350 S. Donaghey Ave. - Conway, AR - Attractions, presents 72034 Spring Pledge MASTERPIECE: “David Copperfield”, Airs 800/662-2386 - Doo Wop in Concert Sunday, March 8, 8:00 p.m. and Sunday, [email protected] - www.aetn.org at the Robinson Center Music Highlights..........10 March 22, 9:00 p.m. Hall in Little Rock, Saturday, Daytime AETN Mission April 18 at 7 p.m.
    [Show full text]
  • Media, Communication and Nostalgia What Do We Talk About When We
    ISSN 0259-7446 EUR 6,50 medienmedien Kommunikation in Vergangenheit und Gegenwart && zeitzeit Topic: Media, Communication and Nostalgia What Do We Talk About When We Talk About Media and Nostalgia? Not Every Vinyl Retromaniac is a Nostalgic Hills, Old People, and Sheep “Why? Because It’s Classic!“ Nowstalgia Experienced Mood and Commodified Mode Activating Nostalgia Postcolonial Posts on Colonial Pasts Nostalgia Commodified Editors: 44/2016/2016 Manuel Menke & Christian Schwarzenegger Jahrgang 31 m&z 4/2016 medien & zeit Content Media, Communication and Nostalgia Finding a better tomorrow in the yesterday? Impressum Manuel Menke & Christian Schwarzenegger 2 MEDIENINHABER, HERAUSGEBER UND VERLEGER Verein „Arbeitskreis für historische Kommunikationsforschung What Do We Talk About When We Talk About (AHK)“, Währinger Straße 29, 1090 Wien, ZVR-Zahl 963010743 Media and Nostalgia? http://www.medienundzeit.at Ekaterina Kalinina 6 © Die Rechte für die Beiträge in diesem Heft liegen beim „Arbeitskreis für historische Kommunikationsforschung (AHK)“ HERAUSGEBERINNEN Not Every Vinyl Retromaniac is a Nostalgic Manuel Menke, Christian Schwarzenegger A social experiment on the pleasures of record REDAKTION BUCHBESPRECHUNGEN listening in the digital age Gaby Falböck, Roland Steiner, Thomas Ballhausen REDAKTION RESEARCH CORNER Steffen Lepa & Vlasis Tritakis 16 Erik Bauer, Christina Krakovsky, Barbara Metzler LEKTORAT & LAYOUT Diotima Bertel, Barbara Metzler, Daniela Schmid & Hills, Old People, and Sheep Diotima Bertel, Christina Krakovsky Reflections of Holmfirth as the Summer Wine town PREPRESS & VERSAND Lynne Hibberd & Zoë Tew-Thompson 31 Grafikbüro Ebner, Wiengasse 6, 1140 Wien, ERSCHEINUNGSWEISE & BEZUGSBEDINGUNGEN medien & zeit erscheint vierteljährlich gedruckt und digital. “Why? Because It’s Classic!“ Heftbestellungen: Negotiated knowledge and group identity in the Einzelheft (exkl. Versand): 6,50 Euro retrogaming-community “Project 1999” Doppelheft (exkl.
    [Show full text]
  • August 1-9, 2009
    www.oeta.tv KETA-TV 13 Oklahoma City KOED-TV 11 Tulsa KOET-TV 3 Eufaula KWET-TV 12 Cheyenne August 2009 Volume 36 Number 2 A Publication of the Oklahoma Educational Television Authority Foundation, Inc. AUGUST 1-9, 2009 AUGUST At a Glance AUGUSTFEST LOCAL FOCUS HISTORY & CULTURE SCIENCE & NATURE Tony Bennett: An Oklahoma Horizon Time Team NOVAscienceNow American Classic Sundays at 3 p.m. America Special Tuesdays @ 8 p.m. August 2 at 7 p.m. August 19 at 7 p.m. page 2 9 10 11 2 TONY BENNETT AN AMERICAN CLASSIC f Sunday August 2 at 7 p.m. The ground-breaking television event features breath- taking stage productions that take the viewer on an emotional musical journey of this legendary entertain- f er’s life, re-creating the seminal venues of his career. Saturday August 1 at 7 p.m. Tony performs duets of his greatest hits with some of Hosted by Mary Lou today’s greatest artists – “The Best Is Yet to Come” Metzger, this all-new with Diana Krall, “Rags to Riches” with Elton John and special highlights “For Once in My Life” with Stevie Wonder, to name outstanding musical a few. Woven throughout the special are narratives production numbers by special guests such as Billy Crystal, John Travolta from the past ten and Robert De Niro. The special ends with Tony’s solo years. Members of the performance of his signature song “I Left My Heart in Welk Musical Fam- San Francisco.” ily are spotlighted in short biographies, illustrated by their own personal collection of photographs.
    [Show full text]
  • The Inside Story of the Worlds Longest-Running Comedy Programme Pdf, Epub, Ebook
    LAST OF THE SUMMER WINE: THE INSIDE STORY OF THE WORLDS LONGEST-RUNNING COMEDY PROGRAMME PDF, EPUB, EBOOK Andrew Vine | 320 pages | 17 Aug 2011 | Aurum Press Ltd | 9781845137113 | English | London, United Kingdom Last of the Summer Wine: The Inside Story of the Worlds Longest-running Comedy Programme PDF Book The number of subplots on the show grew as more cast members were added. Bell director 23 December Series 8. Bill Owen also wrote a different version of the lyrics but this version was never used during an episode of the show. Help Learn to edit Community portal Recent changes Upload file. Titled Uncle of the Bride , the film featured the introduction of Michael Aldridge as Seymour Utterthwaite, the new third man of the trio. Due to the age of the main cast, a new trio was formed during the 30th series featuring somewhat younger actors, and this format was used for the final two instalments of the show. July 1, Gilbert and Clarke then travelled to Holmfirth and decided to use it as the setting for the pilot episode. When Alan J. The trio explored the world around them, experiencing a second childhood with no wives, jobs, or responsibilities. Yes, We are on App. Christmas special. The men never seem to grow up, and they develop a unique perspective on their equally eccentric fellow townspeople through their stunts. Bookchor , these days in news,is being called as the Robinhood of the world of books. Express Books. He was asked to play the music faster for more comedic effect but eventually his original slower version was accepted.
    [Show full text]
  • Renown Pictures New Dvd Release Includes Everything on These Two Pages
    Freeview 81 Film Club Sky 328 newsletter Freesat 306 MAY/JUNE 2021 Virgin 445 You can always call us V 0808 178 8212 Or 01923 290555 Dear Supporters of Film and TV History, At last, we can finally announce that tickets are now on sale for our 8th Festival of Film/ Road Show on Sunday 10th October 2021, 11am-7pm at the iconic Plaza, Stockport. We also have a special event planned on Saturday 9th at the beautiful Savoy Cinema, just around the corner at Heaton Moor. The Savoy is very much like ‘The Bijou’ from The Smallest Show on Earth, (without all the problems!), so we decided to hold a proper Saturday Morning Pictures Show on Saturday 9th October 2021 from 9am-12pm – bring your pop guns and wear your badges! There will be a special guest and a separate Film Quiz with Afternoon Tea in the afternoon from 1-4pm. It will be a smaller event than The Plaza on the Sunday so get your tickets quick! There’s not many seats available at The Savoy. If you have specific seating requests for ANY EVENT, then call us to book your tickets rather than online or on the order form. When booked we will send you a fact sheet on parking and hotels etc. Exciting times – we’ve got some great guests lined up for this year! For those of you who have tickets already from last year – we will post out your new packs as soon as we can. More details on pages 26-28. At last we can all have a get together to look forward to! This month there’s something very special for Gracie Fields fans, a limited edition necklace with her autograph, and TWO DVDs for just £20.
    [Show full text]
  • The Performance of Place and Comedy Explored Through Postdramatic and Popular Forms with Reference to the Staging of 'A Good Neet Aht'
    THE PERFORMANCE OF PLACE AND COMEDY EXPLORED THROUGH POSTDRAMATIC AND POPULAR FORMS WITH REFERENCE TO THE STAGING OF 'A GOOD NEET AHT' Philip Green University of Salford School of Arts and Media Submitted in partial fulfilment of the requirements of the degree of Doctorate of Philosophy (PhD) 2020 Table of contents i List of tables vi List if images and photographs vii Acknowledgements viii Abstract ix Curtain up: The journey begins 1 1. Beginnings: mapping out the journey 2 1.1 Aims and objectives 2 1.2 Autoethnography 3 1.3 Place 5 1.4 Performance: the postdramatic and the popular 7 1.4.1 Postdramatic 8 1.4.1.1 A contested landscape 8 1.4.1.2 Panorama of the postdramatic 8 1.4.2 Popular performance 9 1.5 Structure 11 1.5.1 Chapter 2: Planning the journey’s route: Methodology 11 1.5.2 Chapter 3: Surveying the landscape for the journey ahead: place, class, performance 11 1.5.3 Chapter 4: The journey into performance: key concepts in the analysis of performing place and comedy 12 1.5.4 Chapter 5: An audience of travelling companions: The iterations of A Good Neet Aht and audience response 12 1.5.5 Chapter 6: Arrivals and Departures: Conclusion 12 1.6 Gaps in knowledge and original contribution 13 1.6.1 Northern stereotypes and stand-up comedy 13 1.6.2 Original contribution 13 Entr’acte 1: 1, Clifton Road, Sharlston 14 2. Planning the journey’s route: Methodology 15 2.1 Autoethnography 15 2.1.1 Autoethnography and place 15 2.1.2 Performative-I 16 2.1.3 Performative-I persona and dialogical performance 17 2.2 Geographical space in the studio and the reading of maps 18 2.3 Popular performance and the comic-I 22 2.3.1 Reading stand-up 23 i 2.3.1.1 Kowzan and analysis of the ‘mother in law and the shark’ 27 2.3.1.2 Pavis and ‘blowing raspberries’ 28 2.4 Destinations: Iterations of A Good Neet Aht 32 Entr’acte 2: 36, Clifton Road, Sharlston 35 3.
    [Show full text]
  • British Cult Comedy.Indb 215 16/8/06 12:34:16 Pm Cult Comedy Club up the Creek in Greenwich, Southeast London
    Geography Lessons: comedy around Britain British Cult Comedy.indb 215 16/8/06 12:34:16 pm Cult comedy club Up The Creek in Greenwich, southeast London British Cult Comedy.indb 216 16/8/06 12:34:17 pm Geography Lessons: comedy around Britain Comedy just wouldn’t be comedy without local roots. And that is why, in this chapter, we take you on a tour of British comedy from Cornwall to the Scottish Highlands, visiting local comedic landmarks, clubs and festivals. Comedy is prey to the same homogenizing forces Do Part, was successfully re-created in America, that have made Starbucks globally ubiquitous but Germany and Israel, suggesting that comedy that humour doesn’t travel so easily or predictably as touches, however lightly, on universal truths can cappuccino. In the past, slang, regional vocabu- be exported around the world. lary, accents and local knowledge have often A comic’s roots, cherished or spurned, are limited a comic’s appeal, explaining why such crucial to their humour. The small screen has acts as George Formby and Tommy Trinder never made it easier for contemporary acts – nota- quite transcended the north/south divide. Yet a bly Johnny Vegas, Peter Kay and Ben Elton character as localized as Alf Garnett, the charis- – to achieve national recognition while retain- matic Cockney bigot in the sitcom Till Death Us ing a regional identity. Since the 1980s, a more 217 British Cult Comedy.indb 217 16/8/06 12:34:17 pm GEOGRapHY LESSONS: COmedY arOUND brItaIN adventurous approach to sitcoms has meant that theme to British comedy, it was that, as Linda shows such as The Royle Family have had a much Smith told him: “A lot of comics come from more authentic local flavour than most of their the edge of nowhere.” Smith often argued with predecessors.
    [Show full text]
  • ONION SHOWSHOW Kings Arms Hotel Sunday 5Th October INSIDE
    TheTheONIONONION SHOWSHOW Kings Arms Hotel Sunday 5th October INSIDE Letters pg 2 BURTON NEWS Outdoors October 2003 Issue 119 pg 6 Donation 50p Council News pg 8 BURTON MEMORIAL HALL Village Sport pg 10 AUTUMN FAYRE An Opinion pg 16 Saturday 18th Church Updates October pg 14 Historical Footnote 10.00am pg 12 to Editorial 1.00pm pg 19 Village Events back page 50p entrance (incl tea & biscuits) The proceeds will go towards © BN. 2003 improvements to the Memorial Hall See 1 Burton Morewood School ’s Reader Due to the increased amount of vandalism at the school the Governors have taken the decision to apply anti-climb paint around the school. We hope that this will prevent children playing on our school roof and causing LETTERSLETTERS damage to themselves and the school premises. Dear BN, Balls will be collected regularly from the roof I could not agree more with Maria Crayston in and can be collected from the school during her letter to BN regarding plans for the Plain opening hours. Quarry area. Surely it is about time that the countryside stopped being sanitized into The Governors "Disneyesque" parks for those who lack Burton Morewood School imagination to flock to, I think we have enough of those! Community Transport It is only right we should encourage our young South Lakeland men & women to perfect their skills, whether it be in motorsport or music (much more PC?!) If you need transport to hospital, doctor, After all, I am told that the North of England dentist, optician, etc., please contact Mrs. produces many top trials bike riders, let’s Lynn Herd 01524 781905.
    [Show full text]
  • Funland a Disturbingly Funny Thriller Written and Created by Simon
    Press Packs Funland Funland A disturbingly funny thriller written and created by Simon Ashdown and Jeremy Dyson Date: 27.09.2005 Funland is the hotly-anticipated collaboration between Bafta Award-winning EastEnders writer Simon Ashdown and Jeremy Dyson, multiple award-winning writer of The League of Gentlemen. Set in Blackpool, over one long weekend, Funland brings us to the black heart of Blackpool - bringing the saucy seaside postcard screaming into the 21st century. Funland takes us on a mysterious journey where things are not quite what they seem. There's Carter Krantz, played by newcomer Daniel Mays, who arrives in Blackpool to avenge the death of his mother. Without a penny to his name and carrying only a fragment of paper containing the words 'Ambrose Chapel', Carter tries to uncover the truth about his mother and in doing so is sucked into the most disturbing of mysteries. He meets the dysfunctional Woolf family who are at the heart of everything that happens in Blackpool: there's Shirley Woolf (Ian Puleston-Davies), a borderline psycho; his mother, the evil and manipulative Mercy (Judy Parfitt); and his foolhardy wife Connie (Frances Barber). Meanwhile the Suttons - Dudley (Kris Marshall) and Lola (Sarah Smart) - arrive in Blackpool for a dirty weekend to spice up their marriage, but their weekend at the Shangri-La guesthouse in Blackpool turns their world upside down and their lives will never be the same again. "At the centre of the story is the Woolf family," explains Simon Ashdown, one half of the writing partnership. "There is a lot of history to the family and they have their own storyline going on.
    [Show full text]