A Winter's Tale

THE WINTER'S TALE By William Shakespeare Directed by Isabelle Anderson March 9 - April 7, 2018

CHESAPEAKE SHAKESPEARE COMPANY Season 2017-2018 Presented by Thank You High sparks of honor in thee have I seen. - Richard II

Season 2017-2018 is presented by

Additional Sponsors and Funders Include

This production has been funded by Mayor Catherine E. Pugh and Mayor Catherine E. Pugh & the City of Baltimore the Baltimore Office of Promotion and The Arts The Citizens of Baltimore County

The William G. Baker, Jr. Memorial Fund creator of the Baker Artist Awards | www.bakerartistawards.org

Community Partners and Media Partners

2 THE WINTER'S TALE The Benefits of Having a Resident Company of Artists A Note from the Founding Artistic Director

In so much of American professional theater, productions are built independently. While there may be a permanent staff , the actors, designers, directors and all are brought together for a brief Ian Gallanar time, just to produce a play and then move on to the next gig at the next town at the next theater. In other words: a great deal of trouble is made to assemble a group of artists for four to eight weeks, and then they disperse.

We do it diff erently at the Chesapeake Shakespeare Company. A Little Conversation We believe in long-term relationships with our artists. We think About Art: that the best collaborations are made among artists who know In this illuminating series of and trust each other. Because of the nature of our work, it lively conversations, Founding feels necessary. Classical theater requires the same skill set as Artistic Director Ian Gallanar exchanges ideas with CSC’s contemporary theater, but also requires more specifi c skills, leading artists. experience, and training – and not just training from years ago, No. 4: Unpretentious and Diverse but continual training. It requires our artists to be “in shape.” Baltimore with CSC Company Member Gerrad Alex Taylor. What a thrill it is for us to boast the luxury of having a long Read the series online at relationship with Isabelle Anderson, CSC’s Distinguished ChesapeakeShakespeare.com. Artist in Residence. For over a decade, she has gotten to know Read Q&A on Page 5 us and the work we produce. She knows our strengths and weaknesses and is anxious to address them. We are a better company because of her association with us.

It is fantastic to have actors and designers who have been working together for years. Some of the actors in The Winter’s Tale have worked on more than 20 shows with us. That matters. It allows our artists to develop their craft and deepen artistic collaborations.

For The Winter’s Tale, we’ve been lucky enough to spend time deepening the relationships among our artists. The actors started working with Isabelle back in the summer of 2017 to develop a vocabulary and a foundation for what you see on our stage in this production.

This is what we believe in. We believe in sustainable, mature collaborations that pay off for years to come.

Ian Gallanar Founder and Artistic Director

BOARD OF TRUSTEES Laura Boydston President Robin Hough Vice President Earle W. Pratt, III Treasurer CHESAPEAKE SHAKESPEARE Lesley Malin Secretary COMPANY Kevin G. Burke Bill Henry Emily Rockefeller Kimberly Citizen Jack McCann Nan Rohrer Ian Gallanar Linda Pieplow David Stack Scott Helm Sean Rhoderick

THE WINTER'S TALE 3 That Audacious Lady A Note from the Managing Director

In this time of a sea change in feminism, The Winter’s Tale is especially noteworthy. It features three of Shakespeare’s strongest female characters: Queen Hermione, who defends her honor fi ercely Lesley Malin and eloquently; her friend Paulina (that audacious lady), who unceasingly advocates for Hermione in the face of ferocious threats; and Hermione’s daughter, Perdita, who maintains her dignity and grace under hostile circumstances.

It is the king’s senseless and tyrannical rage against his wife that powers The Winter’s Tale. Interestingly, most of the other male characters are appalled by his actions but can do little to change the outcome of his wrath. It is only through the eff orts of the confi dent, principled, and unceasingly patient female characters that balance can be restored to the kingdom and redemption found for its irrational ruler.

So, it is appropriate that this robust, powerful production has been steered by strong female characters. Our director, Isabelle Anderson, CSC Distinguished Artist in Residence, has likely spent more time training and then rehearsing her cast than any director in CSC’s history. Her potent vision for this production has informed every aspect and every action. Her chief rehearsal guardians—stage managers and assistant director—are all women as well.

Our Winter’s Tale design team members (with the notable exceptions of Kyle Rudgers and Dan O’Brien) are all women. Costumes, lights, music, dance, masks and puppets, and props have all been created by female artists. I’m so happy we have off ered these gifted artists the opportunity to demonstrate their talents with this production.

Shakespeare was remarkable for his time in allowing his female characters dimension, intelligence, personality, weaknesses, charm, and genius. You must travel a long way forward in history to fi nd another male playwright who is as generous to his imagined women. I often wonder why Shakespeare was so enlightened, when this quality seemed to utterly escape his contemporaries like Marlowe and Jonson. I guess it’s just part of his amazing genius.

As The Winter’s Tale shows us, when the masculine and the feminine are at last in balance, magic can happen. Our thanks to all the audacious ladies and all the generous men who made this Tale an extraordinary one.

Lesley Malin Producer, The Winter’s Tale Managing Director Lesley Malin as Paulina, Hermione’s advocate and friend in The Winter’s Tale. Photo by Shealyn Jae.

4 THE WINTER'S TALE Unpretentious and Diverse Baltimore GERRAD: I think the audiences Gerrad Alex Taylor is a CSC A Little Conversation Resident Actor, Associate About Art, here are made up of some of Artistic Director, and Director with Ian Gallanar the most diverse groups of of The Studio at the Chesa- and Gerrad Alex Taylor people I've encountered. And I peake Shakespeare Company. mean diversity in race – I think Born and raised in DC and the there is a better balance of DC suburbs, Gerrad holds a Caucasian to people of color in bachelor’s degree in Neurosci- the audiences than I've seen in ence from the Johns Hopkins a lot of other areas – but also University and an MFA in Per- in age, gender, social status, formance from the University and sexual orientation. During of Nevada, Las Vegas. much of my training years, I noticed that most people IAN: Gerrad, you're an actor, in the audiences were white director, and teacher who has older male-female couples. worked all over the coun- It wasn't until the first show try. Let's see, I think you've I'd ever done here that I saw worked in Las Vegas, Califor- Gerrad Alex Taylor. a gay mixed-race couple of nia, St. Louis, Minnesota, and guys around my age sitting DC in addition to Baltimore. in the front row. I think things Is that right? But you've done people around me. When like that are at a height in Balti- a whole bunch of work here the community becomes too more, and ever-growing. There in Baltimore. In addition to large, it is harder to have those are a lot of younger people CSC, you've also worked with conversations. What do you going to the theater here. And Everyman and other theaters make of Baltimore audiences? around Baltimore as well. So, Continued on page 19 what's unique about working as an artist in Baltimore?

GERRAD: Yes, and attending Hopkins also introduced me to several community theaters in Baltimore. I'd say the Baltimore theater community is a little bit smaller and more close-knit than what you'd find in larger cities. Most artists all know each other or are at least aware of each other. It's a less saturated population of people, so you have that ability, y’know?

IAN: My entire career in theater has been in smaller cities—Seattle, Minneapolis, and now Baltimore. I prefer it. I think Baltimore is a great place to work because of the connections made with the audience and the community. My work is affected by the Gerrad Alex Taylor as Malcolm in Macbeth. Photo by Teresa Castracane.

THE WINTER'S TALE 5 Chesapeake Shakespeare Company Ian Gallanar+ Founding Artistic Director Lesley Malin+ Managing Director

The Winter's Tale By William Shakespeare Directed by Isabelle Anderson+ Produced by Lesley Malin+ Production Manager: Kyle Rudgers+ Stage Manager: Lauren Engler+ Assistant Director: Erin Bone Steele+ Technical Director, Scenic and Sound Designer: Daniel O’Brien+ Lighting Designer: Katie McCreary+ Costume Designer: Heather C. Jackson+ Composer: Amy Domingues Music Director: Grace Srinivasan Dance Choreographer: Nellie K. Glover+ Properties Designer: Mollie Singer+

SETTING: 13th-century Sicilia and Bohemia or a land long ago and far away… CAST The Kingdom of Sicilia LEONTES, King of Sicilia...... Jose Guzman+ HERMIONE, Queen of Sicilia ...... Valerie Fenton+ MAMILLIUS, their son and heir to the throne ...... Ian Murray CAMILLO, lord and counselor to Leontes ...... Scott Alan Small+ ANTIGONUS, lord and counselor to Leontes ...... Frank B. Moorman+ PAULINA, Wife of Antigonus ...... Lesley Malin+ FIRST LORD, counselor to King Leontes ...... Nello DiBlasio LORD, attendant to Leontes ...... James Jager+ ARCHIDAMUS, a Bohemian ambassador ...... Greta Boeringer EMILIA, attendant to Hermione ...... Molly Moores+ DION, gentleman of the court ...... Brendan Edward Kennedy CLEOMENES, gentleman of the court ...... Clay Vanderbeek JAILER ...... Gregory Burgess+ OFFICER OF THE COURT ...... Scott Alan Small+ MARINER ...... Michael P. Sullivan+ ROGERA, gentlewoman of the court ...... Elana Michelle+ STEWARD to Paulina ...... Frank B. Moorman+

TIME ...... Elana Michelle+

The Kingdom of Bohemia POLIXENES, King of Bohemia ...... Michael P. Sullivan+ FLORIZEL, his son and heir ...... Clay Vanderbeek OLD SHEPHERD, adoptive father of Perdita ...... Gregory Burgess+ CLOWN, his son ...... James Jager+ PERDITA, a foundling...... Kelsey Murray AUTOLYCUS, a rogue and troubadour ...... Brendan Edward Kennedy MOPSA, shepherdess ...... Elana Michelle+ DORCAS, shepherdess ...... Molly Moores+ SHEPHERD’S SERVANT ...... Greta Boeringer Lords, Ladies, Satyrs, Bear Handlers, Shepherds, and Shepherdesses are played by members of the cast.

6 THE WINTER'S TALE There will be one 15-minute intermission. Stage fog will be used during this production.

ARTISTIC AND PRODUCTION STAFF Director ...... Isabelle Anderson+ Producer ...... Lesley Malin+ Production Manager ...... Kyle Rudgers+ Assistant Director ...... Erin Bone Steele+ Stage Manager ...... Lauren Engler+ Technical Director, Scenic and Sound Designer ...... Daniel O’Brien+ Costume Designer ...... Heather C. Jackson+ Lighting Designer ...... Katie McCreary+ Composer ...... Amy Domingues Music Director ...... Grace Srinivasan Dance Choreographer ...... Nellie K. Glover+ Properties Designer ...... Mollie Singer+ Bear Designer...... Jess Rassp+ Mask Designers ...... Isabelle Anderson+, Jess Rassp+ Assistant Stage Manager ...... Taylor Gulotta Fight Choreographer, Fight Captain ...... James Jager+ Assistant Costume Designer ...... Matthew Smith Scenic Carpenters ...... Roberto Castrence, Chester Stacy+ Wardrobe Supervisor ...... Hannah Brill Master Electrician, Light Board Operator...... Michael Lonegro+ Sound Board Operator ...... Lauren Engler+ House Managers ...... Donna Burke, Pam Forton, Tyler C. Groton, Ruthie Griffi th, Mary Hoff man Pohlig

+CSC Company Member

MUSIC CREDITS: Original compositions by Amy Domingues. Sarah Weiner on recorder. Preshow and intermission music is performed by the cast.

The Peabody Renaissance Ensemble, directed by Mark Cudek, has granted permission for our use of its recordings, including the song, “Kursi,” by Anonymous (arr. Tom Zajac) from the Vanished World CD and additional tracks from the Music of Three Faiths CD recorded with the Peabody Consort. Founded in 1988 by Mark Cudek, the Peabody Renaissance Ensemble (PRE) is comprised of students, staff of Peabody and the Johns Hopkins University, and guests from the local early music community. PRE includes a vocal ensemble and instrumental consorts of violas da gamba, recorders, lutes and guitars, and percussion. PRE alumni have performed professionally with many American early music ensembles including Apollo’s Fire (the Cleve- land Baroque Orchestra), the Baltimore Consort, Folger Consort, Hesperus, Les Arts Florissant, Piff aro, and the Waverly Consort.

SPECIAL THANKS: CSC Volunteers and Ushers, Bin 604, Arrow Parking, Todd M. Zimmerman Design, Varsity Graphics, Mount Royal Printing, Shealyn Jae, Charm City Chocolate, Brendan and Kirsten Murray, Roland Park Place, Dr. Amy Froide, Judith Krummeck, JHU Odyssey Program, The Clarice Smith Performing Arts Center at the University of Maryland College Park, Marketing Intern Helena Pierce, Mark Cudek, Peabody Renaissance Ensemble, Sarah Weiner, Enchanted Petals Florist.

On the cover: Jose Guzman+ as King Leontes, Valerie Fenton+ as Queen Hermione, and Michael P. Sullivan+ as King Polixenes. Photo by Shealyn Jae.

THE WINTER'S TALE 7 If This Be Magic A Note from the Director of The Winter’s Tale "The Winter's Tale.” Somehow, the title evokes the phrase, "Once upon a time..."

Hearing it, we know a story is coming. We know to allow all pos- sibilities and to enter another time and place where magic, or at least the unusual, can happen. The Winter's Tale invites us: escape for a while from the cold of life and expect … anything! Late in Isabelle Shakespeare's life and career, after scaling such Mount Everests Anderson as Hamlet, King Lear, and Macbeth, in which one central character was the heart of the story, here Shakespeare writes something completely different. Not one mountain, but the Himalayas! Leontes, Hermione, Polixenes, Antigonus, Paulina, Florizel, Perdita – each one has a mountain to climb. It is a panorama of humanity.

The Winter’s Tale is Shakespeare unleashed. He sings with flowing poetry. He jumps time and space as he never did before. Sixteen years pass and Time herself guides us. He leaps from the depth of tragedy to heights of silliness. Storytelling can do that. Some name this a "problem play," because it dares to have intense tragedy in Part One and comedy in Part Two; I say, isn't that life? I don't know about you, dear audience, but that is my life, over and over. Tragedy and comedy. Misfortune and fortune. I think we humans can handle that in a story because we live it and Shakespeare knew it. He is unsurpassed at reflecting to us what it is to be human.

"Merry or sad shall it be?" Both. Love is always the touchstone of this complex story. Love gets battered by the powerful, pushed away by jealousy, protected and attacked, lost and then found. It is revealed between husband and wife, parent and child, servant and master, friend and friend. The younger characters, Florizel and Perdita, bravely stand for love against raging authority. With time, the oldest, Leontes and Hermione, endure and find the wisdom of repentance and the greatness of forgive- ness. There is always hope in the play, but the final redemption is elusive without some "magic.” Shakespeare chooses not to explain the end. I'm with him! Is it magic? Grace? Or just life? Do we ever know? Just see how your heart feels at the end of this tale… "If this be magic, let it be an art lawful as eating.”

Isabelle Anderson is Director of The Winter’s Tale and is CSC’s Distinguished Artist-in-Res- idence. For CSC, she has directed Dog in the Manger and Pride and Prejudice. She has Valerie Fenton as Queen Hermione’s statue. appeared in Antony and Cleopatra. Photo by Shealyn Jae

8 THE WINTER'S TALE Synopsis: The Winter's Tale Polixenes, King of Bohemia, has been on a nine-month visit to the court of his childhood friend Leontes, King of Sicilia, and Leontes’ wife, Queen Hermione. Groundlessly, Leontes becomes convinced that his pregnant wife has been having an affair with Polixenes. Le- ontes tries to persuade his most trusted courtier Camillo to poison Polixenes, but Camillo, convinced of the queen's innocence, warns Polixenes. Camillo and Polixenes depart for Bohemia together. Lost children Leontes has Hermione arrested for treason and Hermione gives birth to a baby girl while in prison. Lady Paulina hopes Leontes will become reasonable when he sees the innocent baby, but instead, Leontes orders Paulina’s husband Antigonus to abandon the newly born daughter on some distant shore. Leontes then puts Hermione through a public trial and they refer judgment to the oracle of Apollo; the oracle declares her innocent but Leontes refuses to believe it. The young prince Mamillius, heartbroken over his mother’s plight, dies. Leontes is then told that Hermione has died. Realizing what he’s done, Leontes vows to live the rest of his days mourning their deaths. Meanwhile, Antigonus leaves the baby girl on the coast of Bohemia and is attacked by a bear. An old shepherd and his clownish son find the abandoned baby, name her Perdita, and raise her as a member of their family. 16 years later Perdita is being courted by Prince Florizel, son of King Polixenes of Bohemia, who arrives at the spring sheep-shearing festival disguised as a shepherd. The festival includes a rogue and con artist named Autolycus, who tricks the shepherds out of money. Polixenes and Camillo, in search of Florizel, come to the countryside in disguise. When Prince Florizel announces he will marry the low-born Perdita without consulting his father, Polixenes becomes enraged and threatens to disinherit his son and ruin the shepherds. With Camillo’s assistance, Florizel and Perdita flee to Sicilia. Stop reading now if you don’t want to know the end of the story! Polixenes pursues Florizel to Sicilia. The shepherd and his son go to show King Leontes that Perdita was adopted, and the items left in her baby basket reveal her identity as the King’s daughter. That which was lost having been found, Lady Paulina invites the royal family to see a statue of Queen Hermione, and warns them that something wondrous may happen…

SOURCE: Royal Shakespeare Company

William Shakespeare wrote at least 38 plays and more than 150 poems, many of which are considered to be the finest ever written in English. His works have been translated into every major living language, and some others besides (the Folger Shakespeare Library’s holdings include translations in Esperanto and Klingon). Nearly 400 years after the playwright’s death, they continue to be performed around the world.

Shakespeare’s birthdate is unknown, but records show he was baptized on April 26, 1564, in Strat- ford-Upon-Avon, England. His birthday is celebrated on April 23, which is also the date of his death. His father was a leatherworker who made fine gloves, and a merchant of wool and corn; his mother came from a prosperous farming family. Though little is known about his schooling, he clearly studied the classical writers and probably attended local schools where Latin was taught.

He married Anne Hathaway in 1582, when he was 18. They had a daughter, Susanna, and twins, Hamnet and Judith. By 1592, he was living in London, writing plays and sonnets. He prospered as a founding member, actor, and playwright of the Lord Chamberlain’s Men, later known as The King’s Men. He died at age 52 in 1616. The First Folio, a compilation of 36 of his comedies, history plays and tragedies, was published in 1623. SOURCE: The Folger Shakespeare Library

THE WINTER'S TALE 9 Who’s Who CAST PHOTOS, in alphabetical order

Greta Gregory Nello Valerie Boeringer Burgess+ DeBlasio Fenton+

Jose James Brendan Lesley Guzman+ Jager+ Edward Malin+ Kennedy

Elana Molly Frank B. Ian Michelle+ Moores+ Moorman+ Murray

Kelsey Scott Alan Michael P. Clay Murray Small+ Sullivan+ Vanderbeek +CSC Company Member

10 THE WINTER'S TALE Bios CAST (in alphabetical order) in CSC’s productions of The Fantasticks; Rich- Greta Boeringer (Archidamus, Shepherd’s ard III (2017, 2012); Anne of the Thousand Servant, Third Lady, Second Gentlewoman) Days; Wild Oats; A Christmas Carol (2014- has appeared with CSC as Duchess of York 2017); Titus Andronicus; The Importance of in Richard III, and Third Witch in Macbeth. Being Earnest; A Midsummer Night’s Dream Additional credits include Apemantus in (2014, 2010); As You Like It; The Merry Wives Timon (2016) with Off the Quill; Gremio in of Windsor; The Taming of the Shrew (2017, Taming of the Shrew with Walking the Dog 2013); and The Merchant of Venice, among Theater; Lucille in Cemetery Club (Meritori- many others. His training includes The Mar- ous Achievement Ensemble at TANYS), and tin Blank Studio, The Shakespeare Theater, Director of Simply Shakespeare with Sullivan and Howard University. County Dramatic Workshop; Nurse in Romeo and Juliet, and Henry V with Gorilla Rep; The Nello DeBlasio (Lord, Male Ensemble) is King Stag with Kings County Shakespeare; making his CSC debut. He has performed Flavius in Timon of Athens, and Goneril in with several DC-area theatre companies, in- King Lear with Instant Shakespeare NYC; An- cluding the Keegan Theatre, American Cen- fisa in The Three Sisters with Cressid Theatre. tury, Brave Spirits, Quotidian, and The Source Greta trained at The Shakespeare Theater Festival. Recent highlights include the title and Michael Howard Studio. role in Titus Andronicus with Faction of Fools, and understudying Julius Caesar with the Gregory Burgess (Old Shepherd, Jailer, Folger Theatre. Nello holds an MFA from The Lord Ensemble) is a member of CSC’s Res- Shakespeare Theatre's Academy for Classical ident Acting Company. He has performed Acting at George Washington University. He serves on the board of the Actors' Center.

Valerie Fenton (Hermione, Shepherdess, Satyr) is a CSC founding company member, having performed in the inaugural production of Twelfth Night, as well as Troilus and Cressida, Dog in the Manger, Much Ado About Nothing, The Imaginary Invalid, King Lear, Titus Andronicus, The Taming of the Shrew, and as a guest artist in partnership with the Columbia Orchestra. Valerie has worked with many area theaters, is featured in regional commercials, and acts in training scenarios for the military and emergency first responders. www.valeriefenton.com.

Jose Guzman (Leontes, Satyr) is a CSC Res- ident Acting Company Member appearing in his 15th production with the company. Previous CSC productions include Othello (Iago), Macbeth (Banquo), Much Ado About Nothing (Don Pedro), and many others. Productions in the DC area include Jesus Hopped the 'A' Train with 1st Stage, Ana in the Tropics with GALA Hispanic Theatre, and

THE WINTER'S TALE 11 Bios Taming of the Shrew with Lean & Hungry Titania (2005); previously, she performed in Theatre. Jose holds an M.A. in Theatre from New York. She has, for 15 years, been the Binghamton University. vice president of the board of trustees of The Lark, a new play development center James Jager (Clown, Lord, Ensemble, Fight in New York City, where she once served Choreographer, Fight Captain) is a CSC Res- as Managing Director. She served for five ident Acting Company Member. He has per- years on the Executive Committee of the formed in CSC’s Richard III (2017), Anne of international Shakespeare Theatre Associ- the Thousand Days, Titus Andronicus (2015, ation and organized its annual conference 2010), Much Ado About Nothing, Romeo and that CSC hosted in Baltimore in 2017. She Juliet, A Christmas Carol (2016, 2015, 2014), is a graduate of Washington University in Richard II, A Midsummer Night’s Dream, As St. Louis, NYU’s Arts Management program, You Like It, The Taming of the Shrew, The Two and Leadership Howard County, and is a Gentlemen of Verona, and Hamlet, among 2018 LEADERship Baltimore member. many others. He is a Society of American Fight Directors recognized Advanced Actor/ Elana Michelle (Second Lady, Time, Rogera, Combatant, and he was Fight Consultant on Mopsa), a CSC Resident Acting Company the Helen Hayes Award-winning The Three Member, appeared as Jane Seymour in Anne Musketeers at Synetic Theater. of the Thousand Days, as Juliet in Romeo and Juliet, (movable production and school mat- Brendan Edward Kennedy (Autolycus, inees, 2016) and in A Christmas Carol (2017, Dion, Satyr) has appeared with CSC as 2016, and 2015). She appeared as King of Trinculo in The Tempest and d'Artagnan in France in All’s Well that Ends Well with CSC’s The Three Musketeers. He has performed re- Blood & Courage under-30 company. Other cently as Soldier and Servant in Othello with roles include Titania in Midsummer Night’s Shakespeare Theatre Company; Bergetto Dream with Maryland Renaissance Festival, and Cardinal in 'Tis Pity She’s A Whore and Candace in Project Run-a-way with Annapolis Arbaces in A King and No King with Brave Historical Society, Katherine in Henry 5x7 Spirits Theatre; and Patrick in TAME with with Barabbas Theatre, and Abby in the 2016 WSC Avant Bard. He holds a double-degree film,The Spirit of the Staircase. in Vocal Performance and English from the University of Maryland College Park, and is Molly Moores (Emilia, Dorcas) is a CSC a proud Equity Membership Candidate. Resident Acting Company Member and www.BEKennedy.net CSC Teaching Artist. She has performed with CSC in A Christmas Carol (2014-2017), Lesley Malin (Paulina, Producer, Managing Julius Caesar, Romeo and Juliet (2012, 2015- Director) is a founder of the Chesapeake 2017), Anne of the Thousand Days, The Three Shakespeare Company, and has served Musketeers, Macbeth, Richard II, The Taming as its Managing Director since 2003. She of the Shrew (2013), Antony and Cleopatra, managed CSC’s building renovation of an Pride and Prejudice, The Merchant of Venice, 1885 bank into our modern Shakespeare and A Midsummer Night’s Dream (2011). playhouse as well as the associated $6.7 www.mollymoores.com. million capital campaign. Her acting credits at CSC include Lady Macbeth, Amelia in Frank B. Moorman (Antigonus, Steward, Wild Oats, Lady Bracknell, Mrs. Fezziwig, Shepherd Ensemble) is a long-time CSC Beatrice (2010), Mrs. Bennet, Mistress Page member with memorable performances in in The Merry Wives of Windsor, the Queens in King Lear, Cyrano de Bergerac, and Complete Richard III (2012, 2017) and Cymbeline, and Works of William Shakespeare (Abridged),

12 THE WINTER'S TALE Bios among others. More recently, he has been Christmas Carol (2016, 2015), The Comedy of in the school matinee production of Romeo Errors (2015), the movable productions of and Juliet, as well as Richard III, The Three Romeo and Juliet (2016), Dracula, and The Musketeers, and Richard II. He directed CSC’s Complete Works of Shakespeare (Abridged). movable production of Julius Caesar (2009). Other performances include Much Ado Michael P. Sullivan (King Polixenes, About Nothing with the Annapolis Shake- Mariner) is a CSC Resident Acting Company speare Company and The Last Days of Judas Member. He has appeared with CSC in the Iscariot with Forum Theatre in Washington. title roles of Julius Caesar (2017), Titus An- dronicus, and Dracula. Other roles include Ian Murray (Mamillius, Shepherd) is Prospero in The Tempest (2008), Benedick in making his professional stage debut with Much Ado About Nothing (2010), Cassius in CSC. He has recently performed in The Best Julius Caesar (2009), Sir George Thunder in Christmas Pageant Ever, and as Tiny Tim in Wild Oats, Bob Cratchit (2014) and Marley multiple productions of A Christmas Carol (2016) in A Christmas Carol, Duke of York in with Silver Spring Stage and Northampton Richard III, Ford in The Merry Wives of Wind- Street Players. Other credits include Anansi sor, Pistol in Henry V, LeBret in Cyrano de and the Magic Stick with Forest Knolls Ele- Bergerac, Oliver in As You Like It (2007), Doc mentary, An Inspector Calls with Rockville Gibbs in Our Town, and the Duke in The Two Little Theatre, and voiceover work for These Gentleman of Verona. Shining Lives and Rabbit Hole with Silver Spring Stage, and Sunday in the Park with Clay Vanderbeek (Florizel, Cleomenes, George with Kensington Arts Theatre. Satyr) is making his CSC debut. He has appeared in Proof, Rhinoceros, and Mail Order Kelsey Murray (Perdita) is making her Bride. Bachelor of Arts in Theatre Studies CSC debut. A senior in the Engineering and Linehan Artist Scholar at University of program at Wheaton High School, she most Maryland, Baltimore County. Alumnus of recently played Montag in Fahrenheit 451 the Baltimore School for the Arts. with Wheaton Knight Players and Julia in The Two Gentlemen of Verona with Traveling ARTISTIC and TECHNICAL CREW and Players Ensemble. She has performed with PRODUCTION STAFF Silver Spring Stage in The Pillowman, The Metal Children, and A Christmas Carol. She is Ian Gallanar (Founding Artistic Director) In also a regular cast member with the Virginia addition to founding the Chesapeake Shake- Renaissance Faire. speare Company in 2002, Ian has worked as a professional actor, director, and writer for Scott Alan Small (Camillo, Officer) is a CSC more than 150 professional productions. His Associate Artistic Director and Resident directing credits with CSC include produc- Acting Company Member. He has appeared tions of The Taming of the Shrew (2017 and in CSC’s The Taming of the Shrew (2017), 2013), Othello, Wild Oats, Titus Andronicus, A Richard III (2017, 2012), Macbeth (2016, Christmas Carol (original adaptation, 2014 2008, 2007), Much Ado About Nothing, Uncle and 2017), Romeo and Juliet (2015, 2003), Vanya, A Christmas Carol (2017, 2015, 2014), Uncle Vanya (2015), Twelfth Night (2002), A A Midsummer Night’s Dream (2014), The Midsummer Night’s Dream (2005, 2010, 2014), Merry Wives of Windsor, Julius Caesar (2009), King Lear (2006), Macbeth (2007), Lysistrata Titus Andronicus, Measure for Measure, The (original adaptation, 2010), Our Town (2011), Country Wife, A Doll’s House, and The Front Richard III (2012), and The Merry Wives of Page. His directing credits include CSC’s A Windsor (2014). Previously, Ian has served

THE WINTER'S TALE 13 Bios

as Artistic Director for the National Theatre ki, Bill Alexander, and Cicely Berry. for Children, Minnesota Shakespeare in the Park, and the Repertory Theater of America. Elizabeth Berman (Finance Manager, De- Ian is a proud member of the distinguished velopment Manager) has a Master of Arts National Theatre Conference; a Helen Hayes degree in Arts Administration from Goucher Tribute Award, Telly Award and Howie Award College and two bachelor’s degrees from (Howard County Arts Council) winner; and Johns Hopkins University. Liz is a classically the recipient of the Distinguished Alumni trained musician who teaches at The Music Award from Indiana University of Pennsyl- Institute at HCC, and serves as the Principal vania. He is the Vice President and Presi- Oboist of the Columbia Orchestra. She has dent-Elect of the international Shakespeare been at CSC since 2012. Theatre Association. Hannah Brill (Wardrobe Supervisor) Isabelle Anderson (Director, CSC worked with CSC on wardrobe for The Distinguished Artist in Residence, Mask Taming of the Shrew (2017). She is a Design Designer) is thrilled to be with CSC again and Production and Metalsmithing major at and to spend time with this dedicated Towson University. group of actors. Heartfelt thanks to them all. For CSC, Anderson has directed Dog Amy Domingues (Composer) is a cellist, in the Manger and Pride and Prejudice and viola da gamba player, historical music spe- appeared in Antony and Cleopatra. She cialist, and composer residing in Washing- also has appeared with Taffety Punk's Riot ton, DC. She has released three cello-orient- Grrrls in Titus Andronicus and The Tempest. ed rock albums under the name Garland Additional credits: In Australia, for Sydney, of Hours and appears as a recording artist Melbourne, and Queensland state Theatre on more than 70 rock, pop, and classical Companies, A Streetcar Named Desire, albums. Theatre credits with Taffety Punk Macbeth, Hamlet, Twelfth Night, Nicholas include The Tempest (2015), live scoring for Nickelby, A Midsummer Nights Dream, The Enter Ophelia, Distracted (2014), Bootleg Pillars of Society, Heartbreak House, Mother Shakespeare: Pericles (2014), and Love’s La- Courage, Pericles, Top Girls, Stepping Out, bours Lost (2013). Film credits: The Weather Troilus and Cressida, and The Playboy of the Underground (2002) and short film Harmony Western World. One-woman show: New (2014). www.amydomingues.com Sky at Nimrod Theater, Sydney, and tour. Film: Careful He Might Hear You, Undercov- Lauren Engler (Stage Manager), a CSC er, The Winds of Jarrah, Rebel. For Twentieth Resident Technical and Design Company Century Fox, Great Expectations. TV credits, Member, has recently stage managed Australia: Scales of Justice, A Country Prac- CSC’s productions of Richard III, Anne of the tice, Five Mile Creek, The Dismissal. France Thousand Days, and Titus Andronicus. Per- TV: Le Bord des Larmes. Jeune Theatre Na- forming with CSC, she recently appeared as tional: Si Jamais Je Te Pince. She has been Miss Winthrop in A Christmas Carol (2017), a teacher with NIDA (National Institute of Hippolyta in A Midsummer Night’s Dream Dramatic Art, Australia); Columbia Univer- (2014) and the Courtesan in A Comedy of sity (School For the Arts); New York Univer- Errors. Locally, Lauren has performed in sity (Experimental Theatre Wing); Blue Man Do or Die Productions’ Poe’s Last Stanza, Group; Academy for Classical Acting at The Cohesion Theatre Company’s Coriolanus, Shakespeare Theater in conjunction with and Stillpointe Theatre’s Sweeney Todd. She George Washington University. Training: currently stage manages Renaissance Rum- Jacques Lecoq, Peter Brook, Jerzy Grotows- ble at the Maryland Renaissance Festival.

14 THE WINTER'S TALE Bios Lauren holds a BA in Performance Theater Heather C. Jackson (Costume Designer) has and Studio Art from High Point University. designed costumes for CSC’s The Tempest, Richard III (2017 and 2012), The Three Muske- Nellie K. Glover (Dance Choreographer, CSC teers, The Comedy of Errors, Uncle Vanya, and Resident Choreographer) Her work for CSC Richard II. Other credits include The Effect includes The Tempest, The Fantasticks, Anne of (Studio Theatre); Cloud 9 (Iron Crow); Orfeo ed the Thousand Days, Wild Oats, The Comedy of Euridice/Orphee aux Enfers (Maryland Opera Errors, Romeo and Juliet (2015-2018), A Christ- Studio); as well as at Longacre Lea, Mosaic mas Carol (2014-2017), A Midsummer Night’s Theatre, Single Carrot Theatre, Loyola Univer- Dream (2014, 2011), The Taming of the Shrew sity, Baltimore Shakespeare Festival, and Still- (2017), and Pride and Prejudice. She has also Pointe Theatre, among others. She worked as choreographed Rent for Towson University; Costume Coordinator for the First National Baltimore Cappies. She holds a BS in Acting Tour of Amazing Grace, and as Assistant Cos- from Towson University. tume Designer at Virginia Opera Company, Wolf Trap Opera, and Round House Theatre. Taylor Gulotta (Assistant Stage Manager) is She holds an MFA from the University of working with CSC for the first time. She has Maryland. HeatherCJackson.com worked with The Gateway Playhouse as the Stage Management Apprentice on Swing!, Kristina Lambdin (CSC Resident Costume On the Town, Little Shop of Horrors, Mamma Designer, CSC Business Manager) recently Mia! and The Lion King Jr. She was Assistant won the Broadway World Best Costume Stage Manager for the Heritage Theatre Design award for her designs for A Christ- Festival’s 2016 season. She graduated from mas Carol (2016). Some of her costuming Washington and Lee University as a double credits include CSC’s Anne of the Thousand major in Theater and Strategic Communica- Days, The Fantasticks, Macbeth, A Christmas tion, and while there served as the resident Carol (2014-2017), A Midsummer Night’s stage manager for many mainstage plays Dream (2014, 2011, and 2005, and winning and musicals. the Greater Baltimore Theater Award for the 2005 production); The Importance of Being Ron Heneghan (Director of Education) over- Earnest; The Taming of the Shrew (2006 and sees education programs for CSC. More than 2013 productions); Romeo and Juliet (2003, 15,000 students have attended professional 2012, 2015-2018 productions); A Doll’s Shakespeare performances in the student House; As You Like It (Broadway World Best matinee program managed by Ron during of Baltimore Award); and The Country Wife. the last three years. He also supervises the Broadway World named her as a top artist in-school residency program where CSC of the 2007 Baltimore Theatre. For more Teaching Artists embed in English/Language than a decade, she served as the Costume Arts classrooms as a resource for teachers Supervisor for the Baltimore Opera Compa- and a learning experience for their students. ny and then Lyric Opera Baltimore. Ron has taught theatre at Loyola University, Stevenson University, Carroll Community Russell Laury (Porter) Before joining CSC, College, Muhlenberg College, Northeastern Russell worked with Southway Builders on University, Regis College, PCPA Theatrefest/ the transformation of our landmark build- Allan Hancock College and the MFA program ing into this beautiful theater. at Trinity Rep Conservatory/Brown Univer- sity consortium. He is a member of CSC’s Michael Lonegro (Master Electrician, Resident Acting Company. Light Board Operator, Information Systems Manager, Development Associate) was the

THE WINTER'S TALE 15 Bios lighting designer for CSC’s Julius Caesar in formed, designed scenery and lights, and 2017, has operated lighting for numerous served as Technical Director for many pro- CSC productions, and is a member of the ductions, among other jobs too numerous Resident Technical and Design Company. to name. He oversaw the construction of Before joining CSC in 2014 he studied law at CSC’s theatre in Baltimore and designed the the University of Maryland and comparative sets and lighting for Macbeth and for the literature at the University of Chicago and inaugural season plays A Midsummer Night’s worked for ten years as a university press edi- Dream, Richard II, Romeo and Juliet, and A tor. He holds a BA from Yale University, where Christmas Carol, among many others. he also designed lighting for undergraduate and graduate theatre productions. Jess Rassp (Bear Designer) is a Theatre Artist whose background in painting and Laura Malkus (Director of Development) sculpture fuels her work in puppetry, props, previously served as Director of Annual and scenic design. She has worked with Giving at Roland Park Country School, and CSC on Othello, among many productions. prior to that served as the coordinator She is the Technical Director at Cohesion for its record-breaking $25 million capital Theatre Company and a member of CSC’s campaign. In her personal time, Laura is a Resident Technical and Design Company. performer and writer. Other credits include H.T. Darling's Incredible Musaeum with Submersive Productions; Mr. Katie McCreary (Lighting Designer) has Burns and Sally McCoy with Cohesion Theatre designed for CSC’s The Fantasticks, Anne of Company; and Savage/Love, Midlife, and Year the Thousand Days, Uncle Vanya, and The of the Rooster with Single Carrot Theatre. Jess Importance of Being Earnest. Other recent or holds a BA in English Literature and minor favorite designs include: Futureproof with in Theatre Arts from Brandeis University in CUA; A Bid to Save the World and Electric Boston. jessrasspdesign.com Baby with Rorschach Theatre (where she is also a company member); A Midsummer Robby Rose (Production and Education As- Night's Dream with WSC/Avant Bard; When sistant) was Production Manager for CSC’s We Were Young and Unafraid; Mack, Beth; Blood & Courage Company productions of and The Best Man with Keegan Theater; The All’s Well That Ends Well and Unscene. He is a Breakers, Navigator, and The Colour of Her CSC Company Member. Dreams with 7 Stages; and Scarlett's Web with Dad's Garage. Katie is also Director of Kyle Rudgers (Production Manager) holds Development and Curriculum Develop- a BA from William and Mary and an MFA ment for Educational Theatre Company in Stage Management from UC San Diego. (ETC). www.katiemccreary.com As a production manager, he has worked at the Atlas Performing Arts Center, the Liz Nelson (Audience Services Manager) Washington Performing Arts Society, and has worked with theatre companies in in a similar capacity at the Clarice Smith Charleston, SC; Berkeley, CA; and Mon- Performing Arts Center. As a stage manager, mouth, ME. She studied sound design at he has worked at theaters in Boston, Los Plymouth State University. Angeles, San Diego, and Singapore.

Daniel O’Brien (Technical Director, Scenic Nina Sharp (Box Office Associate and Mar- Designer, Sound Designer, CSC Resident keting Assistant), prior to living in Baltimore, Technical Director, Facilities Manager). A served as a Youth Theatre Educator and founding member of CSC, Daniel has per- Executive Manager of Church Hill Theatre, a

16 THE WINTER'S TALE Bios non-profit theatre organization on the East- Earnest; and for Red Branch Theatre's Bring ern Shore of Maryland. She splits her time It On: The Musical; and First Baptist Church between serving our audiences from the box of Glenarden's The Uncut Coming of Christ. office and assisting in all things marketing. His projects have included set decoration for House of Cards; display graphics and Mollie Singer (Properties Designer) installation for Howard County Library, Mill worked with CSC on A Christmas Carol, No. 1, Long Reach Village Center, and Pax Julius Caesar, The Fantasticks, Richard III, River Naval Air Station; sculpture fabrication and Anne of the Thousand Days. Her credits for the AVAM Kinetic Sculpture Race; and with Everyman Theatre include Blithe production design for Eduardo Sanchez’s Spirit (Assistant Scenic Designer) and The The Night Watchmen. Understudy (Assistant Scenic Designer); with Rep Stage include Hunting and Gath- Erin Bone Steele (Assistant Director), a CSC ering (Scenic Design); Antigone Project: Company Member, directed The Impor- A Play in 5 Parts (Properties); Technicolor tance of Being Earnest in 2015 and served as Life (Properties); Sunset Baby (Properties, dramaturg or assistant director for The Merry Assistant Costume Designer); and Venus in Wives of Windsor, Antony and Cleopatra, Pride Fur (Properties); with HCC Arts Collective and Prejudice, Cyrano de Bergerac, Much Ado include The 25th Annual Putnam County About Nothing, and The Country Wife. Other Spelling Bee (Scenic Design and Properties) directing work includes The Appalachian and It's a Wonderful Life (Properties). She Shakespeare Project at Concord University (A also was Scenic Designer for The Revelation Midsummer Night’s Dream, Macbeth), Silver of Bobby Pritchard with Iron Crow Theatre Spring Stage (On the Razzle, Anton in Show and Between Trains with Towson University. Business, A Christmas Carol), The Edward Al- bee Festival at Arena Stage (Finding the Sun), Grace Srinivasan (Music Director) has and Shepherd University (Dry Land). She worked as music director with CSC on sever- holds a Ph.D. in Theatre and Performance al recent productions, including A Christmas Studies and lives in Silver Spring, MD, with a Carol, The Taming of the Shrew and Anne of patient husband and two young daughters. the Thousand Days. A soprano who performs a wide-ranging repertoire throughout the Gerrad Alex Taylor (Associate Artistic region, she recently appeared as a soloist in a Director, and Director, The Studio) is a CSC program of works inspired by Shakespeare’s Resident Acting Company Member. He plays, If Music Be the Food of Love, with CSC oversees programming in The Studio at the artists, the Peabody Baroque Band, and the Chesapeake Shakespeare Company, which Peabody Renaissance Ensemble. Grace holds offers classes for area youth and adults. He a master’s degree in vocal performance holds a BA in Neuroscience from The Johns from the Peabody Conservatory and sings Hopkins University and an MFA in Perfor- professionally at St. Stephen Martyr Church mance from the University of Nevada, Las and the National Cathedral. Vegas. He has worked as an actor, director, and teacher for theatres across the country. Chester Stacy (Scenic Carpenter) of Chester Creates LLC has done set design, construc- Jean Thompson (Communications Direc- tion and scene painting for several CSC tor) is CSC’s marketing, public relations, and productions, including The Fantasticks, Anne publications manager. A former news re- of the Thousand Days, Othello, Macbeth, porter and features editor, she has worked Much Ado About Nothing, Titus Andronicus, for The Baltimore Sun, The New York Times, Uncle Vanya and The Importance of Being AmericanStyle, and Giftware News magazine.

THE WINTER'S TALE 17 CHESAPEAKE SHAKESPEARE CHESAPEAKE COMPANY SHAKESPEARE COMPANY THE STUDIO THE at the the O STUDIO at the Chesapeake Shakespeare Company a teaching STUDIO school ANY at the for the CHESAPEAKE Summer’s more fun with Shakespeare! o performing arts CHESAPEAKE SHAKESPEARE COMP SHAKESPEARE FEATURED CAMP COMPANY CHESAPEAKE THE SHAKESPEARE The COMPANY THE STUDIO Studio STUDIO a teaching school Spring-Summer 2018 THE STUDIO at the… stacked on top of for the CHESAPEAKE SHAKESPEARE COMPANY. I’m performing ANY stumped as to what kind of font and ourish arts would work, but the overline could be at the CHESAPEAKE SHAKESPEARE COMP The scroll-y or hand-written or curved circle THE around the main logo. The acting studio will Studio STUD O The CSC High Schoolbe Corps for adults and kids, non-actors and actors. I’m thinking no shield and no “art” – ol for th Every summer, high school students conceptualize, design and perform cho e P S er 90-minute versions of Shakespeare’s great playsjust on ourlettering outdoor stage.that Theycould stand alone or ride g fo attend master classes with CSC Teaching Artists in acting, vocal skills, stage in rm h combat and more. They gain valuable experienceas parand maket of a new full friends logo . c in a as they rehearse and perform. From behind the scenes and while greeting e g

A the public, CSC Corps members observe and support the making of our T r The festival-style outdoor professional plays. When it’s time to produce their A t s own shows, they’ll be ready! No auditions are necessary to join the CSC High

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K S A H THE STUDIO at the The In Baltimore, The Studio at the Chesapeake Shakespeare Company offers 10 weeks of full-day camps from June 25 -August 31, as well as our inaugural Summer High School Ensemble, a troupe for Baltimore high schoolers interested in performing fully developed Stud o Shakespeare plays. ol for th OUTDOORS: cho e P The Studio at the S er In addition to the CSC High School Corps, our summer stage at the Patapsco Female Institute g fo Historic Park hosts full-day camps offered through Howard County Recreation and Parks, in rm h led by CSC Teaching Artists. Camp sessions are offered from June 25 through July 20. c in YOUTH CLASSES a e g

A Register today at ChesapeakeShakespeare.com/camps. THE STUDIO The Studio at the T r A t s Gerrad Alex Taylor | Associate Artistic Director and Director | The Studio

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K S A H Unpretentious and Diverse open up the opportunity to Continued from page 5 more people of color. Theater I think it's reflected in the work was not a readily accessible you see around town. Many thing for me growing up, as theaters are promoting sea- is probably the story of a lot sons that speak to the younger of minorities growing up in generation and current events urban communities. I want to of the time. Many theaters are make The Studio welcoming speaking to the LGBTQ com- and open to more and more munity, the Latino community, minority groups in Baltimore and the black community. so that we see the same sort There is a rich cornucopia of of diversity in our classrooms people in Baltimore and we that we see on the stage and actually see it represented in in our audiences. the audiences, which I think is a good thing. Gerrad Alex Taylor with Jose Also, I think that CSC is offer- Guzman in CSC’s Much Ado About ing a unique product at The Nothing. Photo by C. Stanley Studio. CSC is this area's only IAN: I’ve been working Photography. in Baltimore theater for professional classical theater almost 20 years, same goes IAN: My favorite art happens and I want The Studio to for Lesley (our Managing when ideas and forms from serve as Maryland's premier Director), but I don’t yet feel different origins come to- choice of training in classical like a local—but I do feel gether and create something theater, whether it comes to welcomed, nonetheless. I new: rock and roll, jazz, and performance of Shakespeare love the unpretentiousness of modern dance, for instance. and the classics, design, Baltimore and its arts. Maybe Baltimore’s strength stage combat, history, or any can be found in its differenc- other aspect of the theater. GERRAD: Yes. I don't know es. As the first Director of The I want everyone in the area what to make of that exactly. Studio at the Chesapeake to see CSC and The Studio as It's definitely very unpreten- Shakespeare Company, what the place to go to know all tious. Maybe it has to do with kinds of things do you hope there is to know about the the smaller size of the commu- to accomplish? "classics." nity you mentioned. People are more inclined to work together GERRAD: As is my mission in See the full Q&A series at and listen to each other. all the theater I do, I hope to ChesapeakeShakespeare.com

THE WINTER'S TALE 19 Artistic Programming, Education, and Operations Donors A theater is so much more than a building. It is a living, breathing community where audiences and actors meet to create art that enlightens, inspires, transforms, awes, and entertains. We are grateful for your gifts that support this artistry, our outreach and education programs, and our operations. This list recognizes gifts of $100 and greater, received as of February 22, 2018. The FRIENDS of Chesapeake Shakespeare Company

Benefactor ($5,000+) Paul J. and Chandler M. Bill Henry Susan Betso and Carol Clark C. Sylvia and Eddie C. Tagliabue, in honor of Nick and Cynthia Islin Mr. and Mrs. A. Stanley Brager, Jr. Brown Emily Rockefeller Chris and Mary Ellen Sherilyn Brinkley and Jeff Dana DiCarlo Kiehne Brotman Robert and Gladys Dr. and Mrs. Stephen Ernie and Linda Czyryca Friend ($1,000+) Dr. Natalie Davis Helm Anonymous (5) Malin Vivian and Robert Dr. Bart Debicki and Dr. Scott Helm Anonymous, in memory Tiffany Debicki Pam and Sam of Barry Ochrach Manekin Jack and Donna McCann Edward and Nanci Feltham Himmelrich, Jr. Isabelle Anderson Bruce and Lindsay Fleming Lesley Malin Laura Boydston and Tom and Janet McGlynn Susan and Stephen David and Barbara Gamble Jeanne E. Marsh Robin Suleiman Jill and Ira Gansler Bob and Deeley Kevin G. and Susan A. Oppenheimer Kevin and Joyce Parks Nicolas Guezen Middleton Burke The Heneghan Family Mary and James Miller Virginia Tyler Campbell Linda and Jeff Pieplow George and JoAnn Holback Sean Rhoderick and Yara Cheikh and Firmin Walter and Mary-Ann Mark A. G. Huffman DeBrabander Pinkard Tim and Jennifer Kingston Ana Kornegay The Pirie Family Emily and John D. Kim Citizen Wallace Kleid and Ina Sirkis Jeffrey and Carolyn Mr. Earle Pratt and Dr. Richard Ley Rockefeller, V Kelly Emerson Chip and Rhona Crooks Bob Lienhardt and Barbara Jane Daniels Robert Prince Leons Wendler Nan Rohrer Laura and Larry Malkus, Jr. Ted and Mary Jo Wiese Patricia L. Delk-Mercer and Raymond Mercer Sharon and Michael Mary McDermott and John Clinton Eisner and Runge William Jongeward Patron ($2,500+) Jennifer Dorr White David and Treva Stack Suzan and Alex Mecinski Anonymous The Epp Family Scott and Sharon Stewart, Ronald and Kathe Diana and Donald The Fishell-Shaffer Family CE Science Inc. Messenheimer D’Agati Ian Gallanar and Maria Michael P. and Joanna Anthony Miller The Flieger Family Sullivan Frank B. and Mary Ellen Trujillo Moorman Eva Poythress Higgins, Mr. and Mrs. Jesse David Warnock and Michele Speaks Nancy and Tom O’Neil in memory of David B. Gardner Kyoko and Steve Redd Poythress Judith Golding and The Wittenberg- Bonavoglia Family Keenan and Natasha Rice Robin and Don Hough Robert Brager William Sweet and The Sylvia Meisenberg Glen R. Goodwin and Dr. Geraldine Mullan Endowment for Jennifer Cooper Player ($500-$999) David and Irene Tabish Shakespeare Carole and Scott Anonymous (2) The Thompson Family, in Education and the Greenhaus Steven Beall and Carmel memory of Alva “Dolly” Meisenberg Family Ruby and Bob Hearn Roques Griffith Wally and Brenda Stone Rabbi Joanne and Dr. Dr. Murry Bentley and Ms. Marguerite VillaSanta and Gary Heiligman Linda Clark the Dr. Frank C. Marino Heneghan Family Fund Elizabeth and Ira Berman Foundation, Inc.

Corporate, Foundation, and Government Support

AmazonSmile Foundation Baltimore National Heritage The Exelon Foundation Maryland Charity Campaign Applied Development LLC Area Gordon Feinblatt, LLC Maryland State Arts Council The Arts Insurance Program, LLC Mayor Catherine Pugh and The Helm Foundation Mead Law, P.A. The Associated: Jewish the Baltimore Office of Howard County Arts The Morris A. Mechanic Community Federation of Promotion and the Arts Council, through a grant Foundation, Inc. Baltimore BGE from Howard County The Sylvia Meisenberg The William G. Baker, Jr. The Brenda Brown-Lipitz Government Endowment for Memorial Fund, creator of Family Foundation, Inc. The John J. Leidy Foundation Shakespeare Education the Baker Artist Awards, The Campbell Foundation Living Classrooms PNC Bank www.bakerartistawards.org CareFirst BlueCross Foundation The Nora Roberts Foundation Baltimore Community BlueShield The M&T Charitable The Sheridan Foundation Foundation Community Foundation of Foundation T. Rowe Price Foundation Baltimore County Howard County Macy’s Foundation UBS Commission on Arts and Creative Print Group Dr. Frank C. Marino The Venable Foundation Sciences and the Citizens Downtown Partnership of Foundation, Inc of Baltimore County Baltimore, Inc. .

20 THE WINTER'S TALE Individual Donors

In Memory of Dr. Joseph Tuckie Pillar Mike and Anne Foss Mr. and Mrs. Scott Rodgville Milton Gallanar IV Mark and Joanne Pollak Kevin and Sherry Frick Rossman-Lichenstein Family Dan and Carol Boone Susan H. Pratt Jim Fritsch Suzanne Sanders Shirley Basfield Dunlap Mr. and Mrs. David B. Shapiro Dr. and Mrs. B. J. Gailey Dianne Scheper Donald and Barbara Eisen Mary Shock Jacquelyn Galke The Eugene and Alice John Ferreira Chip Smith and Cheryl Dennis Gallagher and Carol Schreiber Philanthropic Norina Foster Bernard-Smith Barthel Fund Brian and Linda Heery and Doris Sweet Donald and Gail Gann Judy Sheldon and Chris Family Andrew Tagliabue, in honor Carl and Teresa Gilbert Gorman Jenny and Jay Leopold of Emily Rockefeller Gil and Terry Gleim Sharon Silverman and Marc The Shore/Swann Family Topper and Ellen Webb Kristen Vanneman-Gooding Hamburger David and Irene Tabish Jenny Wright and Josh and Ira Gooding Janet Simons Laura Thomas Osborne Susan and Richard Ed Simpson Goodlaxson Patricia E. Smeton Mechanicals $100 - $249 Michael and Colleen Gottlieb Kristine Smets and Michael Elizabeth and Ira Berman Anonymous (6) Sarita and Steve Gross Booth Mary Helen Brosnahan Anonymous, in honor of Mehul Gulati F. Louise and Wayne F. Smith Jean Waller Brune Shane Solomon-Gross Guy Guzzone Jared Smulison Susan W. Bryant Dr. N. F. Adkinson Eric Hansmann and Cheryl Shane Solomon-Gross Donna Lee Burke Dr. Emily Agree and Dr. Torsney Susan Spencer Yara Cheikh and Firmin Robert Moffitt Bill and Wendy Hauck The Stansbury Family DeBrabander George and Julia Alderman Ralph and Beth Heimlich Carolan and Brian Stansky Kim Citizen Paul and Irene Aldridge Mr. and Mr. Darnell and Joel Joseph Stefanski Andrew and Lory Cosner The Alleman Family Carlin Henderson Dr. Philip Sticha Jillian Drummond Clifford Amend Cathy and Chip Hiebler George C. and Holly G. Stone Kristen Vanneman-Gooding Kathleen Barber and Barry Lily R. Hill Alan Stubbs and Jean Frank and Ira Gooding Feinstein Kathy Hogue and Nick Anne and Ken Stuzin Mr. and Mr. Darnell and Joel Lea Billingslea Sommese Margaret Sullivan Carlin Henderson David Bobart The Iverson Family Joan D. Sullivan Mark A. G. Huffman The Bower Family Patricia Jonas Michele and Ed Swing Barbara Keller Joan K. Braden Jordan Karp Curtis Tatum The Klipp-Lischner Family Mindy Braden Eric and Hattie Katkow Michael L. Terrin and Bess Michael Lonegro David N. Bradford Felicia Korengel Keller Laura and Larry Malkus, Jr. The Brass Tap Bartenders Terry and Natalie Leitch Michael Tolaydo and Peggy Pat and Jackie McNamara David Brinker and Elizabeth John and Carrie Leovy O’Brien Susan and Stephen Allen Barry Linkner Brent Tolbert-Smith Oppenheimer Laetitia Brooks Mr. and Mrs. William Loeliger Mary Tooey Mr. and Mrs. Scott Rodgville Mary Helen Brosnahan Tom and Fran Lonegro H. Mebane and Ivana Turner Jared Smulison Susan W. Bryant James and Sherry Macdonald Mary Jo Tydlacka Shane Solomon-Gross Delia Burke and Alex Joseph N. Mariano Lorraine and Leon Ukens The Thompson Family, in Lehukey Sara Marie Massee, in The Velapoldi Family memory of Alva “Dolly” Jack Burkert memory of Tina Blevins Jim Volz and Evelyn Carol Griffith Susan R. Buswell Judy and David Mauriello Case Jenny Wright and Josh Michael and Elsa Cain Audrey Maynard Charles Emerson Walker, in Osborne Joseph and Meredith Dr. Fran McCabe honor of Michael and Max Callanan Dr. Kathleen McDonald Sullivan $250 - $499 Glenn and Sandy Campbell Joni McIntyre David Walters Anonymous (3) Sue and Drew Carlson Pat and Jackie McNamara S. Weise Anonymous, in loving Dave and Pat Chason Daniel and Patricia Medinger John and Marie Wells memory of Sylvia Gassel Clinton and Kathryn L. Pettus Arianna Miceli Karen Wessel Martin and Gina Adams Janet and Sean Coleman Alvin and Sue Miller Kem and Susan White The Babij Family Karin Colquitt and John Nancy Moores Suellen Wideman and Charlie and Kathy Beach Biagini Janet Moos Virginia Shimak Grace Boeringer, in memory Lee Conderacci Ken Moss and Patryce Toye Lisa Wilde and Philip Vilardo of Dr. James Boeringer David Cooke Jennifer and Thomas Munch Nancy and Kenneth Williams David Brown Donna and John Cookson Dr. Neal Naff Beverly Winter, in memory of Jean Waller Brune Edith M. Cord Janet and Douglas Neilson Jackson B. Winter Steve Buettner Andrew and Lory Cosner David Neubauer Mark and Carolyn Bob Burke and Helen The Courtesan Mr. and Mrs. William V. P. Zimmerman Blumberg Randall Cover Newlin Anne Marie Zwycewicz and Donna Lee Burke Kathleen and Darrin Cox Michael Nugent Dennis Pitta Bob and Jan Busch Frank and Grace Lynne O’Brien and Roger Dr. Martha J. Connolly Cunningham Mitchell IN-KIND SUPPORT Jerry and Carol Doctrow and The Curtis Family Charles F. and Margaret M. H. Baker Donelson the Doctrow Family Fund Roger and Brenda Cutter Obrecht Baltimore STYLE Anita and Richard Fenton Jim and Suzanne Davis Lee and Marilyn Ogburn Baltimore Sun Media Group Dean Ford and Mary Turos D. Martin Disney Marc Okrand Baltimore’s Child Ira Franckel David and Denise Ditman Bodil Bang Ottesen The Beacon Ron Heneghan Mary Alane Downs and Pamela Pasqualini Bin 604 Michelle Hollingsworth and Christopher P. Downs James Passarelli BRIO Tuscan Grille Diane Maloney-Krichmar Jillian Drummond Rebecca S. Pearlman Dr. Martha J. Connolly Anita Holloway Tim Dugan Frederick Pearson Cindy Hirschberg Barbara Keller Donald and Barbara Eisen Kathleen Petersen Maryland Public Television The Klipp-Lischner Family Howard and Beth Eisenson, Thomas B. Piccin Miles & Stockbridge P.C. Jenny and Jay Leopold in honor of Vince Eisenson Julie and Bruce Press Mary Jo Tydlacka Michael Lonegro and Amal Saade Mickey and Marian Raup Wegmans Sarah Scaptura Miller and David and Marian Entin Timothy and Julia Reda The Wine Bin Daniel Miller Karen and Dave Eske Paula and Charles Rees Paul and Jenny Oxborough John Ferreira John Reid and Lisa Orisich Mr. Samuel M. Peters and Dr. Bruce and Lisa Field Nicole Ripken and Family Suzanne Hurst June and Larry Fletcher-Hill Michael Robertson Jim Pietila Pamela Forton Sarah S. Robinson

THE WINTER'S TALE 21 STAFF OUR CREATIVE MEDIA TEAM Ian Gallanar, Founding Artistic Director Varsity Graphics, Todd M. Zimmerman, Lesley Malin, Managing Director Full Circuit Studio, Graphic Design Kyle Rudgers, Production Manager Molly Moores, Program Advertising Laura Malkus, Director of Development Elizabeth Berman, Finance and Development Manager ASSOCIATE ARTISTIC DIRECTORS Jean Thompson, Communications Director Lizzi Albert Daniel O’Brien, Technical Director and Facilities Manager Scott Alan Small Ron Heneghan, Director of Education Gerrad Alex Taylor Gerrad Alex Taylor, Director, The Studio RESIDENT ARTISTS Kristina Lambdin, Resident Costume Designer Isabelle Anderson, Distinguished Artist in Residence and Business Manager Kevin Costa, Educator in Residence Elizabeth Nelson, Audience Services Manager Nellie K. Glover, Resident Choreographer Nina Sharp, Box Offi ce Associate and Marketing Assistant RESIDENT TEACHING ARTISTS Michael Lonegro, Information Systems Manager Keegan Cassady Jeff Miller and Development Associate Alexandra Hewett Molly Moores Robby Rose, Production and Education Assistant Emily Karol Laura Rocklyn Russell Laury, Porter Bethany Mayo Gerrad Alex Taylor

RESIDENT ACTING COMPANY Lizzi Albert Ron Heneghan Lesley Malin Laura Rocklyn Gregory Burgess James Jager Elana Michelle Scott Alan Small Vince Eisenson Elliott Kashner Séamus Miller Michael P. Sullivan Jose Guzman Jeff Keogh Molly Moores Gerrad Alex Taylor

RESIDENT TECHNICAL AND DESIGN COMPANY ASSOCIATE MEMBERS Mindy Braden Katie McCreary Steve Beall Scott Graham Alexis E. Davis Daniel O’ Brien Michael Boynton Kathryn Elizabeth Kelly Lauren Engler Jess Rassp Keegan Cassady Katie Keddell Ruthie Griffi th Mollie Singer Tamieka Chavis Bethany Mayo Heather C. Jackson Chester Stacy Blythe Coons Frank B. Moorman Kristina Lambdin Haley Raines Young Jenny Crooks Christopher Niebling Michael Lonegro Karen Eske Kelsey Painter Valerie Fenton Robby Rose Kate Forton Erin Bone Steele Dave Gamble David Tabish Kate Michelson Graham Nathan Thomas

The Chesapeake Shakespeare Company creates performances and education programs out of great classic theatre. Classic plays can be awfully good, but only if they speak to their audience and the community in a way that is dynamic, personal, and pleasurable. We do plays that people like and we perform them in innovative and intimate ways that intensify the connection between audiences and artists. We do this because we want to know what makes Shakespeare so great — and we ask our audience and our community to explore that question alongside us. Chesapeake Shakespeare Company is a 501(c)(3) nonprofi t organization.

Chesapeake Shakespeare Company 7 South Calvert Street, Baltimore, MD 21202 Offi ce: 410-244-8571 Box Offi ce: 410-244-8570 www.ChesapeakeShakespeare.com

22 THE WINTER'S TALE