Fatigue Crack Detection on Unique Church Bells by Modal Analysis
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Utgaard on Klambauer, 'Österreichische Gedenkkultur Zu Widerstand Und Krieg: Denkmäler Und Gedächtnisorte in Wien 1945 Bis 1986'
Habsburg Utgaard on Klambauer, 'Österreichische Gedenkkultur zu Widerstand und Krieg: Denkmäler und Gedächtnisorte in Wien 1945 bis 1986' Review published on Thursday, January 20, 2011 Karl Klambauer. Österreichische Gedenkkultur zu Widerstand und Krieg: Denkmäler und Gedächtnisorte in Wien 1945 bis 1986. Der Nationalsozialismus und seine Folgen. Innsbruck: StudienVerlag, 2006. 333 pp. EUR 37.80 (paper), ISBN 978-3-7065-4076-6. Reviewed by Peter Utgaard (Cuyamaca College)Published on HABSBURG (January, 2011) Commissioned by Jonathan Kwan Remembrance in Vienna In the early 1980s, historian Robert Knight discovered the 1948 cabinet papers where the Austrian leaders discussed the question of restitution for Jewish victims of the Nazi regime in Austria. Knight’s revealing of the words of Interior Minister Oskar Helmer--“I am in favor of dragging this matter out”-- spelled out exactly how Austrian policy would function. After publication of Knight’s book (resisted by the government), Helmer’s phrase became part of Austria’s political lexicon.[1] Knight’s find was concrete evidence of a postwar political culture that was dominated by what historians would later call the victim myth, victim thesis, and other names. In postwar Austria, the political system and the government was characterized by Proporz, the power sharing and divvying of patronage spoils by the two main political parties, the Socialist Party of Austria (SPÖ) and the conservative Austrian People’s Party (ÖVP). The rebirth of an independent Austria, reversing the Nazi annexation of 1938, came courtesy of the Four Powers who had defeated Nazi Germany. The political leadership in Austria seized this opportunity and immediately adopted a doctrine that Austria and most Austrians were unequivocal victims of Nazi Germany. -
Church Bells. Part 1. Rev. Robert Eaton Batty
CHURCH BELLS BY THE REV. ROBERT EATON BATTY, M.A. The Church Bell — what a variety of associations does it kindle up — how closely is it connected with the most cherished interests of mankind! And not only have we ourselves an interest in it, but it must have been equally interesting to those who were before us, and will pro- bably be so to those who are yet to come. It is the Churchman's constant companion — at its call he first enters the Church, then goes to the Daily Liturgy, to his Con- firmation, and his first Communion. Is he married? — the Church bells have greeted him with a merry peal — has he passed to his rest? — the Church bells have tolled out their final note. From a very early period there must have been some contrivance, whereby the people might know when to assemble themselves together, but some centuries must have passed before bells were invented for a religious purpose. Trumpets preceded bells. The great Day of Atonement amongst the Jews was ushered in with the sound of the trumpet; and Holy Writ has stamped a solemn and lasting character upon this instrument, when it informs us that "The Trumpet shall sound and the dead shall be raised." The Prophet Hosea was com- manded to "blow the cornet in Gibeah and the trumpet in Ramah;" and Joel was ordered to "blow the trumpet in Zion, and sound an alarm." The cornet and trumpet seem to be identical, as in the Septuagint both places are expressed by σαλπισατε σαλπιγγι. -
Mending Bells and Closing Belfries with Faust
Proceedings of the 1st International Faust Conference (IFC-18), Mainz, Germany, July 17–18, 2018 MENDING BELLS AND CLOSING BELFRIES WITH FAUST John Granzow Tiffany Ng School of Music Theatre and Dance School of Music Theatre and Dance University of Michigan, USA University of Michigan, USA [email protected] [email protected] Chris Chafe Romain Michon Center for Computer Research in Music and Acoustics Center for Computer Research in Music and Acoustics Stanford University, USA Stanford University, USA [email protected] [email protected] ABSTRACT to just above the bead line. Figure 2 shows the profile we used with the relative thickness variations between the inner and outer Finite Element Analyses (FEA) was used to predict the reso- surface. nant modes of the Tsar Kolokol, a 200 ton fractured bell that sits outside the Kremlin in Moscow. Frequency and displacement data informed a physical model implemented in the Faust programming language (Functional Audio Stream). The authors hosted a con- cert for Tsar bell and Carillon with the generous support of Meyer Sound and a University of Michigan bicentennial grant. In the concert, the simulated Tsar bell was triggered by the keyboard and perceptually fused with the bourdon of the Baird Carillon on the University of Michigan campus in Ann Arbor. 1. INTRODUCTION In 1735 Empress Anna Ivanovna commissioned the giant Tsar Kolokol bell. The bell was cast in an excavated pit then raised into scaffolding for the cooling and engraving process. When the supporting wooden structure caught fire, the bell was doused with water causing the metal to crack. -
A Proposed Campanile for Kansas State College
A PROPOSED CAMPANILE FOR KANSAS STATE COLLEGE by NILES FRANKLIN 1.1ESCH B. S., Kansas State College of Agriculture and Applied Science, 1932 A THESIS submitted in partial fulfillment of the requirements for the degree of MASTER OF SCIENCE KANSAS STATE COLLEGE OF AGRICULTURE AND APPLIED SCIENCE 1932 LV e.(2 1932 Rif7 ii. TABLE OF CONTENTS Page INTRODUCTION 1 THE EARLY HISTORY OF BELLS 3 BELL FOUNDING 4 BELL TUNING 7 THE EARLY HISTORY OF CAMPANILES 16 METHODS OF PLAYING THE CARILLON 19 THE PROPOSED CAMPANILE 25 The Site 25 Designing the Campanile 27 The Proposed Campanile as Submitted By the Author 37 A Model of the Proposed Campanile 44 SUMMARY '47 ACKNOWLEDGMENTS 54 LITERATURE CITED 54 1. INTRODUCTION The purpose of this thesis is to review and formulate the history and information concerning bells and campaniles which will aid in the designing of a campanile suitable for Kansas State College. It is hoped that the showing of a design for such a structure with the accompanying model will further stimulate the interest of both students, faculty members, and others in the ultimate completion of such a project. The design for such a tower began about two years ago when the senior Architectural Design Class, of which I was a member, was given a problem of designing a campanile for the campus. The problem was of great interest to me and became more so when I learned that the problem had been given to the class with the thought in mind that some day a campanile would be built. -
CCS 2016 Venue Guide
ACM CCS 2016 - Venue Guide Contents Venue Overview ............................................................................................................................................ 2 Directions (to CCS 2016 Conference Venue) ................................................................................................ 3 Conference Venue................................................................................................................................................ 3 How to get to the Conference Venue ................................................................................................................... 4 Directions (airport – city center) ................................................................................................................. 8 Vienna Sightseeing Map .................................................................................................................................... 13 Welcome to Vienna! .......................................................................................................................................... 14 About Vienna ..................................................................................................................................................... 16 The Culinary Side of Vienna .............................................................................................................................. 18 Tips from a Local .............................................................................................................................................. -
Visitor Attractions
Visitor Attractions As a former imperial city, Vienna has a vast cultural imperial apartments and over two dozen collections heritage spanning medieval times to the present day. – the legacy of the collecting passion of the Habsburg Top attractions include the Gothic St. Stephen’s Cathe- dynasty. Viennese art nouveau (Jugendstil) has also dral, baroque imperial palaces and mansions and brought forth unique places of interest such as the Se- the magnificent Ring Boulevard with the State Opera, cession with its gilded leaf cupola. Contemporary archi- Burgtheater (National Theater), Votive Church, City Hall, tecture is to be found in the shape of the Haas-Haus, Parliament and the Museums of Fine Arts and Natural whose glass front reflects St. Stephen’s Cathedral, and History. The former imperial residences Hofburg and the Gasometers, former gas storage facilities which Schönbrunn also offer the opportunity to follow in have been converted into a residential and commercial imperial footsteps. Schönbrunn zoo and park shine complex. This mix of old and new, tradition and moder- in baroque splendor, while Hofburg Palace boasts nity, is what gives Vienna its extra special flair. © WienTourismus/Karl Thomas Thomas WienTourismus/Karl © Osmark WienTourismus/Robert © Osmark WienTourismus/Robert © Anker Clock TIP This gilded masterpiece of art nouveau was created in 1911 by the Danube Tower painter and sculptor Franz von Matsch. Every day at noon, twelve An unforgettable panorama of Vienna’s Danube scenery, the old historical Viennese figures parade across the clock to musical ac- city and the Vienna Woods is afforded at 170m in the Danube Tow- companiment. Christmas carols can be heard at 17:00 and 18:00 er. -
Pietas Austriaca? the Imperial Legacy in Interwar and Postwar Austria
religions Article Pietas Austriaca? The Imperial Legacy in Interwar and Postwar Austria Dieter A. Binder ID Chair of Cultural Studies, Andrássy University, Pollack Mihály tér 3, 1088 Budapest, Hungary; [email protected] Received: 7 July 2017; Accepted: 21 August 2017; Published: 29 August 2017 Abstract: This paper aims to outline the specific Habsburg character of Austrian Catholicism through a study of Pietas Austriaca, the supposed Habsburg tradition of Catholic piety, and its role in the First and Second Austrian Republics. It analyzes the narrative of Austrian history presented by the Heldendenkmal, or Heroes’ Monument, which was erected in Vienna in 1934. Further, it argues that Pietas Austriaca was linked in the postwar period to a notion of Heimat (Home, Homeland) and served the needs of Austrian political Catholicism, which was seeking to recruit former National Socialists. Keywords: Habsburg; Austria; empire; Catholicism; Pietas Austriaca; Christian Social Party; Austrian People’s Party; Heimat; Heldendenkmal Political Catholicism utilised its commitment to the concept of Pietas Austriaca to define its political position towards both Social Democratic Austro-Marxism and National Socialism. After 1945, the Roman Catholic Church served as a vehicle for the denazification of former National Socialists. By creating the “Heimat”, it endeavoured to establish a common front against Social Democracy in order to implement a masked bourgeois bloc. Ultimately, this would to some extent explain the rise of the Austrian Freedom Party from 1986 on. “The Pietas Austriaca, i.e., Austrian piety—referring here to Austria as Casa d’Austria, i.e., the House of Austria, and not as a geopolitical entity—was propagated in the Baroque era as the most fundamental virtue of the Habsburg dynasty. -
Survival Guide WORDS of WELCOMING
LIFELONG LEARNING CULTURE A PARTNERSHIP FOR RETHINKING EDUCATION Vienna, 5-6 July 2018 Survival Guide WORDS OF WELCOMING “I am delighted to welcome members, partners and stakeholders from different levels to this cornerstone event in the field of lifelong learning and education. The current European agenda commands us to tackle these topics as broadly as possible, and a civil society input is mostly needed. Hence, the Lifelong Learning Platform dedicates the 2018 Annual Conference to the ties between education and culture. Those two worlds are often close to each other, and yet there are little structures in place to build a true partnership. Within these few days, we would like to address the real question behind this phenomenon: how to create lifelong learning societies through synergies between education and culture? We will be drawing from our experience, building on our members’ expertise, pooling resources and fighting for what we stand for: to build more inclusive societies based on education.” David López President of the Lifelong Learning Platform rue de l’Industrie, 10 - 1000 Bruxelles tel: +32 (0)2 893 25 15 e-mail: [email protected] DOWNTOWN VIENNA AND ITS SURROUNDINGS Greater Vienna Inner city VENUES Star Inn Premium Hotel Wien Hauptbahnhof Gerhard-Bronner-Straße 5, 1100 Wien, Austria Technische Universität Wien Karlsplatz 13, 1040 Wien, Austria Rathauskeller Rathauspl. 1, 1010 Wien, Austria Das Columbus Columbuspl. 6, 1100 Wien, Austria Did you know? Viktor Kaplan (1876-1934), famous Austrian engineer, studied civil engineering with a specialisation in diesel engines at the Technical University of Wien from 1895 to 1900. Twelve years later he created the first Kaplan turbine, a hydraulic turbine which is now worldwide used. -
Traditional and Non-Traditional Religiosity
TRADITIONAL AND NON-TRADITIONAL RELIGIOSITY PUBLISHED BY Institute of Social Sciences, Belgrade 2019 Yugoslav Society for the Scientific Study of Religion (YSSSR), Niš. PUBLISHER Goran Bašić, Ph.D. Dragan Todorović, Ph.D. REVIEWERS Nonka Bogomilova, Ph.D., Bulgarian Academy of Sciences, Sofia Prof. Pavel Sergeevich Kanevskiy, Faculty of Sociology, Lomonosov Moscow State University Prof. Zorica Kuburić, Faculty of Philosophy, University of Novi Sad SERIES Edited Volumes SERIES EDITOR Natalija Mićunović, Ph.D. Prepared as part of the project “Social Transformations in the European Integration Process: A Multidisciplinary Approach“ supported by the Ministry of Education, Science and Technological Development of the Republic of Serbia (III 47010) ISBN 978-86-7093-227-2 ISBN 978-86-86957-21-4 edited volumes edited TRADITIONAL AND NON-TRADITIONAL RELIGIOSITY (A Thematic Collection of Papers of International Significance) EDITED BY Mirko Blagojević, Ph.D. Dragan Todorović, Ph.D. Institute of Social Sciences and YSSSR | Belgrade and Niš 2019 Contents 6 156 Mirko Blagojević Kjell Magnusson Introduction: Religious Change – Religion and Nationalism in Bosnia, Traditional and Non-traditional Religiosity Croatia and Serbia – A Structural Equation Model 12 Dragoljub B. Đorđević 184 New Religious Movements: Typical Nada Novaković, Marijana Maksimović Characteristics of a Cult Social Development, Traditional Religion Movements and Migrants in Europe 26 Mijo Nikić, Marina Jurčić 206 The Challenge of New Religiosity Nataša Jovanović Ajzenhamer Max Weber on Russia and Orthodoxy: An 54 Analysis of the Collectivist Ethical Basis of Dragan Todorović Eastern Christianity Pentecostalism in Southeastern Serbia 226 76 Ольга Смолина Yuri Stoyanov Культурологические проблемы 5 Contemporary Alavi and Bektashi религиозной жизни украинских земель Religiosity in Turkey and Balkans- В Х – XVII ВВ. -
The Laguardia Bell Tower Carillon
The LaGuardia Bell Tower Carillon By Frank Angel Although the LaGuardia Tower has housed a carillon from the very first days it opened its doors, details about the original carillon are sketchy at best. About the only thing we know is that is was a manual operation with the bells struck by hand. A carillonneur had to go up to the tower and manually strike the bells. There is no record of who manufactured it or any details of the original design or how many bells were used. Only a cork-covered "sounding" room which housed the system and a few rusted tubular bells are all that remain of that first instrument which indicate that it may only have been able to play the simple Westminster, four note melody. How it was played, how often or by whom, remains a mystery. The first automated carillon capable of playing a double octave of notes and full melodies on campus was installed circa 1959 in the LaGuardia Tower by the Schulmerich Carillon Company of Pennsylvania. It consisted of eight tuned sounding rods which struck the familiar Westminster melody sequence on the quarter hours as well as striking the hour. The entire clockworks were driven by electro-mechanical components -- a mass of metal rods, pins, relays and motors. Except for the occasional mechanical failure, it was used on a daily basis for nearly twenty years. In 1986, the 17-year- old Schulmerich instrument broke down beyond repair. The carillon and the LaGuardia Tower with its blue-lighted belfry and amber turret lights had long become a cherished fixture of campus life, while the LaGuardia Tower and gold Dome had become the very symbol of Brooklyn College. -
HOFBURG Silvesterball 2019 2Nd Press Information
BALL INFORMATION October 2019 2019 HOFBURG Silvesterball – Time to Celebrate A panoply of artistic expression, enjoyment and dancing The first ever New Year’s Ball at the Hofburg took place on 31 December 1969. 50 years later we will be staging a one-of-a-kind anniversary celebration. And we certainly know how it’s done: inspired by the theme of Time to Celebrate, the jubilee event will get this year’s Viennese ball season off to a dazzling start. First-class entertainment and a sumptuous gala dinner set the scene for the epitome of Viennese ball culture in the unique state rooms of Vienna’s imperial Hofburg palace. This year’s experience features no end of inspired ideas from the organisation committee led by the ball’s artistic directors, Christof Cremer and Herbert Fischerauer. Guests will experience a blend of history, the present day and the future in the Hofburg state rooms. 50 years young and still going strong The beautiful floral decorations, the popular Silvesterball fanfare and the formal ceremony performed by the dancers from the Vienna State Ballet, never fail to work their magic on guests at the official opening of the magnificent Grand staircase. “It gives me great pleasure to get the world-famous Viennese ball season off to a swinging start at the Hofburg with its beautiful state rooms,” said Managing Director Alexandra Kaszay. For the opening of the state rooms, the debutantes from the Elmayer dance school make their entrance to the Festsaal and Zeremoniensaal decked out in dazzling headwear from Mühlbauer. “I am especially looking forward to the world premiere of Happy Birthday HOFBURG Silvesterball by the internationally-acclaimed composer Pavel Singer. -
Carillons and Carillon Music
9. CARILLONS AND CARILLON MUSIC Acc. Author Title Date Publisher and other details No. 873 Anon Loughborough War Memorial Tower and Carillon. Official Handbook (1977) Charnwood Borough Council 28pp, illustrated 1373 Anon Carillon , Peace Tower, Houses of Parliament, Ottawa, Canada Summer 1980 52pp, illustrated Contains information on the carillon and list of carillons in programmes 1980 Canada and U.S.A. Bilingual English/French version 1183 Anon The Hour Sings. Netherlands Centennial Carillon Tower, Victoria, B C 1979 3pp illustrated article in 'Beautiful British Columbia'. Pages 44-46 3910 Anon Article from 'Newnes Practical Mechanics' 1937 2pp, illustrated Covers casting and tuning bells, claviers and keyboard 3089 Ball, Clifford E The Bournville Carillon (post Buckler and Webb, Ltd (Printers) 12pp Signed by the author 1950) 3109 Bell, D S Changes on Eight Bells As rung on Festive Occasions upon Steeple Bells (1857) D Scholefield, Huddersfield 4pp Photo copy of original sheet music Arranged for the Piano Forte 2301 Bigelow, Arthur Lynds Carillon. An account of the class of 1892 Bells at Princeton with notes on 1948 Princeton University Press, Princeton, New Jersey xiv + 91pp, illustrated bells and carillons in general 2090 Boogert, Loek; Lehr, André 45 years of Dutch Carillons 1945-1990 1992 Netherlands Carillon Society 225pp, illustrated ISBN 90-900-3450-1 and Maassen, Jacques 3090 Bournville Carillon The Bournville Carillon 1973 Brandwood, Printers 12pp, illustrated 2615 Bournville Carillon Bournville Carillon n.d. PPS 22pp, illustrated 2768 Bournville Carillon Recitals and Events 2002 2002? 28pp 3534 Bournville Carillon Bournville Millennium Festival incorporating VI Eurocarillon Festival 2000 28pp, illustrated 3523 Bray, Maurice I Bells of Memory A history of Loughborough Carillon 1981 BRD (Publishing) Ltd 112pp ISBN 0 907687 00 8 1962 British Carillon Society Carillons of the British Isles (1990) The Society 6pp Information sheet giving principal details of the Carillons 2493 British Carillon Society Clifford Ball Centenary.