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University of Southampton Research Repository Eprints Soton
University of Southampton Research Repository ePrints Soton Copyright © and Moral Rights for this thesis are retained by the author and/or other copyright owners. A copy can be downloaded for personal non-commercial research or study, without prior permission or charge. This thesis cannot be reproduced or quoted extensively from without first obtaining permission in writing from the copyright holder/s. The content must not be changed in any way or sold commercially in any format or medium without the formal permission of the copyright holders. When referring to this work, full bibliographic details including the author, title, awarding institution and date of the thesis must be given e.g. AUTHOR (year of submission) "Full thesis title", University of Southampton, name of the University School or Department, PhD Thesis, pagination http://eprints.soton.ac.uk UNIVERSITY OF SOUTHAMPTON School of Humanities: Music Making the weather in contemporary jazz: an appreciation of the musical art of Josef Zawinul by Alan Cooper Thesis for the degree of Doctor of Philosophy October 2012 i UNIVERSITY OF SOUTHAMPTON ABSTRACT Making the weather in contemporary jazz: an appreciation of the musical art of Josef Zawinul by Alan Cooper Josef Zawinul (1932-2007) holds a rare place in the world of jazz in view of the fact that as a European he forged a long and distinguished musical career in America. Indeed, from a position of relative obscurity when he arrived in New York in 1959, he went on to become one of contemporary jazz’s most prolific and commercially successful composers. The main focus of this dissertation will be Zawinul’s rise to prominence in American jazz during the 1960s and 1970s. -
Guide to the Bill Holman Collection
Guide to the Bill Holman Collection NMAH.AC.0733 Scott Schwartz, Ann Kuebler, and Pam Kirby 2001 Archives Center, National Museum of American History P.O. Box 37012 Suite 1100, MRC 601 Washington, D.C. 20013-7012 [email protected] http://americanhistory.si.edu/archives Table of Contents Collection Overview ........................................................................................................ 1 Administrative Information .............................................................................................. 1 Arrangement..................................................................................................................... 3 Scope and Contents........................................................................................................ 3 Biographical / Historical.................................................................................................... 1 Names and Subjects ...................................................................................................... 3 Container Listing ............................................................................................................. 4 Series 1: Music Manuscripts, 1952 - 1999.............................................................. 4 Series 2: Photographs and Business Records, 1975-1997.................................... 28 Bill Holman Collection NMAH.AC.0733 Collection Overview Repository: Archives Center, National Museum of American History Title: Bill Holman Collection Identifier: NMAH.AC.0733 Date: -
A Journal for Contemporary Music (1971-1988)
Contact: A Journal for Contemporary Music (1971-1988) http://contactjournal.gold.ac.uk Citation Reynolds, Lyndon. 1975. ‘Miles et Alia’. Contact, 11. pp. 23-26. ISSN 0308-5066. ! [I] LYNDON REYNOLDS Ill Miles et Alia The list of musicians who have played with Miles Davis since 1966 contains a remarkable number of big names, including Wayne Shorter, Herbie Hancock, Tony Williams, Chick Corea, Joe Zawinul, Jack de Johnette, Dave Hol l and, John McLaughlin and Miroslav Vitous. All of these have worked success fully without Miles, and most have made a name for themselves whilst or since working with him. Who can say whether this is due to the limelight given them by playing alongside , Miles, the musical rewards of working with him, or Miles's talent-spotting abili- ties? Presumably the truth is a mixture of all these. What does Miles's music owe to the creative personalities of the musicians working with him? This question is unanswerable in practice, for one cannot quan- tify individual responsibility for a group product - assuming that is what Miles's music is. It is obvious that he has chosen very creative musicians with which to work, and yet there has often been an absence of conspicuous, individual, free solo playing in his music since about 1967. It would appear that Miles can absorb musical influences without losing his balance. What we find then, is a nexus of interacting musicians, centring on Miles; that is, musicians who not only play together in various other combinations, but influence each other as well. Even if the web could be disentangled (I know not how, save with a God's-eye-view), a systematic review of all the music that lies within it would be a task both vast and boring. -
FOLLOWING the HERD REPERTOIRE TABLE 2017-V3
TITLE COMPOSER/ STYLE ALBUM/ERA INSTRUMENT ARRANGER FEATURE/SOLO ADAM’S BROADBENT MEDIUM BRAND NEW 1971 CLARINET/FLUGEL APPLE SWING TROMBONE AFTER PARISH/PIERCE SLOW BRAND NEW 1971 PIANO HOURS GROOVE AFTER CREAMER/LAYTON/ HOLMAN UP TEMPO WOODY HERMAN 1964 CLARINET/TRUMPET YOU’VE TENOR SAX GONE AJA BECKER/FAGAN / BROADBENT STRAIGHT CHICK,DONALD,WALTER TENOR SAX 8th WOODROW 1978 A KISS HEMAN/SLACK/VICTOR EASY NUMEROUS ALBUMS TRUMPET/CLARINET GOODNIGHT VOCAL SINCE 1945 ALONE AGAIN O’SULLIVAN/ BROADBENT STRAIGHT THE RAVEN SPEAKS TROMBONE/ALTO SAX (NATURALLY) 8th 1974 TENOR SAX AMERICA ZAPPA/BROADBENT FAST THUNDERING HERD FLUGEL/PIANO DRINKS AND GOES HOME SWING 1974 APPLE WOODY HERMAN UP TEMPO NUMEROUS ALBUMS VIBES/’BONE /TENOR SAX/ HONEY SINCE 1944 TRUMPET APRIL DeSYLVA/SILVERS/BURNS EASY JAZZ SWINGER ALBUM FLUGEL HORN SHOWERS VOCAL 1966 AQUARIUS RADA/RAGNI STRAIGHT HEAVY EXPOSURE 1969 SOPRANO SAX EVANS 8th A SONG FOR RUSSELL/STAPLETON STRAIGHT GIANT STEPS PIANO/SOPRANO SAX YOU 8th 1973 FLUGEL AURORA ROLAND BALLAD VARIOUS ALBUMS ALTO/TENOR AUTOBAHN BURNS/HERMAN MEDIUM VARIOUS ALBUMS TENOR/BARITONE BLUES SWING SINCE 1954 TRUMPET BAMBA BYRD/FELLER MEDIUM WOODY HERMAN Vol. 3 GUITAR LATIN/SWING SAMBA BASS FOLK CLARKE/KLATKA FAST 4 THUNDERING HERDS BASS/PIANO/PICCOLO (ROCK-FUNK) SONG 1974 BATTLE ELLINGTON/FEDCHOCK UP-TEMPO GOLD STAR SAXES ROYAL SWING 1987 BEBOP AND BROADBENT FAST GIANT STEPS 1973 TRUMPET/’BONE/TENOR ROSES SWING SAX BEDROOM GEE/PIERCE EASY LIVE AT HARRAH’S CLUB PIANO/TROMBONE EYES SWING 1964 TRUMPET BETTER GET MINGUS/ HAMMER FAST -
M-Pact to Bring Its Signature Vocal-Only Pop-Jazz Sound to Doudna.Pdf" (2011)
Eastern Illinois University The Keep 2011 Press Releases 1-21-2011 01/21/2011 - M-Pact To Bring Its Signature Vocal- Only Pop-Jazz Sound To Doudna.pdf University Marketing and Communications Follow this and additional works at: http://thekeep.eiu.edu/press_releases_2011 Recommended Citation University Marketing and Communications, "01/21/2011 - M-Pact To Bring Its Signature Vocal-Only Pop-Jazz Sound To Doudna.pdf" (2011). 2011. 7. http://thekeep.eiu.edu/press_releases_2011/7 This Article is brought to you for free and open access by the Press Releases at The Keep. It has been accepted for inclusion in 2011 by an authorized administrator of The Keep. For more information, please contact [email protected]. M-pact to Bring its Signature Vocal-Only Pop-Jazz Sound to Doudna Jan-21-2011 M-pact, which uses only human voices to create its trailblazing signature pop-jazz sound, will perform at Eastern Illinois University's Doudna Fine Arts Center on Tuesday, Feb. 1. The Los Angeles-based sextet has been hailed as "one of the best pop- jazz vocal groups in the world" by the San Francisco Chronicle, and their performance has been described as "a vocal wall of sound" by National Public Radio. The group describes its sound as a combination of "the smooth soul of Stevie Wonder; the percussive power of Stomp; the funk and drive of Earth, Wind, & Fire; the hip licks of Take 6; and the brass bite of the Harry Connick Jr. Big Band." Touring renowned fine arts halls and jazz festivals across four continents, m-pact has performed with many pop superstars, including Sheryl Crow, Boyz II Men, Kenny G, Liza Minnelli, Babyface, Rick Springfield and Jackson Browne. -
Instead Draws Upon a Much More Generic Sort of Free-Jazz Tenor
1 Funding for the Smithsonian Jazz Oral History Program NEA Jazz Master interview was provided by the National Endowment for the Arts. BILL HOLMAN NEA Jazz Master (2010) Interviewee: Bill Holman (May 21, 1927 - ) Interviewer: Anthony Brown with recording engineer Ken Kimery Date: February 18-19, 2010 Repository: Archives Center, National Museum of American History, Smithsonian Institution Description: Transcript, 84 pp. Brown: Today is Thursday, February 18th, 2010, and this is the Smithsonian Institution National Endowment for the Arts Jazz Masters Oral History Program interview with Bill Holman in his house in Los Angeles, California. Good afternoon, Bill, accompanied by his wife, Nancy. This interview is conducted by Anthony Brown with Ken Kimery. Bill, if we could start with you stating your full name, your birth date, and where you were born. Holman: My full name is Willis Leonard Holman. I was born in Olive, California, May 21st, 1927. Brown: Where exactly is Olive, California? Holman: Strange you should ask [laughs]. Now it‟s a part of Orange, California. You may not know where Orange is either. Orange is near Santa Ana, which is the county seat of Orange County, California. I don‟t know if Olive was a part of Orange at the time, or whether Orange has just grown up around it, or what. But it‟s located in the city of Orange, although I think it‟s a separate municipality. Anyway, it was a really small town. I always say there was a couple of orange-packing houses and a railroad spur. Probably more than that, but not a whole lot. -
Program of the 2015-16 Season ______Jazz Studies Department
JAZZCELEBRATION INAUGURAL IU JAZZ ALUMNI HALL OF FAME Featuring IU Jazz Faculty & Student Big Band, & Plummer Jazz Sextet Saturday, April 23 | 8pm | Musical Arts Center Sponsored by JACOBS SCHOOL OF MUSIC Indiana University Bloomington A Message from Tonight’s Sponsor Old National Wealth Management Old National Wealth Management (ONWM) is jazzed to sponsor the inaugural IU Jazz Alumni Hall of Fame and to support the Indiana University Jacobs School of Music. At Old National Wealth Management, we are proud to be a part of this annual presentation of timeless music and feature world- renowned musicians. Thank you for joining us this evening, and we hope you have a wonderful time. About Old National Wealth Management At Old National Wealth Management, we manage money for people with more important things to manage. Families, corporations, and foundations experience local, personal service from a dedicated team of seasoned professionals. Our team structure offers the unique advantage of long-term continuity of service. ONWM is a trusted financial partner, assisting with investment management, financial planning, retirement planning, and trust services. Old National Wealth Management is a Top 100 Fiduciary in the U.S. and part of the Old National Bancorp family of companies . the largest financial services company headquartered in the state of Indiana. _______________________ Supporting Jazz Studies at the IU Jacobs School of Music The Indiana University Jacobs School of Music gratefully acknowledges persons and institutions who support our students and faculty through the following endowments, scholarships, estate plans, and other funds. Endowed Funds Jamey and Sara Aebersold Jazz Fellowship David N. Baker Jr. -
Web.Roster.Pdf
2022-2023 Touring Roster Our 47th Year! Artrageous Artrageous, multi-talented live performance artists, world class singers & recording artists, highly trained dancers, audience motivators & veteran musicians hailing from the high desert of New Mexico. Their high energy performance is a combination of all arts on one stage combined with humor and interaction in a frenzy of movement and color. Artrageous’ passion for all things art and community brings their message of the arts being an integral and valuable part of human existence to the stage. Audiences of all ages sing, dance & clap along. Artrageous performs for theatre goers and celebrities alike. Their artworks are in private and public galleries around the world. “Go See This Show” – CBS TV, “Artrageous makes a HUGE impact” – Cobb Energy Center, “transform your community, bring Artrageous! It was magical!” – Farmington Civic Center, “this is the complete package! book the show and have a great time!” – Jay Wildstein PAC Peacherine Ragtime Society Orchestra A crowd favorite while performing at venues from The Kennedy Center, The Library of Congress, The American Film Institute, historic theaters, major performing arts centers, universities and more across the USA…PRSO is also a favorite on radio stations everywhere! Their programs highlight the music of the late 1800s and early 1900s, with selections by composers such as Irving Berlin, George Gershwin, W.C. Handy, Victor Herbert, George M. Cohan, and of course, the King of Ragtime, Scott Joplin. “Peacherine is the premiere American Ragtime Ensemble” –Washington Post “We need more!” –Baltimore Sun The Stage & Screen Spectacular This show sets PRSO apart from any other show you have ever presented. -
Stan Magazynu Caĺ†Oĺıäƒ Lp Cd Sacd Akcesoria.Xls
CENA WYKONAWCA/TYTUŁ BRUTTO NOŚNIK DOSTAWCA ALLMAN BROTHERS BAND - AT FILLMORE EAST 159,99 SACD BERTUS ALLMAN BROTHERS BAND - AT FILLMORE EAST (NUMBERED 149,99 SACD MOBILE FIDELITY ALLMAN BROTHERS BAND - BROTHERS AND SISTERS (NUMBE 149,99 SACD MOBILE FIDELITY ALLMAN BROTHERS BAND - EAT A PEACH (NUMBERED LIMIT 149,99 SACD MOBILE FIDELITY ALLMAN BROTHERS BAND - IDLEWILD SOUTH (GOLD CD) 129,99 CD GOLD MOBILE FIDELITY ALLMAN BROTHERS BAND - THE ALLMAN BROTHERS BAND (N 149,99 SACD MOBILE FIDELITY ASIA - ASIA 179,99 SACD BERTUS BAND - STAGE FRIGHT (HYBRID SACD) 89,99 SACD MOBILE FIDELITY BAND, THE - MUSIC FROM BIG PINK (NUMBERED LIMITED 89,99 SACD MOBILE FIDELITY BAND, THE - THE LAST WALTZ (NUMBERED LIMITED EDITI 179,99 2 SACD MOBILE FIDELITY BASIE, COUNT - LIVE AT THE SANDS: BEFORE FRANK (N 149,99 SACD MOBILE FIDELITY BIBB, ERIC - BLUES, BALLADS & WORK SONGS 89,99 SACD OPUS 3 BIBB, ERIC - JUST LIKE LOVE 89,99 SACD OPUS 3 BIBB, ERIC - RAINBOW PEOPLE 89,99 SACD OPUS 3 BIBB, ERIC & NEEDED TIME - GOOD STUFF 89,99 SACD OPUS 3 BIBB, ERIC & NEEDED TIME - SPIRIT & THE BLUES 89,99 SACD OPUS 3 BLIND FAITH - BLIND FAITH 159,99 SACD BERTUS BOTTLENECK, JOHN - ALL AROUND MAN 89,99 SACD OPUS 3 CAMEL - RAIN DANCES 139,99 SHMCD BERTUS CAMEL - SNOW GOOSE 99,99 SHMCD BERTUS CARAVAN - IN THE LAND OF GREY AND PINK 159,99 SACD BERTUS CARS - HEARTBEAT CITY (NUMBERED LIMITED EDITION HY 149,99 SACD MOBILE FIDELITY CHARLES, RAY - THE GENIUS AFTER HOURS (NUMBERED LI 99,99 SACD MOBILE FIDELITY CHARLES, RAY - THE GENIUS OF RAY CHARLES (NUMBERED 129,99 SACD MOBILE FIDELITY -
Created in Early 1994 When Polish Violinist
Created in early 1994 when Polish violinist Michal Urbaniak In the meantime Lenny has recorded and released his follow brought his jazz and rap concept “Urbanator” to the New York up album “Renderers Of Spirit” as have Urbanator. Tom offices of Silva Screen Records. Michal had been discouraged Browne has recorded for Hip Bop Essence and the rap with by the established jazz labels inability to cope with the rap live musicians approach has been extended on “Hip Strut” content. Likewise the rap people who, despite the genres by Bop City with Brand Nubian Lord Jamar guesting. In the free use of jazz samples, couldn’t fully comprehend the jazz. latter part of 1998 Lenny White went into the studio with The album that resulted was simply called “Urbanator” and Bennie Maupin, Victor Bailey, Patrice Rushen and Foley to proved that jazz and rap could blend seamlessly without record a “group” album. This band had toured with Lenny recourse to samples or loops. and Patrice had accompanied him for dates at the Blue Note Club in Tokyo. The album also featured a special guest Guesting on the album was Tom Browne who, despite being appearance by Dianne Reeves on “It Was A Very Good Year”. semi retired from the music industry, sounded as sharp and enthusiastic as he had during his ascendant years at G.R.P. In 1999 new signing Dave McMurray released his debut Tom was signed to the label and provided the second release album for the label. The album called “Peace Of Mind” (HIBD “Mo’ Jamaica Funk”. -
October 12, 2015 Jazz Album Chart
Jazz Album Chart October 12, 2015 TW LW 2W Peak Artist Title Label TW LW Move Weeks Reports Adds Christian McBride Trio 1 1 3 1 Live At The Village Vanguard Mack Avenue 279 255 24 6 59 1 2 weeks at No. 1 / Most Reports Eric Alexander 2 2 1 1 The Real Thing HighNote 261 248 13 6 59 6 Most Reports Dee Dee Bridgewater, Irvin Mayfield and The 3 4 5 1 New Orleans Jazz Orch Dee Dee’s Feathers OKeh 233 223 10 9 51 1 4 5 4 3 Mike LeDonne AwwlRight! Savant 231 216 15 9 52 1 5 7 13 5 Gerry Gibbs and the Thrasher Dream Trio Live In Studio Whaling City Sounds 230 197 33 4 53 3 Erroll Garner Sony Legacy / Octave Music 6 24 51 6 The Complete Concert By The Sea 227 144 83 2 38 9 Biggest Gainer Pub. 7 11 12 7 Orrin Evans The Evolution Of Oneself Smoke Sessions 225 173 52 4 57 7 8 3 2 1 Cécile McLorin Salvant For One To Love Mack Avenue 217 231 -14 10 52 1 9 16 52 9 John Scofield Past Present Impulse! / Universal 215 163 52 2 48 10 Jazz at Lincoln Center Orchestra with 9 9 9 9 Wynton Marsalis Live In Cuba Blue Engine 215 190 25 6 47 1 11 6 6 1 Heads Of State Search For Peace Smoke Sessions 193 207 -14 12 44 0 12 10 7 1 George Cables In Good Company HighNote 191 175 16 12 44 1 13 32 45 13 Karrin Allyson Many A New Day Motema 187 131 56 3 45 6 14 19 19 6 Nick Finzer The Chase Origin 183 156 27 11 28 1 15 15 11 11 Kait Dunton trioKait Real & Imagined Music 182 164 18 9 38 1 16 20 16 16 Joe Magnarelli Three On Two Posi-Tone 177 152 25 6 42 1 Arturo O’Farrill and The Afro Latin Jazz 17 13 10 10 Orchestra Cuba - The Conversation Continues Motema 172 166 6 7 -
David Liebman Papers and Sound Recordings BCA-041 Finding Aid Prepared by Amanda Axel
David Liebman papers and sound recordings BCA-041 Finding aid prepared by Amanda Axel This finding aid was produced using the Archivists' Toolkit November 30, 2018 Describing Archives: A Content Standard Berklee Archives Berklee College of Music 1140 Boylston St Boston, MA, 02215 617-747-8001 David Liebman papers and sound recordings BCA-041 Table of Contents Summary Information ................................................................................................................................. 3 Biographical/Historical note.......................................................................................................................... 4 Scope and Contents note............................................................................................................................... 4 Arrangement note...........................................................................................................................................4 Administrative Information .........................................................................................................................5 Controlled Access Headings..........................................................................................................................6 Collection Inventory...................................................................................................................................... 7 Scores and Charts...................................................................................................................................