Jewish Heritage in Portugal April 20Th- April 28Th 2017 Starting at $2,449, Per Person Including Approximately $150 Taxes…
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Transformations to Lisbon's Terreiro Do Paço
URBAN TRANSFORMATION: CONTROVERSIES, CONTRASTS and CHALLENGES TRANSFORMATIONS TO LISBON’S TERREIRO DO PAÇO DIANE BRAND Address: School of Architecture Victoria University of Wellington NEW ZEALAND Email: [email protected] ABSTRACT After a devastating earthquake, tsunami and fire in 1755, Lisbon’s Terreiro do Paço, or Palace Square, was transformed by the Marquis of Pombal into a state of the art 18th century urban space called Praça do Comércio This paper looks at the configuration and use of this space from the 16th to the 18th century, tracing customary, ceremonial and institutional events, with particular reference to the role of ephemeral architecture in reconfiguring the space’s relationship to either river or land. An analysis of the paintings in Lisbon’s Arquivo Histórico Ultramarino (Navy Archives), Museu da Cidade de Lisboa (City Museum of Lisbon) and the Muesu Nacional dos Coches (National Coach Museum) shows the square transitioned over two centuries from a space fully engaging the Tagus to a condition that captured the space and engaged it with the reconstructed city quarter behin. INTRODUCTION The paper aims to show how, over several centuries, the Terreiro do Paço has transitioned from a space where customary uses have fully engaged the River, to a condition where the space has been reclaimed by the city beyond. This transition had as much to do with various institutional presences as it did with the ephemeral structures which graced the space during state occasions and sought to re-orient the square towards either city or sea. A range of ceremonial and institutional occasions will be examined, including royal and religious processions, autos da fé and commercial exchange. -
Barcelona and the Paradox of the Baroque by Jorge Luis Marzo1
Barcelona and the Paradox of the Baroque By Jorge Luis Marzo1 Translation by Mara Goldwyn Catalan historiography constructed, even from its very beginnings, the idea that Catalunya was not Baroque; that is, Baroque is something not very "proper" to Catalunya. The 17th and 18th centuries represent the dark Baroque age, in contrast with a magnificent Medieval and Renaissance era, during which the kingdom of Catalunya and Aragón played an important international role in a large part of the Mediterranean. The interpretation suggests that Catalunya was Baroque despite itself; a reading that, from the 19th century on - when it is decided that all negative content about Baroque should be struck from the record in order to transform it into a consciously commercial and urban logo - makes implicit that any reflection on such content or Baroque itself will be schizophrenic and paradoxical. Right up to this day. Though the (always Late-) Baroque style was present in buildings, embellishments and paintings, it however did not have an official environment in which to expand and legitimate itself, nor urban spaces in which to extend its setup (although in Tortosa, Girona, and other cities there were important Baroque features). The Baroque style was especially evident in rural churches, but as a result of the occupation of principle Catalan plazas - particularly by the Bourbon crown of Castile - principal architectonic realizations were castles and military forts, like the castle of Montjuic or the military Citadel in Barcelona. Public Baroque buildings hardly existed: The Gothic ones were already present and there was little necessity for new ones. At the same time, there was more money in the private sphere than in the public for building, so Baroque programs were more subject to family representation than to the strictly political. -
PRESS RELEASE Plátano Do Rossio Eleito a Árvore Portuguesa Do Ano 2021
PRESS RELEASE Plátano do Rossio Eleito a Árvore Portuguesa do Ano 2021 Lisboa, 26 de novembro de 2020 – Foi hoje conhecido o vencedor do concurso nacional. Os portugueses escolhem o Plátano do Rossio como a Árvore Portuguesa do ano de 2021. Plantado em 1838, o ex-libris de Portalegre ganhou o Concurso Árvore Portuguesa do ano 2021 com 2.401 votos, seguido da Oliveira de Mouchão, de Santarém, que contou com 2.213 votos e da Schotia do Jardim Botânico da Ajuda, em Lisboa, com 1.883 votos. O Plátano do Rossio é o maior plátano da Península Ibérica. De porte majestoso, guarda em si, nas suas longas e robustas pernadas, anos e anos de memórias coletivas e segredos infindáveis. Há muito que é lugar de encontros e reencontros, e ali nasceram clubes, associações e bandas filarmónicas. Não dá para ficar indiferente ao carinho especial que os portalegrenses sentem por este monumento vivo. De impressionante resiliência, continua a pasmar admiradores, a ouvir desabafos de solitários e a inspirar artistas atendendo à sua singularidade estética, à sua importância botânica e comunitária. Ao contrário do que aconteceu nas edições anteriores em que os Portugueses premiaram exemplares arbóreos característicos dos sistemas produtivos agro-florestais – os montados e os soutos, pela primeira vez neste concurso nacional foi eleita uma árvore ornamental, exótica em Portugal e que foi provavelmente introduzida por gregos ou romanos que a utilizavam devido à sua sombra. O Plátano do Rossio é assim, o eleito para representar Portugal no concurso europeu Tree of the Year. Durante o mês de fevereiro de 2021, todos poderão escolher a sua árvore preferida a nível Europeu através de um sistema de votação on-line. -
2008 Romanesque in the Sousa Valley.Pdf
ROMANESQUE IN THE SOUSA VALLEY ATLANTIC OCEAN Porto Sousa Valley PORTUGAL Lisbon S PA I N AFRICA FRANCE I TA LY MEDITERRANEAN SEA Index 13 Prefaces 31 Abbreviations 33 Chapter I – The Romanesque Architecture and the Scenery 35 Romanesque Architecture 39 The Romanesque in Portugal 45 The Romanesque in the Sousa Valley 53 Dynamics of the Artistic Heritage in the Modern Period 62 Territory and Landscape in the Sousa Valley in the 19th and 20th centuries 69 Chapter II – The Monuments of the Route of the Romanesque of the Sousa Valley 71 Church of Saint Peter of Abragão 73 1. The church in the Middle Ages 77 2. The church in the Modern Period 77 2.1. Architecture and space distribution 79 2.2. Gilding and painting 81 3. Restoration and conservation 83 Chronology 85 Church of Saint Mary of Airães 87 1. The church in the Middle Ages 91 2. The church in the Modern Period 95 3. Conservation and requalification 95 Chronology 97 Castle Tower of Aguiar de Sousa 103 Chronology 105 Church of the Savior of Aveleda 107 1. The church in the Middle Ages 111 2. The church in the Modern Period 112 2.1. Renovation in the 17th-18th centuries 115 2.2. Ceiling painting and the iconographic program 119 3. Restoration and conservation 119 Chronology 121 Vilela Bridge and Espindo Bridge 127 Church of Saint Genes of Boelhe 129 1. The church in the Middle Ages 134 2. The church in the Modern Period 138 3. Restoration and conservation 139 Chronology 141 Church of the Savior of Cabeça Santa 143 1. -
Portugal Exposure Lisbon
Lisbon 3-Day Lisbon Itinerary A Travel Guide by Portugal Exposure 3-Day Lisbon Itinerary Three days is a great length of time to discover Lisbon, the capital and largest city in Portugal. If you have four days we recommend adding a day trip to Sintra. 2 3-Day Lisbon Itinerary DAY 1 ……………………………. 5 DAY 2 …………………..…………. 11 DAY 3 ………………………..……. 17 Best Places to Stay in Lisbon …… 19 3 4 3-Day Lisbon Itinerary Day 1 Start the day by heading to Rossio. This large square has been Lisbon’s focal point for centuries. The attractively paved square features wave-patterned mosaics and a fountain. On the north side of Rossio is the D.Maria II National Theatre, (Teatro Nacional Dona Maria II). Rossio railway station dominates the northwest side of the square. Pay attention to the ornate façade featuring two Moorish-style horseshoe arches. A little further up on the right is a monument to the pavers who built the amazing pavements. Next, head to Praça dos Restauradores a large tree and café lined square with a soaring obelisk that commemorates the country’s liberation from Spain in 1640. As you stroll around the square on the west side you pass the Glória Funicular which goes up the hill towards Bairro Alto. Stroll around the square heading towards nearby Rua das Portas da Santo Antão, a pedestrianised street filled with excellent restaurants. Stop at Casa do Alentejo, a spectacularly restored Moorish palace, next door there is a café showcasing products from the Alentejo region, enjoy a coffee and taste some of the regional delicacies. -
Discover Lisbon with Our Guide!
The 7th Conference of European Survey Research Association welcomes you to the fashionable city of Lisbon! Lisbon, the most westerly capital in mainland Europe, is one of the few cities in the world to offer a unique natural landscape. It’s for sure one of the most impressively located, with a series of hills facing the Tejo estuary, one of the sunniest and probably one of the least expensive cities to discover. Being a city built on hills, from the various belvederes, installed in the highest points, can enjoy breathtaking views. We highlight the castle of S. Jorge, where we reach the cacilheiros in their crossing to the south bank, the 25th April bridge, Rossio, Carmo convent, Bairro Alto, Eduardo VII park, among other points of the city. Alongside the old city, with a very rich heritage, Lisbon is also a modern city that has been renewed in new cultural and leisure proposals. In this document you can find out more about the places you cannot miss in this city – excursions, restaurants and bars, among others. Index What to see & Where to walk............................................................................................... 4 Tram 28E route – the best way to know Lisbon ......................................................4 Prazeres cemetery ..........................................................................................................6 Santo Condestável Church ..............................................................................................6 Basílica da Estrela and garden .......................................................................................6 -
Circle Patterns in Gothic Architecture
Bridges 2012: Mathematics, Music, Art, Architecture, Culture Circle patterns in Gothic architecture Tiffany C. Inglis and Craig S. Kaplan David R. Cheriton School of Computer Science University of Waterloo [email protected] Abstract Inspired by Gothic-influenced architectural styles, we analyze some of the circle patterns found in rose windows and semi-circular arches. We introduce a recursive circular ring structure that can be represented using a set-like notation, and determine which structures satisfy a set of tangency requirements. To fill in the gaps between tangent circles, we add Appollonian circles to each triplet of pairwise tangent circles. These ring structures provide the underlying structure for many designs, including rose windows, Celtic knots and spirals, and Islamic star patterns. 1 Introduction Gothic architecture, a style of architecture seen in many great cathedrals and castles, developed in France in the late medieval period [1, 3]. This majestic style is often applied to ecclesiastical buildings to emphasize their grandeur and solemnity. Two key features of Gothic architecture are height and light. Gothic buildings are usually taller than they are wide, and the verticality is further emphasized through towers, pointed arches, and columns. In cathedrals, the walls are often lined with large stained glass windows to introduce light and colour into the buildings. In the mid-18th century, an architectural movement known as Gothic Revival began in England and quickly spread throughout Europe. The Neo-Manueline, or Portuguese Final Gothic, developed under the influence of traditional Gothic architecture and the Spanish Plateresque style [10]. The Palace Hotel of Bussaco, designed by Italian architect Luigi Manini and built between 1888 and 1907, is a well-known example of Neo-Manueline architecture (Figure 2). -
Timeline / 1850 to After 1930 / CITIES and URBAN SPACES
Timeline / 1850 to After 1930 / CITIES AND URBAN SPACES Date Country Theme 1852 - 1870 France Cities And Urban Spaces Georges Haussmann’s works in Paris cover all areas of city planning: streets and boulevards, reconstruction of buildings, parks and street furniture, drainage networks and water supply facilities, equipment and monuments. 1853 Lebanon Cities And Urban Spaces Antun Bey Najjar, a merchant who made his fortune in Constantinople, builds Khan Antun Bey in 1853. It becomes a great business centre and the building is used by many institutions such as Beirut’s foreign consulates, the Ottoman administration, postal services, merchants’ offices and Beirut’s first bank, Imperial Ottoman. 1854 - 1870 France Cities And Urban Spaces Construction of workers’ housing includes the utopian city of Familistère de Guise in Aisne (also called the “Social Palace”), set up by Jean-Baptiste André Godin between 1859 and 1870. 1855 Lebanon Cities And Urban Spaces A school is built by the Jesuits in Ghazir (Kisruwan district). 1856 Turkey Cities And Urban Spaces Fire in Aksaray district, #stanbul, destroys more than 650 buildings and is a major turning point in the history of #stanbul’s urban form. Italian architect Luigi Storari is appointed to carry out the re-building of the area, which is to conform to the new pattern: hence it is to be regular with straight and wide streets. 1856 Turkey Cities And Urban Spaces #stimlak Nizamnamesi (Regulation for Expropriation) issued. 1856 - 1860 Spain Cities And Urban Spaces Ildefonso Cerdá designs the "extension" of Barcelona in 1859. The orthogonal design of the streets creates a new neighbourhood: El Ensanche/L’Eixample. -
Episode 4. Ibis, the Egyptian Bird Location: Route Between Rua Do
Episode 4. Ibis, the Egyptian bird Location: Route between Rua do Carmo and Rossio / Chiado - Baixa Street sounds Sofia: We are in the very heart of Pessoa’s Lisbon. We will walk down Chiado towards Rossio. In 1909 Fernando Pessoa received an inheritance. He left his aunts' house and lived alone for the first time. He rented an apartment in Rua da Glória. [00:00:36.12] Teresa Rita Lopes: He had to wait until the age of 21, at that time majority was only at 21, to receive an inheritance from his father’s mother. Seagulls Teresa Rita Lopes: And he decided to set up a publishing house. Sofia: He saw an advert in the newspaper O Século for a publishing house that was for sale in Portalegre. Steam train whistle Sofia: He went there and bought the machines. He called the publishing house Ibis Company: Typography and Publisher - Steam Factory. Richard Zenith: Pessoa’s attraction to Ibis was not at all innocent. Ibis bird call Richard Zenith: It was not just because of the beauty of the bird. Flipping pages, Ibis bird call Fernando Pessoa: Ibis, the Egyptian bird, Always standing on one foot (which is fairly odd) It’s quite a quiet bird Because with only one foot it won’t walk the earth. * Richard Zenith: Ibis is a bird that likes to be in the water on one foot. And that symbol, that was a symbol, because Ibis was a sacred bird, an Egyptian God, Thoth. And Thoth was the scribe of the Gods, so he was the inventor of writing and it had also to do with magic. -
Random-Walk Mobility Analysis of Lisbon's Plans for the Post-1755
Open Eng. 2016; 6:305–308 ICEUBI 2015* Open Access Mafalda Teixeira de Sampayo* and David Sousa-Rodrigues Random-walk mobility analysis of Lisbon’s plans for the post-1755 reconstruction DOI 10.1515/eng-2016-0040 1 Introduction Received March 28, 2016; accepted June 21, 2016 Abstract: The different options for the reconstruction of The relation of cities with their rivers did not always have the city of Lisbon in the aftermath of the 1755 earthquake the same importance throughout history. In several cities are studied with an agent-based model based on random- the parallel and perpendicular disposition of streets in re- walks. This method gives a comparative quantitative mea- lation to its waterfront is clear. Economic perspectives (al- sure of mobility of the circulation spaces within the city. lowing for a stronger connectivity with the river), aesthetic The plans proposed for the city of Lisbon signified a de- reasons and the scientific knowledge of the time justify parture from the medieval mobility city model. The intri- this layout of the city. More or less connected with the river, cacy of the old city circulation spaces is greatly reduced the city of Lisbon was, in essence, a waterfront city until in the new plans and the mobility between different ar- the mid-XIX century. It is natural then to see represented its eas is substantially improved. The simulation results of the political, religious, and economic powers through build- random–walk model show that those plans keeping the ings and symbolic spaces. main force lines of the old city presented less improvement The study of the city can be focused at different lev- in terms of mobility. -
Liberdade 105 Lisbon, a Global City
LIBERDADE 105 LISBON, A GLOBAL CITY LISBOA, CIDADE DO MUNDO Praça dos Restauradores Avenida da Liberdade Colorida, elegante e boémia, banhada por uma Colourful, elegant and Bohemian, bathed in mythical mítica luz e pelo azul do Tejo, Lisboa é uma cidade light and the blue hues of the Tagus, Lisbon is a vibrante e multicultural com um encanto elegante e vibrant and multicultural city with an elegant, descontraído. A capital europeia com mais horas de laid-back charm. This is the European capital with sol por ano é uma cidade contemporânea, feita de the most hours of sun per year, a contemporary cultura, história e arquitetura, mas tem também uma city brimming with culture, history and architecture, fisionomia pitoresca, cheia de memórias e surpresas, which also has a picturesque demeanour, full of uma gastronomia de eleição e sabe ser calorosa e memories and surprises, a first-class cuisine and acolhedora. Há sempre segredos por descobrir. a warm and hospitable welcome. There are always secrets waiting to be unveiled. PRAÇA MARQUÊS POMBAL THE TIMELESS CHARM OF AVENIDA DA LIBERDADE O ENCANTO INTEMPORAL DA AVENIDA DA LIBERDADE Palco grandioso e de uma beleza intemporal, a Avenida da Liberdade é o centro da vida urbana da capital. Considerada uma das mais belas avenidas AV. DA LIBERDADE do mundo, é a mais luxuosa da cidade, onde lojas de marcas internacionais convivem com as melhores empresas, escritórios e ateliês. Os hotéis mais emblemáticos e charmosos, como o Altis Avenida Hotel, o Tivoli Avenida da Liberdade, ou o Hotel Avenida Palace, os restaurantes mais exclusivos, onde se destacam o Olivier Avenida, o Terraço ou o JNcQUOI, as mais nobres casas de espetáculos, como o Cinema S. -
For As Low As Us$ 2399 Per Person
FOR AS LOW AS US$ 2,399 PER PERSON With Airline Tax Blocking Dates: June 23, July 21, Aug. 11, Sept. 15, Oct. 20, Nov. 17, Dec. 22, 2019 ITINERARY: Day 04: MALAGA - SEVILLE (B) Day 06: LISBON – TOLEDO – MADRID (B) we go northbound to the largest city of the autonomous We will back to Madrid via Toledo, a World Heritage Day 01: Arrived Barcelona community of Andalusia, Seville. This city was the capi- Site declared by UNESCO in 1986 for its extensive Arrive in Barcelona Airport, transfer to your hotel. tal of the Muslim dynasty, considered to be the guardian cultural and monumental heritage. This old city is lo- angel of culture in Andalusia and the birthplace of the cated on a mountaintop, surrounded on three sides by Day 02: BARCELONA - flamenco dance. Seville is the primary setting of many a bend in the Tagus River, and contains many histori- operas, the best known of which is Bizet’s Carmen. As cal sites. By strolling across the city, overlooking the VALENCLA - ALICANTE (B) the fourth largest city in Spain, it has hosted the World’s Alcázar of Toledo and visiting the grand structure of After breakfast, leave Barcelona for Spain’s third Fair in 1992. After visit Seville Cathedral, the largest Toledo Cathedral, you will feel the bustling of Spain in largest city, Valencia. Valencia’s history has Gothic cathedral and the third-largest church in the the old time. Then take a well-earned rest as you sit celebrated as the gateway to the Mediterranean. world. Its completion was back to the early 16th century back, catch a breath taking landscape of Spain and It’s commercially and culturally rich, with Moorish and now the cathedral halls are dedicated as Royal enjoy its rich palette of colours in natural surroundings culture, Arab customs and foods all frequented in Chapel, the burial place of the kings’ mausoleum for while you are on the journey to Madrid.