2000 Sun. N0.3-45
EVEN AFTER 40 YEARS, GARAGE ROCK IS STILL ROARING (Continued from page 5) thanks to tinkering, tune -ups, and gins, never really disappeared. Still, viable garage rock enjoys just finished three laps of the coun- What may have been "guy carloads of reissue treasures, the "It's always been there, but it's "very little" support at radio and try and went from playing to three music" then "ain't just guy music music these bands made continues no longer a tiny niche. [It's] retail, notes Weiss, "other than ran- or four people at some gigs in May notes Irwin. Nor is garage to enjoy a strong following and to groundswelled to the point where dom college radio programming, to headlining rooms on the West rock solely an American institution steadily influence musicians today. it influences contemporary music to maybe another W or two every Coast that we couldn't even get a any more. Gregg Kostelich, head of Labels like Rhino Records, Sun- amazing degree," says Irwin. now and then who loves this stuff, date in six months earlier," he says. Pittsburgh's Get Hip garage -rock dazed Music, ROIR Records, Ace Every" time I walk by my teenage and scattered specialty shops. You "But we always play fora group of label and distributor and guitarist Records, Cavestomp! Records, daughter's bedroom and hear what go to a Tower [Records store] and people in a city who knows every- for the label's group the Cynics, was Norton Records, Telstar Records, she's listening to, f pause and count e a lot of this music lumped into "else in the last city we were just surprised to draw 5,000 people dur- Bomp! Records, Estrus Records, the influences: 'Boy! That electric the oldies section, but that goes in.
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