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1212 East 59th Street Media Contact Chicago, IL 60637 Peter Goldberg (773) 702 8574 732.859.5228 docfilms.org [email protected] For immediate release DOC FILMS ANNOUNCES its Spring 2015 CALENDAR HYDE PARK, CHICAGO, IL. (March 28, 2015) – Doc Films, the historic student-run film society at the University of Chicago, announced its Spring 2015 calendar today. Starting on March 30th, each night features a film series with a unifying theme, be it a director, actor, time, place, studio, genre, or idea. Saturdays showcase a sampling of recent hits you might have missed—or perhaps you’re craving another viewing— and murmuring restorations under the hype radar. In addition to the many special events hosted by Doc Films at the Max Palevsky Cinema, the programmers have designed these eight series to provide the community and world with nightly oases of cinematic reverence: MONDAYS from March 30th to June 1st we present to you: Vivien Leigh including such fine roles as FIRE OVER ENGLAND (3/30), GONE WITH THE WIND (4/27), and A STREETCAR NAMED DESIRE (5/18). TUESDAYS from March 31sr to June 2nd are the works of documentarian Frederick Wiseman. Stand witness to HIGH SCHOOL (3/31), BLIND (5/5), and PUBLIC HOUSING (5/26). WEDNESDAYS from April 1st to June 3rd we bring you the directorial work of the masterful Orson Welles, with CITIZEN KANE (4/1), TOUCH OF EVIL (4/15), THE TRIAL (4/22), LADY FROM SHANGHAI (5/6) and OTHELLO (5/27). THURSDAYS PART ONE from April 2nd to June 4th, sirens blare for Doc’s showings of Poliziotteschi films. Feel the criminal excitement of such films as CONFESSIONS OF A POLICE CAPTAIN (4/16), ALMOST HUMAN (5/17), and WHAT HAVE THEY DONE TO YOUR DAUGHTERS (5/28) THURSDAYS PART TWO from April 2nd to June 4th feel Doc sliming up your spine with our Lovecraftian Horror series including such titles as RE-ANIMATOR (4/2), EVIL DEAD (5/14), and NIGHTBREED (5/21) FRIDAYS from April 3rd to June 5th we bring you the galactic, the insane, the ultraviolent works of Stanley Kubrick detailing the highlights and nearly forgotten parts of his career with A CLOCKWORK ORANGE (4/3), DOCTOR STRANGELOVE (4/24), 2001: A SPACE ODYSSEY (5/1), EYES WIDE SHUT (5/29) and FEAR AND DESIRE (6/5). SATURDAYS from April 4th to June 6th Doc is showing some of the best New Releases of 2014. Don’t miss INHERENT VICE (4/4), SELMA (4/11), MR. TURNER (5/2), WHIPLASH (5/9), and TWO DAYS ONE NIGHT (5/30) SUNDAYS from April 5th to June 7th, we bring you Frank Tashlin! Featuring ARTISTS AND MODELS (4/5), THE GIRL CAN’T HELP IT (4/26), WILL SUCCESS SPOIL ROCK HUNTER? (5/10), and WHO’S MINDING THE STORE? (6/7) Special Events: UN/UNICEF Screening of Price of Honor— 4/30 9:30-11:30pm Proposal — 5/1 Birthday Party — 6/20 1-5pm WHERE: WHEN: Max Palevsky Cinema in Ida Noyes Hall Every evening – see complete schedule below for 1212 East 59th Street specific times. Chicago, IL 60637 Street parking is available. PRICE OF ADMISSION: Ticket: $5 Spring Quarter Membership: $30 Spring Quarter Renewal: $28 MEDIA CONTACT: Peter Goldberg • 732.859.5228 • [email protected] Doc Films Online: docfilms.org • (facebook)(twitter)/docfilmschicago Doc Films Office: 773.702.8574 COMPLETE Winter 2015 CALENDAR: (For detailed descriptions see our website, www.docfilms.org) Week I M 3/30/15 Fire Over England (William K. Howard, 1937) 7pm DCP T 3/31/15 High School (Frederick Wiseman, 1968) 7pm 16mm W 4/1/15 Citizen Kane (Orson Welles, 1941) 7, 9:30pm 35mm Th1 4/2/15 Investigation of a Citizen Above Suspicion (Elio Petri, 1970) 7pm DCP Th2 4/2/15 Re-Animator (Stuart Gordon, 1985) 9:30pm 35mm Th2 4/2/15 Re-Animator (Stuart Gordon, 1985) 9:30pm 35mm F 4/3/15 A Clockwork Orange (Stanley Kubrick, 1971) 7, 9:30pm Sunday, 1:30pm 35mm Sat 4/4/15 Inherent Vice (Paul Thomas Anderson, 2014) 7, 9:45pm Sunday, 4:30pm 35mm Sun 4/5/15 Artists and Models (Frank Tashlin, 1955) 7pm DCP Week II M 4/6/15 Dark Journey (Victor Saville, 1937) 7pm 16mm T 4/7/15 Law & Order (Frederick Wiseman, 1969) 7pm 35mm W 4/8/15 The Magnificent Ambersons (Orson Welles, 1942) 7, 9pm 35mm Th1 4/9/15 No Way Out (Duccio Tessari, 1973) 7pm 35mm Th2 4/9/15 From Beyond (Stuart Gordon, 1986) 9:45pm 35mm F 4/10/15 Spartacus (Stanley Kubrick, 1960) 6, 9:30pm Sunday, 1:30pm 35mm Sat 4/11/15 Selma (Ava DuVernay, 2014) 7, 9:30pm Sunday, 3:45pm DCP Sun 4/12/15 Caprice (Frank Tashlin, 1967) 7:30pm 35mm Week III M 4/13/15 Sidewalks of London (Tim Whelan, 1938) 7pm DCP M 4/13/15 Sidewalks of London (Tim Whelan, 1938) 7pm DCP T 4/14/15 Welfare (Frederick Wiseman, 1975) 7pm 16mm W 4/15/15 Touch of Evil (Orson Welles, 1958) 7, 9pm 35mm Th1 4/16/15 Confessions of a Police Captain (Damiano Damiani, 1971) 7pm 35mm Th2 4/16/15 The Whisperer in Darkness (Sean Branney, 2011) 9:15pm DCP F 4/17/15 Lolita (Stanley Kubrick, 1962) 6:30, 9:15pm Sunday, 1:30pm 35mm Sat 4/18/15 A Girl Walks Home Alone At Night (Ana Lily Amirpour, 2014) 7, 9:15pm Sunday, 3:45pm DCP Sun 4/19/15 The Lieutenant Wore Skirts (Frank Tashlin, 1956) 7pm DCP Week IV M 4/20/15 Storm in a Teacup (Ian Dalrymple and Victor Saville, 1937) 6:30pm DCP T 4/21/15 Canal Zone (Frederick Wiseman, 1977) 7pm 16mm W 4/22/15 The Trial (Orson Welles, 1962) 7, 9:30pm DCP Th1 4/23/15 High Crime (Enzo Castellari, 1973) 7pm 35mm Th2 4/23/15 The Color out of Space (Huan Vu, 2011) 9:15pm Blu-ray F 4/24/15 Dr. Strangelove (Stanley Kubrick, 1964) 7, 9pm Sunday, 1:30pm 35mm Sat 4/25/15 American Sniper (Clint Eastwood, 2014) 7, 9:45pm Sunday, 3:45pm 35mm Sun 4/26/15 The Girl Can't Help It (Frank Tashlin, 1956) 7pm DCP Week V M 4/27/15 Gone with the Wind (Victor Fleming, 1939) 7pm 35mm T 4/28/15 The Store (Frederick Wiseman, 1983) 7pm 16mm W 4/29/15 Man in the Shadows (Jack Arnold, 1957) 7, 9pm 35mm Th1 4/30/15 High Crime (Enzo Castellari, 1973) 7pm 35mm Th2 4/30/15 Manos: The Hands of Fate (Harold P. Warren, 1966) 9:15pm DCP F 5/1/15 2001: A Space Odyssey (Stanley Kubrick, 1968) 6:30, 9:15pm Sunday, 1:30pm 35mm Sat 5/2/15 Mr. Turner (Mike Leigh, 2014) 7, 10pm Sunday, 4pm DCP Sun 5/3/15 Hollywood or Bust (Frank Tashlin, 1956) 7pm DVD Week VI M 5/4/15 Waterloo Bridge (Mervyn LeRoy, 1940) 7pm 35mm T 5/5/15 Blind (Frederick Wiseman, 1986) 7pm 16mm W 5/6/15 Lady From Shanghai (Orson Welles, 1948) 7, 9pm 35mm W 5/6/15 Lady From Shanghai (Orson Welles, 1948) 7, 9pm 35mm Th1 5/7/15 Almost Human (Umberto Lenzi, 1974) 7pm 35mm Th2 5/7/15 The Last Wave (Peter Weir, 1977) 9:15pm 35mm F 5/8/15 Full Metal Jacket (Stanley Kubrick, 1987) 7, 9:15pm Sunday, 1:30pm 35mm Sat 5/9/15 Whiplash (Damian Chazelle, 2014) 7, 9:45pm Sunday, 4:15pm DCP Sun 5/10/15 Will Success Spoil Rock Hunter? (Frank Tashlin, 1957) 7pm DCP Week VII M 5/11/15 That Hamilton Woman (Alexander Korda, 1941) 7pm 16mm T 5/12/15 Aspen (Frederick Wiseman, 1991) 7pm 16mm W 5/13/15 Chimes at Midnight (Orson Welles, 1965) 7, 9:30pm 35mm Th1 5/14/15 Street Law (Enzo Castellari, 1974) 7pm 35mm Th2 5/14/15 Evil Dead (Sam Raimi, 1981) 9:15pm 35mm F 5/15/15 Barry Lyndon (Stanley Kubrick, 1975) 6, 9:30pm Sunday, 1:30pm 35mm Sat 5/16/15 What We Do In The Shadows (Taika Waititi & Jemaine Clement, 2014) 7, 9pm Sunday, 3:45pm DCP Sun 5/17/15 Rock-A-Bye Baby (Frank Tashlin, 1958) 7pm DCP Week VIII M 5/18/15 A Streetcar Named Desire (Elia Kazan, 1951) 7pm 35mm T 5/19/15 Ballet (Frederick Wiseman, 1995) 7pm 16mm W 5/20/15 The Immortal Story (Orson Welles, 1968) 7, 9pm 35mm Th1 5/21/15 Kidnapped (Mario Bava, 1974) 7pm 35mm Th2 5/21/15 Nightbreed (Clive Barker, 1990) 9:15pm 35mm F 5/22/15 The Shining (Stanley Kubrick, 1980) 6:30, 9:15pm Sunday, 1:30pm 35mm Sat 5/23/15 Leviathan (Andrey Zvyagintsev, 2014) 7, 9:30pm Sunday, 3:45pm DCP Sun 5/24/15 The Geisha Boy (Frank Tashlin, 1958) 7pm DCP Week IX M 5/25/15 MEMORIAL DAY NO FILM T 5/26/15 Public Housing (Frederick Wiseman, 1997) 7pm 16mm W 5/27/15 Othello (Orson Welles, 1952) 7, 9pm 35mm Th1 5/28/15 What Have They Done To Your Daughters? (Massimo Dallamano, 7pm 1974) 35mm Th2 5/28/15 In The Mouth of Madness (John Carpenter, 1995) 9pm 35mm F 5/29/15 Eyes Wide Shut (Stanley Kubrick, 1999) 7. 10pm Sunday, 1:30pm 35mm Sat 5/30/15 Two Days, One Night (Luc & Jean-Pierre Dardenne, 2014) 7, 9pm Sunday, 4:30pm DCP Sun 5/31/15 It's Only Money (Frank Tashlin, 1962) 7pm DCP Week X M 6/1/15 Ship of Fools (Stanley Kramer, 1965) 7pm TBD T 6/2/15 Domestic Violence (Frederick Wiseman, 2001) 7pm 16mm W 6/3/15 Macbeth (Orson Welles, 1948) 7, 9pm 35mm Th1 6/4/15 Assault With A Deadly Weapon (Umberto Lenzi, 1976) 7pm 35mm Th2 6/4/15 Kill List (Ben Wheatley, 2011) 9:15pm 35mm F 6/5/15 Fear and Desire (Stanley Kubrick, 1953) 7, 9:30pm Sunday, 1:30pm 35mm Sat 6/6/15 While We're Young (Noah Baumbach, 2014) 7, 9pm Sunday, 4pm DCP Sun 6/7/15 Who's Minding the Store? (Frank Tashlin, 1963) 7pm 35mm .
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    mattias FILM THEORY FILM THEORY the PermaNENT Crisis of IN MEDIA HISTORY IN MEDIA HISTORY film CritiCism frey the ANXiety of AUthority mattias frey Film criticism is in crisis. Dwelling on the Kingdom, and the United States to dem­ the many film journalists made redundant at onstrate that film criticism has, since its P newspapers, magazines, and other “old origins, always found itself in crisis. The erma media” in past years, commentators need to assert critical authority and have voiced existential questions about anxieties over challenges to that author­ N E the purpose and worth of the profession ity are longstanding concerns; indeed, N T in the age of WordPress blogospheres these issues have animated and choreo­ C and proclaimed the “death of the critic.” graphed the trajectory of international risis Bemoaning the current anarchy of inter­ film criticism since its origins. net amateurs and the lack of authorita­ of tive critics, many journalists and acade­ Mattias Frey is Senior Lecturer in Film at film mics claim that in the digital age, cultural the University of Kent, author of Postwall commentary has become dumbed down German Cinema: History, Film History, C and fragmented into niche markets. and Cinephilia, co­editor of Cine-Ethics: riti Arguing against these claims, this book Ethical Dimensions of Film Theory, Prac- C examines the history of film critical dis­ tice, and Spectatorship, and editor of the ism course in France, Germany, the United journal Film Studies. AUP.nl 9789089647177 9789089648167 The Permanent Crisis of Film Criticism Film Theory in Media History explores the epistemological and theoretical founda- tions of the study of film through texts by classical authors as well as anthologies and monographs on key issues and developments in film theory.
  • Stanley Kubrick -- Auteur Adriana Magda College of Dupage

    Stanley Kubrick -- Auteur Adriana Magda College of Dupage

    ESSAI Volume 15 Article 24 Spring 2017 Stanley Kubrick -- Auteur Adriana Magda College of DuPage Follow this and additional works at: https://dc.cod.edu/essai Recommended Citation Magda, Adriana (2017) "Stanley Kubrick -- Auteur," ESSAI: Vol. 15 , Article 24. Available at: https://dc.cod.edu/essai/vol15/iss1/24 This Selection is brought to you for free and open access by the College Publications at DigitalCommons@COD. It has been accepted for inclusion in ESSAI by an authorized editor of DigitalCommons@COD. For more information, please contact [email protected]. Magda: Stanley Kubrick -- Auteur Stanley Kubrick – Auteur by Adriana Magda (Motion Picture Television 1113) tanley Kubrick is considered one of the greatest and most influential filmmakers in history. Many important directors credit Kubrick as an important influence in their career and Sinspiration for their vision as filmmaker. Kubrick’s artistry and cinematographic achievements are undeniable, his body of work being a must watch for anybody who loves and is interested in the art of film. However what piqued my interest even more was finding out about his origins, as “Kubrick’s paternal grandmother had come from Romania and his paternal grandfather from the old Austro-Hungarian Empire” (Walker, Taylor, & Ruchti, 1999). Stanley Kubrick was born on July 26th 1928 in New York City to Jaques Kubrick, a doctor, and Sadie Kubrick. He grew up in the Bronx, New York, together with his younger sister, Barbara. Kubrick never did well in school, “seeking creative endeavors rather than to focus on his academic status” (Biography.com, 2014). While formal education didn’t seem to interest him, his two passions – chess and photography – were key in shaping the way his mind worked.