Let the Elves and Fairies Come out to Play
Total Page:16
File Type:pdf, Size:1020Kb
Load more
Recommended publications
-
Fairies, Elves, Elementals, Gnomes
Circulating File FAIRIES, ELVES, ELEMENTALS, GNOMES A compilation of Extracts from the Edgar Cayce Readings Edgar Cayce Readings Copyrighted by Edgar Cayce Foundation 1971, 1993-2013 All Rights Reserved These readings or parts thereof may not be reproduced in any form without permission in writing from the Edgar Cayce Foundation 215 67th Street Virginia Beach, VA 23451 Printed in U.S.A. FAIRIES, ELVES, ELEMENTALS CIRCULATING FILE Circulating Files are collections of verbatim quotes of what Edgar Cayce said during his readings on a given subject or, in some cases everything. We have medical circulating files which focus on the over 9,000 health-related readings with subjects from Acidity- Alkalinity to Weight Loss. We also have non-medical circulating files on a broad range of topics, for example Egypt: Sphinx, Pyramids, and Hall of Records, Fear and Its Far- Reaching Effects, Advice to Parents, Serving in Accord with Ideals, and Business Advice. Each circulating file is simply a collection of reading quotes or full readings given for different individuals on a similar subject or disease. The A.R.E. cannot and does not suggest treatments for physical ailments nor make claims about the effectiveness of the therapies. We encourage anyone working with the health readings to do so under a doctor's care and advice. The circulating files support the research aspect of the Cayce work. We appreciate any feedback informing us of progress made in improving one’s life or achieving good health by applying suggestions given in the readings. Please send any feedback (testimonies, experiences, results, etc.) to: Library: Circulating File Desk A.R.E. -
Was the Tooth Fairy Breast Fed? the Politics of Infant Tooth Decay
Was the Tooth Fairy Breast Fed? The Politics of Infant Tooth Decay Yvonne Luxford Thesis submitted in fulfilment of the requirements for the degree of Doctor of Philosophy at the University of New South Wales ORIGINALITY STATEMENT ‘I hereby declare that this submission is my own work and to the best of my knowledge it contains no materials previously published or written by another person, or substantial proportions of material which have been accepted for the award of any other degree or diploma at UNSW or any other educational institution, except where due acknowledgement is made in the thesis. Any contribution made to the research by others, with whom I have worked at UNSW or elsewhere, is explicitly acknowledged in the thesis. I also declare that the intellectual content of this thesis is the product of my own work, except to the extent that assistance from others in the project's design and conception or in style, presentation and linguistic expression is acknowledged.’ Signed ……………………………………………........................... i COPYRIGHT STATEMENT ‘I hereby grant the University of New South Wales or its agents the right to archive and to make available my thesis or dissertation in whole or part in the University libraries in all forms of media, now or here after known, subject to the provisions of the Copyright Act 1968. I retain all proprietary rights, such as patent rights. I also retain the right to use in future works (such as articles or books) all or part of this thesis or dissertation. I also authorise University Microfilms to use the 350 word abstract of my thesis in Dissertation Abstract International. -
Canadian Guiding Badges and Insignia Brownie Six/Circle Emblems
Canadian Guiding Badges And Insignia Brownie Six/Circle Emblems Following the introduction of the Brownie program to provide Guiding for younger girls, and after the decision to base the new program on The Brownie Story, a further decision was made in 1919 to subdivide a Brownie Pack into smaller groups consisting of six girls. These smaller groups within the Pack were known as Sixes and were identified by a Six emblem bearing the name of some mythical fairy- like person from folklore. [Reference: POR (British, 1919)] The original Six emblems were brown felt; later versions were brown cotton with the edges bound in brown. In 1995, the term “Sixes” was replaced by the term “Circles”, and the shape of the emblems was changed as well. In 1972, three of the original twelve Six emblems were retired and in 1995 four new ones were added. Page 1 V.2 Canadian Guiding Badges And Insignia Brownie Six/Circle Emblems SC0001 SC0002 Bwbachod Badge Discontinued 1919- 19? 19? - 1972 SC0003 SC0004 Djinn Introduced 1994 1995-2004 1994 SC0005 SC0006 Dryad Introduced 1994 1995- 1994 Page 2 V.2 Canadian Guiding Badges And Insignia Brownie Six/Circle Emblems SC0007 SC0008 SC0009 Elf 1919-19? 19? - 1995 1995- SC0010 SC0011 SC0012 Fairy 1919-19? 19? - 1995 1995- SC0013 SC0014 Ghillie Dhu Badge Discontinued 1919-19? 19? - 1972 Page 3 V.2 Canadian Guiding Badges And Insignia Brownie Six/Circle Emblems SC0015 SC0016 SC0017 Gnome 1995- 1919-19? 19? - 1995 SC0018 SC0019 Imp Badge Discontinued 1919-19? 19? - 1995 SC0020 SC0021 SC0022 Kelpie (formerly called Scottish -
Sample File CREDITS Lead Designer, Concept, Writing, and Art Direction Artwork Marc Altfuldisch the Artwork in This Handbook Is All Created by the Artists Below
Sample file CREDITS Lead Designer, Concept, Writing, and Art Direction Artwork Marc Altfuldisch The artwork in this handbook is all created by the artists below. A huge thanks goes out to them, for allowing me to include their illustrations herein. Balance and Flavor If you find their artwork intriguing, you should check out their galleries, which are linked Marc Altfuldisch below. Thomas Thorhave Baltzer George Cameron Alecyl Sandara David Moore alecyl.deviantart.com sandara.deviantart.com Bog Hag Page 3: Tree with Animals Editing Tsunami George Cameron Arturo Delgado Shaman with Animal Spirits madstalfos.deviantart.com Goi-Kashu Playtesters Jiki-Ketsu-Gaki Two-Tailed White Inari Adam Ford Con-Tinh Oriental Sea Life Alejandro Villalon Celestial Dragon and Human Bailey Kellenberger Carp Dragon and Human Girl Branden Weaver Dave Melvin davesrightmind.deviantart.com Celestial Dragon Bryan Butler Typhoon Dragon Kumo Derik Snell Byoki Spawn Nian Elvin Johson Kyoso Spawn Ashi no Oni George Cameron Sanru no Oni Haino no Oni Gianfranco Abbatemarco Akuma Kamu no Oni James “Dragon Lover” Hudson Byoki Ugulu no Oni Jason Gyorog Nikoma Kyoso John “Crit God” Wilantowicz Onikage Shikibu Jonathan Butler Phoenix Tsuburo Joseph Miller Great Wyrm Torn Kenneth Robinson Spirit Wolf Urigarimono Parker Doiron Taka-onna Yaoguai Pete McCue Wang-Liang Raymond Govero Robert “Wrayyth” Whitsell Harley Dela Cruz Shizen1102 Steven “Nook” Anderson denzelberg.deviantart.com shizen1102.deviantart.com Samantha Christine Bajang Garegosu Tre Stoterau Ancient Dokufu Void Serpent Victor Vega Dokufu Spiderling Kirin Vijay Dukkipati Goblin Rat Orochi Hellbeast Manananggal ... thank you all very much! Your assistance made this all possible! Hsing-sing Matriarch Hundun Hyekuhei Teo Tei Drone A Very Special Thanks to Kappa Tao Tei Regent Eleazzaar’s Detect Balance Werebadger Taowu Drone with Taowu Scouts SwordMeow’s JOTUNGARD Maho-Tsukai Magus Qiongqui Mamono .. -
American Motors ~I
American Motors ~I 1972 AMASPECIFICATIONS FORM . PassengerCar 1.-ANU FA C T URER CAR NA ME A ME RICAN M OT ORS CORPORATION • Grem li n • Ma t a dor • Jave li n • Horne t • Ambassa dor IAA I L I N G A OORESS MODEL. YEAR ISSUED : 14250 P l ymouth Road Det r o it, Mich igan 4823 2 1972 Se d:ember 2 1. 1971 At tn: Car L Chakmak ian REVISED (e ) P r oduc t Informat ion Dep t., 493 - 2557 (3 13) The information contained herein Is prepared, distributed by, and Is solely the responsi bility of the automobile manufacturing company to whose products it relates. Questions concerning these specifications should be directed to the manufacturer whose address Is shown above. This specification form was developed by automobile manufacturing companies under the auspices of the Automobile Manufacturers Association. AMA-40A-72 AMA Spec ificat ions Form-Pas senger Car TABLE OF CONTENTS BODY MODEL . ... .... .. ............... .. .... ......... ...... .... ...... , .... .. 1 CAR AND BODY DIMENSIONS ...... • .. .• ... , • •. ..• •. •.•.••. • •• •• .. .•• • . , ••. .. , , .•• 2, 3 POWER TEAMS .. ... .. ..... ... ........ .. ..... .. ..... ............... .... ........ 4 ENGINE .. ..................................... .. ..... .. .. .. ..... .... ... .. .. 5-9 EXHAUST SYSTEM ............................ ... ......• . ......................•... 9 FUEL SYSTEM ........................................ ... ...... ...... ...... .•..... 10 COOL ING SYSTEM ........................ .. ....... .... .. ....... ..... ........ 11 VEHICLE EMISSION CONTROL .... .. • ... -
'Goblinlike, Fantastic: Little People and Deep Time at the Fin De Siècle
ORBIT-OnlineRepository ofBirkbeckInstitutionalTheses Enabling Open Access to Birkbeck’s Research Degree output ’Goblinlike, fantastic: little people and deep time at the fin de siècle https://eprints.bbk.ac.uk/id/eprint/40443/ Version: Full Version Citation: Fergus, Emily (2019) ’Goblinlike, fantastic: little people and deep time at the fin de siècle. [Thesis] (Unpublished) c 2020 The Author(s) All material available through ORBIT is protected by intellectual property law, including copy- right law. Any use made of the contents should comply with the relevant law. Deposit Guide Contact: email ‘Goblinlike, Fantastic’: Little People and Deep Time at the Fin De Siècle Emily Fergus Submitted for MPhil Degree 2019 Birkbeck, University of London 2 I, Emily Fergus, confirm that all the work contained within this thesis is entirely my own. ___________________________________________________ 3 Abstract This thesis offers a new reading of how little people were presented in both fiction and non-fiction in the latter half of the nineteenth century. After the ‘discovery’ of African pygmies in the 1860s, little people became a powerful way of imaginatively connecting to an inconceivably distant past, and the place of humans within it. Little people in fin de siècle narratives have been commonly interpreted as atavistic, stunted warnings of biological reversion. I suggest that there are other readings available: by deploying two nineteenth-century anthropological theories – E. B. Tylor’s doctrine of ‘survivals’, and euhemerism, a model proposing that the mythology surrounding fairies was based on the existence of real ‘little people’ – they can also be read as positive symbols of the tenacity of the human spirit, and as offering access to a sacred, spiritual, or magic, world. -
The Gremlin: Transforming the Past's Failures 161 the Eagle Squadron, a Noted "Gremlinologist," Who Had Heard Many Such Tales and Was Beginning to Collect Them
The Gremlin: Transfor111ing the Past's Failures BRUCE A. ROSENBERG A MERICAN MOTORS CORPORATION entered the sub-compact field in 1970 with a sturdy little car it named the Gremlin. Its rear door-window (the hatch-back) descends so abruptly from the vehicle's roof that it gives it the appearance of having been cut off before it finished growing (or perhaps the way that Sir Yvain's horse was cut off at the hind quarter by the falling portcullis at the castle of Esclados the Red). The company it- self exploits the car's looks in television commercials which depict a snide and burly service-station attendant asking a pretty young driver about the "rest" of her car. But the ad concludes with the important message that though the car might have unorthodox looks it is economical to drive: the girl smugly and tauntingly hands her torrnentor a dollar bill for gas. What is most incongruous in all this, particularly for those people with clear memories of World War II, is the very name of the car, Gremlin. Historically this is the least likely name for a machine imaginable. But apparently not for the general public, and presumably not for the staff at American Motors which named the car several years ago. The company must have assumed, or conducted extensive field research which demonstrated, that car buyers would think of pixies, sprites, or other varieties of the "wee folk" when they heard the name Gremlin. The name conjures up an image of a small, compact creature (verymuch like the car), who is harmless, playful, and whimsical, perhaps something like the Celtic elf who sells the breakfast cereal, "Lucky Charms." When they first became known to Americans in 1942 (Gremlins had already made the acquaintance of the R.A.F.), they were the subject of several articles in leading magazines, and their diminutive stature was usually featured. -
The Traveling Gnome Project
The Traveling Gnome Project There is Gnome place home! • Choose a city anywhere in the world • Find a famous structure within that city…preferably something recognizable. • Find a reference of that building • Draw it 3 times (PRACTICE) (one day) • Draw the gnome 3 times (one day) Gnomes are commonly misunda-stood! An Abbreviated History of Garden Gnomes Garden gnomes occupy that same odd niche shared by lawn flamingos and circus- animal topiary; the ultra-kitschy, flamboyant and just-a-little-ridiculous decorations that came to prominence in American suburbs throughout the 1960′s and then latched tenaciously onto our cultural sub consciousness. But unlike flamingos and topiary, gnomes have a long and storied history of folklore and myth to draw upon. Gnomes have been a part of western culture since at least the 16th century with the early writings of Swiss-born alchemist Paracelsus. For many of us, though, our knowledge of the history of garden gnomes really only extends back as far as that one Travelocity commercial. Which is unfortunate, really, because garden gnomes are really the “great grandfathers” of campy garden decor. Theirs is a long and storied history, and a fascinating one to read about. http://www.patioproductions.com/blog/fascinating-stuff/history-of-garden-gnomes/ Back when the Brothers Grimm were traversing the German countryside recording the “volksmarchen” (folk tales) of the country’s rural regions, gnomes were often viewed as spritely, happy-go-lucky garden workers. They helped plants grow, and facilitated harmony between the flora and the fauna of meadows and vegetable patches alike. -
Land of Faerie: the Disappearing Myth
Volume 5 Number 2 Article 1 10-15-1978 Land of Faerie: The Disappearing Myth Caroline Geer Follow this and additional works at: https://dc.swosu.edu/mythlore Part of the Children's and Young Adult Literature Commons Recommended Citation Geer, Caroline (1978) "Land of Faerie: The Disappearing Myth," Mythlore: A Journal of J.R.R. Tolkien, C.S. Lewis, Charles Williams, and Mythopoeic Literature: Vol. 5 : No. 2 , Article 1. Available at: https://dc.swosu.edu/mythlore/vol5/iss2/1 This Article is brought to you for free and open access by the Mythopoeic Society at SWOSU Digital Commons. It has been accepted for inclusion in Mythlore: A Journal of J.R.R. Tolkien, C.S. Lewis, Charles Williams, and Mythopoeic Literature by an authorized editor of SWOSU Digital Commons. An ADA compliant document is available upon request. For more information, please contact [email protected]. To join the Mythopoeic Society go to: http://www.mythsoc.org/join.htm Mythcon 51: A VIRTUAL “HALFLING” MYTHCON July 31 - August 1, 2021 (Saturday and Sunday) http://www.mythsoc.org/mythcon/mythcon-51.htm Mythcon 52: The Mythic, the Fantastic, and the Alien Albuquerque, New Mexico; July 29 - August 1, 2022 http://www.mythsoc.org/mythcon/mythcon-52.htm Abstract Discusses various theories for the origins of fairies (and tales about them) in myth, history, and religion. Additional Keywords Faerie—Origins; Fairy tales—Origins; Fairy tales—Relation to Myth; Bonnie GoodKnight This article is available in Mythlore: A Journal of J.R.R. Tolkien, C.S. Lewis, Charles Williams, and Mythopoeic Literature: https://dc.swosu.edu/mythlore/vol5/iss2/1 LAND OF FAERIE: THE DISAPPEARING MYTH by Caroline Geer So an age ended, and its last deliverer died Tolkien, however, asserts that "history often resembles In bed, grown idle and unhappy; they were safe: 'myth,' because they are both ultim ately of the same stuff. -
Arkan Sonney (Erkin Sonna)
.. Arkan Sonney (erkin sonna) Easter Fairy The Arkan Sonney or ‘Lucky Piggy’ Easter fairies gather in spring to is the name given to the Fairy Pig of harvest the eggs which the hares decorate The isle of Man. It is believed to at the time of the Spring Equinox bring luck and can alter it’s size to present as symbols of fertility to but not it’s shape. Oestre, the pagan goddess after which Easter is named. They can be easily caught Draig at this time of year as overeating Draig is very fond of treasure chocolate greatly reduces their agility! and maidens, especially princesses. He has fiery breath, a sting in his tail and can stay asleep for up to 25 years . Urban Fairy We cannot be sure how long your young Urban fairies congregate in vacant lots and Draig has been subways where they find many of the objects snoozing, so beware! carelessly discarded by people very useful for decorating their homes. Cluricaune Cluricaunes dwell in wine cellars and make themselves objectionable Australian Bunyip Babies by unnerving those who come for the As we have not yet seen one we have not been able to confirm the wine. Sometimes the owners have been appearance of these elusive characters, but our sources suggest that known to move away to escape these they may look a bit like this! troublesome sprites. This little chap was found in Bunyips inhabit inland waterways one such abandoned cellar. especially waterholes in dried up river beds in outback Australia. They are Will O’ the Wisp notoriously fond of Billabongs where, for countless generations they have Will O’ Wisp or lurked, frightening the native people Ignis Fatus (the foolish fire), as they come to fetch water. -
Elemental Magic: All-New Tales of the Elemental Masters Free Ebook
FREEELEMENTAL MAGIC: ALL-NEW TALES OF THE ELEMENTAL MASTERS EBOOK Mercedes Lackey | 320 pages | 04 Dec 2012 | Penguin Putnam Inc | 9780756407872 | English | New York, United States Elementary: All-New Tales of the Elemental Masters This collection of short stories is a combination of new tales in Mercedes Lackey's Elemental Masters world, with a weird injection of some authors who have no idea what the Elements should be like. "Fire-Water" by Samuel Conway brings a fishhawk to a rabbit to stop a small war. Among Mercedes Lackey’s many novels, few are as critically acclaimed and beloved as those about the Elemental Masters. The novels in this series are loosely based on classic fairy tales, and take place in a fantasy version of turn-of-the-century London, where magic is real and Elemental Masters control the powers of Fire, Water, Air, and Earth. Among Mercedes Lackey's many novels, few are as critically acclaimed and beloved as those about the Elemental Masters. The novels in this series are loosely based on classic fairy tales, and take place in a fantasy version of turn- of-the-century London, where magic is real and Elemental Masters control the powers of Fire, Water, Air, and Earth. Elemental Masters Series Among Mercedes Lackey’s many novels, few are as critically acclaimed and beloved as those about the Elemental Masters. The novels in this series are loosely based on classic fairy tales, and take place in a fantasy version of turn-of-the-century London, where magic is real and Elemental Masters control the powers of Fire, Water, Air, and Earth. -
Fairy Trail Booklet
FAIRY TRAIL www.bunrattycastle.ie NCE UPON A TIME.. There was a fairy called Éirinn, who was a good fairy, and lived mostly in the woods. Her best friend was Seán the Pixie, who liked to get himself into mischief. O One day Seán decided to play a trick on Éirinn by taking her fairy wings and hiding them somewhere in the park. The fairies request the help of _________________________ to help find Éirinn’s fairy wings. INTRODUCTION INSTRUCTIONS THE CLUES We need you and your friends to help the fairies 1. Follow the directions and map around the grounds find their missing fairy wings. By following the clues of the park to discover the clues. and directions, you should be able to uncover the hidden location of the fairy wings. Along the way, 2. The information panels can be found throughout you will need to locate the information panels at the grounds, around the park. Each panel contains various points, answer a question and then finally information about fairies and their friends. decipher the answer. 3. Match up each marker with the clue found within the booklet, answer the question, then enter your correct answer on the back page. TO START THE TRAIL Your start point is at the Music Shop. Please ensure you have suitable footwear and clothing before starting. The fairies request the help of _________________________ Remember that you are responsible for the safety of yourself and others in your group, whilst on the trail. Please to help find Éirinn’s fairy wings. respect the privacy and property of others.