NICHOLAS RUDDICK: Publications (March 2015)
1. Books as Author
(In press) Science Fiction Adapted to Film. Canterbury, UK: Gylphi Limited.
The Fire in the Stone: Prehistoric Fiction from Charles Darwin to Jean M. Auel. [Early Classics of Science Fiction.] Middletown, CT: Wesleyan University Press, 2009. xx + 266 pp.
Ultimate Island: On the Nature of British Science Fiction. Westport, CT and London: Greenwood Press, 1993. xi + 202 pp.
British Science Fiction: A Chronology, 1478-1990. New York, Westport, CT and London: Greenwood Press, 1992. xxvi + 250 pp.
Christopher Priest. [Starmont Reader’s Guide #50.] Mercer Island, WA: Starmont House, 1989. x + 104 pp. [From 1993 distributed by Borgo Press, San Bernardino, CA.]
2. Books as Editor
The Call of the Wild. By Jack London. 1903. [Broadview Editions.] Peterborough, ON and Buffalo, NY: Broadview Press, 2009. 213 pp.
The Woman Who Did. By Grant Allen. 1895. [Broadview Editions.] Peterborough, ON and Orchard Park, NY: Broadview Press, 2004. 238 pp.
Caesar’s Column: A Story of the Twentieth Century. By Ignatius Donnelly. 1890. [Early Classics of Science Fiction.] Middletown, CT: Wesleyan University Press, 2003. lvii + 278 pp.
The Time Machine: An Invention. By H.G. Wells. 1895. [Broadview Literary Texts.] Peterborough, ON and Orchard Park, NY: Broadview Press, 2001. 294 pp.
State of the Fantastic: Studies in the Theory and Practice of Fantastic Literature and Film. [Selected Essays from the Eleventh International Conference on the Fantastic in the Arts, 1990]. Westport, CT and London: Greenwood Press, 1992. xvi + 210 pp.
3. Guest Edition of Scholarly Journal
Doris Lessing Special Issue of Journal of the Fantastic in the Arts 2.3 (Fall 1989). [Includes “Introduction,” pp. 2-4].
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4. Chapters and Parts of Books
“Embodiment Problems: Adapting Solaris to Film.” In Peter Swirski and Waclaw M. Osadnik, eds., Lemography: Stanislaw Lem in the Eyes of the World. Liverpool: Liverpool University Press, 2014. 65-92.
“‘Tell Us All about Little Rosebery’: Topicality and Temporality in H.G. Wells’s The Time Machine.” Reprint of 2001 journal article, with a new afterword. In Vintage Visions: Essays on Early Science Fiction. Ed. Arthur B. Evans. Middletown, CT: Wesleyan University Press, 2014. 217-39.
“Descent Ramp: Revisiting J.G. Ballard’s Crash and Its Film Adaptation by David Cronenberg.” In Science Fiction across Media: Adaptation/Novelization. Eds. Thomas Van Parys and I.Q. Hunter. Canterbury, UK: Gylphi Limited, 2013. 135-50.
“Back to the Filthy Workshop: ‘Faithful’ Film Adaptations of Mary Shelley’s Frankenstein.” In Parabolas of Science Fiction. Eds. Brian Attebery and Veronica Hollinger. Middletown, CT: Wesleyan University Press, 2013. 180-201.
“Adapting the Absurd Apocalypse: Eugene Burdick’s and Harvey Wheeler’s Fail-Safe and Its Cinematic Progeny.” In Future Wars: The Anticipations and the Fears. Ed. David Seed. Liverpool: Liverpool University Press, 2012. 161-79.
“Science Fiction.” In The Encyclopedia of Twentieth-Century Fiction: Vol. 1: Twentieth-Century British and Irish Fiction. Ed. Brian W. Shaffer. Malden, MA: Wiley-Blackwell, 2011. 332-36.
“Living in Fictitious Times: Michael Moore’s Awful Truth about America.” In I Sing the Body Politic: History as Prophecy in Contemporary American Literature. Ed. Peter Swirski. Montréal and Kingston, ON: McGill-Queen’s University Press, 2009. 149-81.
“Teaching Wilde’s Fairy Tales: Aestheticism as Social and Cultural Critique in ‘The Happy Prince’ and ‘The Nightingale and the Rose.’” In Approaches to Teaching the Works of Oscar Wilde. Ed. Philip E. Smith II. New York: Modern Language Association of America, 2008. 93-99.
“Quiebras en el devenir del tiempo: unión y desunión en los ciclos de relatos de Keith Roberts (segunda parte).” Trad. Luis G. Prado. In Jabberwock 2: Anuario de ensayo fantástico. Eds. Arturo Villarrubia and Alberto García-Teresa. Madrid: Bibliópolis, 2007. 51-68. Translation into Spanish of second of three journal articles published in 1989-90.
“The Fantastic Fiction of the Fin de Siècle.” In The Cambridge Companion to the Fin de Siècle. Ed. Gail Marshall. Cambridge: Cambridge University Press, 2007. 189-206.
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“The Search for a Quantum Ethics: Michael Frayn’s Copenhagen and Other Recent British Science Plays.” Anatomy of Science Fiction. Ed. Donald E. Morse. Newcastle-on-Tyne, UK: Cambridge Scholars Press, 2006. 109-23. See journal articles.
“1987: The Handmaid’s Tale – Margaret Atwood: Twisted Sister at the Royal Danish Theatre.” In The Arthur C. Clarke Award: A Critical Anthology. Ed. Paul Kincaid with Andrew M. Butler. Preface by Neil Gaiman. Daventry, UK: Serendip Foundation, 2006. 17-29.
“Quiebras en el devenir del tiempo: unión y desunión en los ciclos de relatos de Keith Roberts (primera parte).” Trad. Luis G. Prado. In Jabberwock 1: anuario de ensayo fantástico. Ed. Arturo Villarrubia. Madrid: Bibliópolis, 2005. 181-207. Translation into Spanish of first of three journal articles published in 1989-90.
“Reticence and Ostentation in Christopher Priest’s Later Novels: The Quiet Woman and The Prestige.” In Christopher Priest: The Interaction. Ed. Andrew M. Butler. London: The Science Fiction Foundation, 2005. 79-96.
“‘The Peculiar Quality of My Genius’: Degeneration, Decadence, and Dorian Gray in 1890-91.” In Oscar Wilde: The Man, His Writings, and His World. Ed. Robert N. Keane. New York: AMS Press, 2003. 125-37.
“Another Key to Bluebeard’s Chamber: Ideal and Fundamentalist Masculinity in the Literature of Fantasy.” In Images of Masculinity in Fantasy Literature. Eds. Susanne Fendler and Ulrike Horstmann. [Studies in Comparative Literature, Vol. 57.] Lewiston, NY, Queenston, ON, and Lampeter, UK: Edwin Mellen Press, 2003. 1-17.
“Ballard/Crash/Baudrillard.” In Jean Baudrillard. Ed. Mike Gane. 4 vols. Thousand Oaks, CA and London: Sage, 2000. 12-19.
“Grant Allen.” In British Science Fiction and Fantasy Writers Before World War I. Dictionary of Literary Biography. Vol. 178. Ed. Darren Harris-Fain. Detroit, Washington, DC and London: Gale, 1997. 7-16.
“The Brood of Mary: Brian Aldiss, Frankenstein, and Science Fiction.” In The Dark Fantastic: Selected Essays from the Ninth International Conference on the Fantastic in the Arts. Ed. C.W. Sullivan III. Westport, CT and London: Greenwood Press, 1997. 77-84.
“Introduction: Learning to Resist the Wolf.” In State of the Fantastic: Studies in the Theory and Practice of Fantastic Literature and Film. [Selected Essays from the Eleventh International Conference on the Fantastic in the Arts, 1990]. Ed. Nicholas Ruddick. Westport, CT and London: Greenwood Press, 1992. xiii-xvi.
“The Brood of Mary: Brian Aldiss, Frankenstein, and Science Fiction.” In Bury My Heart at W.H. Smith’s: A Writing Life. By Brian Aldiss. London: Hodder and Stoughton, 1990: 209-21.
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5. Journal Articles
“Courtship with a Club: Wife-Capture in Prehistoric Fiction, 1865-1914.” Yearbook of English Studies 37.2 (2007): 45-63.
“Sexual Paradise Regained? C.J. Cutcliffe Hyne’s New Eden Project.” Foundation: The International Review of Science Fiction 98 (Autumn 2006): 74-84.
“‘Not So Very Blue, after All’: Resisting the Temptation to Correct Charles Perrault’s ‘Bluebeard.’” Journal of the Fantastic in the Arts 15.4 (Winter 2004): 346-57.
“The Ripper Naturalized : Gynecidal Mania in Tolstoy’s The Kreutzer Sonata and Zola’s La Bête Humaine.” Excavatio: International Review for Multidisciplinary Approaches and Comparative Studies Related to Emile Zola and His Time 14.1-2 (2001): 181-93.
“‘Tell Us All about Little Rosebery’: Topicality and Temporality in H.G. Wells’s The Time Machine.” Science Fiction Studies 28.3 (November 2001): 337-54.
“The Search for a Quantum Ethics: Michael Frayn’s Copenhagen and Other Recent British Science Plays.” Journal of the Fantastic in the Arts 11.4 (2001): 415-31. Reprinted by arrangement of the editors.
“The Search for a Quantum Ethics: Michael Frayn’s Copenhagen and Other Recent British Science Plays.” Hungarian Journal of English and American Studies 6.1 (Spring 2000): 119-37. Reprinted in Drama Criticism, ed. Jelena O. Krstovic. Vol. 27. Detroit: Gale, 2006. 119-137.
“Nellie Bly, Jules Verne, and the World on the Threshold of the American Age.” Canadian Review of American Studies 29.1 (1999): 1-11. Reprinted in Children’s Literature Review, ed. Scot Peacock. Vol. 88. Detroit: Gale, 2003. 1-11.
“Life and Death by Electricity in 1890: The Transfiguration of William Kemmler.” Journal of American Culture 21.4 (Winter 1998): 79-87.
“Putting the Bits together: Information Theory, Neuromancer, and Science Fiction.” Journal of the Fantastic in the Arts 3.3/4 (1994): 84-92.
“Ballard/Crash/Baudrillard.” Science-Fiction Studies 19.3 (November 1992): 354-60. Reprinted in Contemporary Literary Criticism Select. Detroit: Gale. 354-360.
“Is There Any British Science Fiction? A Serious Inquiry.” New York Review of Science Fiction 40 (December 1991): 1, 8-11.
“Flaws in the Timestream: Unity and Disunity in Keith Roberts’s Story-Cycles: Conclusion.” Foundation 47 (Winter 1989/90): 33-42.
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“Flaws in the Timestream: Unity and Disunity in Keith Roberts’s Story-Cycles: Part Two.” Foundation 46 (Autumn 1989): 14-26. Translated into Spanish 2007.
“Flaws in the Timestream: Unity and Disunity in Keith Roberts’s Story-Cycles.” Foundation 45 (Spring 1989): 38-49. Translated into Spanish 2005.
“Keeping the Torch Burning: An Interview with Doris Lessing.” Wascana Review 23.2 (Fall 1988): 3-13. Reprinted in Wascana Review of Contemporary Poetry and Short Fiction: [Thirty Year Retrospective: 1966-1996] 32.2 (Spring 1997): 126-35.
“Philip Larkin’s ‘High Windows’.” Explicator 46.4 (Summer 1988): 41-43.
“Deep Waters: The Significance of the Deluge in Science Fiction.” Foundation 42 (Spring 1988): 49-59.
“Out of the Gernsbackian Slime: Christopher Priest’s Abandonment of Science Fiction.” Modern Fiction Studies 32.1 (Spring 1986): 43-52.
“A New Historiography of the Self: Robert Lowell’s History as History.” Wascana Review 20.2 (Fall 1985): 3-15.
“The World Turned inside out: Decoding Arthur C. Clarke’s Rendezvous with Rama.” Science- Fiction Studies 12.1 (March 1985): 42-50. Reprinted in Children’s Literature Review, ed. Tom Burns. Vol. 119. Detroit: Gale, 2006. 42-49.
“The Hoax of the Red Death: Poe as Allegorist.” Sphinx 4.4 (1985): 268-76.
“‘Synaesthesia’ in Emily Dickinson’s Poetry.” Poetics Today 5.1 (1984): 59-78.
“W. H. Auden’s ‘Lady Weeping at the Crossroads’.” Explicator 42 (Spring 1984): 54-56.
“Emily Dickinson’s ‘Banish Air from Air’.” Explicator 40 (Summer 1982): 31-33.
“The Meaning and Significance of Synaesthesia as a Literary Device.” Proceedings of the Linguistic Circle of Manitoba and North Dakota 21 (1982): 26-28.
“‘The Color of a Queen, is this—’: The Significance of Purple in Emily Dickinson’s Poetry.” Massachusetts Studies in English VII/VIII (1981): 88-98.
6. Review Articles
“Unheimlich Maneuvers.” Science Fiction Studies 40.1 (March 2013): 157-62.
“An Unsuitable Memorial: Stover’s Edition of H.G. Wells’s Things to Come.” Science Fiction Studies 35.1 (March 2008): 121-26.
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“Annotations, Appendices, Adaptations: Recent Work on H.G. Wells’s Scientific Romances.” Science Fiction Studies 32.2 (July 2005): 316-22.
“The Aesthetics of Descent: Recent Books on Nineteenth-Century Decadence.” Science Fiction Studies 27.3 (November 2000): 478-84.
“Falling between Two Walls: Luckhurst’s The Fiction of J.G. Ballard.” Science-Fiction Studies 24.3 (November 1997): 483-88.
“Breaking out of the SF Box: Recent Studies of James Blish and Ursula K. LeGuin.” Canadian Review of American Studies 21.1 (Summer 1990): 101-06.
7. Short Entries in Reference Works
“Ross King.” Saskatchewan Writers: Lives Past and Present. Ed. Heather Hodgson. Regina: CPRC, 2004. 126.
“Aubade” by Philip Larkin. Masterplots II: Poetry Series, Revised Edition. Ed. Philip K. Jason. Pasadena, CA: Salem Press, 2002. 273-75.
“The Time Machine” by H.G. Wells. Magill’s Guide to Science Fiction and Fantasy Literature. Vol. 4. Englewood Cliffs, NJ: Salem Press, 1996. 938-40.
“J.G. Ballard.” Twentieth-Century Science-Fiction Writers, 3rd edition. Eds. Noelle Watson and Paul E. Schellinger. Chicago: St. James Press, 1991. 29-30.
“Iain M. Banks.” Twentieth-Century Science-Fiction Writers, 3rd. edition. Eds. Noelle Watson and Paul E. Schellinger. Chicago: St. James Press, 1991. 31-32.
8. Reviews
of Brian Boyd, On the Origin of Stories: Evolution, Cognition, and Fiction, in Arcadia: International Journal of Literary Culture [Berlin] 47.1 (July 2012): 206-10.
of James de Mille, A Strange Manuscript Found in a Copper Cylinder (1888), ed. Daniel Burgoyne, in Science Fiction Studies 39.2 (July 2012): 333-36.
of Honoré de Balzac (as “Horace de Saint-Aubin”), The Centenarian: or, The Two Beringhelds (1822), trans. and eds. Danièle Chatelain and George Slusser, in Science Fiction Studies 36.2 (July 2009): 350-52.
of H.G. Wells, Star Begotten: A Biological Fantasia, ed. John Huntington, in Journal of the Fantastic in the Arts 17.4 (Winter 2007): 398-401.
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of Paul K. Alkon, Winston Churchill’s Imagination, in Science Fiction Studies 34.3 (November 2007): 489-92.
of John S. Partington, Building Cosmopolis: The Political Thought of H.G. Wells, in Science Fiction Studies 33.3 (November 2006): 541-43.
of Peter Fitting, ed., Subterranean Worlds: A Critical Anthology, in Utopian Studies 17.1 (2006): 228-31.
of Martin Horstkotte, The Postmodern Fantastic in Contemporary British Fiction, in Journal of the Fantastic in the Arts 16.1 (2005): 75-78.
of W. Warren Wagar, H.G. Wells: Traversing Time, in Journal of the Fantastic in the Arts 15.2 (Spring 2005): 179-81. of George Slusser, Patrick Parrinder, and Danièle Chatelain, eds., H.G. Wells’s Perennial TIME MACHINE, in Science Fiction Studies 29.2 (July 2002): 291-93.
of Edmund J. Smyth, ed. Jules Verne: Narratives of Modernity, in Utopian Studies 12.2 (2001): 387-89.
of Karen Sayer and John Moore, eds., Science Fiction, Critical Frontiers, in Utopian Studies 12.1 (2001): 248-50.
of Edgar L. Chapman, The Road to Castle Mount: The Science Fiction of Robert Silverberg, in Utopian Studies 12.1 (2001): 160-61.
of Eric Jacobs, Kingsley Amis: A Biography, in Science Fiction Studies 26.1 (March 1999): 129-30.
—of Robin Anne Reid, Arthur C. Clarke: A Critical Companion, in Science-Fiction Studies 25.2 (1997): 384-85.
—of John Clute, Science Fiction: The Illustrated Encyclopedia, in Utopian Studies 7.2 (1997): 241-43.
—of Robert A. Latham and Robert A. Collins, eds., Modes of the Fantastic: Selected Essays from the Twelfth International Conference of the Fantastic in the Arts, in Science-Fiction Studies 23 (1996): 295-96.
—of George Slusser and Eric Rabkin, eds., Fights of Fancy: Armed Conflict in Science Fiction and Fantasy, in Utopian Studies 5.2 (1994): 187-88.
—of Geoff Ryman, The Child Garden, in Science Fiction and Fantasy Book Review Annual 1991, eds. Robert A. Collins and Robert Latham. Westport, CT and London: Greenwood Press, 1994. 499-500.
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—of Philip Harbottle and Stephen Holland, Vultures of the Void: A History of British Science Fiction Publishing, 1946-1956, in Science-Fiction Studies 20.2 (July 1993): 283-84.
—of J.R. Hammond, H.G. Wells and the Short Story, in SFRA Review 203 (January/February 1993): 46-47.
—of Valerie Myers, George Orwell, in SFRA Review 201 (November 1992): 35-36.
—of David Ketterer, Canadian Science Fiction and Fantasy, in SFRA Review 199 (July/August 1992): 44-46
—of Kingsley Amis, Memoirs, in SFRA Review 198 (June 1992): 22-23.
—of Gregory Stephenson, Out of the Night and Into the Dream: A Thematic Study of the Fiction of J.G. Ballard, in SFRA Review 196 (April 1992), 46-47.
—of Norman Etherington, ed., The Annotated SHE: A Critical Edition of H. Rider Haggard’s Victorian Romance, in SFRA Review 195 (March 1992), 31-33.
—of John J. Stinson, Anthony Burgess Revisited, in SFRA Newsletter 190 (September 1991): 60- 61.
of Jean Pickering, Understanding Doris Lessing, in SFRA Newsletter 188 (June 1991): 29-30. Reprinted in Science Fiction and Fantasy Book Review Annual 1991, eds. Robert A. Collins and Robert Latham. Westport, CT and London: Greenwood Press, 1994. 757-58.
—of Sebastian D.G. Knowles, A Purgatorial Flame: Seven British Writers in the Second World War, in SFRA Newsletter 187 (May 1991): 29-30. Reprinted in Science Fiction and Fantasy Book Review Annual 1991, eds. Robert A. Collins and Robert Latham. Westport, CT and London: Greenwood Press, 1994. 718-19.
—of Florence S. Boos and Carole G. Silver, eds. Socialism and the Literary Artistry of William Morris, in SFRA Newsletter 186 (April 1991): 18-19. Reprinted in Science Fiction and Fantasy Book Review Annual 1991, eds. Robert A. Collins and Robert Latham. Westport, CT and London: Greenwood Press, 1994. 640.
—of Brian Aldiss, Last Orders, in SFRA Newsletter 184 (January/February 1991): 46-48.
—of D.G. Compton, Scudder’s Game and Radio Plays, in SFRA Newsletter 170 (September 1989): 28-30. Reprinted in Science Fiction and Fantasy Book Review Annual 1989, eds. Robert A. Collins and Robert Latham. Westport and London: Meckler, 1990. 226-27.
—of Ian McDonald, Out on Blue Six, in SFRA Newsletter 169 (July/August 1989): 49-50.
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—of Ian McDonald, Empire Dreams and Desolation Road, in SFRA Newsletter 164 (January/February 1989): 26-27. Reprinted in Science Fiction and Fantasy Book Review Annual 1989, eds. Robert A. Collins and Robert Latham. Westport, CT and London: Meckler, 1990. 341-42.
—of George Zebrowski, ed., The Nebula Awards 22, in SFRA Newsletter 160 (September 1988): 43-45. Reprinted in Science Fiction and Fantasy Book Review Annual 1989, eds. Robert A. Collins and Robert Latham. Westport, CT and London: Meckler, 1990. 460-61.
—of Christopher Wiseman, Postcards Home: Poems New and Selected, in Wascana Review 23.1 (Spring 1988): 99-102.
—of Russell Hoban, The Medusa Frequency, in IAFA Newsletter 1.3 (Spring 1988): 31-32. Reprinted in Science Fiction and Fantasy Book Review Annual 1989, eds. Robert A. Collins and Robert Latham. Westport, CT and London: Meckler, 1988. 211-12.
—of Robert Crossley, ed., Talking Across the World: The Love Letters of Olaf Stapledon and Agnes Miller, 1913-1919, in SFRA Newsletter 156 (March 1988): 15-16. Reprinted in Science Fiction and Fantasy Book Review Annual 1989, eds. Robert A. Collins and Robert Latham. Westport, CT and London: Meckler, 1988. 399-400.
—of Ruth B. Bottigheimer, Grimms’ Bad Girls and Bold Boys: The Moral and Social Vision of the Tales, in SFRA Newsletter 156 (March 1988): 12-13. Reprinted in Science Fiction and Fantasy Book Review Annual 1989, eds. Robert A. Collins and Robert Latham. Westport, CT and London: Meckler, 1988. 387-88.
—of Barrington J. Bayley, The Rod of Light, in SFRA Newsletter 153 (November/December 1987): 24. Reprinted in Science Fiction and Fantasy Book Review Annual 1989, eds. Robert A. Collins and Robert Latham. Westport, CT and London: Meckler, 1988. 93-4.
—of Brian W. Aldiss, The Year Before Yesterday, in Fantasy Review 103 (July/August 1987): 37. Reprinted in Science Fiction and Fantasy Book Review Annual 1989, eds. Robert A. Collins and Robert Latham. Westport, CT and London: Meckler, 1988. 81.
9. Miscellania
[Forthcoming] “Public Libraries: A Very Short Personal History.” Chapter in anthology to commemorate 100 years of the Regina Public Library. Regina: CPRC.
“‘Did you think God had exempted Weybridge?’: Spatiotemporal Dislocation in Film Adaptations of H.G. Wells’s The War of the Worlds,” Humanities Research Institute (University of Regina) Research Showcase (March 2011): http://www.humanitiesresearch.org/2011/03/did-you-think-god-had-exempted- weybridge-spatiotemporal-dislocation-in-film-adaptations-of-h-g-wellss-the-war-of-the- worlds/
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“Reflection: ‘We Perish—tho’ We reign—’,” Emily Dickinson International Society Bulletin 21.2 (November/December 2009): 32.
“Jules Verne and the Fossil Man Controversy: An Addendum to Allen A. Debus,” Science Fiction Studies 34.1 (March 2007): 156-58.
“Roundtable on SF Criticism” (with Brian Aldiss, et al.), Science Fiction Studies 33.3 (November 2006): 399.
“A Grotesque Romance,” program notes for a new dramatic production of The Invisible Man based on the novel by H.G. Wells, opened May 2006 at the Shaw Festival Theatre, Niagara-on-the-Lake, Ontario.
“Jules Verne Roundtable” (with James Gunn, I.F. Clarke, Paul Alkon, Carl Freedman, Roger Bozzetto, Jean-Michel Margot, Franz Rottensteiner, and Mark Bould), Science Fiction Studies 32.1 (March 2005): 175-76.
“A Response to Brian Aldiss.” Science Fiction Studies 26.3 (November 1999): 513.
Endnotes to Ursula K. Le Guin’s “The Ones Who Walk away from Omelas,” and Edgar Allan Poe’s “The Cask of Amontillado” in The Wascana Anthology of Short Fiction. Eds. Ken Mitchell, Thomas Chase, and Michael Trussler. Regina: Canadian Plains Research Centre, 1999. 277, 376-77.
“Thirteen Ways of Looking at Two Black Birds: A Critical Fiction Based on ‘The Twa Corbies.’” Bestia 2 (May 1990): 41-48.
“King of the Beasts: A Fable.” In When Wolves Were Lords and Other Great Canadian Fables. Ed. Allan Sheldon. Medicine Hat: Aesopress, 1990: 27-31.
10. Other
Report, “English Professor Gives Lecture Series in China,” on lecture tour to Xiamen University of Technology, Arts and Minds (University of Regina Faculty of Arts Newsletter) 2 (September 2007): 13.
“Sci-Fi Resources at the U. of R.” Spintrian [Magazine of the Speculative Fiction Society of the University of Regina] 1 (January 1988): 5.
11. Published Interviews with Nicholas Ruddick
Interview with Ruth Graham, Ideas section, Boston Globe newspaper, Boston, MA, on the culture’s fascination with Neanderthals, 2 February 2015, extracts published as Ruth
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Graham, “Our Lost Cousins, the Neanderthals,” Boston Globe (13 February 2015), http://www.bostonglobe.com/ideas/2015/02/13/our-lost-cousins- neanderthals/O2cSNRBhPjcJYl76EoDAxK/story.html
Jonathan McCalmont, “Interview: Nicholas Ruddick, Author of The Fire in the Stone: Prehistoric Fiction from Charles Darwin to Jean M. Auel,” Foundation: The International Review of Science Fiction 39 (Summer 2010): 18-26.
Interview on adaptations, excerpted in Kara Vincent, “The Good, the Bad, and the Unwatchable: U of R English Faculty Share Their Take on Novel-to-Film Adaptations,” Arts and Minds (November-December 2010) http://www.arts.uregina.ca/general-public/arts- minds/november/december-2010/the-good-the-bad-and-the-unwatchable-u-r-english-fa
Gregory Beatty, “Romancing the Stone Age: Ruddick Reveals the Relevance of Prehistoric Fiction,” prairie dog 7-20 May 2009: 13.
John J. Miller, “Roast Duck with Mango Salsa: Nicholas Ruddick on the Literature of Cavemen,” National Review Online, 1 May 2009 http://article.nationalreview.com/?q=YTE2ODBhOGZjNDkxYTAwZGI0YjY5ZjJhNThk MDMyODY=
Responses to questions by Theresa Seraphim, reporter with the Prince Albert Daily Herald, about fantasy literature and Tolkien, for feature article on the subject, June 2008, quoted in Theresa Seraphim, “Fantasy Literature’s Popularity Enduring: Genre’s Following Often Increases When World Conditions Are Tough: Professor,” Saturday Extra,” Prince Albert Daily Herald 12 July 2008: 11.
Participation in on-line publication, “Plath, Wilbur, and ‘Good Spirits,’” by Isabella Wai, The Richard Wilbur Forum, March 2008 http://www.arts.uwaterloo.ca/~tjconnol/wilburforum/plathsymposium.htm
Participation in on-line publication, “Of Beowulf and Beasts: A Round-Table Discussion, ” moderated by Isabella Wai, The Richard Wilbur Forum, February 2006 http://www.arts.uwaterloo.ca/~tjconnol/wilburforum/monsters.htm
Participation in on-line publication, “Tension between Nihilism and Pollyannaism: A Round- Table Discussion,” moderated by Isabella Wai, with Bruce Michelson, Michael Ross, Tristanne Connolly, and Richard Wilbur, The Richard Wilbur Forum 2005 http://www.arts.uwaterloo.ca/~tjconnol/wilburforum/discussion.htm
Two interviews with Dr. Isabella Wai, Auburn University, Auburn, AL, on poetic affinity between Emily Dickinson and Richard Wilbur, 3 and 6 August 2005, published online as “Dickinson’s Minimalism versus Wilbur’s Impasto: A Conversation with Nicholas Ruddick,” by Isabella Wai, The Richard Wilbur Forum 2005 http://www.arts.uwaterloo.ca/~tjconnol/wilburforum/ruddick.htm
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