Oscar Peterson and the Bassists Jam Mp3, Flac, Wma

Total Page:16

File Type:pdf, Size:1020Kb

Oscar Peterson and the Bassists Jam Mp3, Flac, Wma Oscar Peterson Oscar Peterson And The Bassists Jam mp3, flac, wma DOWNLOAD LINKS (Clickable) Genre: Jazz Album: Oscar Peterson And The Bassists Jam Country: Italy Released: 1980 Style: Bop, Swing MP3 version RAR size: 1847 mb FLAC version RAR size: 1696 mb WMA version RAR size: 1165 mb Rating: 4.7 Votes: 983 Other Formats: AUD DXD WAV MPC APE ASF VOX Tracklist A1 There Is No Greater Love A2 You Look Good To Me A3 People A4 Reunion Blues B1 Teach Me Tonight B2 Sweet Georgia Brown B3 Soft Winds Companies, etc. Recorded At – Montreux Jazz Festival Credits Bass – Niels Pedersen*, Ray Brown Piano – Oscar Peterson Producer – Norman Granz Other versions Category Artist Title (Format) Label Category Country Year Oscar Oscar Peterson Peterson And And The Bassists Pablo De Luxe Pablo Pablo De Luxe The Bassists Ray Brown, Niels 2308 213, Records, 2308 213, US 1977 Ray Brown, Pedersen* - 2308-213 Pablo Live 2308-213 Niels Montreux '77 Pedersen* (LP, Album) Oscar Peterson Oscar And The Bassists Peterson And Original Ray Brown, Niels The Bassists Jazz 00025218638326 Pedersen* - 00025218638326 Europe 2006 Ray Brown, Classics, Montreux '77 Niels Pablo Live (CD, Album, RE, Pedersen* RM) Oscar Peterson Oscar And The Bassists Peterson And Original Ray Brown, Niels OJCCD-383-2, The Bassists Jazz OJCCD-383-2, Pedersen* - Germany 1989 2308-213 Ray Brown, Classics, 2308-213 Montreux '77 Niels Pablo Live (CD, Album, RE, Pedersen* RM) Oscar Oscar Peterson Peterson And And The Bassists The Bassists Ray Brown, Niels MTF 1811 Pablo Live MTF 1811 Japan 1977 Ray Brown, Pedersen* - Niels Montreux '77 Pedersen* (LP, Album) Oscar Peterson Oscar And The Bassists Peterson And Original Ray Brown, Niels The Bassists Jazz D 29097, 2308-213 Pedersen* - D 29097, 2308-213 Australia 1989 Ray Brown, Classics, Montreux '77 Niels Pablo Live (CD, Album, RE, Pedersen* RM) Related Music albums to Oscar Peterson And The Bassists Jam by Oscar Peterson Oscar Peterson & Dizzy Gillespie - Oscar Peterson & Dizzy Gillespie Oscar Peterson + Stephane Grappelli + Joe Pass + Mickey Roker + Niels-Henning Ørsted Pedersen - Skol Oscar Peterson & Roy Eldridge - Oscar Peterson & Roy Eldridge Oscar Peterson - Digital At Montreux Oscar Peterson & Harry Edison - Oscar Peterson & Harry Edison Oscar Peterson And The Bassists Ray Brown, Niels Pedersen - Montreux '77 The Oscar Peterson Trio - The Trio The Oscar Peterson Four - If You Could See Me Now Oscar Peterson / Joe Pass - Oscar Peterson Et Joe Pass À La Salle Pleyel Oscar Peterson Trio - Oscar Peterson Trio + One.
Recommended publications
  • Jazz Publications and More
    19397 Guts 261-280: 5/12/09 2:55 PM Page 261 JAZZ PUBLICATIONS AND MORE Section Page No. Jazz Instruction (All Instruments) .......................................262 Jazz Play-Along® Series ......................................................267 ABRSM Jazz Program .........................................................272 Artist Transcriptions® ..........................................................274 The Real Book .....................................................................276 Jazz Fake Books ..................................................................277 Jazz Bible Series..................................................................278 Paperback Songs ................................................................278 Other Fake Books ................................................................279 Carta Manuscript Paper.......................................................280 Gig Guides...........................................................................280 19397 Guts 261-280: 5/12/09 2:56 PM Page 262 262 JAZZ PUBLICATIONS ALL INSTRUMENTS BLUES CONCEPTS FOR JAZZ INSTRUCTION JAM – IMPROVISATION 40 PROGRESSIONS A Comprehensive Guide ADVANCED BLUES AND GROOVES for Performing and Teach- ETUDES IN ALL ing TWELVE KEYS SIT IN AND SOLO WITH A PROFESSIONAL BLUES by Richard De Rosa by Jordon Ruwe BAND! Houston Publishing Houston Publishing by Ed Friedland Using his vast musical experi - Includes 12 advanced blues Bring your local blues jam ence and the axiom “know - etudes four-measure excerpts session home!
    [Show full text]
  • Wszystkie 2013
    29/12/2013 [ Radio RAM ] === THE CACTUS CHANNEL / Who Is Walt Druce? [HopeStreet (LP)] EX-FRIENDLY f/ Rich Medina / Journey Man (Jonno & Tommo remix) [People Are Looking At You (12")] ANTHONY JOSEPH & THE SPASM BAND / Griot (live) [Heavenly Sweetness (LP)] THE CACTUS CHANNEL / Laika [HopeStreet (LP)] J-BOOGIE'S DUBTRONIC SCIENCE f/ Rich Medina / Same Ol Thang [Om (LP)] DJ MITSU THE BEATS f/ Rich Medina / Do Right [Planetgroove (LP)] DA LATA f/ Rich Medina / Monkeys And Anvils [Agogo (LP)] NATH & MARTIN BROTHERS / Livingstone [Voodoo Funk/Honest Jon's (LP)] NATH & MARTIN BROTHERS / Livingstone (highlife) [Voodoo Funk/Honest Jon's (LP)] CHARLES MINGUS / II B.S. (RZA's Mingus Bounce remix) [Verve (LP)] GANG STARR / I'm The Man [Chrysalis (LP)] DONNY HATHAWAY / Sugar Lee [Atlantic (LP)] THE FUTURE SOUND / Star Struck (Caterpillar Style) [EastWest (LP)] KWEST THA MADD LAD / I Ain't The Herb [No Sleep (LP)] IKE & TINA TURNER / Cussin', Crying And Carryin' On [Unio Square (LP)] KWEST THA MADD LAD / Disk And Dat [American/BMG (LP)] DAS EFX / Here We Go [Eastwest (LP)] DENIECE WILLIAMS / How'd I Know That Love Would Slip Away [Sony BMG (LP)] BIZ MARKIE / Games [Groove Attack (12")] THE MIKE SAMMES SINGERS & THE TED TAYLOR ORGANSOUND / He Who Would Valient Be [Trunk (LP)] SOUNDSCI / Remedy [Crate Escape (EP)] YOUNG-HOLT UNLIMITED / Wah Wah Man [Rhino (LP)] SHOWBIZ & A.G. / Hard To Kill [London/Payday (LP)] LORD FINESSE & DJ MIKE SMOOTH / Baby, You Nasty [Wild Pitch (LP)] THE FUTURE SOUND / Jungle-O [EastWest (LP)] IDRIS MUHAMMAD / Crab Apple [Strictly Breaks (LP)] KWEST THA MADD LAD / Blasé Blah (Off That Head) [American/BMG (LP)] RUN-D.M.C.
    [Show full text]
  • Lionel Hompton # Jozz Fes'tivol '"?Iæfy O '- C) O
    { I !t i ; I I I i 1 I l Ë I I i I I i I Lionel Hompton # Jozz Fes'tivol '"?iÆFY o '- c) o =o- o ! p o C f ol o-- (I) Dr. lionel Hampton, producer *rJ assisted by Dr. lynn J. Skinner Welcome to the 3lst University of Idaho Lionel HamptonJazzÏestival! The Lionel HárirptonJazzEestivalhas become one of the greatest jzzzfestivals in the world. join Pleæe us in celebratin g a clæsically American art form - Iazz. At the Lionel HamptonJazzEestivalwe seek to enrich the lives of young people with this music - year after year. "GAtes" Keeps on Swingin' Lionel Hampton started his musicalcareer æ a drummer. Hamp wæ playing drums with Louie Armstrong and one night at the gig, Louie turned to Hamp and said, "Swing it Gates, Swing!" Hamp asked Louie what he meantand he said, "l'm calling you Gates because you swing like a gatel" From that point in time until this very day Hamp is known as "Gates" because of his incredible ability to "swing". The story came to Dr. Skinner directly from Hamp. 1 I Welcome to the 1998 Jazz Festival atthe University of Idaho - Moscow, Idaho! Page For more informoÌion concerning the Concert Schedule Lionel Homplon Jozz Feslivol, contoct: 5 Lionel Hampton School of MusicJøz Ensembles 11 Dr. Lynn J. Skinner, Execulive Direclor Welcome Letters 13 Lionel Homplon Jozz Feslivol Clinic Schedule t5 Lionel Hompton School of Music Lionel Hampton - Biography 17 Universify of ldoho Guest futist Biographies .......... 23 Moscow, ldoho 83844-4014 Adjudicator Biog*pfri.r .................. 53 (208)885-ó513 l208l88 5-67 65 Fox: Lionel HamptonJazz Festival Staff ,..
    [Show full text]
  • Peterson, Hampton, Jackson, Brown – Sultans of Swing
    PAG 4 PAG 1 PETERSON • HAMPTON N TO • JA JACKSON • BROWN P C M K A S H AN O SULTANS OF SWING • T S L N 1. Body and Soul (Johnny Green) 15:02 O N 2. Flying Home (Lionel Hampton, Benny Goodman) 3:19 U • 3. Honeysuckle Rose (Thomas Waller) 11:445 O F B 4. A Foggy Day (George Gershwin) 5:28 S S 5. Solo For Unaccompanied Bass (Ray Brown) 2.27 R 6. On Green Dolphin Street (Bronislaw Kaper) 7:32 R 7. Heartstrings (Milt Jackson) 5:44 O 8. Work Song (Nat Adderley) 7:31 E W 7:49 9. John Brown’s Body (Traditional) T 10. A Wonderful Guy (Richard Rodgers) 4:57 N 11. Reunion Blues (Milt Jackson) 7:24 E P 1, 3, 4: Lionel Hampton (vibraphone), Oscar Peterson 5: Ray Brown (bass). (piano), Ray Brown (bass), Buddy Rich (drums). Los Angeles, November 21, 1956. New York, September 12, 1954. 6-11: Oscar Peterson (piano), Milt Jackson (vibraphone), 2: The same, plus Herb Ellis (guitar). Ray Brown (bass), Ed Thigpen (drums). New York, April 13, 1954. New York, September 15 and 18, 1961. SELECTION: Luca Conti DESIGN: Silvano Belloni COVER PHOTOS: Ray Brown: Roberto Polillo Milt Jackson: Pino Ninfa S.I.A.E. MJCD 1375 Oscar Peterson: © Norman Granz © 2020 – 22PUBLISHING S.R.L. Lionel Hampton: © Atlantic MUSICAJAZZ.IT PAG 2 PAG 3 SULTANS OF SWING dei trasgressori e, dall’altro, l’impossibilità pratica lascerà testimonianza su un bel disco dal vivo a tà alla Count Basie di Lewis, quanto poteva – sulla di Luca Conti di organizzare incisioni dell’orchestra al completo.
    [Show full text]
  • Music 2016 ADDENDUM This Catalog Includes New Sheet Music, Songbooks, and Instructional Titles for 2016
    Music 2016 HAL LEONARD ADDENDUM This catalog includes new sheet music, songbooks, and instructional titles for 2016. Please be sure to see our separate catalogs for new releases in Recording and Live Sound as well as Accessories, Instruments and Gifts. See the back cover of this catalog for a complete list of all available Hal Leonard Catalogs. 1153278 Guts.indd 1 12/14/15 4:15 PM 2 TABLE OF CONTENTS Sheet Music .........................................................3 Piano .................................................................53 Musicians Institute ............................................86 Fake Books ........................................................4 E-Z Play Today ...................................................68 Guitar Publications ............................................87 Personality .........................................................7 Organ ................................................................69 Bass Publications ............................................102 Songwriter Collections .......................................21 Accordion..........................................................70 Folk Publications .............................................104 Mixed Folios ......................................................23 Instrumental Publications ..................................71 Vocal Publications .............................................48 Berklee Press ....................................................85 INDEX: Accordion..........................................................70
    [Show full text]
  • Sendung, Sendedatum
    WDR 3 Jazz & World, 13. November 2018 Jazz At The Philharmonic in Hamburg 1957 / Swing Klassiker 23:00-24:00 Stand: 12. 11.2018 E-Mail: [email protected] WDR JazzRadio: http://jazz.wdr.de Moderation: Lothar Jänichen Redaktion: Bernd Hoffmann 22:04-24:00 Laufplan 1. Night Train K: Duke Ellington 4:52 THE OSCAR PETERSON Verve 5340118; LC: 00383 TRIO CD: Night Train 2. How High The Moon K.: William Morgan Lewis/ Nancy Hamilton 7:38 OSCAR PETERSON TRIO NDR Archiv M817107100 Aufnahme vom 22.Mai 1957, Planten un Blomen, Festhalle, Hamburg 3. Joy Spring K.: Clifford Brown 5:45 OSCAR PETERSON TRIO wie Titel 2 4. Gypsy in my soul K.: Clay A. Boland/ Moe Jaffe 6:11 OSCAR PETERSON TRIO wie Titel 2 5. Pete pet pick K.: n.n. 4:23 OSCAR PETERSON wie Titel 2 TRIO/ROY ELDRIDGE/JO JONES 6. Undecided K.: Shavers/ Robin 4:09 OSCAR PETERSON wie Titel 2 TRIO/ROY ELDRIDGE/JO JONES 7. You got me singing the K.: Oscar Peterson 2:35 blues wie Titel 2 ELLA FITZGERALD & ENSEMBLE 8. Angel eyes K.: Dennis/ Brent 3:25 ELLA FITZGERALD & wie Titel 2 ENSEMBLE 9. Lullaby of Birdland K.: Shearing/ Foster 2:24 ELLA FITZGERALD & wie Titel 2 ENSEMBLE Dieses Manuskript ist ausschließlich zum persönlichen, privaten Gebrauch bestimmt. Jede weitere Vervielfältigung und Verbreitung bedarf der ausdrücklichen Genehmigung des WDR. 1 WDR 3 Jazz & World, 13. November 2018 Jazz At The Philharmonic in Hamburg 1957 / Swing Klassiker 23:00-24:00 Stand: 12. 11.2018 E-Mail: [email protected] WDR JazzRadio: http://jazz.wdr.de 10.
    [Show full text]
  • Aaron SACHS: Frank SACKENHEIM: Erna SACK: Fats SADI
    This discography is automatically generated by The JazzOmat Database System written by Thomas Wagner For private use only! ------------------------------------------ Aaron SACHS: "Clarinet & Co" Phil Sunkel, Bernie Glow -tp; Frank Rehak -tb; AARON SACHS -cl,ts; Gene Allen -bs; Nat Pierce - p; Aaron Bell -b; Osie Johnson -d; recorded February 18 and 21, 1957 in New York 33134 RONDO BLUES 3.45 Rama RLP 1004 33135 JUST SICK BLUES 2.54 --- 33136 BLUE SOPHISTICATE 4.02 --- 33137 CONVERSATION 2.39 --- 33138 MONA'S KIMONA 4.01 --- 33139 COUNTRYFIELD 3.46 --- 33140 WIGGINS 3.26 --- Aaron Sachs -cl,ts; Hal Overton -p; Jimmy Raney -g; Aaron Bell -b; Osie Johnson -d; recorded March 04, 1957 in New York 33141 GORME HAS HER DAY 3.07 --- 33142 I CAN'T BELIEVE 2.58 --- 33143 HAL'S LOFT 2.43 --- 33144 NANCY 3.22 --- ------------------------------------------ Frank SACKENHEIM: "WDR3:Jazz.Cologne" Frank Sackenheim Trio: Frank Sackenheim -ts; Henning Gailing -b; Jonas Burgwinkel -d; recorded July 10, 2005 in Funkhaus Wallrafplatz, Köln 77097 DEIN IST MEIN GANZES HERZ 7.55 Aircheck 77098 L.O.V.E. 5.22 --- 77099 RED ROSES 8.16 --- 77100 SPEAK LOW 11.40 --- 77101 ICH BIN VON KOPF BIS FUSS AUF LIEBE EINGESTELLT 7.53 --- 77102 GAMES THAT LOVERS PLAY 8.05 --- ------------------------------------------ Erna SACK: Sopran: Kammersängerin Erna Sack mit Orchester; Dirigent: Hans Bund; recorded August 30, 1934 in Berlin 107685 WENN SICH EINE SCHÖNE FRAU VERLIEBT 3.30 19991-1 Tel A1676 Sopran: Kammersängerin Erna Sack mit Orchester; Dirigent: Hans Bund; recorded October 1934 in Berlin 107121 ICH BIN VERLIEBT 3.32 19990 --- aus der Operette "Clivia" Erna Sack war eine der bedeutendsten Sopranistinnen Deutschlands im 20.
    [Show full text]
  • How to Use This Songfinder
    as of 3.14.2016 How To Use This Songfinder: We’ve indexed all the songs from 26 volumes of Real Books. Simply find the song title you’d like to play, then cross-reference the numbers in parentheses with the Key. For instance, the song “Ac-cent-tchu-ate the Positive” can be found in both The Real Book Volume III and The Real Vocal Book Volume II. KEY Unless otherwise marked, books are for C instruments. For more product details, please visit www.halleonard.com/realbook. 01. The Real Book – Volume I 10. The Charlie Parker Real Book (The Bird Book)/00240358 C Instruments/00240221 11. The Duke Ellington Real Book/00240235 B Instruments/00240224 Eb Instruments/00240225 12. The Bud Powell Real Book/00240331 BCb Instruments/00240226 13. The Real Christmas Book – 2nd Edition Mini C Instruments/00240292 C Instruments/00240306 Mini B Instruments/00240339 B Instruments/00240345 CD-ROMb C Instruments/00451087 Eb Instruments/00240346 C Instruments with Play-Along Tracks BCb Instruments/00240347 Flash Drive/00110604 14. The Real Rock Book/00240313 02. The Real Book – Volume II 15. The Real Rock Book – Volume II/00240323 C Instruments/00240222 B Instruments/00240227 16. The Real Tab Book – Volume I/00240359 Eb Instruments/00240228 17. The Real Bluegrass Book/00310910 BCb Instruments/00240229 18. The Real Dixieland Book/00240355 Mini C Instruments/00240293 CD-ROM C Instruments/00451088 19. The Real Latin Book/00240348 03. The Real Book – Volume III 20. The Real Worship Book/00240317 C Instruments/00240233 21. The Real Blues Book/00240264 B Instruments/00240284 22.
    [Show full text]
  • Twitter: @Hampjazz Facebook: NEW ORLEANS CABO SAN LUCAS
    www.uidaho.edu/jazzfest Twitter: @hampjazz Facebook: http://www.facebook.com/hampjazz NEW ORLEANS CABO SAN LUCAS EXPLORE MORE Low Fares to Amazing Places TAMPA/ST. PETERSBURG Explore all of Alaska Airlines’ great DETROIT destinations from Pullman/Moscow, including new fl ights to New Orleans, Tampa and Detroit. All at some of the lowest fares you’ll fi nd anywhere. Explore More. Spend Less.™ alaskaair.com SPEND LESS SAN ANTONIO GENERAL I N FO R TO THE FESTIVAL AT THE UNIVERSITY OF IDAHO! M Welcome A TIO With great pleasure, Mary Beth and I welcome you to the Lionel Hampton Jazz Festival. Now in its 48th year, this signature event is a treasure for the N university, the state and beyond. I attended my first festival last year, and I was thrilled to witness the unique combination of artistic endeavor and education, a dynamic program epitomizing and befitting our Vandal legacy of leadership and innovation. Mary Beth missed the festival last year, so we look forward to enjoying it together this year. The multifaceted celebration of culture and learning earned the Lionel Hampton Jazz Festival the National Medal of the Arts, the first time the nation’s top arts honor has been bestowed on a public university. The festival has also earned the university the Peter McGrath Community Engagement Exemplary Program Award, recognizing institutions that become more involved with their communities through innovative learning, discovery and engagement. In 2014, the Jazz in Schools program, a key piece of the festival, brought the transformative experience of jazz music to 37 area schools and 5,482 students.
    [Show full text]
  • PASIC 2014 Friday, November 21, 2014
    IMPROVE YOUR TIME AND YOUR TIME WILL IMPROVE YOU Presented by Rodrigo Villanueva PASIC 2014 Friday, November 21, 2014 Sponsored by: 2 IMPROVE YOUR TIME AND YOUR TIME WILL IMPROVE YOU Timekeeping is the primary responsibility of the jazz drummer. However, contemporary drumming has evolved in many areas beyond this. A well-rounded jazz drummer provides the framework for rhythmic subdivisions, dynamics, style, phrasing, balance, interpretation and even the attitude and vibe that creates the spark that makes jazz music come alive. A drummer is in many ways, the musical director of the jazz group… the leader of the band. “If I was the inspiration, the wisdom and the link for this band, Tony was the fire, the creative spark… The band revolved around Tony.” ~Miles Davis In this session I will provide tools and basic practice tips to improve time awareness, time feel, rhythmic subdivision, dynamics, orchestration, articulations, internal balance of the kit and improvisational skills. In addition I hope to inspire you to look into the history of jazz and the important role that drummers have played throughout it. “Work on your sense of time and your feeling for the beat. That is the important thing in drumming and without it all the technique in the world doesn’t mean a thing.” ~“Big Sid” Catlett Improving your TIME • TIME KEEPING o Listen to yourself. Record your practice sessions and performances o Be aware of your tendencies: Rushing/Dragging o Know your tempos: How fast/slow can you play given styles o Consistent MOTION = Consistent SOUNDS = CONSISTENT TIME o Use the metronome in different ways: upbeats, whole notes o Subdivide the pulse in order to internalize the grooves o Play with more experienced musicians o Practice at various Tempos and Dynamic Levels “Imitate, Assimilate, and then… Innovate.” ~Clark Terry • IMITATION AND ASSIMILATION Working on your time feel and jazz conception by analyzing great players o Listen to Significant Jazz Recordings o Play along with Recordings Start playing by ear.
    [Show full text]
  • Milt Jackson from Wikipedia, the Free Encyclopedia
    Milt Jackson From Wikipedia, the free encyclopedia Milton "Bags" Jackson (January 1, 1923 – October 9, 1999) was an American jazz vibraphonist, usually Milt Jackson thought of as a bebop player, although he performed in several jazz idioms. He is especially remembered for his cool swinging solos as a member of the Modern Jazz Quartet and his penchant for collaborating with several hard bop and post­bop players. A very expressive player, Jackson differentiated himself from other vibraphonists in his attention to variations on harmonics and rhythm. He was particularly fond of the Milt Jackson, Village Jazz Lounge with the Bubba twelve­bar blues at slow tempos. He preferred to set the Kolb Trio, late 1970s. vibraphone's oscillator to a low 3.3 revolutions per Background information second (as opposed to Lionel Hampton's speed of 10 Birth name Milton Jackson revolutions per second) for a more subtle vibrato. On occasion, Jackson sang and played piano professionally. Born January 1, 1923 Detroit, Michigan Died October 9, 1999 (aged 76) Contents Manhattan, New York Genres Hard bop, Afro­Cuban jazz, modal 1 Biography jazz, mainstream jazz, post­bop 2 Discography 2.1 With the Modern Jazz Quartet Occupation(s) Musician, soloist, composer, 2.2 As sideman bandleader 3 References Instruments Vibraphone, piano 4 External links Labels Impulse!, Atlantic, Prestige, Apple Associated acts John Coltrane, Ray Charles, Miles Biography Davis, Dizzy Gillespie, The Modern Jazz Quartet, Thelonious Jackson was born on January 1, 1923 in Detroit, Monk, Wes Montgomery Michigan, the son of Manley Jackson and Lillie Beaty Jackson. Like many, he was surrounded by music from an early age, particularly that of religious meetings: "Everyone wants to know where I got that funky style.
    [Show full text]
  • Song Title (Volume Number) Key
    Jazz Play-Along Songfinder As of November 2013 Song Title (Volume Number) Key Acapulco 1922 (-164) E-flat Ac-cent-tchu-ate The Positive (-18) A-flat Adios (-96) F Affirmation B min Afro Blue (-61) D min After You've Gone (-24) F Afternoon In Paris (-114) C Against All Odds (Take A Look At Me Now) (-102) B-flat min Agua De Beber (Water To Drink) (-23, -131) D min (A min in v. 131) Aguas De Marτo (Waters Of March) (-117) A min Ah-Leu-Cha (-142) F Ain't Misbehavin' (-46, -100) E-flat Ain't No Mountain High Enough (-107) D min Ain't Nothing Like The Real Thing (-85) E-flat Ain't That A Kick In The Head (-99) E-flat Air Mail Special (-28) B-flat Air On The G String (-120) A-flat Airegin (-12, -33) F min Aja (-78) C mod to A-flat Alexander's Ragtime Band (-87) F Alfie (-123) C Alfie's Theme (-33) B-flat min Alice In Wonderland (-10, -31) C All Alone (-89) F All Blues (-2, -1A) C All I Ask Of You (-83) C All I Want For Christmas Is You (-162) A-flat All In Love Is Fair (-107) D min All My Loving (-58) E-flat All My Tomorrows (-95) A min All Of Me (-17, -82, -128) C All Of You (-16) E-flat All Or Nothing At All (-99) A min All The Things You Are (-39, -75, -118, -129) F min All The Way (-95) E-flat All Too Soon (-74) F Allen's Alley (-69) B-flat Almost Like Being In Love (-118) C min Alone Together (-169) D min Along Came Betty (-50, -55) A-flat (Bb in v.
    [Show full text]