DOCSLIB.ORG

Torrance Press

Total Page：16

File Type：pdf, Size：1020Kb

Download full-text PDF Read full-text
Torrance Press Pag* A-6 THE PRESS Sunday, November 12, 1961 Presidency U.S. Steel Hour Toys-50,000 of Them- Image Topic Produces Play, Sub jecl of DuPonl Show llo\v do you nut together trailer for rest and relaxa­ Clifff Robertson will por­ an hour-long television show tion between takes. * For While tray a sensitive genius who in New York City's Central 18.000 Feet of Film "Ah, Peter or shall I tries to shut love out of his Park, when it daily attracts Exposed during the pro­ life, in "Man on the Moun­ thousands of onlookers and duction were 18.000 feet of call you Professor Odegard? taintop," on the U.S. Steel behind Fifth Peter, let me just throw the sun fleets film and 12 one-hour reels some thoughts at you. Hour, Wednesday at 10 p.m. Avenue skyscrapers? of television tape. Each day, via Channel 2. Co-producers John A. Aar­ 'our miles of wire and cable "I believe that the presi­ Written by Robert Alan vere laid out on the park's dency hovers over the Amer­ on and .Tesse Zousmer, whose Arthur, the teleplay win "The Wonderful World of slopes and pathways. ican imagination like a sa­ introduce a new star] Salonn cerdotal office the only Toys" will be presented on In addition to Harpo's Jens, to Steel Hour ami NBC-TV's "Du Pont Show railer, mobile equipment on thing sacred and holy in ail iences. American life." of the Week" tonight from he set included an NBC re­ Horace Mann R o r d e n 10-11 p.m.. came up with cording unit (with two tape This is Theodore 11. (Robertson) lives in a cold this answer: machines), two prop trucks, White, journalist ynd au­ water flat and works in a "You pray for no rain; a scenery truck and a 1,000- thor of "The Making of the cafeteria. you keep one eye on the sun ampere generator plus a President, 1060," the coun­ Motherless since birth, he and one on the crowds; add moving van containing the try's number-one non-fiction was a child prodigy and is a little spit and polish, a )0,000 toys which are dis­ seller for the past four considered one of the most generous helping of talent, played on the program. months, speaking his mind brillliant minds in the coun­ heaps of engineering know- Each day of production, in a forthcoming session try. how and. when it's all with Dr. 'Peter II. Odegard according to Swicker. at­ In his later years, he has over, you know that New tracted an average 4.000 on- in the NBC-TV Network's become bitterly mistrustful York is the zaniest, most "continental C 1 a s s r o o m" for ookers, or about 30,000 dur- of his father's motives wonderful town in the ng the entire production. course in American Govern­ push-ing him as a youngster, world." ment. with the result that he is The lengthening shadows Marx, Burnett Star of each afternoon's waning Discusses Conventions suspicious and frightened of Filmed and taped in seven un provided the biggest White's pre-taped discus­ all people, and refuses even to see his father. days at 14 park locations production problems, how­ sion of presidential conven­ over a 21-mile circumfer­ ever. tions with Dr. Odogard, the Living next door to him ence. "The Wonderful World Camera director England- course's regular instructor, are a painter and his wife, of Toys" stars Harpo Marx >r declares: "In one scene will be broadcast Monday, at whose sister Gerta (Miss as silent emcee and Carol involving a chase betweeen 6:30 a.m. Jens), comes to visit. Burnett as Harpo's "voice.' Harpo and some 25 child­ Viewers arising early By persistent, efforts, she Edie Adams and Merv ren, we1 had to stop tape enough to tune in on this is able to befriend Horace, Griffin also*star. and move equipment unusually forthright discus­ but when she tries to ar­ range a meeting between The program blends mu­ yards at a time each ten min­ sion also will hear White sic and song with children utes. gay: him and his father, Horace and the park in a salute to "Even the most cynical accuses her of betraying him. "the sheer joy of the toys of For a late snack, and corrupt politicians to "Man on the Mountaintop" CLIFF ROBERTSON, as a sensitive genius who has withdrawn on the Mountaintop." The U.S. Steel Hour dramatization will children." will be directed by Tom whom I have spoken have from the world, accuses Salome Jens, as a sympathetic neigh- be seen Wednesday, at 10 p.m., via channel 2. For Aaron and Zousmer, Try our specialty of phrases which I love. They Donovan. The Steel Hour is bor, of betraying his confidence, during rehearsals for "Man ___ producing a program on lo­ will say about somebody: Produced by the Theate cation in Central Pa*k pre­ Waffles, topped 'He's got the size of a Gov­ Guild, George Kondolf, exec sented no insurmountable ernor, he ain't, got the size utive producer. problems. with fresh of a President.' An Indian All His Life, BBC Director-General Few TV production teams "Or , you hear them talk- have staged more shows strawberries or fng and they, will say: 'Has Mosaic Work from remote locations than he got, enough left to be Except in One Feature Luncheon Honor Guest these two, whose "Person to fresh whipped President? Is he heavy Displayed at Indians make the best In- SaMor's suit." Carleton Greene, di- an efficiency committee set Person" series presented butter enough? Is he weighty Another thing that irri­ hundreds of interviews from tnough?' dians. rector general of the British up by the BBC to examine They make pretty good tates him is a tendency on Broadcasting Corporation, its organization and make homes around the globe. "Or they will say, another P.O.P. Gallery the part of Wardrobe to put Aaron and Zousmer admit phrase they use is: 'He can't Hawaiians and Hindus and will be honored guest at a economies. "Media-Mosaic," a colorfu Mexicans? too, but, as Indi­ war bonnets on Southwest He was named assistant "there were times when we go all the way.' " exhibit of works in tile Indians. luncheon Monday in New wondered if we'd ever finish "Even the lowest-grade ans, they're tops. York. Robert W. ' Sarnoff, controller and then control­ stone and glass by artist "They never wore those ler of the Overseas Services. the show." politician realizes that there Stoic and patient by na­ chairman of the Board ofthe statistics behind the George Dublin, will be held ture, they can spend hours things," Iron Eyes says flat­ In April 1955 he became The is something sublime about at Pan fie Ocean Park's Son *./ly. ' National Broadcasting Com­ production are a case in the office of the American in the saddle under a desert pany is host. chairman of a commission of for their scene, Next time you see a TV inquiry into future broad­ point. Presidency. sun waiting Indian slapping a drum with The occasion will mark Directors Richard Barstow "And they are simply like and beyond that, they even the 25th anniversary of the casting in Rhodesia and bis, .bare hands, you can Nyasaland. and Roger Englander had a brokers who are trying to of­ look like Indians. chalk up another error. establishment of television cast of 133. x fer the public something the "You'd think that would Iron Eyes says no Ameri­ in England by the BBC. Tn 1956 he became the In addition to the four public will accept in this be qualification enough," ob- can Indian ever used any­ Prominent figures in gov­ BBC's director of admini­ stars, there were 65 child­ noble office." jecfs Iron Eyes Cody, "but thing but drum sticks on a ernment, broadcasting, fi­ stration and in August, 1958, ren, 12 dancers, 6 models anci Smokey Room Image it isn't. There are a lot of drum. nance, science and advertis­ was appointed as the BBC's 45 members of the Paterson "I think that phrase palefaces, from the Holly­ "What else," he laughs. ing have been invited by first director of news and N.J.. Eastside High School 'smoke-filled room' is one of wood tribe grabbing off In­ Mis-use of the Indian lan­ Sarnoff to attend the lunch­ current affair.5?. Band. the greatest distortions in dian roles." guages is ao flagrant, Iron eon, at which Mr. Carleton Carleton Greene lives in Also, there were seven American politics. It comes Iron Eyes is an old hand Eyes has to fight off the Greene will deliver a major London with his American- cameo guest appearances by from the Harding nomina­ at being an Indian. urge to take up his toma­ address. born wife, Elaine, a former top stars of showbusiness. tion in that suite at the In fact, he's been a real In- hawk. The luncheon will be in journalist. Unit manager Dick Swic- Blackstone Hotel in Chicago lian all his life, except for He was co-editor with his ker supplied 1,500 box lunch­ in 1020. That was a smoke- Knows Two Language* the Empire Room of the that one time they cast him "Seems they know only Waldorf-Astoria Hotel. brother, Novelist Graham es, 180 gallons of coffee and filled room deal.
Load more

Recommended publications
  • Online Versions of the Handouts Have Color Images & Hot Urls September
    Online versions of the Handouts have color images & hot urls September 6, 2016 (XXXIII:2) http://csac.buffalo.edu/goldenrodhandouts.html Sam Wood, A NIGHT AT THE OPERA (1935, 96 min) DIRECTED BY Sam Wood and Edmund Goulding (uncredited) WRITING BY George S. Kaufman (screenplay), Morrie Ryskind (screenplay), James Kevin McGuinness (from a story by), Buster Keaton (uncredited), Al Boasberg (additional dialogue), Bert Kalmar (draft, uncredited), George Oppenheimer (uncredited), Robert Pirosh (draft, uncredited), Harry Ruby (draft uncredited), George Seaton (draft uncredited) and Carey Wilson (uncredited) PRODUCED BY Irving Thalberg MUSIC Herbert Stothart CINEMATOGRAPHY Merritt B. Gerstad FILM EDITING William LeVanway ART DIRECTION Cedric Gibbons STUNTS Chuck Hamilton WHISTLE DOUBLE Enrico Ricardi CAST Groucho Marx…Otis B. Driftwood Chico Marx…Fiorello Marx Brothers, A Night at the Opera (1935) and A Day at the Harpo Marx…Tomasso Races (1937) that his career picked up again. Looking at the Kitty Carlisle…Rosa finished product, it is hard to reconcile the statement from Allan Jones…Ricardo Groucho Marx who found the director "rigid and humorless". Walter Woolf King…Lassparri Wood was vociferously right-wing in his personal views and this Sig Ruman… Gottlieb would not have sat well with the famous comedian. Wood Margaret Dumont…Mrs. Claypool directed 11 actors in Oscar-nominated performances: Robert Edward Keane…Captain Donat, Greer Garson, Martha Scott, Ginger Rogers, Charles Robert Emmett O'Connor…Henderson Coburn, Gary Cooper, Teresa Wright, Katina Paxinou, Akim Tamiroff, Ingrid Bergman and Flora Robson. Donat, Paxinou and SAM WOOD (b. July 10, 1883 in Philadelphia, Pennsylvania—d. Rogers all won Oscars. Late in his life, he served as the President September 22, 1949, age 66, in Hollywood, Los Angeles, of the Motion Picture Alliance for the Preservation of American California), after a two-year apprenticeship under Cecil B.
    [Show full text]
  • Cecil B. Demille's Greatest Authenticity Lapse?
    Cecil B. DeMille’s Greatest Authenticity Lapse? By Anton Karl Kozlovic Spring 2003 Issue of KINEMA THE PLAINSMAN (1937): CECIL B. DeMILLE’S GREATEST AUTHENTICITY LAPSE? Cecil B. Demille was a seminal founder of Hollywood whose films were frequently denigrated by critics for lacking historical verisimilitude. For example, Pauline Kael claimed that DeMille had ”falsified history more than anybody else” (Reed 1971: 367). Others argued that he never let ”historical fact stand in the way of a good yarn” (Hogg 1998: 39) and that ”historical authenticity usually took second place to delirious spectacle” (Andrew 1989: 74). Indeed, most ”film historians regard De Mille with disdain” (Bowers 1982: 689)and tended to turn away in embarrassment because ”De Mille had pretensions of being a historian” (Thomas 1975: 266). Even Cecil’s niece Agnes de Mille (1990: 185) diplomatically referred to his approach as ”liberal.” Dates, sequences, geography, and character bent to his needs.” Likewise, James Card (1994: 215) claimed that: ”DeMille was famous for using historical fact only when it suited his purposes. When history didn’t make a good scene, he threw it out.” This DeMillean fact-of-life was also verified by gossip columnist Louella Parsons (1961: 58) who observed that DeMille ”spent thousands of dollars to research his films to give them authenticity. Then he would disregard all the research for the sake of a scene or a shot that appealed to him as better movie-making.” As Charles Hopkins (1980: 357, 360) succinctly put it: ”De Mille did not hesitate
    [Show full text]
  • Visual Ethnography of Everyday Life (01:070:373) Tuesday 2:15-5:15Pm BIO 205 -- 3 Credits Pilar K
    Visual Ethnography of Everyday Life (01:070:373) Tuesday 2:15-5:15pm BIO 205 -- 3 credits Pilar K. Rau – [email protected] Office: RAB 308 Office hours: Tuesday 1:00-2:00pm or by appointment Course Description This course explores the poetics and politics of producing ethnographic images using commonly-owned digital media. Students will analyze ethnographic, documentary, vernacular and fine art media and gain competence in the aesthetic and technical dimensions of digital image production. The course explores narrative, observational and anti-narrative experimental shooting and editing, as well as the ethical, political, ethnographic, semiotic, and philosophical concerns such decisions entail Learning Outcomes Students will be able to: • Analyze the relationship of innovations in film and digital media on the production of vernacular, documentary and ethnographic visual representations • Identify and critically analyze different approaches to creating visual representations of cultural difference • Critically asses ethical, political, semiotic and philosophical consequences of technological, formal, and aesthetic choices in ethnographic image production • Learn basic technical skills of film and video production that are applicable to a variety of media • Produce short ethnographic videos Department Learning Goals - http://anthro.rutgers.edu/undergrad-program/department-learning-goals 1. Students gain knowledge that will allow them to identify, explain, and historically contextualize the primary objectives, fundamental concepts, modes of analysis, and central questions in Cultural and Visual Anthropology and demonstrate proficiency in their use of this knowledge 2. Students are able to demonstrate proficiency in the use of critical thinking skills 3. Students are able to demonstrate proficiency using current methods in Cultural and Visual anthropology, including library research skills 4.
    [Show full text]
  • A National Strategy to Combat Identity Theft Describes the Needs Associated with Each Component, Recommends Action, and Describes Common Practices
    U.S. Department of Justice 10000100020300409020Office of Community Oriented Policing Services 01090090109000100020 A NATIONAL STRATEGY TO 30000111101001010100COMBAT IDENTIT Y THEFT 10101010101000101010 10100010101010100101 01001010100100101010 01001001010100100100 101010111101 01001101 01001010100101110000 01000101101010001010 COPS COMMUNITY ORIENTED POLICING SERVICES 10100010101001010101U.S. DEPARTMENT OF JUSTICE This project was supported by cooperative agreement #2003CKWX0343 by the Office of Community Oriented Policing Services, U.S. Department of Justice. The opinions contained herein are those of the author(s) and do not necessarily represent the official position of the U.S. Department of Justice. References to specific companies, products, or services should not be considered an endorsement of the product by the author(s) or the U.S. Department of Justice. Rather, the references are illustrations to supplement discussion of the issues. www.cops.usdoj.gov ISBN: 1-932582-64-9 May 2006 10000100020300409020 01090090109000100020 30000111101001010100 A NATIONAL STRATEGY TO 101010101010001010COMBAT IDENTIT Y THEFT 10 10100010101010100101 01001010100100101010 01001001010100100100 101010111101 01001101 01001010100101110000 01000101101010001010 10100010101001010101 10000100020300409020Foreword 01090090109000100020 The crime of identity theft is relatively new to American law enforcement and is rapidly increasing in frequency. In 2003, Chief Darrel Stephens, Charlotte-Mecklenburg (North Carolina) Police Department, surveyed members of the
    [Show full text]
  • The Transnational Sound of Harpo Marx
    Miranda Revue pluridisciplinaire du monde anglophone / Multidisciplinary peer-reviewed journal on the English- speaking world 22 | 2021 Unheard Possibilities: Reappraising Classical Film Music Scoring and Analysis Honks, Whistles, and Harp: The Transnational Sound of Harpo Marx Marie Ventura Electronic version URL: http://journals.openedition.org/miranda/36228 DOI: 10.4000/miranda.36228 ISSN: 2108-6559 Publisher Université Toulouse - Jean Jaurès Electronic reference Marie Ventura, “Honks, Whistles, and Harp: The Transnational Sound of Harpo Marx”, Miranda [Online], 22 | 2021, Online since 02 March 2021, connection on 27 April 2021. URL: http:// journals.openedition.org/miranda/36228 ; DOI: https://doi.org/10.4000/miranda.36228 This text was automatically generated on 27 April 2021. Miranda is licensed under a Creative Commons Attribution-NonCommercial-NoDerivatives 4.0 International License. Honks, Whistles, and Harp: The Transnational Sound of Harpo Marx 1 Honks, Whistles, and Harp: The Transnational Sound of Harpo Marx Marie Ventura Introduction: a Transnational Trickster 1 In early autumn, 1933, New York critic Alexander Woollcott telephoned his friend Harpo Marx with a singular proposal. Having just learned that President Franklin Roosevelt was about to carry out his campaign promise to have the United States recognize the Soviet Union, Woollcott—a great friend and supporter of the Roosevelts, and Eleanor Roosevelt in particular—had decided “that Harpo Marx should be the first American artist to perform in Moscow after the US and the USSR become friendly nations” (Marx and Barber 297). “They’ll adore you,” Woollcott told him. “With a name like yours, how can you miss? Can’t you see the three-sheets? ‘Presenting Marx—In person’!” (Marx and Barber 297) 2 Harpo’s response, quite naturally, was a rather vehement: you’re crazy! The forty-four- year-old performer had no intention of going to Russia.1 In 1933, he was working in Hollywood as one of a family comedy team of four Marx Brothers: Chico, Harpo, Groucho, and Zeppo.
    [Show full text]
  • (Cedar) Forest News Was Conceived Initially As a ‘Skinny’ Issue Because the Summer by Aimée Cree Dunn Months Are Normally Quiet
    Summer 2014 Volume 9 Issue 5 This summer issue of Anishinaabe Lessons from an Ancient Giizhik (Cedar) Forest News was conceived initially as a ‘skinny’ issue because the summer By Aimée Cree Dunn months are normally quiet. As you can see, it has grown in to something In the middle of our summer semester, the special. The theme for this issue NAS 340 Kinomaage (Earth Shows Us the revolves around change. Way) class I teach took a field trip to the NMU has gone through significant southern shores of Michigan's Upper Pen- changes. Graduates experience change insula into the Garden Peninsula to visit when they leave NMU. Indian Coun- both the windfarm and, more importantly, try continues to call for change in Snail Shell Harbor at Fayette. With rural relation to significant issues and orchards, farm land, forests rooted in lime- policies. Miigwech to all contributors stone, and land surrounded by michi-gami for making this summer issue not only (Lake Michigan), the area is picturesque possible, but rather dynamic! and welcoming. This quiet, out of the way place also, interestingly, in many ways NMU has a represents a hub for Manifest Destiny both past and present. new President The Garden Peninsula itself has a long human history and is only across the bay NMU’s new from the Stonington Peninsula where an- president start- other ancient history is found with marine ed on July 1. fossils 400-500 million years old lining the Fritz Erickson michi-gami shores. The Stonington is also home to one of the oldest known trails in came from the Upper Peninsula, the Bay de Noc - Ferris State Grand Island trail, that connects Lake Su- University, perior with Lake Michigan and has been where he used by Indigenous nations for time imme- served as morial to travel from one great lake to the provost and other; it travels, technically, between the two largest freshwater lakes in the world.
    [Show full text]
  • Circus Report, September 14, 1981, Vol. 10, No. 37
    ED RUSSELL Ringmaster - Magician • Side Show Operator Page 2 September 14, 1981 BETTY WENDANY'S ACTS - Are you listed with us ? DWIGHT DAMON FUNS-A-POPPIN Entertainment Unlimited PACKAGE SHOWS TO FIT VQUR NEEDS Bo« 391. Sunund, C»lif. - 91040 Lane Manor, Box 685. Mernmick. NH 03054 213-352-4277 213-352-2454 603-424-3341 Franzen Bros. Mini Circus by CLARENCE HASTINGS BY PAULA BRADLEY Franzen Bros. Circus played the Genesse County Fair in Mt. Morris, Mich., Aug. 16- As a recent visitor to the Lewiston, Maine, 22. On Aug. 22nd, the Joel Warner Tent of Fair, Aug. 9-15th, I was delighted by two the CFA held its annual picnic in the back- performances of the New England Mini Cir- yard of the circus, with over a hundred mem- cus. This amazing show was a part of Billy bers and friends attending. During the same Burr's Fun-0-Rama and was complete with session the Dorothy Herbert Tent held their scenery, a ring curb and delightful costum- annual election of officers. ing. It was the creation of entertainer Roger DuBois, who himself performed. Franzen Bros. Circus was brought to Grass The show opened with a dynamite single Lake, Mich., Aug. 25, by the Lions Club. It trapeze act, Jo-Anne Jennier, followed by was the first first circus to play there in fif- Rolandey's Juggling act that featured Ro- teen years, the last show being Clark and land Marcelli and Janet, then Jim Davis' Walters. Little Hobos, dog act, Roger DuBois doing The 6 p.m.
    [Show full text]
  • Guide to the Harpo Marx Papers
    Guide to the Harpo Marx papers NMAH.AC.1290 NMAH Staff Archives Center, National Museum of American History P.O. Box 37012 Suite 1100, MRC 601 Washington, D.C. 20013-7012 [email protected] http://americanhistory.si.edu/archives Table of Contents Collection Overview ........................................................................................................ 1 Administrative Information .............................................................................................. 1 Container Listing ............................................................................................................. 2 Series : Sound Recordings: Original Audio Discs, 1947, 1949, 1956...................... 2 Series : Working Box 1............................................................................................ 6 Series : Working Box 2............................................................................................ 8 Series : Working Box 3.......................................................................................... 11 Series : Working Box 4.......................................................................................... 13 Series : Working Box 5.......................................................................................... 14 Series : Working Box 6.......................................................................................... 15 Harpo Marx Papers NMAH.AC.1290 Collection Overview Repository: Archives Center, National Museum of American History Title: Harpo Marx Papers
    [Show full text]
  • Manifest Density: Decentering the Global Western Film
    City University of New York (CUNY) CUNY Academic Works All Dissertations, Theses, and Capstone Projects Dissertations, Theses, and Capstone Projects 9-2018 Manifest Density: Decentering the Global Western Film Michael D. Phillips The Graduate Center, City University of New York How does access to this work benefit ou?y Let us know! More information about this work at: https://academicworks.cuny.edu/gc_etds/2932 Discover additional works at: https://academicworks.cuny.edu This work is made publicly available by the City University of New York (CUNY). Contact: [email protected] MANIFEST DENSITY: DECENTERING THE GLOBAL WESTERN FILM by MICHAEL D. PHILLIPS A dissertation submitted to the Graduate Faculty in Comparative Literature in partial fulfillment of the requirements for the degree of Doctor of Philosophy, The City University of New York 2018 © 2018 Michael D. Phillips All Rights Reserved ii Manifest Density: Decentering the Global Western Film by Michael D. Phillips This manuscript has been read and accepted for the Graduate Faculty in Comparative Literature in satisfaction of the dissertation requirement for the degree of Doctor of Philosophy. __________________ ________________________________________________ Date Jerry W. Carlson Chair of Examining Committee __________________ ________________________________________________ Date Giancarlo Lombardi Executive Officer Supervisory Committee: Paula J. Massood Marc Dolan THE CITY UNIVERSITY OF NEW YORK iii ABSTRACT Manifest Density: Decentering the Global Western Film by Michael D. Phillips Advisor: Jerry W. Carlson The Western is often seen as a uniquely American narrative form, one so deeply ingrained as to constitute a national myth. This perception persists despite its inherent shortcomings, among them its inapplicability to the many instances of filmmakers outside the United States appropriating the genre and thus undercutting this view of generic exceptionalism.
    [Show full text]
  • The American Indian in the American Film
    THE AMERICAN INDIAN IN THE AMERICAN FILM Thesis presented in partial fulfilment of the requirements for the degree of Master of Arts in American Studies in the University of Canterbury by Michael J. Brathwaite 1981 ABSTRACT This thesis is a chronological examination of the ways in which American Indians have been portrayed in American 1 f.ilms and the factors influencing these portrayals. B eginning with the literary precedents, the effects of three wars and other social upheavals and changes are considered. In addition t-0 being the first objective detailed examination of the subj�ct in English, it is the first work to cover the last decade. It concludes that because of psychological factors it is unlikely that film-makers are - capable of advancing far beyond the basic stereotypes, and that the failure of Indians to appreciate this has repeatedly caused ill-feeling between themselves and the film-makers, making the latter abandon their attempts at a fair treatment of the Indians. ii TABLE OF CONTENTS Preface iii Chapter I: The Background of the Problem c.1630 to c.1900. 1 Chapter II: The Birth of the Cinema and Its Aftermath: 1889 to 1939. 21 Chapter III: World War II and Its Effects: 1940 to 1955. 42 Chapter IV: Assimilation of Separatism?: 1953 to 1965. 65 Chapter V: The Accuracy Question. 80 Chapter VI: Catch-22: 1965 to 1972. 105 Chapter VII: Back to the Beginning: 1973 to 1981. 136 Chapter VIII: Conclusion. 153 Bibliography 156 iii PREFACE The aim of this the.sis is to examine the ways in which the American Indians have been portrayed in American films, the influences on their portrayals, and whether or not they have changed.
    [Show full text]
  • Years of Doing Beautiful Things
    TODAY TOMORROW YESTERDAY :::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::5 Years of Doing Beautiful Things ::::::::::::::::::::::::::::::::::::::::::::::::: KAB.ORG ::::::::::::::::::::::::::::::::::::::::::::::::: KEEP AMERICA BEAUTIFUL 2018 ANNUAL REPORT 65 YEARS OF DOING BEAUTIFUL THINGS KEEP AMERICA BEAUTIFUL 2018 ANNUAL REPORT This is our home. Yesterday, Today, Help me keep it beautiful. and Tomorrow America’s Leading Community Improvement Organization :::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::: n 1953, America was in a post-war economic boom. And the future? We indeed live in a challenging time. We face environmental tests that are altering life on earth as With more packaged goods came a new problem— we know it. As a nation, we’re more divided than ever before. litter—and in 1953, national nonprofit Keep America Yet, Keep America Beautiful retains its neutral, nonpartisan Beautiful® was formed to address the issue of an approach to improving the communities we live in and love. increasingly littered landscape. We focus on individual responsibility and tri-sector IKeep America Beautiful launched what became a 20-year partnerships, believing that this sense of shared, universal public service advertising (PSA) campaign reaching tens of responsibility easily encourages alignment among millions of Americans. corporations,
    [Show full text]
  • 1985 Downtown Newhall Western Walk of Fame
    WELCOME to the 5th Annual westernWalk of fame MICHAEL D. ANTONOVICH 5TH DISTRICT supervisor - LOS ANGELES COUNTY 1985 WALK OF FAME HONORARY CHAIRMAN - - NEWHALL'S WESTERN WALK OF FAME HOW IT ALL BEGAN----- The original idea for a Western Walk of Fame came as a suggestion from Milt Diamond, pioneer, western clothing retailer who was President of the Newhall Merchant's Association in 1976. He continued his pursuit to the Santa Clarita Valley Chamber of Commerce. In 1981, Mr. Diamond realized his dream come true when the first "Western Walk of Fame" honored Wm. s. Hart, Tom Mix and Gene Autry as the first recipients of the coveted award. The entire program was concieved as a tribute to the western artists who contributed to the Santa Clarita Valley's and nation ' s heritage since 1876 when the town of Newhall was founded. Now , in its fifth year, it has given bronze immor­ tality to well known western greats Gene Autry, Wm. Hart, Torn Mix, Tex Ritter, Rex Allen, Eddie Dean, Pat Buttram, Roy Rogers, Dale Evans, Andy Jauregui, Tex Williams, Claude Akins, John Wayne, Clayton Moore, Robert Conrad, Dennis Weaver and Clint Walker. And, of course, on August 24, 1985 stars Iron Eyes Cody, Monte Hale and Chuck Connors will be added to prestigious path of bronze and terrazzo tile "saddle type" plaques that can be viewed on San Fernando Road (5th Street to 9th Street) in downtown Newhall. Congratulations Architects for Offices at Stoney Creek WELCOME TO THE FIFTH ANNUAL WESTERN WALK OF FAME SPECIAL ENTERTAINMENT EV ENTS "The Town Rowdies " Band "Badland Buckaroos Band 11 "Jeff Connors Band" a nd t he "Wind River Cloggers" Comedian s Pat Buttram and Don Hinson Western Walk of Fame Awards program with Master of Ceremonies Johnny Grant and Cliffie Stone Plus -- Many Guest Celebrities Opportunity Drawings Watering Hole Refreshment Centers Dancing until Midnight REACH FOR THE SKY! YOU 'RE IN DAILY NEWS COUNTRY.
    [Show full text]