Treasures Gallery Exhibition Checklist December 2012 REALIA Robert
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1 the ERROL BUDDLE STORY (PART TWO) by Eric
THE ERROL BUDDLE STORY (PART TWO) by Eric Myers ______________________________________________________________ [The following appeared in two editions of Jazz Magazine, January/February, 1983 and May/June 1983.] At the conclusion of The Errol Buddle Story (Part One), Buddle was in the United States in 1954, leading his own quintet at Klein’s jazz club, Detroit. Other than Buddle the group included Barry Harris (piano), Pepper Adams (baritone sax), Major Holley (bass), and Elvin Jones (drums). On Saturday nights, Billy Mitchell (tenor sax) was booked for a three-way battle of the saxes. NOW READ ON… e used to get a lot of people sitting in at Klein’s,” Errol remembers , “Stan Getz used to come in some times. An unknown bass player, a young guy, used to “W come in and stand up in front of the bandstand, almost begging to sit in. His name was Paul Chambers [who later made historic recordings with Miles Davis.] I think he’d only been playing several months at that time.” Buddle remembers meeting Miles Davis himself when the trumpeter was at the Blue Bird Lounge, one of Detroit’s jazz clubs. Miles invited Errol and Don Varella up to his room, where the two Australians were fascinated to see about 40 paperbacks — all Westerns — lining the mantelpiece. They asked Miles why he liked cowboy stories. He replied: “Man, I love horses”, and explained that his father had bred horses on a ranch in the South. This was shortly before Miles Davis, in a supreme act of self-will, kicked the heroin habit. “Miles told us how he was really hooked on drugs”, says Errol, “that he didn’t dig heroin, and wanted to get off it.” One night Buddle had a choice between hearing the Stan Kenton band with Zoot Sims on tenor, or Charlie Parker, who was in Detroit for one night playing at a black dance. -
National Library of Australia Annual Report 2008-2009
ANNUAL REPORT 2008-2009 NATIONAL LIBRARY OF AUSTRALIA ANNUAL REPORT 2008–2009 NATIONAL LIBRARY OF AUSTRALIA Published by the National Library of Australia Parkes Place West Parkes Canberra ACT 2600 ABN: 28 346 858 075 Telephone: (02) 6262 1111 TTY: 1800 026 372 Facsimile: (02) 6257 1703 Website: www.nla.gov.au Annual report: www.nla.gov.au/policy/annual.html © National Library of Australia 2009 National Library of Australia Annual report / National Library of Australia. — 8th (1967/68) — Canberra: NLA, 1968– — v.; 25 cm. Annual. Continues: National Library of Australia. Council. Annual report of the Council = ISSN 0069-0082. Report year ends 30 June. ISSN 0313-1971 = Annual report — National Library of Australia. 1. National Library of Australia –– Periodicals. 027.594 Coordinated and produced by the Executive and Public Programs Division, National Library of Australia Printed by Paragon Printers Australasia, Canberra Cover image: Craig Mackenzie (b.1969) The podium of the National Library of Australia, 2009 The Library building was opened in August 1968 and this year celebrated its 40th anniversary. The Library now holds more than 10 million items in its collections and is visited annually by some 550 000 people. NATIONAL LIBRARY 01 AuSTRALIA CANBERRA ACT 2600 AUSTRALIA TEL +61 262621111 FAX +61 2 6257 1703 The Hon. Peter Garrett AM, MP TTY 1800 026 372 Minister for the Environment, Heritage and the Arts www.nla.gov.au ABN 28 346 858 075 Parliament House CANBERRA ACT 2600 Dear Minister The Council of the National Library of Australia has pleasure in submitting to you, for presentation to each House of Parliament, its forty-ninth annual report covering the period 1 July 2008 to 30 June 2009. -
Jcg Dec 2014
Jordan’s Crossing gazette edition 79 • december 2014 a magazine for Bundanoon and southern Villages Former lives Life journeys, twists and turns 16–17 22 34–35 37 45 In the History Summer Tick alert for 87th footsteps on our sport Bundanoon birthday of the Incas doorstep for CWA Bundanoon Pharmacy has recently joined PharmaSave Australia, a buying group with a membership of approximately 200 independently owned pharmacies. Our membership gives us the buying power to providep our customers with great value and a vast range of products. Look out for our next catalogue in your mailbox, in-store or online at www.pharmasave.com.au. �xpect to �nd great prices on genuine designer perfumes, vitamins and all of your everyday pharmacy needs. ThisT year is all about increasing value to our customers, the catalogue adds to our price match guarantee and we have more exciting news to be revealed soon. PharmaSave Bundanoon Pharmacy Trading Hours Mon-Fri: 9am - 5pm Sat: 9am - 12pm 9 Railway Avenue, Bundanoon NSW 2578 Telephone: 02 4883 6220 SOUTHERN HIGHLANDS MODELS,update HOBBIES & GAMES CENTRE “If we don’t have what you need we can get it.” • NSW Lotteries • Newspapers & magazines • Cards & Wrap • Second-hand books • Stationery • Confectionery • Drinks & Milk • Dry Cleaning Agent now for KITES RC MODELS JIGSAWS HORNBY & SCALEXTRIC WORKING STEAM ENGINES AIRFIX & REVELL & MODELS We would like to wish all our customers a Merry Christmas from all the staff here at your local Newsagency. 7 RAILWAY AVENUE, BUNDANOON NSW 2578 1491117 Just Catz Boarding Zenta Gabrielle Zebergs Just Catz is a small boutique boarding cattery situated on NOW our quiet rural property 10 mins off the Hume Highway at OPEN beautiful Badgerys Lookout. -
Emu Island: Modernism in Place 26 August — 19 November 2017
PenrithIan Milliss: Regional Gallery & Modernism in Sydney and InternationalThe Lewers Trends Bequest Emu Island: Modernism in Place 26 August — 19 November 2017 Emu Island: Modernism in Place Penrith Regional Gallery & The Lewers Bequest 1 Spring Exhibition Suite 26 August — 19 November 2017 Introduction 75 Years. A celebration of life, art and exhibition This year Penrith Regional Gallery & The Lewers Bequest celebrates 75 years of art practice and exhibition on this site. In 1942, Gerald Lewers purchased this property to use as an occasional residence while working nearby as manager of quarrying company Farley and Lewers. A decade later, the property became the family home of Gerald and Margo Lewers and their two daughters, Darani and Tanya. It was here the family pursued their individual practices as artists and welcomed many Sydney artists, architects, writers and intellectuals. At this site in Western Sydney, modernist thinking and art practice was nurtured and flourished. Upon the passing of Margo Lewers in 1978, the daughters of Margo and Gerald Lewers sought to honour their mother’s wish that the house and garden at Emu Plains be gifted to the people of Penrith along with artworks which today form the basis of the Gallery’s collection. Received by Penrith City Council in 1980, the Neville Wran led state government supported the gift with additional funds to create a purpose built gallery on site. Opened in 1981, the gallery supports a seasonal exhibition, education and public program. Please see our website for details penrithregionalgallery.org Cover: Frank Hinder Untitled c1945 pencil on paper 24.5 x 17.2 Gift of Frank Hinder, 1983 Penrith Regional Gallery & The Lewers Bequest Collection Copyright courtesy of the Estate of Frank Hinder Penrith Regional Gallery & The Lewers Bequest 2 Spring Exhibition Suite 26 August — 19 November 2017 Introduction Welcome to Penrith Regional Gallery & The of ten early career artists displays the on-going Lewers Bequest Spring Exhibition Program. -
Thinking Outside the Sphere Views of the Stars from Aristotle to Herschel Thinking Outside the Sphere
Thinking Outside the Sphere Views of the Stars from Aristotle to Herschel Thinking Outside the Sphere A Constellation of Rare Books from the History of Science Collection The exhibition was made possible by generous support from Mr. & Mrs. James B. Hebenstreit and Mrs. Lathrop M. Gates. CATALOG OF THE EXHIBITION Linda Hall Library Linda Hall Library of Science, Engineering and Technology Cynthia J. Rogers, Curator 5109 Cherry Street Kansas City MO 64110 1 Thinking Outside the Sphere is held in copyright by the Linda Hall Library, 2010, and any reproduction of text or images requires permission. The Linda Hall Library is an independently funded library devoted to science, engineering and technology which is used extensively by The exhibition opened at the Linda Hall Library April 22 and closed companies, academic institutions and individuals throughout the world. September 18, 2010. The Library was established by the wills of Herbert and Linda Hall and opened in 1946. It is located on a 14 acre arboretum in Kansas City, Missouri, the site of the former home of Herbert and Linda Hall. Sources of images on preliminary pages: Page 1, cover left: Peter Apian. Cosmographia, 1550. We invite you to visit the Library or our website at www.lindahlll.org. Page 1, right: Camille Flammarion. L'atmosphère météorologie populaire, 1888. Page 3, Table of contents: Leonhard Euler. Theoria motuum planetarum et cometarum, 1744. 2 Table of Contents Introduction Section1 The Ancient Universe Section2 The Enduring Earth-Centered System Section3 The Sun Takes -
Thesis Title
Creating a Scene: The Role of Artists’ Groups in the Development of Brisbane’s Art World 1940-1970 Judith Rhylle Hamilton Bachelor of Arts (Hons) University of Queensland Bachelor of Education (Arts and Crafts) Melbourne State College A thesis submitted for the degree of Doctor of Philosophy at The University of Queensland in 2014 School of English, Media Studies and Art History ii Abstract This study offers an analysis of Brisbane‘s art world through the lens of artists‘ groups operating in the city between 1940 and 1970. It argues that in the absence of more extensive or well-developed art institutions, artists‘ groups played a crucial role in the growth of Brisbane‘s art world. Rather than focusing on an examination of ideas about art or assuming the inherently ‗philistine‘ and ‗provincial‘ nature of Brisbane‘s art world, the thesis examines the nature of the city‘s main art institutions, including facilities for art education, the art market, conservation and collection of art, and writing about art. Compared to the larger Australian cities, these dimensions of the art world remained relatively underdeveloped in Brisbane, and it is in this context that groups such as the Royal Queensland Art Society, the Half Dozen Group of Artists, the Younger Artists‘ Group, Miya Studios, St Mary‘s Studio, and the Contemporary Art Society Queensland Branch provided critical forms of institutional support for artists. Brisbane‘s art world began to take shape in 1887 when the Queensland Art Society was founded, and in 1940, as the Royal Queensland Art Society, it was still providing guidance for a small art world struggling to define itself within the wider network of Australian art. -
Ii: Mary Alice Evatt, Modern Art and the National Art Gallery of New South Wales
Cultivating the Arts Page 394 CHAPTER 9 - WAGING WAR ON THE ESTABLISHMENT? II: MARY ALICE EVATT, MODERN ART AND THE NATIONAL ART GALLERY OF NEW SOUTH WALES The basic details concerning Mary Alice Evatt's patronage of modern art have been documented. While she was the first woman appointed as a member of the board of trustees of the National Art Gallery of New South Wales, the rest of her story does not immediately suggest continuity between her cultural interests and those of women who displayed neither modernist nor radical inclinations; who, for example, manned charity- style committees in the name of music or the theatre. The wife of the prominent judge and Labor politician, Bert Evatt, Mary Alice studied at the modernist Sydney Crowley-Fizelle and Melbourne Bell-Shore schools during the 1930s. Later, she studied in Paris under Andre Lhote. Her husband shared her interest in art, particularly modern art, and opened the first exhibition of the Contemporary Art Society in Melbourne 1939, and an exhibition in Sydney in the same year. His brother, Clive Evatt, as the New South Wales Minister for Education, appointed Mary Alice to the Board of Trustees in 1943. As a trustee she played a role in the selection of Dobell's portrait of Joshua Smith for the 1943 Archibald Prize. Two stories thus merge to obscure further analysis of Mary Alice Evatt's contribution to the artistic life of the two cities: the artistic confrontation between modernist and anti- modernist forces; and the political career of her husband, particularly knowledge of his later role as leader of the Labor opposition to Robert Menzies' Liberal Party. -
Redeeming the Truth
UNIVERSITY OF CALIFORNIA Los Angeles Redeeming the Truth: Robert Morden and the Marketing of Authority in Early World Atlases A dissertation submitted in partial satisfaction of the requirements for the degree Doctor of Philosophy in History by Laura Suzanne York 2013 © Copyright by Laura Suzanne York 2013 ABSTRACT OF THE DISSERTATION Redeeming the Truth: Robert Morden and the Marketing of Authority in Early World Atlases by Laura Suzanne York Doctor of Philosophy in History University of California, Los Angeles, 2013 Professor Muriel C. McClendon, Chair By its very nature as a “book of the world”—a product simultaneously artistic and intellectual—the world atlas of the seventeenth century promoted a totalizing global view designed to inform, educate, and delight readers by describing the entire world through science and imagination, mathematics and wonder. Yet early modern atlas makers faced two important challenges to commercial success. First, there were many similar products available from competitors at home and abroad. Secondly, they faced consumer skepticism about the authority of any work claiming to describe the entire world, in the period before standards of publishing credibility were established, and before the transition from trust in premodern geographic authorities to trust in modern authorities was complete. ii This study argues that commercial world atlas compilers of London and Paris strove to meet these challenges through marketing strategies of authorial self-presentation designed to promote their authority to create a trustworthy world atlas. It identifies and examines several key personas that, deployed through atlas texts and portraits, together formed a self-presentation asserting the atlas producer’s cultural authority. -
European Influences in the Fine Arts: Melbourne 1940-1960
INTERSECTING CULTURES European Influences in the Fine Arts: Melbourne 1940-1960 Sheridan Palmer Bull Submitted in total fulfilment of the requirements of the degree ofDoctor ofPhilosophy December 2004 School of Art History, Cinema, Classics and Archaeology and The Australian Centre The University ofMelbourne Produced on acid-free paper. Abstract The development of modern European scholarship and art, more marked.in Austria and Germany, had produced by the early part of the twentieth century challenging innovations in art and the principles of art historical scholarship. Art history, in its quest to explicate the connections between art and mind, time and place, became a discipline that combined or connected various fields of enquiry to other historical moments. Hitler's accession to power in 1933 resulted in a major diaspora of Europeans, mostly German Jews, and one of the most critical dispersions of intellectuals ever recorded. Their relocation to many western countries, including Australia, resulted in major intellectual and cultural developments within those societies. By investigating selected case studies, this research illuminates the important contributions made by these individuals to the academic and cultural studies in Melbourne. Dr Ursula Hoff, a German art scholar, exiled from Hamburg, arrived in Melbourne via London in December 1939. After a brief period as a secretary at the Women's College at the University of Melbourne, she became the first qualified art historian to work within an Australian state gallery as well as one of the foundation lecturers at the School of Fine Arts at the University of Melbourne. While her legacy at the National Gallery of Victoria rests mostly on an internationally recognised Department of Prints and Drawings, her concern and dedication extended to the Gallery as a whole. -
Education Kit
Education Kit Contents About this resource .................................................................................................................................. 3 From the Curator ...................................................................................................................................... 4 Judges .......................................................................................................................................................... 5 Artist case studies ...................................................................................................................................... 6 Leon Lester ............................................................................................................................................. 7 Julia Flanagan ........................................................................................................................................ 15 Talitha Hanna ....................................................................................................................................... 25 Simon Collins........................................................................................................................................ 33 Sally West .............................................................................................................................................. 43 Merran Esson ....................................................................................................................................... -
The Most Beautiful Book Ever Published on the Constellations
The most beautiful book ever published on the constellations Andreas Cellarius. Harmonia macrocosmica, seu Atlas universalis et novus. Amsterdam: Jan Jansson, 1661. 20 7/8 inches x 13 inches (530 x 330 mm), 364 pages, engraved and colored title page, 29 hand-colored plates. The seventeenth century was the Golden Age of Dutch cartography, in which the availability of large copperplates, superb draftsmanship, and immaculate coloring were combined with a period exuberance of detail—for winds, anchors, and a compass rose were more important to a map’s effect than many a minor inland town. The earth and sea in that nautical era were the chief subjects of attention; the celestial atlas remained a rarity. Cellarius’ Harmonia macrocosmica, however, has claims to be the most beautiful book ever published on the constellations, with delineations not only of the zodiac but the different cosmological systems of Ptolemy, Copernicus, and Tycho Brahe. Cellarius himself remains a shadowy figure, but he was most likely a German or a Pole as his name suggests — it is a Latinization of Keller or Kellner. Cellarius produced an atlas of Poland and Lithuania in 1652, and at the time of publication of Harmonia macrocosmica was rector of the Latin School at Hoorn, roughly twenty miles north of Amsterdam. The plates are brilliantly colored, highlighted in gold, with all the baroque trimmings. What space remains after a celestial hemisphere has been imposed on a huge rectangular sheet is filled to overflowing with banners, clouds, diagrams, mythological figures, portraits of astronomers and their observatories, or cherubs playing with sextants and telescopes. -
Barry Lawrence Ruderman Antique Maps Inc
Barry Lawrence Ruderman Antique Maps Inc. 7407 La Jolla Boulevard www.raremaps.com (858) 551-8500 La Jolla, CA 92037 [email protected] Planisphaerium Arateum Sive Compages Orbium Mundanorum Ex Hypothesi Aratea In Plano Expressa Stock#: 41104 Map Maker: Cellarius Date: 1660 (1708) Place: Amsterdam Color: Hand Colored Condition: VG Size: 20 x 17 inches Price: SOLD Description: Fine old color example of Cellarius's chart illustrating the Greek Astronomer Aratus' model of the universe, from the 1708 Valk & Schenk edition of Andreas Cellarius' Harmonia Cosmographica . This decorative celestial chart is based on the theories of the 3rd century Greek astronomer, Aratus, in which the Earth is at the center of the celestial universe with the Sun and Moon orbiting around it. The orbits of the planets are shown with the twelve signs of the zodiac and their human representations depicted around the edge of the sphere, with additional illustrations of principal Greek gods and goddesses. Aratus's most famous work was his hexameter poem Phaenomena. The first part of the poem is a verse setting of a lost work of the same name by Eudoxus of Cnidus. It describes the constellations and other celestial phenomena. The second half is called the Diosemeia, and is chiefly about weather lore. Although Aratus was somewhat ignorant of Greek astronomy, his poem was very popular in the Greek and Roman world. Andreas Cellarius was born in 1596 in Neuhausen and educated in Heidelberg. He emigrated to Holland in the early 17th Century and 1637 moved to Hoorn, where he became the rector of the Latin School.