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The Journal of Phileas Fogg PETER GRAHAM

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The Journal of Phileas Fogg PETER GRAHAM M U S I C F O R B R A S S B A N D The Journal of Phileas Fogg PETER GRAHAM Full Score Gramercy Music (UK) PO Box 41 • Cheadle Hulme • Cheshire SK8 5HF Tel:/Fax: + 44 (0) 161 486 1959 www.gramercymusic.com email: [email protected] Programme Note The novels by Jules Verne have been a rich source of inspiration for composers over the years. I have taken elements of his epic work Around the World in Eighty Days as the outline for a series of adventures recorded in an imaginary diary by the hero of the story, Phileas Fogg. Commencing with London bells in the background, the ensuing journey takes our hero by boat train to Paris (passing the Moulin Rouge en route), Russia (where he is chased by Cossacks), Vienna at night, Spain (where he is a spectator at a bull fght) before a fnal circumnavigation by sea (where we hear hints of foreign lands) brings him back to London with rich memories of his trip. The Journal of Phileas Fogg was commissioned by Dr Nicholas Childs for the National Children’s Brass Band of Great Britain. First performed by the NCBBGB, conducted by Dr Robert Childs, July 2012 About the Composer Born in Scotland, Peter Graham read music at Edinburgh and London Universities (Goldsmiths’ College). His music for brass and wind is performed across the globe, from China, Taiwan, Japan, Korea and Singapore in the Far East, across North and South America and in every major European country. Awards include the American Bandmasters Association/Ostwald Award for Original Composition for Symphonic Winds and the Iles Medal of the Worshipful Company of Musicians The Journal of Phileas Fogg – Peter Graham (duration c. 10 minutes) Percussion 1 revised 2015 Also available for Fanfare Band Errata (August 2015) Tempo markings at DD and JJ should read c. 60 (i.e. circa 60) Solo Cornet dim. Bar 11 Gramercy Music (UK) PO Box 41 • Cheadle Hulme • Cheshire SK8 5HF Tel:/Fax: + 44 (0) 161 486 1959 www.gramercymusic.com email: [email protected] All rights reserved The Journal of Phileas Fogg PETER GRAHAM I - Oct. 1 1872 - London Allegro q = c. 132 A Soprano Cornet Eb ° # 4 œ œ œ œ œ œ & 4 ˙ Œ œ ˙ Œ œ ˙ Œ œ ˙ Œ œ ˙ Œ œ ˙ Œ œ f Solo Cornet Bb 4 œ œ œ œ œ œ œ œ œ œ œ œ œ œ œ œ œ œ & 4 œ œ œ œ J ‰ œ œ œ œ J ‰ œ œ œ œ J ‰ œ œ œ œ J ‰ œ œ œ œ J ‰ œ œ œ œ J ‰ f Repiano Cornet Bb 4 ˙ ˙ ˙ ˙ ˙ ˙ & 4 œ œ Œ œ œ Œ œ œ Œ œ œ Œ œ œ Œ œ œ Œ f 2nd Cornet Bb 4 j j j j j j j j j j j j j j j j j j j j j j j j & 4 œ œ œ œ œ œ œ œ œ œ œ œ œ œ œ œ œ œ œ œ œ œ œ œ œ œ œ œ œ œ œ œ œ œ œ œ f 3rd Cornet Bb 4 & 4 j j j j j j j j j j j j j j j j j j j j j j j j ¢ œf œ œ œ œ œ œ œ œ œ œ œ œ œ œ œ œ œ œ œ œ œ œ œ œ œ œ œ œ œ œ œ œ œ œ œ Flugelhorn ° 4 Œ œ ˙ Œ œ ˙ Œ œ ˙ Œ œ ˙ Œ œ ˙ Œ œ ˙ & 4 œf œ œ œ œ œ Solo Horn Eb # 4 œ œ œ œ œ œ œ œ œ œ œ œ œ œ œ œ œ œ œ œ œ œ œ œ œ & 4 J J J J J J J J J J J J J J J J J ‰ Œ Ó ∑ f 1st Horn Eb # 4 œ œ œ œ œ œ œ œ œ œ œ œ & 4 œ œ œ œ œ œ œ œ œ œ œ œ œ œ ‰ Ó ∑ J J J J J J J J Jf J J J J J J J J # j j j j j j j j j j j j j j j j j 2nd Horn Eb & 4 œ œ œ œ œ œ œ œ œ œ œ œ œ œ ‰ Ó ∑ œ œ œ œ œ œ œ œ œ œ œ œ ¢ f 1st Baritone Bb ° & 4 ∑ ∑ Œ œ œ œ œ œ œ œ j ‰ Œ Ó f œ w œ 2nd Baritone Bb 4 œ & 4 ∑ ∑ Œ œ œ œ œ œ œ j ‰ Œ Ó ¢ f œ w œ 1st Trombone Bb ° 4 œ & 4 ∑ ∑ Œ œ œ œ œ œ œ j ‰ Œ Ó f œ w œ 2nd Trombone Bb 4 œ & 4 ∑ ∑ Œ œ œ œ œ œ œ j ‰ Œ Ó f œ w œ Bass Trombone j ?bb4 ∑ ∑ ∑ ∑ w œ ‰ Œ Ó ¢ f Euphonium Bb ° 4 j & 4 ∑ ∑ ∑ ∑ w œ ‰ Œ Ó wf œ # Bass Eb 4 ∑ ∑ ∑ ∑ j ‰ Œ Ó & 4 w œ wf œ Bass Bb 4 ∑ ∑ ∑ ∑ j ‰ Œ Ó ¢& 4 wf œ Glock. Percussion 1 ° 4 œ œ œ œ œ œ & 4 œ bœ œ œ bœ œ œ bœ œ œ bœ œ œ bœ œ œ bœ œ f Tri. Percussion 2 4 w w w w w w / 4 ¢ æf æ æ æ æ æ © Copyright 2013 Gramercy Music Publishing (UK) www.gramercymusic.com All rights reserved 2 7 B Soprano Cornet Eb ° # œ œ œ w & ˙ Œ œ ˙ Œ œ ˙ Œ œ ˙ Œ #œ#œ ˙ Œ #œ#œ mf Solo Cornet B œ œ œ œ œ œ b & œ œ œ œ œ œ ‰ œ œ œ œ œ œ ‰ œ œ œ œ œ œ ‰ œ#œ œ œ œ ‰ œ#œ œ œ œ ‰ Œ œ œ J J J #œ J #œ J mf Repiano Cornet Bb œ ˙ Œ œ ˙ Œ œ ˙ Œ œ#˙ Œ œ#˙. nw & œ œ œ œ œ mf 2nd Cornet Bb j j j j j j j j j j j j j j j j j j j j j j j j & œ œ œ œ œ œ œ œ œ œ œ œ œ œ œ œ œ œ #œ œ œ œ œ œ #œ œ œ œ œ œ œ œ œ œ œ œ mf 3rd Cornet Bb j j j j j j j j j j j j j j j j j j j j j j j j & œ œ œ œ œ œ œ œ œ œ œ œ œ œ œ œ œ œ œ œ œ œ œ œ œ œ œ œ œ œ œ œ œ œ œ œ ¢ mf Flugelhorn ° & Œ œ œ ˙ Œ œ œ ˙ Œ œ œ ˙ œ œ ˙. œ œ ˙. w mf Solo Horn Eb # œ œ œ œ œ œ œ œ œ œ œ œ œ œ œ œ œ œ œ œ œ œ œ œ œ & J J J J J J J J J J J J J ‰ Œ Ó ∑ J J J J mf # 1st Horn Eb œ œ ‰ Ó ∑ œ œ œ œ œ œ #œ œ œ œ œ œ #œ œ œ œ œ œ nœ œ œ œ œ œ & J J J J J J J J J J J J J J J J J mf 2nd Horn E # j j j j j j j j j b & œ œ ‰ Ó ∑ œ œ œ œ œ œ œ œ œ œ œ œ œ œ œ œ œ œ œ œ œ œ œ œ ¢ J J J J J J J J mf 1st Baritone B œ œ b ° Œ œ œ œ œ œ œ œ #w w Œ œ œ & œ œ œ œ œ mf 2nd Baritone Bb Œ œ œ œ œ œ œ œ ∑ ¢& œ œ œ œ œ œ w w 1st Trombone Bb ° Œ œ œ œ œ œ œ œ œ #w w nw & œ œ œ œ œ mf 2nd Trombone Bb Œ œ œ œ œ œ œ œ & œ œ œ œ œ œ w w w mf œ Bass Trombone ? b œ œ œ œ œ œ œ œ b Œ œ œ œ œ w w w ¢ mf Euphonium B œ œ b ° Œ œ œ œ œ œ œ œ #w w Œ œ œ & œ œ œ œ œ w w mf # Bass Eb ∑ ∑ ∑ & w w w mf Bass Bb & ∑ ∑ ∑ ¢ w w w mf Percussion 1 ° œ œ œ œ œ w & œ bœ œ œ bœ œ œ bœ œ nœ œ œ œ œ œ mf Percussion 2 w w w w w œ / Œ Ó ¢ æ æ æ æ æ 6 31 D Piu mosso q = c. 152 Open # j # Soprano Cornet Eb ° w œ ‰ Œ Ó ∑ # 2 ∑ ∑ ∑ ∑ ˙ ˙ & 4 mp Open Solo Cornet Bb w w w # 2 ˙ ˙ ˙ ˙ œ & nw w w 4 ˙ ˙ ˙ ˙ œ ‰ Œ ∑ dim. J mp Open Repiano Cornet Bb # 2 & w œ ‰ Œ Ó ∑ 4 ∑ ∑ ∑ ∑ ˙ ˙ J mp Muted Open 3 3 2nd Cornet Bb # 2 & Œ œ œ ‰ œ œ j ‰ Œ Ó ∑ 4 ∑ ∑ ∑ ∑ ˙ ˙ mf œbœ œ mp Muted Open 3 3 # 3rd Cornet Bb Œ ‰ ‰ Œ Ó ∑ 2 ∑ ∑ ∑ ∑ ¢& œ œ œ œ j 4 ˙ ˙ mf #œnœ œ mp Flugelhorn ° # 2 & ∑ ∑ ∑ 4 ∑ ∑ ∑ ∑ ∑ ∑ Solo Horn Eb # # 2 & ∑ ∑ ∑ # 4 ∑ ∑ ∑ ∑ œ œ œ œ œ œ œ œ mp 1st Horn Eb # œ ## 2 & ‰ Œ Ó ∑ ∑ 4 ∑ ∑ ∑ ∑ œ œ œ œ œ œ œ œ J mp 2nd Horn Eb # j # 2 & œ ‰ Œ Ó ∑ ∑ # 4 ∑ ∑ ∑ ∑ ¢ œmpœ œ œ œ œ œ œ 1st Baritone Bb ° œ # 2 & J ‰ Œ Ó ∑ ∑ 4 ∑ ∑ ∑ ∑ ∑ ∑ # 2nd Baritone Bb œ ‰ Œ Ó ∑ ∑ 2 ∑ ∑ ∑ ∑ ∑ ∑ ¢& J 4 Muted Open œ œ œ œ # 1st Trombone Bb ° Œ ‰ œbœ w w 2 ˙ ˙ ˙ ˙ œ ‰ Œ ∑ & 3 3 dim.
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