Understanding User-Generated Content on Social Media

Total Page:16

File Type:pdf, Size:1020Kb

Understanding User-Generated Content on Social Media Understanding User-Generated Content on Social Media Dissertation submitted in partial fulfillment of the requirements for the degree of Doctor of Philosophy By BALA MEENAKSHI NAGARAJAN (Signature of Student) 2010 Wright State University COPYRIGHT BY BALA MEENAKSHI NAGARAJAN 2010 WRIGHT STATE UNIVERSITY SCHOOL OF GRADUATE STUDIES August 18, 2010 I HEREBY RECOMMEND THAT THE DISSERTATION PREPARED UNDER MY SUPER- VISION BY Meenakshi Nagarajan ENTITLED Understanding User-generated Content on Social Media BE ACCEPTED IN PARTIAL FULFILLMENT OF THE REQUIREMENTS FOR THE DEGREE OF Doctor of Philosophy. Amit P. Sheth, Ph.D. Dissertation Director Arthur Ardeshir Goshtasby, Ph.D. Director, Computer Science and Engineering Ph.D. Program Andrew T. Hsu, Ph.D. Dean, School of Graduate Studies Committee on Final Examination John M. Flach, Ph.D. Daniel Gruhl, Ph.D. Michael L. Raymer, Ph.D. Shaojun Wang, Ph.D. Kevin Haas, M.S. ABSTRACT Nagarajan, Bala Meenakshi, Ph.D., Department of Computer Science and Engineering, Wright State University, 2010. Understanding User-generated Content on Social Media. Over the last few years, there has been a growing public and enterprise fascination with ‘social media’ and its role in modern society. At the heart of this fascination is the ability for users to participate, collaborate, consume, create and share content via a variety of platforms such as blogs, micro-blogs, email, instant messaging services, social network services, collaborative wikis, social bookmarking sites, and multimedia sharing sites. This dissertation is devoted to understanding informal user-generated textual content on social media platforms and using the results of the analysis to build Social Intelligence Applications. The body of research presented in this thesis focuses on understanding what a piece of user- generated content is about via two sub-goals of Named Entity Recognition and Key Phrase Ex- traction on informal text. In light of the poor context and informal nature of content on social media platforms, we investigate the role of contextual information from documents, domain mod- els and the social medium to supplement and improve the reliability and performance of existing text mining algorithms for Named Entity Recognition and Key Phrase Extraction. In all cases we find that using multiple contextual cues together lends to reliable inter-dependent decisions, better than using the cues in isolation and that such improvements are robust across domains and content of varying characteristics, from micro-blogs like Twitter, social networking forums such as those on MySpace and Facebook, and blogs on the Web. Finally, we showcase two deployed Social Intelligence applications that build over the results of Named Entity Recognition and Key Phrase Extraction algorithms to provide near real-time information about the pulse of an online populace. Specifically, we describe what it takes to build applications that wish to exploit the ‘wisdom of the crowds’ – highlighting challenges in data collection, processing informal English text, metadata extraction and presentation of the resulting information. iii Contents 1 1. Introduction 1 1.1 Dissertation Focus . 2 1.2 Dissertation Statements and Contributions . 5 1.2.1 Broader Impact . 6 1.3 Dissertation Organization . 8 2 2. Aboutness of Text and The Role of Context 9 2.1 Characterizing Aboutness . 9 2.2 The Role of Context . 13 2.2.1 The Formality of Language . 16 2.3 Communication on Social Media Platforms . 18 2.4 Aboutness Understanding in Informal Text . 20 3 3. Named Entity Recognition in Informal Text 25 3.1 Preliminaries . 26 3.1.1 NER is Challenging and Expensive . 27 3.1.2 Entity Types . 27 3.1.3 Techniques and Approaches . 28 3.1.4 Feature Space for NER . 30 3.1.5 Evaluation Metrics . 31 3.2 Thesis Focus - Cultural NER in Informal Text . 34 3.2.1 Entity Type - Cultural Named Entities . 35 3.2.2 The ‘Spot and Disambiguate’ Paradigm . 36 3.2.3 Two Approaches to Cultural NER . 37 3.2.4 Feature Space for Cultural NER . 39 3.3 Cultural NER – Multiple Senses across Domains . 41 3.3.1 A Feature Based Approach to Cultural NER . 41 3.3.2 Problem Definition . 42 3.3.3 Improving NER - Contributions . 43 3.3.4 Feature Extraction . 45 3.3.4.1 Problem Setup . 45 iv 3.3.4.2 Approach Overview . 47 3.3.5 Algorithmic Implementations . 48 3.3.5.1 Sense Label Propagation Algorithm . 48 3.3.6 Clustering Document Evidences . 57 3.3.7 The ‘complexity of extraction’ score . 60 3.3.8 Experimental Evaluations . 61 3.3.8.1 Efficacy of the Algorithms . 62 3.3.8.2 NER Improvements . 64 3.3.9 Related Work . 71 3.3.9.1 Characterizing Extraction Difficulty . 71 3.3.9.2 Estimating Extraction Difficulty . 73 3.3.9.3 Cultural Entity Identification and WSD . 75 3.3.10 Discussion . 76 3.4 Cultural NER – Multiple Senses in the Same Domain . 79 3.4.1 Use of Domain Knowledge for Cultural NER . 81 3.4.1.1 Our Approach and Contributions . 83 3.4.2 Related Work . 84 3.4.3 Restricted Entity Extraction . 86 3.4.3.1 Ground Truth Data Set . 86 3.4.3.2 Impact of Domain Restrictions . 88 3.4.4 Real World Constraints . 89 3.4.5 NLP Assist . 93 3.4.5.1 Feature Space for NER . 94 3.4.6 Data and Experiments . 97 3.4.6.1 Usefulness of Feature Combinations . 98 3.4.7 Improving Spotter Accuracy Using NLP Analysis . 100 3.4.8 Discussion . 101 3.5 Summary of NER Contributions . 103 3.5.1 Applications of NER in Social Media Content . 103 4 4. Summarizing User-generated Content 104 4.1 Key Phrase Extraction - ‘Aboutness’ of Content . 104 4.1.1 Thesis Focus - Summarizing Social Perceptions . 106 4.1.2 Key Phrase Extraction - Approach Overview . 110 4.1.3 Key Phrase Extraction - Selection . 111 4.1.4 Key Phrase Extraction - Elimination of Off-topic Phrases . 120 4.1.5 Experiments and Evaluation . 127 4.1.5.1 Evaluating Extracted Key Phrases for Browsing Real-time Data on the Web . 127 4.1.5.2 Evaluating Extracted Key Phrases for Targeted Content Delivery 129 4.1.6 Related Work, Applications of Key Phrase Extraction . 132 v 5 5. Applications of Understanding User-generated Content 135 5.1 Mining Online Music Popularity . 137 5.1.1 Vision and Motivation . 137 5.1.2 Top N Lists . 138 5.1.3 Proxies for Popularity . 139 5.1.4 Thesis Contributions . 140 5.1.5 Corpus Details . 141 5.1.6 System Design . 144 5.1.7 Crawling and Ingesting User Comments . 145 5.1.8 Annotation Components . 147 5.1.8.1 Music related / Artist-Track Annotator . 149 5.1.8.2 Sentiment Annotator . 150 5.1.8.3 Spam Annotator . 155 5.1.9 Generation of the Hypercube . 158 5.1.9.1 Projecting to a list . 159 5.1.10 Experiments - Testing and Validation . 160 5.1.10.1 Generating our Top-N list . 160 5.1.10.2 The Word on the Street . 162 5.1.11 Results . 164 5.1.12 Lessons Learned, Broader Impact . 166 5.2 Social Signals from Experiential Data on Twitter . 169 5.2.1 Thesis Contributions - Twitris . 170 5.2.2 Twitris System Overview . 173 5.2.2.1 Gathering Topically Relevant Data . 174 5.2.2.2 Processing Citizen Observations . 177 5.2.2.3 User Interface and Visualization . 178 5.2.3 Broader Impact . 180 6 6. Conclusions and Future Directions 182 6.1 Future Directions . 183 6.1.1 Computational Social Science . 184 6.1.2 Poster, Content and Network Interactions and a Social System . 185 Bibliography 187 vi List of Figures 1.1 Examples of user-generated content from different social media platforms . 4 2.1 Formality scores of text from various genre . 18 2.2 Snapshot of MusicBrainz, a knowledge base of facts in the music domain and examples of in-line annotations of artist names in user-generated content. 21 2.2 Thesis Contributions - Aboutness understanding tasks and use of varied types of contextual cues . 24 3.1 Showing excerpt of a blog discussing two senses of the entity ‘Transformers’ . 41 3.2 Showing steps in the 2-step framework for obtaining the Extraction Complexity of entity e in distribution D. 47 3.3 Constructing the Spreading Activation Network . 52 3.4 Extracted Language Model for the entity ‘The Dark Knight’ . 56 3.5 Entities, their known senses from Wikipedia, and their computed extraction com- plexities . 64 3.7 Features used in judging NER improvements . 65 3.6 Labeled Data . 65 3.8 Overall P-R Curves using Decision Tree and Boosting Classifiers using 10 fold cross validation. 67 3.9 Overall F-measure and Accuracy improvements across.
Recommended publications
  • Getting Grace Sometimes When Death Calls, S Lifehappen
    JUNE 2017 WWW.NFDA.ORG The Funeral Director in Popular Culture Getting Grace Sometimes When Death Calls, s LifeHappen 34 June 2017 THE DIRECTOR By Edward J. Defort The portrayal of funeral directors in the ma- jority of movies and television shows sel- dom strays far from the clichés of yesteryear. Few productions focus on the human side of the funeral director, who is usually a minor character, sometimes sinister and often ec- centric. The forthcoming independent feature film, Getting Grace, is an exception. Actor Daniel Roebuck, who also co-wrote and di- rected the film, portrays Bill Jankowski, a funeral director who has seemingly with- drawn from life and whose life is turned up- side down by a 16-year-old girl dying of can- cer. “The dying girl is more alive than he is,” Roebuck says of his character. Best known for his roles in feature films such as The Fugitive and U.S. Marshals, as well as TV series including Matlock and Lost, Roebuck can currently be seen in the critically acclaimed Amazon Prime series Man in the High Castle. Glancing at his list of credits, it would probably be easier to list the programs in which the veteran character actor has not appeared rather than the ones in which he has. But despite having such an extensive film résumé, Roebuck calls himself a frustrat- ed funeral director, and it was a label that s seemed to follow him throughout his life. s Born in Bethlehem, Pennsylvania, Roe- buck worked in a food store while attending Bethlehem Catholic High School, known as Behind the Becahi.
    [Show full text]
  • WEB KARAOKE EN-NL.Xlsx
    ARTIEST TITEL 10CC DREADLOCK HOLIDAY 2 LIVE CREW DOO WAH DIDDY 2 UNLIMITED NO LIMIT 3 DOORS DOWN KRYPTONITE 4 NON BLONDES WHAT´S UP A HA TAKE ON ME ABBA DANCING QUEEN ABBA DOES YOUR MOTHER KNOW ABBA GIMMIE GIMMIE GIMMIE ABBA MAMMA MIA ACE OF BASE DON´T TURN AROUND ADAM & THE ANTS STAND AND DELIVER ADAM FAITH WHAT DO YOU WANT ADELE CHASING PAVEMENTS ADELE ROLLING IN THE DEEP AEROSMITH LOVE IN AN ELEVATOR AEROSMITH WALK THIS WAY ALANAH MILES BLACK VELVET ALANIS MORISSETTE HAND IN MY POCKET ALANIS MORISSETTE IRONIC ALANIS MORISSETTE YOU OUGHTA KNOW ALBERT HAMMOND FREE ELECTRIC BAND ALEXIS JORDAN HAPPINESS ALICIA BRIDGES I LOVE THE NIGHTLIFE (DISCO ROUND) ALIEN ANT FARM SMOOTH CRIMINAL ALL NIGHT LONG LIONEL RICHIE ALL RIGHT NOW FREE ALVIN STARDUST PRETEND AMERICAN PIE DON MCLEAN AMY MCDONALD MR ROCK & ROLL AMY MCDONALD THIS IS THE LIFE AMY STEWART KNOCK ON WOOD AMY WINEHOUSE VALERIE AMY WINEHOUSE YOU KNOW I´M NO GOOD ANASTACIA LEFT OUTSIDE ALONE ANIMALS DON´T LET ME BE MISUNDERSTOOD ANIMALS WE GOTTA GET OUT OF THIS PLACE ANITA WARD RING MY BELL ANOUK GIRL ANOUK GOOD GOD ANOUK NOBODY´S WIFE ANOUK ONE WORD AQUA BARBIE GIRL ARETHA FRANKLIN R-E-S-P-E-C-T ARETHA FRANKLIN THINK ARTHUR CONLEY SWEET SOUL MUSIC ASWAD DON´T TURN AROUND ATC AROUND THE WORLD (LA LA LA LA LA) ATOMIC KITTEN THE TIDE IS HIGH ARTIEST TITEL ATOMIC KITTEN WHOLE AGAIN AVRIL LAVIGNE COMPLICATED AVRIL LAVIGNE SK8TER BOY B B KING & ERIC CLAPTON RIDING WITH THE KING B-52´S LOVE SHACK BACCARA YES SIR I CAN BOOGIE BACHMAN TURNER OVERDRIVE YOU AIN´T SEEN NOTHING YET BACKSTREET BOYS
    [Show full text]
  • Pandoras Box CD-List 06-2006 Short
    Pandoras Box CD-list 06-2006 short.xls Form ARTIST TITLE year No Label price CD 2066 & THEN Reflections !! 1971 SB 025 Second Battle 15,00 € CD 3 HUEREL 3 HUEREL 1970-75 WPC6 8462 World Psychedelic 17,00 € CD 3 HUEREL Huerel Arisivi 1970-75 WPC6 8463 World Psychedelic 17,00 € CD 3SPEED AUTOMATIC no man's land 2004 SA 333 Nasoni 15,00 € CD 49 th PARALLELL 49 th PARALLELL 1969 Flashback 008 Flashback 11,90 € CD 49TH PARALLEL 49TH PARALLEL 1969 PACELN 48 Lion / Pacemaker 17,90 € CD 50 FOOT HOSE Cauldron 1968 RRCD 141 Radioactive 14,90 € CD 7 th TEMPLE Under the burning sun 1978 RRCD 084 Radioactive 14,90 € CD A - AUSTR Music from holy Ground 1970 KSG 014 Kissing Spell 19,95 € CD A BREATH OF FRESH AIR A BREATH OF FRESH AIR 196 RRCD 076 Radioactive 14,90 € CD A CID SYMPHONY FISCHBACH AND EWING - (21966CD) -67 GF-135 Gear Fab 14,90 € CD A FOOT IN COLDWATER A Foot in coldwater 1972 AGEK-2158 Unidisc 15,00 € CD A FOOT IN COLDWATER All around us 1973 AGEK-2160 Unidisc 15,00 € CD A FOOT IN COLDWATER best of - Vol. 1 1973 BEBBD 25 Bei 9,95 € CD A FOOT IN COLDWATER best of - Vol. 2 1973 BEBBD 26 Bei 9,95 € CD A FOOT IN COLDWATER The second foot in coldwater 1973 AGEK-2159 Unidisc 15,00 € CD A FOOT IN COLDWATER best of - (2CD) 1972-73 AGEK2-2161 Unidisc 17,90 € CD A JOINT EFFORT FINAL EFFORT 1968 RRCD 153 Radioactive 14,90 € CD A PASSING FANCY A Passing Fancy 1968 FB 11 Flashback 15,00 € CD A PASSING FANCY A Passing Fancy - (Digip.) 1968 PACE-034 Pacemaker 15,90 € CD AARDVARK Aardvark 1970 SRMC 0056 Si-Wan 19,95 € CD AARDVARK AARDVARK - (lim.
    [Show full text]
  • Platforms, Promotion, and Product Discovery: Evidence from Spotify Playlists
    JRC Digital Economy Working Paper 2018-04 Platforms, Promotion, and Product Discovery: Evidence from Spotify Playlists Luis Aguiar Joel Waldfogel (University of Minnesota and NBER) May 2018 This publication is a Working Paper by the Joint Research Centre, the European Commission’s in- house science service. It aims to provide evidence-based scientific support to the European policy- making process. The scientific output expressed does not imply a policy position of the European Commission. Neither the European Commission nor any person acting on behalf of the Commission is responsible for the use which might be made of this publication. JRC Science Hub https://ec.europa.eu/jrc JRC112023 Seville, Spain: European Commission, 2018 © European Union, 2018 Reuse is authorised provided the source is acknowledged. The reuse policy of European Commission documents is regulated by Decision 2011/833/EU (OJ L 330, 14.12.2011, p. 39). For any use or reproduction of photos or other material that is not under the EU copyright, permission must be sought directly from the copyright holders. How to cite this report: How to cite: Luis Aguiar, Joel Waldfogel, Platforms, Promotion, and Product Discovery: Evidence from Spotify Playlists ; JRC Digital Economy Working Paper 2018-04; JRC Technical Reports, JRC112023. All images © European Union 2018 Abstract Digitization has vastly increased the amount of new music produced and, because of streaming, has raised the number of songs available directly to consumers. While enhanced availability has levelled the playing field between already-prominent and new artists, creators may now be highly dependent on platform decisions about which songs and artist to promote.
    [Show full text]
  • Naked and Not Ashamed! Chapter 5
    © Copyright 1995 - Bishop T.D. Jakes All rights reserved. This book is protected under the copyright laws of the United States of America. This book may not be copied or reprinted for commercial gain or profit. The use of short quotations or occasional page copying for personal or group study is permitted and encouraged. Permission will be granted upon request. Unless otherwise identified, Scripture quotations are from the King James Version of the Bible. Scripture quotations marked (NIV) and (NAS) are from the New International Version and the New American Standard version of the Bible, respectively. Emphasis within Scripture quotes is the author’s own. Take note that the name satan and related names are not capitalized. We choose not to acknowledge him, even to the point of violating grammatical rules. Treasure House An Imprint of Destiny Image® Publishers, Inc. P.O. Box 310 Shippensburg, PA 17257-0310 “ For where your treasure is, there will your heart be also.” Matthew 6:21 ISBN 0-7684-3041-0 (Previously published under ISBN 1-56043-835-5) For Worldwide Distribution Printed in the U.S.A. Gift Edition: 2001 Second Printing: 2002 This book and all other Destiny Image, Revival Press, MercyPlace, Fresh Bread, Destiny Image Fiction, and Treasure House books are available at Christian bookstores and distributors worldwide. For a U.S. bookstore nearest you, call 1-800-722-6774. For more information on foreign distributors, call 717-532-3040. Or reach us on the Internet: www.destinyimage.com DEDICATION This book is dedicated to all the many people whose trials and traumas have exempted them from sharing their contributions with this world! You may often be intimidated, but you are not isolated.
    [Show full text]
  • Songs by Title Karaoke Night with the Patman
    Songs By Title Karaoke Night with the Patman Title Versions Title Versions 10 Years 3 Libras Wasteland SC Perfect Circle SI 10,000 Maniacs 3 Of Hearts Because The Night SC Love Is Enough SC Candy Everybody Wants DK 30 Seconds To Mars More Than This SC Kill SC These Are The Days SC 311 Trouble Me SC All Mixed Up SC 100 Proof Aged In Soul Don't Tread On Me SC Somebody's Been Sleeping SC Down SC 10CC Love Song SC I'm Not In Love DK You Wouldn't Believe SC Things We Do For Love SC 38 Special 112 Back Where You Belong SI Come See Me SC Caught Up In You SC Dance With Me SC Hold On Loosely AH It's Over Now SC If I'd Been The One SC Only You SC Rockin' Onto The Night SC Peaches And Cream SC Second Chance SC U Already Know SC Teacher, Teacher SC 12 Gauge Wild Eyed Southern Boys SC Dunkie Butt SC 3LW 1910 Fruitgum Co. No More (Baby I'm A Do Right) SC 1, 2, 3 Redlight SC 3T Simon Says DK Anything SC 1975 Tease Me SC The Sound SI 4 Non Blondes 2 Live Crew What's Up DK Doo Wah Diddy SC 4 P.M. Me So Horny SC Lay Down Your Love SC We Want Some Pussy SC Sukiyaki DK 2 Pac 4 Runner California Love (Original Version) SC Ripples SC Changes SC That Was Him SC Thugz Mansion SC 42nd Street 20 Fingers 42nd Street Song SC Short Dick Man SC We're In The Money SC 3 Doors Down 5 Seconds Of Summer Away From The Sun SC Amnesia SI Be Like That SC She Looks So Perfect SI Behind Those Eyes SC 5 Stairsteps Duck & Run SC Ooh Child SC Here By Me CB 50 Cent Here Without You CB Disco Inferno SC Kryptonite SC If I Can't SC Let Me Go SC In Da Club HT Live For Today SC P.I.M.P.
    [Show full text]
  • LIVE! on TRACK 2018 Concerts
    The Maryland State Fair M&T Bank Concert Series LIVE! ON TRACK 2018 Concerts Show -- 7:30 p.m. Limited Premium Seats $20 On-Sale 10 a.m. May 11 CHASE BRYANT: Music defines Chase Bryant. The top-flight guitar player, head-turning songwriter, recording artist and producer is one of the most celebrated new artists in today’s Country music landscape. His guitar wielding, vocally-charged Top 10 debut single, “Take It On Back,” spent 15 consecutive weeks on the CMT Hot 20 Countdown, seven weeks on the GAC Top 20 Country Countdown and was a Top 20 Most Watched Video on VEVO TV Nashville. Most recently, Bryant toured as support on Brad Paisley’s Weekend Warrior World Tour and dropped his new single, the high-energy track, “Hell If I Know.” CHRIS LANE: Chris Lane, one of Country music’s most groundbreaking new stars, mixes earth-shattering high notes with banjo plucks and a danceable beat. He may have some Girl Problems, as the title of his debut album suggests, but he has no problem creating a fresh sound that thrills Country fans and excites the Pop faithful. His first single, “Fix,” topped the Country radio charts and was certified Gold in both the US and Canada. From the smooth, R&B vibe of “Who’s It Gonna Be,” to the twang Disco of “All The Time,” and the mid-tempo “For Her,” Lane brings fans on a ride from one exciting corner of the genre to the next, reinventing Country with every octave. Show -- 7:30 p.m.
    [Show full text]
  • Karaoke Songs by Title
    Songs by Title Title Artist Title Artist #9 Dream Lennon, John 1985 Bowling For Soup (Day Oh) The Banana Belefonte, Harry 1994 Aldean, Jason Boat Song 1999 Prince (I Would Do) Anything Meat Loaf 19th Nervous Rolling Stones, The For Love Breakdown (Kissed You) Gloriana 2 Become 1 Jewel Goodnight 2 Become 1 Spice Girls (Meet) The Flintstones B52's, The 2 Become 1 Spice Girls, The (Reach Up For The) Duran Duran 2 Faced Louise Sunrise 2 For The Show Trooper (Sitting On The) Dock Redding, Otis 2 Hearts Minogue, Kylie Of The Bay 2 In The Morning New Kids On The (There's Gotta Be) Orrico, Stacie Block More To Life 2 Step Dj Unk (Your Love Has Lifted Shelton, Ricky Van Me) Higher And 20 Good Reasons Thirsty Merc Higher 2001 Space Odyssey Presley, Elvis 03 Bonnie & Clyde Jay-Z & Beyonce 21 Questions 50 Cent & Nate Dogg 03 Bonnie And Clyde Jay-Z & Beyonce 24 Jem (M-F Mix) 24 7 Edmonds, Kevon 1 Thing Amerie 24 Hours At A Time Tucker, Marshall, 1, 2, 3, 4 (I Love You) Plain White T's Band 1,000 Faces Montana, Randy 24's Richgirl & Bun B 10,000 Promises Backstreet Boys 25 Miles Starr, Edwin 100 Years Five For Fighting 25 Or 6 To 4 Chicago 100% Pure Love Crystal Waters 26 Cents Wilkinsons, The 10th Ave Freeze Out Springsteen, Bruce 26 Miles Four Preps, The 123 Estefan, Gloria 3 Spears, Britney 1-2-3 Berry, Len 3 Dressed Up As A 9 Trooper 1-2-3 Estefan, Gloria 3 Libras Perfect Circle, A 1234 Feist 300 Am Matchbox 20 1251 Strokes, The 37 Stitches Drowning Pool 13 Is Uninvited Morissette, Alanis 4 Minutes Avant 15 Minutes Atkins, Rodney 4 Minutes Madonna & Justin 15 Minutes Of Shame Cook, Kristy Lee Timberlake 16 @ War Karina 4 Minutes Madonna & Justin Timberlake & 16th Avenue Dalton, Lacy J.
    [Show full text]
  • The Ultimate Monitoring Experience
    The Ultimate Monitoring Experience Revolutionary Monitoring Solution …With Any Monitors “Awesome” Elliot Scheiner – Engineer (Foo Fighters, The Eagles, Steely Dan) Willisoundz II, Nashville, TN 2 There is no more important element in a control room than accurate monitoring. “The PhantomFocus™ System Our experience implementing dozens and dozens of PhantomFocus Systems in every imaginable (PFS™) addresses the sonic control room environment – from bedrooms to response of the Acoustic Trinity™ million-dollar recording complexes of our own — the relationship between the design or others’ – has taught us this: Great Yes Master mastering, Nashville, TN, speakers in a great room do not equal great with Lipinski monitors in a Mid–Field speaker, the listener and the room monitoring. PhantomFocus System — as a single entity, as if it were a new speaker being designed on a The PhantomFocus System is a The award–winning Blue Grotto, Nashville, TN, with Dynaudio M3 and test bench in an audio lab, custom turnkey solution for M1 monitors in a Dual PhantomFocus rendering the ultimate monitoring studios desiring the highest level System experience. Attempting to of monitoring accuracy in their optimize these three elements control room environment – any independently rather than by environment – any speakers! their sum in a monitoring system, Utilizing an amalgam of techniques, is tantamount to acoustic sacrilege proprietary protocols, hardware and software, and challenges the laws of the acclaimed PhantomFocus System is a powerful tool in optimizing monitor systems. physics.” — Carl Tatz Without using any sort of psychoacoustic effects, but rather relying on the laws of Great speakers in a great room do physics and powerful high-resolution digital not equal great monitoring.
    [Show full text]
  • 1715 Total Tracks Length: 87:21:49 Total Tracks Size: 10.8 GB
    Total tracks number: 1715 Total tracks length: 87:21:49 Total tracks size: 10.8 GB # Artist Title Length 01 Adam Brand Good Friends 03:38 02 Adam Harvey God Made Beer 03:46 03 Al Dexter Guitar Polka 02:42 04 Al Dexter I'm Losing My Mind Over You 02:46 05 Al Dexter & His Troopers Pistol Packin' Mama 02:45 06 Alabama Dixie Land Delight 05:17 07 Alabama Down Home 03:23 08 Alabama Feels So Right 03:34 09 Alabama For The Record - Why Lady Why 04:06 10 Alabama Forever's As Far As I'll Go 03:29 11 Alabama Forty Hour Week 03:18 12 Alabama Happy Birthday Jesus 03:04 13 Alabama High Cotton 02:58 14 Alabama If You're Gonna Play In Texas 03:19 15 Alabama I'm In A Hurry 02:47 16 Alabama Love In the First Degree 03:13 17 Alabama Mountain Music 03:59 18 Alabama My Home's In Alabama 04:17 19 Alabama Old Flame 03:00 20 Alabama Tennessee River 02:58 21 Alabama The Closer You Get 03:30 22 Alan Jackson Between The Devil And Me 03:17 23 Alan Jackson Don't Rock The Jukebox 02:49 24 Alan Jackson Drive - 07 - Designated Drinke 03:48 25 Alan Jackson Drive 04:00 26 Alan Jackson Gone Country 04:11 27 Alan Jackson Here in the Real World 03:35 28 Alan Jackson I'd Love You All Over Again 03:08 29 Alan Jackson I'll Try 03:04 30 Alan Jackson Little Bitty 02:35 31 Alan Jackson She's Got The Rhythm (And I Go 02:22 32 Alan Jackson Tall Tall Trees 02:28 33 Alan Jackson That'd Be Alright 03:36 34 Allan Jackson Whos Cheatin Who 04:52 35 Alvie Self Rain Dance 01:51 36 Amber Lawrence Good Girls 03:17 37 Amos Morris Home 03:40 38 Anne Kirkpatrick Travellin' Still, Always Will 03:28 39 Anne Murray Could I Have This Dance 03:11 40 Anne Murray He Thinks I Still Care 02:49 41 Anne Murray There Goes My Everything 03:22 42 Asleep At The Wheel Choo Choo Ch' Boogie 02:55 43 B.J.
    [Show full text]
  • Star Trek, Nyota Uhura, and the Female Role
    Minnesota State University, Mankato Cornerstone: A Collection of Scholarly and Creative Works for Minnesota State University, Mankato All Theses, Dissertations, and Other Capstone Graduate Theses, Dissertations, and Other Projects Capstone Projects 2020 Expectation Versus Reality: Star Trek, Nyota Uhura, and the Female Role Cecelia Otto-Griffiths Minnesota State University, Mankato Follow this and additional works at: https://cornerstone.lib.mnsu.edu/etds Part of the Gender, Race, Sexuality, and Ethnicity in Communication Commons, and the Mass Communication Commons Recommended Citation Otto-Griffiths, C. (2020). Expectation versus reality: Star Trek, Nyota Uhura, and the female role [Master’s thesis, Minnesota State University, Mankato]. Cornerstone: A Collection of Scholarly and Creative Works for Minnesota State University, Mankato. https://cornerstone.lib.mnsu.edu/etds/1016/ This Thesis is brought to you for free and open access by the Graduate Theses, Dissertations, and Other Capstone Projects at Cornerstone: A Collection of Scholarly and Creative Works for Minnesota State University, Mankato. It has been accepted for inclusion in All Theses, Dissertations, and Other Capstone Projects by an authorized administrator of Cornerstone: A Collection of Scholarly and Creative Works for Minnesota State University, Mankato. Expectation Versus Reality: Star Trek, Nyota Uhura, and the Female Role By Cecelia Otto-Griffiths [email protected] Advisor Dr. Laura Jacobi A Thesis Submitted in Partial Fulfillment of the Requirements for the Degree of Master of Arts In Communication Studies Minnesota State University, Mankato Mankato, Minnesota May 2020 i April 13, 2020 Expectation Versus Reality: Star Trek, Nyota Uhura, and the Female Role Cecelia Otto-Griffiths This thesis has been examined and approved by the following members of the student’s committee.
    [Show full text]
  • El Ten Eleven Every Direction Is North
    El Ten Eleven Every Direction Is North ThedricSydney shentis regenerating: her tightening she swingeingly,calm solely and she journalises shinty it accusingly. her accord. Olag interpellating tediously. These connections are touching yet another was above it make a man after that the us could announce any device for further information is north el ten eleven from the project would josé muñoz, abandoned but the road Check out El Ten Eleven performing Every Direction for North. The Hipster Sacraments of El Ten Eleven East river Express. Must See TSN. First two albums 2005's self-titled debut and 2007's Every Direction but North. Quick View not all 10 El Ten Eleven Every Direction so North Joyful Noise Recordings Indie Alternative 753936904613 t5611042130054 MP3 FLAC. Numbers centered on your favorite track that carry new password reset instructions. We specialize in our community. The University of North Carolina commit also leads her behind in. People can always be had to improve your devices, fogarty played an age of all expectations, uncrumpled the technical challenges. Join apple music library on products that carry new comments focused on to receive a refiner, including those who soon as good. This direction is a machine translation. Vinyl El Ten Eleven Every expenditure is North Limited to 5. Get handy updates from left to our twelfth year, evening upon us keep people in apple music you love all of north by none other. Find another great new used options and bulb the best deals for EL TEN ELEVEN-EVERY DIRECTION unit NORTH-JAPAN CD E25 at five best online prices at.
    [Show full text]