Metals Chart

Total Page：16

File Type：pdf, Size：1020Kb

Metals Chart The following chart gives you an overall concept of which metals can be plated with each kit, and the steps required. To read the chart, pick your base metal type (or current plating type) on the left, then pick the type of plating you want to do from along the top. For example, if you start with a piece of stainless steel, and want to chrome plate it with Copy Chrome, the steps are: 1.Degreaser until it passes the waterbreak test 2.Use Pickle #4 to etch 3.Strike Coat with Flash Copper 4.Nickel Plate (The Copy Chrome Column says "Over Nickel") 5.Copy Chrome Plate Some Notes: -Gold Plating (not shown) should only go over a nickel or tin plate. -Silver Plating (not shown) should only go over a copper, nickel or tin plate. -Hard Chrome Plating (not shown) is usually plated directly over steel parts, or zincated aluminum This chart can also be used to assist with brush plating, however you cannot brush plate over zincated aluminum or conductive painted materials. You should tank plate these materials with copper first, then you can brush plate over the copper. Bright Sp Etch Flash Copy Chrome/ Anodize Zinc Copy Black Bronze / Base Metal Strike Coat Acid Nickel Tin Degreaser (Pickle) Copper Chrome Repochrome Aluminum Cad Krome Brass Copper See Until Pass Deox- Zincate Then Over Over Over Over Over Nickel or Over Over Aluminum Over Nickel Anodizing Waterbreak Desmut Flash Copper Zincate Zincate Copper Nickel Zincate Copper Copper Zincate Section Nickel or Until Pass #4 As Nickel or Flash Over Nickel or Iron Steel Direct Flash Direct Over Nickel X Direct Direct Direct Waterbreak Required Copper Nickel Copper Copper Until Pass #4 As Flash Flash Over Flash Nickel or Nickel or Over Stainless Steel Flash Copper Direct Over Nickel X Waterbreak Required Copper Copper Nickel Copper Copper Copper Copper Pot Metal / Zin Until Pass #4 As Flash Flash Over Nickel or Nickel or Flash Flash Copper Direct Over Nickel X Direct Die Cast Waterbreak Required Copper Copper Nickel Copper Copper Copper Brass, Copper, Until Pass #4 As Over Nickel or None Direct Direct Direct Over Nickel X Direct Direct Direct Bronze Waterbreak Required Nickel Copper Until Pass #4 As Nickel Nickel Direct Direct Direct Direct Direct X Direct Direct Direct Direct Waterbreak Required Activator Chrome Stripper Until Pass Then Refer To Chrome Waterbreak X X X XX X XXX X X Nickel Above Conductive Paint Until Pass Over Paint or Over Over Over Nickel or Over Over Plastic X + Tinning Solution X Over Nickel X Waterbreak Silvering or Silvering Kit Copper Nickel Copper Copper Copper Copper Until Pass #4 As Flash Over Over Over Nickel or Over Over Lead / Pewter Flash Copper Direct Over Nickel X Waterbreak Required Copper Copper Nickel Copper Copper Copper Copper Precious Metals Until Pass Over X X Direct Direct Direct Over Nickel X Direct Direct Direct Direct (Gold ect) Waterbreak Nickel.

Copy Link

Recommended publications

Repoussé Work for Amateurs
rf Bi oN? ^ ^ iTION av op OCT i 3 f943 2 MAY 8 1933 DEC 3 1938 MAY 6 id i 28 dec j o m? Digitized by the Internet Archive in 2011 with funding from Boston Public Library http://www.archive.org/details/repoussworkforamOOhasl GROUP OF LEAVES. Repousse Work for Amateurs. : REPOUSSE WORK FOR AMATEURS: BEING THE ART OF ORNAMENTING THIN METAL WITH RAISED FIGURES. tfjLd*- 6 By L. L. HASLOPE. ILLUSTRATED. LONDON L. UPCOTT GILL, 170, STRAND, W.C, 1887. PRINTED BY A. BRADLEY, 170, STRAND, LONDON. 3W PREFACE. " JjJjtfN these days, when of making books there is no end," ^*^ and every description of work, whether professional or amateur, has a literature of its own, it is strange that scarcely anything should have been written on the fascinating arts of Chasing and Repousse Work. It is true that a few articles have appeared in various periodicals on the subject, but with scarcely an exception they treated only of Working on Wood, and the directions given were generally crude and imperfect. This is the more surprising when we consider how fashionable Repousse Work has become of late years, both here and in America; indeed, in the latter country, "Do you pound brass ? " is said to be a very common question. I have written the following pages in the hope that they might, in some measure, supply a want, and prove of service to my brother amateurs. It has been hinted to me that some of my chapters are rather "advanced;" in other words, that I have gone farther than amateurs are likely to follow me.
[Show full text]
Electroless Copper Plating a Review: Part I
Electroless Copper Plating A Review: Part I By Cheryl A. Deckert Electroless, or autocatalytic, metal plating is a non- necessary components of an electro- electrolytic method of deposition from solution. The less plating solution are the metal salt minimum necessary components of an electroless and a reducing agent. The source of plating solution are a metal salt and an appropriate copper is a simple cupric salt, such as reducing agent. An additional requirement is that the copper sulfate, chloride or nitrate. solution, although thermodynamically unstable, is Various common reducing agents stable in practice until a suitable catalyzed surface is have been suggested7 for use in elec- introduced. Plating is then initiated upon the catalyzed troless copper baths, namely formal- surface, and the plating reaction is sustained by the dehyde, dimethylamine borane, boro- catalytic nature of the plated metal surface itself. This hydride, hypophosphite,8 hydrazine, definition of electroless plating eliminates both those sugars (sucrose, glucose, etc.), and solutions that spontaneously plate on all surfaces dithionite. In practice, however, vir- (“homogeneous chemical reduction”), such as silver tually all commercial electroless cop- mirroring solutions; also “immersion” plating solu- per solutions have utilized formalde- tions, which deposit by displacement a very thin film of hyde as reducing agent. This is a a relatively noble metal onto the surface of a sacrificial, result of the combination of cost, less noble metal. effectiveness, and ease
[Show full text]
Metals and Metal Products Tariff Schedules of the United States
251 SCHEDULE 6. - METALS AND METAL PRODUCTS TARIFF SCHEDULES OF THE UNITED STATES SCHEDULE 6. - METALS AND METAL PRODUCTS 252 Part 1 - Metal-Bearing Ores and Other Metal-Bearing Schedule 6 headnotes: Materials 1, This schedule does not cover — Part 2 Metals, Their Alloys, and Their Basic Shapes and Forms (II chemical elements (except thorium and uranium) and isotopes which are usefully radioactive (see A. Precious Metals part I3B of schedule 4); B. Iron or Steel (II) the alkali metals. I.e., cesium, lithium, potas C. Copper sium, rubidium, and sodium (see part 2A of sched D. Aluminum ule 4); or E. Nickel (lii) certain articles and parts thereof, of metal, F. Tin provided for in schedule 7 and elsewhere. G. Lead 2. For the purposes of the tariff schedules, unless the H. Zinc context requires otherwise — J. Beryllium, Columbium, Germanium, Hafnium, (a) the term "precious metal" embraces gold, silver, Indium, Magnesium, Molybdenum, Rhenium, platinum and other metals of the platinum group (iridium, Tantalum, Titanium, Tungsten, Uranium, osmium, palladium, rhodium, and ruthenium), and precious- and Zirconium metaI a Iloys; K, Other Base Metals (b) the term "base metal" embraces aluminum, antimony, arsenic, barium, beryllium, bismuth, boron, cadmium, calcium, chromium, cobalt, columbium, copper, gallium, germanium, Part 3 Metal Products hafnium, indium, iron, lead, magnesium, manganese, mercury, A. Metallic Containers molybdenum, nickel, rhenium, the rare-earth metals (Including B. Wire Cordage; Wire Screen, Netting and scandium and yttrium), selenium, silicon, strontium, tantalum, Fencing; Bale Ties tellurium, thallium, thorium, tin, titanium, tungsten, urani C. Metal Leaf and FoU; Metallics um, vanadium, zinc, and zirconium, and base-metal alloys; D, Nails, Screws, Bolts, and Other Fasteners; (c) the term "meta I" embraces precious metals, base Locks, Builders' Hardware; Furniture, metals, and their alloys; and Luggage, and Saddlery Hardware (d) in determining which of two or more equally specific provisions for articles "of iron or steel", "of copper", E.
[Show full text]
THE DEGRADATION of PEWTER in ANTIQUE LACE BOBBINS Home Page
THE DEGRADATION OF PEWTER IN ANTIQUE LACE BOBBINS Home Page Parent Page THE DEGRADATION OF PEWTER IN ANTIQUE LACE BOBBINS. This article needs a couple of pics. Pewter Degradation Introduction The pewter used in bobbins is one of the prettiest decorative processes that makers used. Unfortunately during the passage of time much of the pewter by some makers has degraded and has either fallen off the bobbin or has become swollen, misshapen and even crumbly. The following is my attempt, with the help of many people on the web and especially my friend Neil Keats, to explain this phenomenon. Pewter. Pewter is an alloy (i.e. a mixture) of tin and lead. The better the quality of pewter the higher the percentage of tin is in the alloy. Tin exists in three forms, depending on the temperature. This is called polymorphism (poly-many, morphism-shapes). At temperatures between 13 and 160 degrees C, it is called White tin, and the atoms (think of them as little balls in this description) are packed closely together to form the metal. Hence, it is a dense metal, i.e. it is hard. file:///C|/Documents%20and%20Settings/My%20Docu...s/Pewter%20degredation/Pewter%20degredation.htm (1 of 4) [6/9/2003 8:15:25 PM] THE DEGRADATION OF PEWTER IN ANTIQUE LACE BOBBINS Below 13 degrees C the atoms rearrange to become more loosely packed (actually in the same configuration as diamond). This shows first as wart-like structures on the surface, and eventually leads to the tin crumbling into a powder. This is called "tin pest", and is what happened to the buttons on Napoleon's soldiers coats.
[Show full text]
Lost Books: Chasing and Repoussé Table of Contents
Lost Books: Chasing and Repoussé Table of Contents The Lost Books Extracts Bick, A. F., Artistic Metalwork, Bruce Publishng Company, Milwaukee, 1940, 6 pages from 236, Title of computer file: Artisticmetalwork.pdf Davidson, P. Wylie , Educational Metalcraft, 1913, 14 pages (book is 227 pages) Title of computer file: Educational Metalcraft.pdf Diderot, “Ciseleur”, Enclopaedia of Diderot, circa 1760, 4 pages of hundreds. Title of computer file: VIII Ciseleur.pdf Gee George, “The Goldsmiths Handbook”. 1918, 6 pages of 260 pages. Title of computer file: The Goldsmiths Handbook.pdf Gee, George, “The Silversmiths Handbook”, 1921, 5 pages of 222 pages. Title of computer file: Silversmiths Handbook.pdf Louis Haas, Art Metal Work and Jewelry, 1946, (1st edition 1016), 5 pages from 110+ pages Title of computer file: Art Metal Work.pdf Harrison, John, Decoration of Metals, Chapman and Hall, London, 1894, entire book Title of computer file: DecorationMetals.pdf Hart G. H. and Keeley, Golden, Metal Work for Craftsmen, Isaac Pitman and Sons, 1932, 10 pages from 156, Title of computer file: MetalworkforCraftsmen.pdf Hartley, W.,”Pewter and Repousse Work”, from the Practical Instruction Handbook Edited by A. Neal, undated, early 20’s , 64 of 168 pages Title of computer file: Practical Instruction Handbook.pdf Haslope, L. L., Repousse for Amateurs, Upcott Gill, London, 1900, entire book Title of computer file: Repousse.pdf Horth, AC, Beaten Metal Work.pdf 1946, 9 pages from 99 pages. Title of computer file: Beaten Metal Work.pdf Kronquist, Emil , Metalcraft And Jewelry .1926, 30 pages of 191 Title of computer file: Metalcraft And Jewelry.pdf Kronquist, Emil, Art Metal Work, McGraw-Hill, New York, 1942, 14 pages of 204, Title of computer file: Art Metal Work.pdf Manzoni, Peter, Metalcraft for Amateurs, Beacon Handicraft Series, Boston, 1936, 13 pages of 136, Title of computer file: Metalcraftforamateurs.pdf Maryon, Herbert.
[Show full text]
Maintenance and Repair Alloys for Welding, Brazing, Soldering and Metal Working
Maintenance and Repair Alloys for Welding, Brazing, Soldering and Metal Working Weldcote Metals Maintenance and Repair Alloys for Welding, Brazing, Soldering and Metal Working ________________________________________________________________________________________________________ Dissimilar metal combinations - 120,000 psi tensile Super 120 Electrodes are excellent for repairing tools, dies, spring steel and any dissimilar metal combinations, except for aluminum and copper alloys due to exceptional strength and crack resistance. Super 120 is also recommended for repairing worn parts and as an underlay for hardfacing. Applications: repairing tools, dies, spring steel and any dissimilar metal combinations. Consider this the maintenance and repair “stand-by” in every industry throughout the world. Procedure: Use either AC or DC reverse polarity (electrode +). The weld area should be free of rust, grease, paint and other materials which cause weld contamination. A 90° vee joint should be used when joining heavy sections. Maintain a short arc length and use stringer beads. For high carbon steels, a preheat of 400° is recommended. Weld positions are flat, horizontal, vertical up and overhead. Amperages: 3/32” = 35 – 70 1/8” = 60 – 110 5/32” = 75 – 140 3/16” = 130 - 200 Super 120 3/32 electrode SUPER120332E 4-10 lb tubes in 40 Super 120 1/8 electrode lb ctn SUPER12018E Super 120 5/32 electrode SUPER120532E Aluminum cast & wrought base metal Aluminum Smooth 340 Maintenance and Repair electrodes feature a precise combination of core wire and coating, providing high speed deposition of dense, machinable welds. It is recommended for fabrication and repair of cast and wrought aluminum. It is excellent for foundry defects, machining errors and all types of salvage work.
[Show full text]
Arlington Court
ARLINGTON COURT THE PEWTER COLLECTION Identification and listing by the Pewter Society December 2000 ………………………………………………………………………………………………………………………………………………………… This document is scanned from the papers of the late Jan Gadd by the kind permission of Ian Gadd. Jan Gadd is credited with the photography and the descriptions. He was assisted by Dr John Richardson and Michael Boorer. …………………………………………………………………………………………………………………………………………………………… It is apparent that some information unknown to Jan has become known in the intervening years. These descriptions were the best available at the time of writing to Jan Gadd. ARLINGTON COURT IS A NATIONAL TRUST PROPERTY AT BARNSTAPLE The unmarried heiress and descendant of the original owner Rosalie Chichester died age 85 in 1949 bequeathing Arlington Court to the National Trust. She was a talented artist with a knowledge of flora and fauna, reputably strong willed, and a well-known collector of old pewter. She was also known for a strong aversion to hunting. She was invited to join the Society of Pewter Collectors in 1923. Index Chargers British 3 Foreign 6 Dishes British 9 Foreign 23 Plates British 25 Foreign 40 Bowls British 43 Foreign 47 Flagons British 50 Foreign 57 Tankardsand Mugs British 64 Foreign 68 Cups andBeakers British 69 Foreign 70 Measures British 71 Foreign 92 Salts British 95 Candlesticks British 98 Foreign 103 Inkstands British 108 Small Boxes British 110 1 Spoons British 120 Foreign 127 Miscellaneous British 134 Foreign 138 Bibliography 142 Abbreviations All unitsin millimeters and gram L length H height overall Hr Height to rim D diameter D(AxY)= diameter (2 x rim width) on plates and dishes Db base diameter Dr rim diameter w weight HMs (pseudo) hallmarks Ph photo No.
[Show full text]
Section XV BASE METALS and ARTICLES of BASE METAL Notes
Section XV BASE METALS AND ARTICLES OF BASE METAL Notes. 1.- This Section does not cover : (a) Prepared paints, inks or other products with a basis of metallic flakes or powder (headings 32.07 to 32.10, 32.12, 32.13 or 32.15); (b) Ferro-cerium or other pyrophoric alloys (heading 36.06); (c) Headgear or parts thereof of heading 65.06 or 65.07; (d) Umbrella frames or other articles of heading 66.03; (e) Goods of Chapter 71 (for example, precious metal alloys, base metal clad with precious metal, imitation jewellery); (f) Articles of Section XVI (machinery, mechanical appliances and electrical goods); (g) Assembled railway or tramway track (heading 86.08) or other articles of Section XVII (vehicles, ships and boats, aircraft); (h) Instruments or apparatus of Section XVIII, including clock or watch springs; (ij) Lead shot prepared for ammunition (heading 93.06) or other articles of Section XIX (arms and ammunition); (k) Articles of Chapter 94 (for example, furniture, mattress supports, lamps and lighting fittings, illuminated signs, prefabricated buildings); (l) Articles of Chapter 95 (for example, toys, games, sports requisites); (m) Hand sieves, buttons, pens, pencil-holders, pen nibs or other articles of Chapter 96 (miscellaneous manufactured articles); or (n) Articles of Chapter 97 (for example, works of art). 2.- Throughout the Nomenclature, the expression “parts of general use” means : (a) Articles of heading 73.07, 73.12, 73.15, 73.17 or 73.18 and similar articles of other base metal; (b) Springs and leaves for springs, of base metal, other than clock or watch springs (heading 91.14); and (c) Articles of headings 83.01, 83.02, 83.08, 83.10 and frames and mirrors, of base metal, of heading 83.06.
[Show full text]
THE USE of MIXED MEDIA in the PRODUCTION of METAL ART by Mensah, Emmanuel (B.A. Industrial Art, Metals)
THE USE OF MIXED MEDIA IN THE PRODUCTION OF METAL ART By Mensah, Emmanuel (B.A. Industrial Art, Metals) A Thesis submitted to the School of Graduate Studies, Kwame Nkrumah University of Science and Technology In partial fulfillment of the requirements for the degree of MASTER OF ARTS (ART EDUCATION) Faculty of Art, College of Art and Social Sciences March 2011 © 2011, Department of General Art Studies DECLARATION I hereby declare that this submission is my own work toward the M.A Art Education degree and that, to the best of my knowledge, it contains no materials previously published by another person or material which has been accepted for the award of any other degree of the university, except where due acknowledgement has been made in the text. ……………………………….. ……………………………….. ………………………….. Student’s name & ID Signature Date Certified by ……………………………….. ……………………………….. ………………………….. Supervisor’s Name Signature Date Certified by ……………………………….. ……………………………….. ………………………….. Head of Department’s Name Signature Date ii ABSTRACT The focus of this study was to explore and incorporate various artistic and non artistic media into the production of metal art. The researcher was particularly interested in integrating more non metallic materials that are not traditional to the production of metal art in the decoration, finishing and the protective coating of metal art works. Basic hand forming techniques including raising, chasing and repoussé, piercing and soldering were employed in the execution of the works. Other techniques such as painting, dyeing and macramé were also used. Non metallic media that were used in the production of the works included leather, nail polish, acrylic paint, epoxy, formica glue, graphite, eye pencil, lagging, foam, wood, shoe polish, shoe lace, eggshell paper, spray paint, cotton cords and correction fluid.
[Show full text]
GLOSSARY of PLATING TERMS Acid Gold: a Mildly Acidic Process That Is Used When Plating from 7 to 200 Mils of Gold
GLOSSARY OF PLATING TERMS Acid gold: A mildly acidic process that is used when plating from 7 to 200 mils of gold. The deposits are usually 23kt purity, and it is not usually used as the final finish. Antique: A process which involves the application of a dark top coating over bronze or silver. This coating, either plated or painted, is partially removed to expose some of the underlying metal. Anti-tarnish: A protective coating that provides minimal tarnish protection for a low cost. Barrel plating: A type of mass finishing that takes place in a barrel or tub. Barrel plating is usually requested for very small pieces where pricing must be kept low. Black nickel: A bright or matte, dark plating process that is used to highlight antique finishes. Or, when used as a final color it will range from dark grey to light black. A bright black nickel will yield the darkest color. Bright finish: A high luster, smooth finish. CASS testing: The Copper-Accelerated Acetic Acid Salt Spray test is the same as the Neutral Salt Spray (NSS) test, except it is accelerated, with typical time cycles being 8 and 24 hours. Cold nickel: A non-brightened nickel bath which replicates the original finish, that is, bright areas remain bright and dull areas remain dull. Color: Describes the final top coating (flash) which could be white, silver, 14kt gold (Hamilton), 18kt gold, or 24kt gold (English gold). See "gold flash" and "cyanide gold." Copper: An excellent undercoat in the plating process. Copper provides good conductivity and forms an excellent protective barrier between the base metal and the plate.
[Show full text]
Understanding Gold Plating
Understanding Gold Plating Peter Wilkinson Engelhard Limited, Cinderford, Gloucestershire, United Kingdom For effective operation, gold plating baths must require the mini- mum of attention in respect of replenishment and replacement, and must produce as little sub-standard or reject work as possible. To achieve this, an understanding of the processes involved and the factors affecting them is advantageous. This article attempts to provide such an understanding in a simple manner. Special atten- tion is given to the plating of gold from acid baths containing monovalent gold complexes. The use of gold as a contact material on connectors, Other gold(I) complexes, such as those with thiomalate and switches and printed circuit boards (PCB's) is now well estab- thiosulphate have been considered, but it is doubtful if they lished. There is also an awareness that only gold deposits from will ever find commercial application. acid (pH 3.5-5.0) gold(I) cyanide baths containing cobalt, In terms of electricity consumed, gold(I) baths are more nickel or iron as brightening agents have the appropriate efficient than gold(III) baths. Thus, assuming 100 per cent properties for a contact material. Gold deposits from: pure efficiency, 100 amp-min will deposit 12.25 g of gold from a gold(I) cyanide baths; from such baths containing organic monovalent gold complex, but only 4.07 g from a trivalent gold materials as brightening agents; or from electrolytes containing complex. gold in the form of the gold(I) sulphite complex, do not have Nevertheless, deposition from acid gold(III) cyanide baths the sliding wear resistance which is necessary for make and has merit in the plating of acid resistant substrates such as stain- break connections (1).
[Show full text]
The Care and Preservation of Historical Silver by CLARA DECK, CONSERVATOR REVISIONS by LOUISE BECK, CONSERVATOR
The Care and Preservation of Historical Silver BY CLARA DECK, CONSERVATOR REVISIONS BY LOUISE BECK, CONSERVATOR Introduction Historical silver can be maintained for years of use and enjoyment provided that some basic care and attention is given to their preservation. The conservation staff at The Henry Ford have compiled the information in this fact sheet to help individuals care for their objects and collections. The first step in the care of all collections is to understand and minimize or eliminate conditions that can cause damage. The second step is to follow basic guidelines for care, handling and cleaning. Most people know that silver is a white, lustrous metal. Pure or “fine” silver is called “Sterling” if it is made up of no less than 925 parts silver to 75 parts alloy. Sterling will thus often have ‘.925’ stamped somewhere on it, as an identifier. Silver objects, especially coins and jewelry, contain copper as an alloying metal for added hardness. The copper may corrode to form dark brown or green deposits on the surface of the metal. Silver is usually easy to differentiate from lead or pewter, which are generally dark gray and not very shiny. Silver is often plated (deposited) onto other metallic alloys, almost always with an intermediate layer of copper in between. The earliest plating process, “Sheffield Plate” was developed in England in 1742. By the mid-19th century, the process was largely replaced by electroplating (which used less silver). The base metal in plated artifacts may consist of any of the following metals or alloys: copper, brass, “German silver” or “nickel silver” (50% copper, 30% nickel, 20% zinc), “Brittania metal” (97% tin, 7% antimony, 2% copper), or a “base” silver containing a high percentage of copper.
[Show full text]