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N Russia with Love Minisces About R,Ussian Revolution and Living in America
Page 11 Verities and balderdash sung at Painter's. Mill by Patrick Pannella As a single beam of light casts a such as "Cats In The Cradle ","Mr. Tanner", All my life's a circle. shimmering glow over the revolving stage, "Taxi", and "Sequel (To Taxi)", or Tom Sunrise and sun'down. Harry Chapin squints. He clenches his plain Chapin lending his high-pitched voice to The moon rose through the nighttime, wooden guitar in one hand, and he squints sj}ngs like. "Make a Wish", the Chapin Till the daybreak comes around. again. When his free hand ceases to ramble brothers move with the music. Like the All my life's a circle, through his wavy brown hair, he begins to crowd, they seem to be i7ll0 the songs. But I can't tell you why. sing. The near sellout crowd grows silent. The entertainers frequently encourage the The season's spinning around again, Like a trapped lion confronted with an open audience to sing along, especially in the song The years keep rolling by. cage, the words spring out; "30,000 Pounds of Bananas". This appears And the wind will whip your tousled hair.Y to be one song where meaning lacks a-peel, Answers are not important here. It's the The sun, the rain, the sweet despair, so to speak. It also proves to be a fun question" which are raised that have Great tales of love and strife. breather. for the two. The performance ends meaning. They are the questions which And somewhere on your path to glory, with a couple of verses from "Circle". -
Songs-Of-Protest-2020.Pdf
Elliott Forrest Dara Falco Executive & Artistic Director Managing Director Board of Trustees Stephen Iger, President Melanie Rock, Vice President Joe Morley, Secretary Tim Domini, Treasurer Karen Ayres Rod Greenwood Simon Basner Patrick Heaphy David Brogno James Sarna Hal Coon Lisa Waterworth Jeffrey Doctorow Matthew Watson SUPPORT THE ARTS Donations accepted throughout the show online at ArtsRock.org The mission of ArtsRock is to provide increased access to professional arts and multi-cultural programs for an underserved, diverse audience in and around Rockland County. ArtsRock.org ArtsRock is a 501 (C)(3) Not For-Profit Corporation Dear Friends both Near and Far, Welcome to SONGS OF PROTEST 4, from ArtsRock.org, a non- profit, non-partisan arts organization based in Nyack, NY. We are so glad you have joined us to celebrate the power of music to make social change. Each of the first three SONGS OF PROTEST events, starting in April of 2017, was presented to sold-out audiences in our Rockland, NY community. This latest concert, was supposed to have taken place in-person on April 6th, 2020. We had the performer lineup and songs already chosen when we had to halt the entire season due to the pandemic. As in SONGS OF PROTEST 1, 2 & 3, we had planned to present an evening filled with amazing performers and powerful songs that have had a historical impact on social justice. When we decided to resume the series virtually, we rethought the concept. With so much going on in our country and the world, we offered the performers the opportunity to write or present an original work about an issue from our current state of affairs. -
Musical Pluralism and the Science of Music Anton Killin & Adrian Currie Penultimate Version, Forthcoming in the European
Musical pluralism and the science of music Anton Killin & Adrian Currie Penultimate version, forthcoming in the European Journal for Philosophy of Science Abstract: The scientific investigation of music requires contributions from a diverse array of disciplines (e.g. anthropology, musicology, neuroscience, psychology, music theory, music therapy, sociology, computer science, evolutionary biology, archaeology, acoustics and philosophy). Given the diverse methodologies, interests and research targets of the disciplines involved, we argue that there is a plurality of legitimate research questions about music, necessitating a focus on integration. In light of this we recommend a pluralistic conception of music—that there is no unitary definition divorced from some discipline, research question or context. This has important implications for how the scientific study of music ought to proceed: we show that some definitions are complementary, that is, they reflect different research interests and ought to be retained and, where possible, integrated, while others are antagonistic, they represent real empirical disagreement about music’s nature and how to account for it. We illustrate this in discussion of two related issues: questions about the evolutionary function (if any) of music, and questions of the innateness (or otherwise) of music. These debates have been, in light of pluralism, misconceived. We suggest that, in both cases, scientists ought to proceed by constructing integrated models which take into account the dynamic interaction between different aspects of music. Keywords: Definitions of music; musicality; pluralism; musical cognition; evolution of music. 1. Introduction Music is a complex and fascinating target of scientific inquiry. Nevertheless, theorists disagree on what music is—on how best to characterise or define it (see e.g. -
Curriculum Module for Elementary Grades 2-3
Grades 2-3 CurriCulum module for elementary Grades 2-3 UBEATS ModUlE 2/3 (1) https://sites.google.com/a/uncg.edu/ubeats/home Table of Contents Physical Science page 1: How does sound travel? 3 2: What are pitch and frequency? 7 3: How is sound affected by different mediums? 11 Life Science 1: How do we hear? 17 2: Can we determine how well other animals hear? 21 3: Do animals make music? 25 4: How does nature inspire human music making? 29 5: How can we describe animal sounds? 31 6: How do birds produce sounds? 35 7: What is the value of a signature sound? 39 8: How do animals communicate using tools? 41 9: Why do birds sing? 45 10: Do animals copy sounds? 49 11: How can humans imitate the sounds of animals? 53 12: How do animals compete with man-made sounds? 57 13: How do animal songs influence human music? 61 14: Can you make a symphony of sounds? 65 UBEATS ModUlE 2/3 (2) https://sites.google.com/a/uncg.edu/ubeats/home Physical Science 1: HoW doES SoUnd TrAvEl? InTrodUCTIon: Sound travels through waves of energy. The length and speed of the waves affect the sound’s frequency and amplitude. Prior to this activity, students should understand that sound is a lEArnIng oUTCoMES: The learner will form of energy that travels in waves. Sound energy is most readily explain how sound travels. The learner recognized by the human senses in the form of vibrations. Vibrations will be able to describe how frequency can be thought of the as the end result of the energy of sound and amplitude of sound are depicted in traveling through matter in waves. -
Tom Chapin's Biography
Tom Chapin's Biography Born March 13, 1945, in New York, NY; father was a jazz drummer; married wife Bonnie, 1976; children: Abigail, Lily. Education: State University College at Plattsburgh, B.A. in history, 1969. Addresses: Record company-- Sundance Music, P.O. Box 1663, New York, NY 10011. Tom Chapin's early career may have been overshadowed by that of his more famous brother, singer-songwriter Harry Chapin of "Cat's in the Cradle" and "Taxi" fame, but Tom has made quite a name for himself as an eclectic songwriter and singer nonetheless. By the early 1990s, in fact, his music written especially for children, with its toe-tapping tunes and rich guitar accompaniments, had pleased parents so well that they generally think of his later body of work as "family" music rather than "kids" music. Considering his upbringing, Chapin was destined for a life in the arts. He grew up in New York City's Greenwich Village and Brooklyn Heights in a family that encouraged all the children to develop their creative talents. The senior Chapin, Jim, was a jazz drummer who performed with renowned bandleaders Tommy Dorsey and Woody Herman. One of Tom's grandfathers was a painter, and the other was a philosopher. When he was 12, Tom and his two brothers, Steve and Harry, fell under the influence of the seminal folk group the Weavers. The Chapin kids formed their own folk trio, calling themselves the Chapins. They played nightclub gigs in New York for a number of years and recorded their first album, Chapin Music!, in 1966. -
Entertainment
m October 1 3 ,1 9 7 7 Pendulum Page 3 A movie review Entertainment “3 Women” by Becky Sharpe mostly about recipes and how 99 The thrill of drama comes to get men, while no one Logging solos with “Celebrate me Home from our ability to enter into listens. Her neighbors laugh at an event performed before us her or ignore her while she to the extent that we actually convinces herself that she’s a Kenny Loggins, who will be cess, and after an equally the Melody,” is Loggins’ most appearing at Elon Oct. 20, successful tour, they and Clive performed before us to the winner. recent single. It is a lilting, extent that we actually ex was born in Everett, Wash. He Davis, president of Columbia driving tune that uses musical The naive, wide-eyed Pinky perience the emotions of the entered All Souls’ Grammar Records, decided to continue images to trace the path of a becomes Millie’s roommate School, and afterwards, en as Loggins and Messina. characters. It is the job of the and worshipper. Believing the love affair. The string ar actor to make the situation tered Pasadena City College as They continued together for rangement by Bob James is a image Millie tries to project. believable enough to be ex Pinky breathes, “You’re the a music major but changed to five »years as Loggins and stand-out, as is Patti Austin’s communications. He soon rea Messina. As a team, they pro perienced, This is particularly most perfect person I’ve ever (author of the tune) back difficult in a film like “ 3" lized that he wasn’t spending duced two platinum albums, ground vocals. -
Animals and Music: Between Cultural Definitions and Sensory Evidence
Sign Systems Studies 37(3/4), 2009 Animals and music: Between cultural definitions and sensory evidence Gisela Kaplan Centre for Neuroscience and Animal Behaviour, S&T, Faculty of Arts and Science University of New England, Armidale, NSW 2351. e-mail: [email protected] Abstract. It was once thought that solely humans were capable of complex cognition but research has produced substantial evidence to the contrary. Art and music, how- ever, are largely seen as unique to humans and the evidence seems to be over- whelming, or is it? Art indicates the creation of something novel, not naturally occurring in the environment. To prove its presence or absence in animals is difficult. Moreover, connections between music and language at a neuroscientific as well as a behavioural level are not fully explored to date. Even more problematic is the notion of an aesthetic sense. Music, so it is said, can be mimetic, whereas birdsong is not commonly thought of as being mimetic but as either imitation or mimicry and, in the latter case, as a ‘mindless’ act (parrots parroting). This paper will present a number of examples in which animals show signs of responsiveness to music and even engage in musical activity and this will be discussed from an ethological perspective. A growing body of research now reports that auditory memory and auditory mechanisms in animals are not as simplistic as once thought and evidence suggests, in some cases, the presence of musical abilities in animals. 1. Introduction Music and other art forms are regularly regarded as a pinnacle of hu- man achievement and an enduring testament to human culture (Mithen 2006). -
80S Icons Find New Life on Screen and Stage
Everything Old Is New: ’80s icons find new life on screen and stage Okee dokee folks… Most people remember where they were when they heard that John F. Kennedy was shot. Not many remember where they were on July 16, 1981. I do because that was the day that Harry Chapin died. I was doing a service call on a pinball machine (in another life I ran an arcade), and I was devastated when I heard that Harry had been killed in a crash on the Long Island Expressway. Harry was a huge inspiration in my youth. If, per chance, you don’t know who Harry Chapin is, you should — watch the documentary about Harry Chapin, When In Doubt, Do Something. Chapin was an incredible singer-songwriter known for songs such as “Taxi,” “Cats In The Cradle,” “W.O.L.D.” and “Circle.” He also was a tireless activist for the poor and hungry. The Chapins, a band made up of the Chapin brothers and sometimes their father, formed in the early ’60s and was the impetus for Harry to begin his solo career. He was dismissed from the band and wound up as their opening act. A record company bidding war ensued and Harry secured one of the most lucrative recording contracts at the time. Ironically, my first exposure to a Chapin was though the TV show “Make A Wish,” which was hosted by younger brother Tom Chapin. Tom would sing songs, sometimes penned by Harry, which would accompany various interesting and educational segments. It was when “Taxi” became a hit that I first heard Harry. -
Adyslipper Music by Women Table of Contents
.....••_•____________•. • adyslipper Music by Women Table of Contents Ordering Information 2 Arabic * Middle Eastern 51 Order Blank 3 Jewish 52 About Ladyslipper 4 Alternative 53 Donor Discount Club * Musical Month Club 5 Rock * Pop 56 Readers' Comments 6 Folk * Traditional 58 Mailing List Info * Be A Slipper Supporter! 7 Country 65 Holiday 8 R&B * Rap * Dance 67 Calendars * Cards 11 Gospel 67 Classical 12 Jazz 68 Drumming * Percussion 14 Blues 69 Women's Spirituality * New Age 15 Spoken 70 Native American 26 Babyslipper Catalog 71 Women's Music * Feminist Music 27 "Mehn's Music" 73 Comedy 38 Videos 77 African Heritage 39 T-Shirts * Grab-Bags 82 Celtic * British Isles 41 Songbooks * Sheet Music 83 European 46 Books * Posters 84 Latin American . 47 Gift Order Blank * Gift Certificates 85 African 49 Free Gifts * Ladyslipper's Top 40 86 Asian * Pacific 50 Artist Index 87 MAIL: Ladyslipper, PO Box 3124, Durham, NC 27715 ORDERS: 800-634-6044 (Mon-Fri 9-8, Sat'11-5) Ordering Information INFORMATION: 919-683-1570 (same as above) FAX: 919-682-5601 (24 hours'7 days a week) PAYMENT: Orders can be prepaid or charged (we BACK-ORDERS AND ALTERNATIVES: If we are FORMAT: Each description states which formats are don't bill or ship C.O.D. except to stores, libraries and temporarily out of stock on a title, we will automati available. LP = record, CS = cassette, CD = com schools). Make check or money order payable to cally back-order it unless you include alternatives pact disc. Some recordings are available only on LP Ladyslipper, Inc. -
Adventuring with Books: a Booklist for Pre-K-Grade 6. the NCTE Booklist
DOCUMENT RESUME ED 311 453 CS 212 097 AUTHOR Jett-Simpson, Mary, Ed. TITLE Adventuring with Books: A Booklist for Pre-K-Grade 6. Ninth Edition. The NCTE Booklist Series. INSTITUTION National Council of Teachers of English, Urbana, Ill. REPORT NO ISBN-0-8141-0078-3 PUB DATE 89 NOTE 570p.; Prepared by the Committee on the Elementary School Booklist of the National Council of Teachers of English. For earlier edition, see ED 264 588. AVAILABLE FROMNational Council of Teachers of English, 1111 Kenyon Rd., Urbana, IL 61801 (Stock No. 00783-3020; $12.95 member, $16.50 nonmember). PUB TYPE Books (010) -- Reference Materials - Bibliographies (131) EDRS PRICE MF02/PC23 Plus Postage. DESCRIPTORS Annotated Bibliographies; Art; Athletics; Biographies; *Books; *Childress Literature; Elementary Education; Fantasy; Fiction; Nonfiction; Poetry; Preschool Education; *Reading Materials; Recreational Reading; Sciences; Social Studies IDENTIFIERS Historical Fiction; *Trade Books ABSTRACT Intended to provide teachers with a list of recently published books recommended for children, this annotated booklist cites titles of children's trade books selected for their literary and artistic quality. The annotations in the booklist include a critical statement about each book as well as a brief description of the content, and--where appropriate--information about quality and composition of illustrations. Some 1,800 titles are included in this publication; they were selected from approximately 8,000 children's books published in the United States between 1985 and 1989 and are divided into the following categories: (1) books for babies and toddlers, (2) basic concept books, (3) wordless picture books, (4) language and reading, (5) poetry. (6) classics, (7) traditional literature, (8) fantasy,(9) science fiction, (10) contemporary realistic fiction, (11) historical fiction, (12) biography, (13) social studies, (14) science and mathematics, (15) fine arts, (16) crafts and hobbies, (17) sports and games, and (18) holidays. -
April, 2002 Vol 37, No.4
April, 2002 vol 37, No.4 April 3WedFolk Open Sing; 7pm in Brooklyn 5 Fri Lorraine & Bennett Hammond; Music at Metrotech, 8pm 6 Sat Lorraine & Bennett Hammond Workshops - see p.7 7 Sun Sea Music Concert: Howie Leifer's Homesick Sailor Puppet Theatre. +NY Packet, 3 pm 7 Sun Sunnyside Song Circle, 2 pm at Joel Landy’s 8 Mon NYPFMC Exec. Board Meeting, 7:15pm at the club office, 450 7th Ave, #972, info (718) 575-1906 11 Thur Riverdale Sing, 7:30-10pm, Riverdale Prsby. Church. 14 Sun Old Time String Band Get-together; 1:30pm in Bklyn 17 Wed Traditional Music Open Mike & Folk Music Jam; loca- tion tba; 7 pm. 18 Thur Finest Kind, Advent Church, 8pm ☺ 21 Sun Sacred Harp Singing at St.Bartholomew’s; 2:30 pm 27 Sat Peggy Seeger, Advent Church, 8:30pm, Note Time! ☺ 28 Sun Peggy Seeger Workshop; see page 7 May 1WedNewsletter Mailing; at Club office, 450 7 Ave, #972, 7 pm 1WedFolk Open Sing; 7pm in Brooklyn 3 Fri Triboro; Music at Metrotech, 8 pm in Brooklyn 5 Sun Gospel & sacred Harp Sing; 3 pm in Queens 5 Sun Sea Music Concert: Don Sineti + NY Packet, 3 pm at South Street Seaport 12 Sun Old Time String Band Get-together; 1:30pm in Bklyn 13 Mon NYPFMC Exec. Board Meeting, 7:15pm at the club office, 450 7th Ave, #972, info (718) 575-1906 15 Wed Traditional Music Open Mike & Folk Music Jam 16 Thur Riverdale Sing, 7:30-10pm, Riverdale Prsby. Church. 19 Sun Sacred Harp Singing at St.Bartholomew’s; 2:30 pm Details Inside - Table of Contents on page 9 The Club’s web page: http://www.folkmusicny.org FOLK OPEN SING; Wednesdays, April 3 & May 1; 7pm Join us on the first Wednesday of each month for an open sing. -
The Innateness of Music
See discussions, stats, and author profiles for this publication at: https://www.researchgate.net/publication/237971885 The origins of music: Innateness, uniqueness, and evolution Article in Music Perception · September 2005 DOI: 10.1525/mp.2005.23.1.29 CITATIONS READS 132 500 2 authors: Josh Mcdermott Marc D Hauser Massachusetts Institute of Technology Risk-Eraser, LLC 44 PUBLICATIONS 6,212 CITATIONS 341 PUBLICATIONS 22,313 CITATIONS SEE PROFILE SEE PROFILE Some of the authors of this publication are also working on these related projects: Theoretical paper with Jeffrey Watumull on what we call the Universal Generative Faculty. The paper is for a special issue of J. Neuroling. View project All content following this page was uploaded by Marc D Hauser on 06 January 2014. The user has requested enhancement of the downloaded file. All in-text references underlined in blue are added to the original document and are linked to publications on ResearchGate, letting you access and read them immediately. 03.MUSIC.23_029-060.qxd 03/10/2005 15:20 Page 29 The Origins of Music: Innateness, Uniqueness, and Evolution 29 THE ORIGINS OF MUSIC: INNATENESS, UNIQUENESS, AND EVOLUTION JOSH MCDERMOTT past and present. It is incorporated into a vast array of Perceptual Science Group, Department of Brain and cultural events, including weddings and funerals, reli- Cognitive Sciences, MIT gious services, dances, and sporting events, as well as solitary listening sessions. It can make people feel happy MARC HAUSER or sad, so much so that music is central to modern Department of Psychology and Program in advertising campaigns. And people throughout the Neurosciences, Harvard world spend billions of dollars annually on the music and clubbing industries.