Irving Berlin Gives “God Bless America” Royalties to Scouting

Total Page:16

File Type:pdf, Size:1020Kb

Irving Berlin Gives “God Bless America” Royalties to Scouting Copyright Lore uller M u a l a irving berlin gives “god bless america” by photo royalties to scouting M Judith nierMan rld Telegra rld Irving Berlin (1888–1989), the famed American songwriter and composer, a new world political situation and war Wo again menacing Europe, Berlin altered a Richard Rodgers, Irving Berlin, and Oscar Ham- held numerous copyrights in his 900 songs, 19 musicals, and 18 movie few of his original words. smith performed merstein II. seated in back is Helen tamiris. they scores. Berlin immigrated from Russia to America with his parents at the song on November 10, 1938, and the are watching hopefuls who are being auditioned response was immediate. America loved it. on stage of the st. James theatre. the age of five to escape pogroms. Helping to support The Rodgers & Hammerstein his family from the age of eight, Berlin grew up Organization states that Berlin decided to give away all royalties from, and control poor, but he learned music. Berlin, who was a of, perhaps his most famous song. A Read more! prolific author, sometimes stashed his generous and patriotic man who knew the opportunities afforded him in America, listen to “God Bless america” here: work for years until he finished it or Berlin did not wish to receive any profit www.loc.gov/item/ihas.100010431/ needed it for a project. from “god Bless America.” When his publisher disagreed, Berlin set up the To see irving Berlin’s copyrights that such it was with “god Bless America,” Irving Berlin Music Company to control are administered by the trust, search called by the Library of Congress the use of his songs. And he established the Copyright Office public catalog the “unofficial national anthem” of the god Bless America Fund with three on “God Bless america Fund.” “God America. Berlin was serving in the trustees to control the use of the song Bless america” is listed in document U.s. Army in 1918 at Camp Upton for which the trust was named, receive number V1771P085. in yaphank, New york, when he royalties from the song, and distribute penned the words to the song. funds to the Boy scouts and the girl For further information on irving Not quite satisfied, Berlin put the scouts. so far, the contribution to scouting Berlin, go here: song away for decades. has amounted to $10 million. the song will • www.arcamax.com/knowledge/ In 1938, Kate smith, a well- not enter the public domain until 2034. trivia/s-175319-659638 known singer and host of a America continues its affection for “god • www.loc.gov/exhibits/treasures/ popular CBs radio program, Bless America.” Berlin himself sang it to trm019.html was looking for a song to former Vietnam prisoners of war in the • www.cnn.com/2011/12/11/opinion/ sing for Armistice Day. Berlin White House in 1973. When members of greene-berlin/ remembered his work of 20 Congress assembled on the steps of the • http://news.harvard.edu/gazette/ years before and got out his U.s. Capitol after the september 11, 2001, story/2011/01/american-tune/ song. the original words terrorist attacks in New york, what else • http://history.house.gov/Historical- were written in response to would they sing? 1 Highlights/2000-/The-singing- an ongoing war. In 1938 with of-“God-Bless-America”-on- September-11,-2001/ Irving Berlin and wife, Dorothy goetz, who died six months after their marriage in 1912. library Of Congress Prin Ts and Photo graPHs divisiOn 13 .
Recommended publications
  • Music, Dance and Theatre (MDT) 1
    Music, Dance and Theatre (MDT) 1 MDT 510 Latin American Music (3 Credits) MUSIC, DANCE AND THEATRE A course in the music of selected Latin America countries offering music and Spanish-language majors and educators perspectives into the (MDT) musical traditions of this multifaceted region. Analysis of the music will be discussed in terms that accommodate non specialists, and all lyrics MDT 500 Louis Armstrong-American Hero (3 Credits) will be supplied with English translations. A study of the development of jazz with Louis Armstrong as the vehicle: MDT 511 Vocal Pedagogy (3 Credits) who he influenced and how he did it. Comparative analytical studies with This course is to provide the student of singing a deeper understanding his peers and other musicians are explored. of the vocal process, physiology, and synergistic nature of the vocal MDT 501 Baroque Music (3 Credits) mechanism. We will explore the anatomical construction of the voice as This course offers a study of 17th and 18th century music with particular well as its function in order to enlighten the performer, pedagogue and emphasis on the works of Johann Sebastian Bach, Dietrich Buxtehude, scholar. Each student will learn to codify a practical knowledge of, and Arcangelo Corelli, Francois Couperin, Andrea and Giovanni Gabrieli, skill in, teaching voice. George Frederick Handel, Jean-Baptiste Lully, Claudio Monteverdi, Jean- MDT 520 Musical On B'Way&Hollywood I (3 Credits) Philippe Rameau, Alessandro and Domenico Scarlatti, Gerog Telemann, This course offers an analysis of current Broadway musicals with special and Antonio Vivaldi. seminars with those connected with one or two productions.
    [Show full text]
  • A Quantitative Analysis of the Songs of Cole Porter and Irving Berlin
    i DEVELOPMENT OF CREATIVE EXPERTISE IN MUSIC: A QUANTITATIVE ANALYSIS OF THE SONGS OF COLE PORTER AND IRVING BERLIN A Dissertation Submitted to the Temple University Graduate Board In Partial Fulfillment of the Requirements for the Degree of Doctor of Philosophy By Richard W. Hass January, 2009 ii ABSTRACT Previous studies of musical creativity lacked strong foundations in music theory and music analysis. The goal of the current project was to merge the study of music perception and cognition with the study of expertise-based musical creativity. Three hypotheses about the nature of creativity were tested. According to the productive-thinking hypothesis, creativity represents a complete break from past knowledge. According to the reproductive-thinking hypothesis, creators develop a core collection of kernel ideas early in their careers and continually recombine those ideas in novel ways. According to what can be called the field hypothesis, creativity involves more than just the individual creator; creativity represents an interaction between the individual creator, the domain in which the creator works, and the field, or collection of institutions that evaluate creative products. In order to evaluate each hypothesis, the musical components of a sample of songs by two eminent 20 th century American songwriters, Cole Porter and Irving Berlin, were analyzed. Five separate analyses were constructed to examine changes in the psychologically salient musical components of Berlin’s and Porter’s songs over time. In addition, comparisons between hit songs and non-hit songs were also drawn to investigate whether the composers learned from their cumulative songwriting experiences. Several developmental trends were found in the careers of both composers; however, there were few differences between hit songs and non-hit songs on all measures.
    [Show full text]
  • The New Sound Orchestra the Music of Richard Rodgers and Irving Berlin Mp3, Flac, Wma
    The New Sound Orchestra The Music Of Richard Rodgers And Irving Berlin mp3, flac, wma DOWNLOAD LINKS (Clickable) Genre: Jazz / Pop Album: The Music Of Richard Rodgers And Irving Berlin Country: Switzerland Released: 1972 Style: Easy Listening MP3 version RAR size: 1308 mb FLAC version RAR size: 1251 mb WMA version RAR size: 1839 mb Rating: 4.7 Votes: 874 Other Formats: VQF AA MP1 MPC ASF AHX AIFF Tracklist Richard Rogers A1 With A Song In My Heart A2 The Lady Is A Tramp A3 Blue Moon A4 Bewitched A5 Where Or When A6 My Funny Valentine A7 There Is A Small Hotel A8 I Didn't Know What Time It Was A9 If I Loved You A10 Blues From "Slaugther On Tenth Avenue" A11 It Might As Well Be Spring A12 Lover Irving Berlin A1 Easter Parade A2 Cheek To Cheek A3 Let's Face The Music And Dance A4 Isn't It A Lovely Day A5 Always A6 Play A Simple Melody A7 Blue Skies A8 Alexander's Ragtime Band A9 How Deep Is The Ocean A10 I've Got My Love To Keep Me Warm A11 The Girl That I Marry A12 They Say It's Wunderful Notes Made in Switzerland. Barcode and Other Identifiers Rights Society: BIEM Matrix / Runout (Label Side A): EL 363-A Matrix / Runout (Label Side B): EL 363-B Related Music albums to The Music Of Richard Rodgers And Irving Berlin by The New Sound Orchestra Claude Bolling - Joue Irving Berlin "I Love A Piano" Geraldo And His Orchestra - Dance, Dance, Dance! Vol.
    [Show full text]
  • Remarks Following a Meeting with Organizations That Support the United States Military in Iraq and Afghanistan October 20, 2006
    Administration of George W. Bush, 2006 / Oct. 20 Remarks Following a Meeting With Organizations That Support the United States Military in Iraq and Afghanistan October 20, 2006 I’ve had an uplifting and heartwarming school. It’s a remarkable country when we conversation with fellow citizens of all ages have people who decide to step up and from across our country who are supporting help men and women who are serving their our troops. These folks don’t really care country in a time of need. about politics. What they care about is how And I want to thank you all for coming, best to send a strong message to the men and I appreciate what you’re doing. and women who wear our uniform that Americasupportsyou.mil is a web site where America supports them. our fellow citizens can volunteer to help. And so we’ve had examples of people You can become a part of a group and who started web pages to get different sup- find out ways that you can support our plies to send to troops who are—who need men and women in uniform. These are a care package; to a woman who started brave, courageous people who deserve the a group of people to sew garments to help full support of the American citizenry. the wounded recover faster; to a guy who So I want to thank you all for coming. helped start video conferencing capabilities I appreciate you being here. Thanks very so that loved ones can share big moments much. in their lives together, even though one is in combat; to a child who started treasure NOTE: The President spoke at 2:35 p.m.
    [Show full text]
  • Martin Cloonan Introduction an Attack on the Idea of America
    MUSICAL RESPONSES TO SEPTEMBER 11TH: FROM CONSERVATIVE PATRIOTISM TO RADICALISM Martin Cloonan Introduction I want to propose something very simple in this paper: that the attacks which took place on 11 September 2001 were attacks on the very idea of America. This is not a new idea. It was cited by the New York Times soon after the attack and subsequently by the cultural critic Greil Marcus (2002). But what I want to add is that as time went on it became clear that the mu- sical responses which were made were defences of America. However, there were not uniform responses, but diverse ones and that is partly be- cause the idea of America is not settled, but is open to contestation. So what I want to do in the rest of this paper is to first examine notion that the attacks on 11 September were an attack on the idea of America, look briefly at the importance of identity within popular music, chart initial musical reactions to the events and then look at longer term reactions. An attack on the idea of America The attacks on 11 September were strategically chosen to hit the symbols of America as well as the reality of it. The Twin Towers symbolised American economic power, the Pentagon its military might. This was an attack on the psyche of America as well as its buildings and people. Both the targets were attacked for propaganda purposes as much as military ones. What more devastating way could have been found to show rejection of America and all it stands for? But the point I want to note here is that America itself is a contested notion.
    [Show full text]
  • Is Now the Time to Retire the Star-Spangled Banner? by Daniel Hathaway
    Is now the time to retire The Star-Spangled Banner? by Daniel Hathaway During the recent demonstrations responding to the death of George Floyd while in police custody in Minneapolis, a number of monuments were toppled that represented the racist history of the United States. Among them, in San Francisco’s Golden Gate Park and elsewhere, statues memorializing Francis Scott Key were pulled down. Key was author of the poem Defence of ​ Fort M’Henry, inspired by the British ​ bombardment in Baltimore Harbor in September 1814, that became the text of The Star-Spangled Banner. Joined to a tune ​ ​ by British composer John Stafford Smith, the song was officially adopted by the U.S. Navy in 1889 and became our National Anthem by resolution of Congress in 1931. The problem with Francis Scott Key, a Baltimore lawyer and district attorney, is that he had owned slaves since 1800. While he went on public record to oppose human trafficking, he also represented the owners of runaway slaves. The problem with his poem is that for 21st-century America, its sentiments seem less and less conducive to uniting a divided nation. The “Star-Spangled Banner” refers to the mammoth flag (originally measuring 30 by 42 feet) with fifteen stars and stripes symbolizing the states that formed the Union at the time. Raised “by dawn’s early light,” the flag, now owned by the Smithsonian Institution, offered proof of an American victory over the British during the War of 1812. Fittingly for the occasion that inspired it, Key’s poem begins with military imagery.
    [Show full text]
  • Rodgers & Hammerstein
    Connect the Devon Energy Presents Dots to Find Lyric Theatre’s the Castle! CinderellaA Literary Tale Interactive Rodgers & Hammerstein The music of Cinderella was composed by Richard Rodgers. The lyrics to the songs and book (script) were written by Oscar Hammerstein II. Originally presented on television in 1957 starring Julie Andrews (pictured below), Rodgers and Hammerstein’s Cinderella was the most widely viewed program in the history of the medium. Andrews starred in many musicals and movies, such as The Sound of Music, Camelot, and The Princess Diaries. Music by Richard Rodgers Book & Lyrics by Oscar Hammerstein II After long and highly distinguished careers with Study Guide Recommended for Children of All Ages other writing partners, Richard Rodgers (composer, Lyric’s Cinderella - A Literary Tale Interactive is a thrilling program 1902-1979) and Oscar Hammerstein II (librettist/ offering an original take on a familiar story. You will visit with favorite lyricist, 1895-1960), also known as R&H, joined characters: the gracious Cinderella, the charming Prince, and the forces in 1943 to create the most consistently fruitful evil Stepsisters. Through the music and dialogue of Rodgers and and successful partnership in the American musical Hammerstein, you will learn fun and important literary terms and theatre. Oklahoma!, the first Rodgers & Hammerstein concepts. musical, was also the first of a new genre, the musical play! Other R&H Musicals You May Know: Carousel, South Pacific, The King and I,and The Sound of Music Carolyn Watson THE Wilshire Rural Oklahoma McGee Charitable Source: www.rnh.com Community Foundation FOUNDATION Foundation LYRIC IS OKLAHOMA’S LEADING PROFESSIONAL THEATRE COMPANY and Seek & has been producing classic and contemporary musicals featuring both nationally Literature Plot Diagram known Broadway stars and local favorites for over 50 years.
    [Show full text]
  • That's As American As Baseball and Apple
    April 2009 A Monthly Publication of the U.S. Consulate Krakow Volume VI. Issue 58. TTHATHAT’’SS ASAS AAMERICANMERICAN ASAS BBASEBALLASEBALL ANDAND AAPPLEPPLE PPIEIE , Photo © AP Images People collect baseballs. Those who catch a ball during speech and often have their own idiomatic meaning. a game can ask for their favorite player’s autograph and Baseball developed on American soil and has its roots also get to keep the ball. Baseball fans stand up after in the game of rounders (such as cricket and one o’cat) the seventh inning of a game during what is called the which were popular with English settlers to the U.S. The “seventh inning stretch” and sing “God Bless America” game uses a ball and a bat and is played between two and “Take Me Out to the Ball Game.” Baseball card col- teams of nine players each. Their task is to score runs lectors spend millions of dollars to own certain rare by hitting a thrown ball with a bat and by running to the cards. Boys and girls alike often spend the summer safety of a base before being tagged with a ball. Each months playing baseball on local little league teams. team has its turn at bat and one such turn is called an These are all aspects of baseball in American culture - a inning. A professional game is made up of nine innings. game that is one of America’s most popular pastimes. Games generally last about 3 hours; however, there is Many consider baseball America’s number one sport; no time limit, so games can sometimes last much longer but even more than being a popular sport, it is a cultural depending how long each inning lasts and whether phenomenon that has influenced many aspects of there is a need for extra innings due to a tie.
    [Show full text]
  • Read Book Just for the Record
    JUST FOR THE RECORD PDF, EPUB, EBOOK Geri Halliwell | 320 pages | 01 Nov 2003 | Ebury Publishing | 9780091888046 | English | London, United Kingdom Just For The Record PDF Book Jeff Randall Kenneth Cope When the Sun Comes Out. Pargiter Olivia Hamnett Ager Arlen Koehler Yellen. Barbra Streisand feat: Don Rickles. The Barbra Streisand Album , Marty Hopkirk Annette Andre Stoney End , Movies I have seen. Liner notes. Energetic Happy Hypnotic. DeSylva Lew Brown. Andre Mallot James Forrest Back to Broadway Halloween Movies for the Whole Family. Miss Marmelstein Harold Rome. Browne ultimately awarded the collection a grade of A- and called it a good representation of the singer's ability to "chang[e the] definition of pop" and "make mainstream adult pop that was strong, elegant, [and] even passionate". Another common usage of the idiom involves clarifying a person's motivation for saying something or engaging in a particular action. Rainy Day Relaxation Road Trip. Barbra Streisand feat: Judy Garland. The Broadway Album , Don't Rain on My Parade. Title: Just for the Record 15 Jan The Best Horror Movies on Netflix. Alternately, someone may use it to explain why he did something that appeared particularly unintelligent. I Can Do It. Other tracks were compiled from various live performances, TV specials, and previous albums from her back catalog. Warm All Over Frank Loesser. Lost Inside of You. My Honey's Lovin' Arms. Lorenz Hart Richard Rodgers. It includes 24 of the songs from Just for the Record The Moon and I. You're the Top Cole Porter. Cryin' Time. Add the first question.
    [Show full text]
  • July 4, 2021 ST. GABRIEL of OUR LADY of SORROW
    1 St. Gabriel’s Church July 4, 2021 Elma, New York ST. GABRIEL OF OUR LADY OF SORROW 5271 Clinton Street Elma, NY 14059 7166684017 St. Gabriel’s Church 2 Elma, New York We welcome into our family all the newly baptized Catholics and offer congratulations to the parents of: Claire Evelyn Breidenstein Monday, July 5, 2021 Kinsley Marie McLeod 8:00AM Edwin Stenzel by Sharon Britz and Family Lincoln Harrison Pierson 11:30AM Martha Pinkowski by Marcia Sunday Maya Teresa Skibinski Tuesday, July 6, 2021 8:00AM Eugene Wojtkowiak by Norman and Marian VOCATIONS Wojtkowiak 11:30AM Tom Cultrana by Sylvia and Tony God bless America! We are “one Campanelli nation, under God, indivisible,” but people ofter forget that middle part. Wednesday, July 7, 2021 We need priests, deacons, reli- 8:00AM For St. Gabriel’s Parishioners by Fr. Walter gious, and lay ministers to remind 11:30AM Michalena Aranini by Galli Loregan, and us of our sacred duties to God and Torregrossa Family country. Is God inviting you to a Church vocation? Call Fr. Dave Thursday, July 8, 2021 Baker at 7168475535 or visit buffalovocations.org 8:00AM James Glogoza by Paul and Carol Zappia 11:30AM Violet McKay by Family Friday, July 9, 2021: 8:00AM Norman A. Bitterman, Jr. by wife, Maureen An expression of sympathy and Nellany Bitterman prayers to the families who lost 11:30AM Albert Martin by Martin Family loved ones: Saturday, July 10, 2021: Eric J. Beckham 8:00AM Lorraine Garby by Michael and Linda Haar Maryann Wegner Josephine Even Sunday Vigil: 4:00PM
    [Show full text]
  • “To Be an American”: How Irving Berlin Assimilated Jewishness and Blackness in His Early Songs
    “To Be an American”: How Irving Berlin Assimilated Jewishness and Blackness in his Early Songs A document submitted to The Graduate School of the University of Cincinnati in partial fulfillment of the requirements for the degree of DOCTOR OF MUSICAL ARTS in the Performance Studies Division of the College-Conservatory of Music 2011 by Kimberly Gelbwasser B.M., Northwestern University, 2004 M.M., University of Cincinnati, 2006 Committee Chair: Steven Cahn, Ph.D. Abstract During the late nineteenth and early twentieth centuries, millions of immigrants from Central and Eastern Europe as well as the Mediterranean countries arrived in the United States. New York City, in particular, became a hub where various nationalities coexisted and intermingled. Adding to the immigrant population were massive waves of former slaves migrating from the South. In this radically multicultural environment, Irving Berlin, a Jewish- Russian immigrant, became a songwriter. The cultural interaction that had the most profound effect upon Berlin’s early songwriting from 1907 to 1914 was that between his own Jewish population and the African-American population in New York City. In his early songs, Berlin highlights both Jewish and African- American stereotypical identities. Examining stereotypical ethnic markers in Berlin’s early songs reveals how he first revised and then traded his old Jewish identity for a new American identity as the “King of Ragtime.” This document presents two case studies that explore how Berlin not only incorporated stereotypical musical and textual markers of “blackness” within two of his individual Jewish novelty songs, but also converted them later to genres termed “coon” and “ragtime,” which were associated with African Americans.
    [Show full text]
  • Sheigra Dxpedition Report
    Sheigra DXpedition Report 12 th to 25 th October 2019 - with Dave Kenny & Alan Pennington This was the 58th DXpedition to Sheigra in Sutherland on the far north western tip of the Scottish mainland, just south of Cape Wrath. DXers made the first long drive up here in 1979, so this we guess, was the 40 th anniversary? And the DXers who first made the trip to Sheigra in 1979 to listen to MW would probably notice little change here today: the single-track road ending in the same cluster of cottages, the cemetery besides the track towards the sea and, beyond that, the machair in front of Sheigra’s sandy bay. And surrounding Sheigra, the wild windswept hillsides, lochans and rocky cliffs pounded by the Atlantic. (You can read reports on our 18 most recent Sheigra DXpeditions on the BDXC website here: http://bdxc.org.uk/articles.html ) Below: Sheigra from the north: Arkle and Ben Stack the mountains on the horizon. Once again we made Murdo’s traditional crofter’s cottage our DX base. From here our long wire Beverage aerials can radiate out across the hillsides towards the sea and the Americas to the west and north west, and eastwards towards Asia, parallel to the old, and now very rough, peat track which continues on north east into the open moors after the tarmac road ends at Sheigra. right: Dave earths the Caribbean Beverage. We were fortunate to experience good MW conditions throughout our fortnight’s stay, thanks to very low solar activity. And on the last couple of days we were treated to some superb conditions with AM signals from the
    [Show full text]