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    MAMI PRESENTS THE INDIA PREMIERE OF Oscar Nominated LION IN ASSOCIATION WITH PICTURE WORKS ~ The incredible true story spellbinds the audience ~ Mumbai, Wednesday, February 1, 2017: MAMI in association with Picture Works today screened the India premiere of LION at PVR Icon, Versova, Mumbai. Lion is the incredible true story of Saroo Brierley’s journey to find his birth mother 20 years after he was accidently separated from her and his family. The film is based on the real-life memoir titled “A Long Way Home”. The icing on the cake was the Q & A session with celebrated director Garth Davis,Saroo Brierley and the Indian cast with Rajeev Masand. The premiere was attended by the real life Saroo Brierley, director Garth Davis as well as newcomer actor, Sunny Pawar (who plays the role of role 5 year old Saroo Brierley). Fellow cast members Deepti Naval, Tannishtha Chatterjee, Priyanka Bose also attended. As well as known personalities and actors- Radhika Apte, Rajkummar Rao, Vikramaditya Motwane, Shakun Batra, Ali Fazal, Kabir Khan, Mini Mathur,Nidhi Singh,Sumeet Vyas,Anupam Kher,Ayan Mukherji and Arshad Warsi. Lion has garnered phenomenal global acclaim- receiving six Oscar nominations at the 89th Academy Awards, including Best Picture, Best Supporting Actor (Dev Patel), Best Supporting Actress (Kidman) and Best Adapted Screenplay. The film stars Dev Patel, Rooney Mara, David Wenham, Nicole Kidman, Abhishek Bharate, Divian Ladwa, Priyanka Bose, Deepti Naval, Tannishtha Chatterjee, Nawazuddin Siddiqui and Sunny Pawar. MAMI Creative Director Smriti Kiran said, “We are delighted to have screened LION at MAMI; the story is a powerful narrative on hope and love.
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    Let the Games begin: Netflix releases first Indian series 6 July 2018, by Peter Hutchison PricewaterhouseCoopers report released this month. Netflix, which is blocked in China, is investing millions in the world's second-most populous country to attract young consumers with access to cheap mobile data and an appetite for something different. "India is seeing the biggest and fastest investment in content for any country we have launched in," said Erik Barmack, vice-president of international originals at Netflix. "Sacred Games" is also a punt that high-quality "Sacred Games", a Netflix adaptation of Vikram Indian content will prove popular overseas and Chandra's 2006 novel of the same name, releases forms part of Netflix's worldwide drive to produce Friday programmes in many different languages, including Spanish and German. The eight-part series—filmed mainly in Hindi—centres Netflix's first original Indian series premieres on on the attempts of police officer Sartaj Singh, Friday as the US streaming giant battles with played by Khan, to capture mafia boss Ganesh Amazon Prime for a slice of the country's fast Gaitonde (Siddiqui). growing on-demand video market. 'Lust Stories' "Sacred Games", an adaptation of Vikram Chandra's 2006 novel of the same name, stars "Sacred Games" is the first release of eight Indian Bollywood stalwarts Nawazuddin Siddiqui, Saif Ali series that Netflix has commissioned. Khan and Radhika Apte. Last week the company announced it would adapt Analysts say the gritty underworld thriller sets a Salman Rushdie's multiple-award winning novel new benchmark for Indian-produced internet "Midnight's Children".
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    FOR IMMEDIATE RELEASE – Archana M Jain 718.451.6202 [email protected] http://www.csaff.org 5th Annual Chicago South Asian Film Festival, Presented by Zee Cinema, Brings Together the Best of Talent and Filmgoers to Chicago Four-Day Festival of Dynamic Film Selections, Intimate Film Discussions and Events launches SAFA Awards and Brings Art, Culture, and Entertainment to Chicago and Evanston Chicago, IL – September 22, 2014 – The 2014 Chicago South Asian Film Festival, presented by Zee Cinema, treated film enthusiasts and artists alike to a weekend of art, culture and entertainment at the Showplace ICON Theater in South Loop and the Evanston Public Library. The fifth annual festival kicked off the four-day event with opening night on Thursday, September 18th. Over the next three days, the Festival showcased over 30 carefully curated shorts, documentaries and feature independent films, red carpet events, after parties, VIP dinners and the especially enjoyable post film discussions with the actors, directors and producers of films like Liar’s Dice, Monsoon Shootout, Brahmin Bulls, Algorithms, M Cream and Ankhon Dekhi. On the heels of a successful four-day event, the Festival proudly shared the news of it’s opening night film and the film that it premiered in Chicago, Liar’s Dice, as India’s official submission to the Academy of Motion Picture Arts and Sciences for the Oscar’s foreign language category. Algorithms, another audience favorite, has been nominated for the Grierson Award, the most prestigious documentary awards in the UK, for Best Newcomer Documentary. Several notable filmmakers and actors were in attendance throughout the weekend to support the best of multicultural cinema.
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  • Indian Cinema, Postcolonialism, and Social Justice: an Interview with Nandita Das1
    Postcolonial Text, Vol 13, No 3 (2018) Indian Cinema, Postcolonialism, and Social Justice: An Interview with Nandita Das1 Manav Ratti Salisbury University, Maryland, USA Introduction Nandita Das (b. 1969) is one of India’s most eminent filmmakers and actors, renowned in particular for her work in art cinema (or parallel cinema, as it is also called in India), the genre of pioneering filmmakers Ritwik Ghatak (1925-1976), Satyajit Ray (1921-1992), Mrinal Sen (b. 1923), and Tapan Sinha (1924-2009). Das (Figure 1) has, in some respects, pursued an unconventional path into the Indian film industry, for it is not her first professional pursuit, and she does not hail from a film family (distinguished in their fields, her father, Jatin Das, is a painter; and her mother, Varsha Das, is a writer). Born in Mumbai and growing up in New Delhi, Das worked with NGOs for several years before entering the film industry, building on her Master’s degree from the Delhi School of Social Work in the University of Delhi. Fig. 1. Nandita Das at the Cannes Film Festival, 2017. Photo courtesy of Nandita Das Perhaps this unconventional, even outsider’s, path has informed Das’s use of films to question the norms of gender, religion, caste, sexuality, class, and nation, among others. Her work has gained recognition and respect for its uniqueness, urgency, awareness, and authenticity. Known for her social justice advocacy, Das’s national and international commitments span a range of issues, such as violence against women, children’s rights, HIV/AIDS, poverty, and interreligious harmony. She has supported India’s “Dark is Beautiful” campaign, which raises awareness about colourism, a form of prejudice and discrimination that devalues darker skin colours while privileging lighter ones.
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