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LEICA SUPER ELMAR-M 21Mm F/3.4 ASPH. LEICA APO-SUMMICRON
LEICA APO-SUMMICRON-MSUPER ELMAR-M 21mm 50 mm f/3.4 f/2 ASPH. ASPH. 1 More than 30 years after the launch of Summicron-M 1:2/50 mm, which is still available, the Leica APO Summicron-M 1:2/50 mm ASPH. represents a totally new development. With its compact body - only marginally longer and slightly heavier than the Summicron-M 1:2/50 mm, and with an almost identical diameter, it provides visibly higher image quality. On the Leica APO Summicron-M 1:2/50 mm ASPH. the exceptional correction enables all aberrations to be reduced to a minimum level that is negli- gible in digital photography. Its key features include excellent contrast rendition, all the way to the corners of the image, even with a fully open aperture. The use of a „floating element“ ensures that this is retained, even for close-up shots. Vignetting is limited to a maximum - i.e. in the corners of the image - of just 2 stops at full aperture in 35 mm format, or around 1 on the Leica M8 mo- dels. Stopping down to 2.8 visibly reduces this light deterioration towards the edge of the image, with practically only the natural vignetting remaining. Distortion is very low at a maximum of just 0.4 % (pin cushoin), which is practically imperceptible. A total of eight lens elements are used to achieve this exceptional performance. To realize the apochromatic correction (resulting in a com- mon focusing plane for three light wavelengths), three are made of glass types with high anomalous partial color dispersion, while two of the others have a high refractive index. -
LEICA SUMMICRON-M 35 Mm F/2 ASPH
LEICA SUMMICRON-M 35 mm f/2 ASPH. Technical Data. Illustrations 1:1 Lens Leica Summicron-M 35 mm f/2 ASPH. Order number Black: 11 673, silver: 11 674 Angle view For 35 mm (24 x 36 mm): approx. 63°/54°/38°; (diagonal, horizontal, vertical) for M8 (18 x 27 mm): approx. 50°/42°/29° Optical design Number of elements/groups: 7/5 Entrance pupil for bayonet: 18,4 mm Focusing range: 0,7 m to infinity Distance setting Scala: combined meter-/feet-increments Smallest object field: for 35 mm: 420 x 630 mm, for M8: 315 x 472 mm Highest reproduction ratio: 1:17,4 Diaphragm Setting/type: preset, with click-stops, half values available Smallest aperture: f/16 Number of aperture blades: 11 Bayonet Leica M quick-change bayonet Filter thread E39 Lens hood Available, screwable (supplied) Dimensions and weight Lenght: approx. 35,7/54,4 mm (without/with lens hood) Largest diameter without lens hood: approx. 53 mm Weight: approx. 252 g/287 g (without/with lens hood and covers) Page 1 of 7 I As at January 2016 I Specifications are subject to change without notice Leica Camera AG I Am Leitz-Park 5 I 35578 WETZLAR I GERMANY I Telephone +49(0)6441-2080-0 I Fax +49(0)6441-2080-333 I www.leica-camera.com LEICA SUMMICRON-M 35 mm f/2 ASPH. ENGINEERING DRAWING LENS SHAPE Aspherical lens Illustrations 1:1 Excellent sharpness, high contrast and a very good resolving power over the entire focusing range are evident at full aperture. -
Press Information
Press information Leica presents the TL-System: The new camera system impresses with perfected features, unique design, precise, high-performance lenses and a range of functional accessories and technical equipment. Wetzlar, 8 November 2016. Building on the Leica T camera system, which has been continually advanced in terms speed, ease of handling and flexibility since its launch in 2014, the Leica TL embraces all the perfected features and leads the innovative camera concept into a new generation with even more innovations and new aspects of its design. One of these innovations is the doubling of the size of its internal buffer memory to 32 GB. Other new features are improved autofocus, especially in AF-C mode, and optimised compatibility with lenses from other Leica camera systems. For instance, the Leica TL now supports SL-Lenses with OIS and allows the use of Leica R-System lenses in combination with the R-Adapter L. A new Leica TL app with revised functions offers additional options for sharing pictures by email or on social networks and is now available for the first time for Android as well as iOS devices. The Leica TL will in available in three colour options from the date of launch: the silver and black versions are identical in design and construction, while the titanium-coloured option is distinguished by a bevelled edge (chamfer) to the top and bottom plates. Functional camera accessories, such as the new high-quality protectors in Nappa leather, which can stay on the camera when changing the battery, and colour-coordinated carrying straps in stone-grey, black, red and cemento, round off the TL system portfolio. -
Summilux-M 14 35 Mm Enkorrektur.Qxp
LEICA SUMMILUX-M 35 mm f/1.4 ASPH. 1 The LEICA SUMMILUX-M 35 mm f/1.4 ASPH. is a further revised version of the popular wide-angle lens of the Leica M rangefin- der system. Thanks to the latest developments in the fields of optics and precision engineering, the new 35 lens sets a whole new standard in the fast wide-angle lens portfolio. Regardless of whether it's a matter of selective focus in the close-up range, high- contrast available light applications or landscape shots with immense depth of field, the lens delivers persuasive arguments in any situation. In comparison with its predecessor, the new LEICA SUMMILUX-M 35 mm f/1.4 ASPH. now incorporates a floating element: the lenses behind the aperture blades are constructed as a floating group that changes its position relative to the front lens group during focusing to ensure that the LEICA SUMMILUX-M 1:1.4/35 mm ASPH. achieves equally outstanding imaging per- formance at closer focusing distances. Another new feature is a full-metal, rectangular, screw-mount lens hood that contributes significantly to the even more compact dimensions of the lens. Even wide open, the LEICA SUMMILUX-M 35 mm f/1.4 ASPH. reveals performance characteristics without precedent in the field of compact 35 mm lenses: outstanding imaging performance over the entire focusing range, from infinity to minimum focus, excellent contrast, even in the finest structures, superb rendition of details across the entire image field, good field flattening and, stopped down to f2 and onwards, almost complete freedom from coma effects. -
LEICA ELMARIT-M 28 Mm F/2.8 ASPH
LEICA ELMARIT-M 28 mm f/2.8 ASPH. Technical Data. Illustrations 1:1 Lens Leica Elmarit-M 28 mm f/2.8 ASPH. Order number 11 677 Angle view For 35 mm (24 x 36 mm): 75°/65°/46°; (diagonal, horizontal, vertical) for M8 (18 x 27 mm): 60°/51°/36°, corresponds to a focal length of approx. 37 mm with 35 mm-format Optical design Number of elements/groups: 8/6 Entrance pupil for bayonet: 11,8 mm Focusing range: 0,7 m to infinity Distance setting Scala: combined meter-/feet-increments Smallest object field: for 35 mm: 533 x 800 mm, for M8: 400 x 600 mm Highest reproduction ratio: 1:22,2 Diaphragm Setting/type: preset, with click-stops, half values available Smallest aperture: f/22 Number of aperture blades: 10 Bayonet Leica M quick-change bayonet Filter thread E39 Lens hood Available, screwable (supplied) Dimensions and weight Length: approx. 30,7/49,4 mm (without/with lens hood) Largest diameter without lens hood: approx. 52 mm Weight: approx. 175 g/211 g (without/with lens hood and covers) Page 1 of 7 I As at January 2016 I Specifications are subject to change without notice Leica Camera AG I Am Leitz-Park 5 I 35578 WETZLAR I GERMANY I Telephone +49(0)6441-2080-0 I Fax +49(0)6441-2080-333 I www.leica-camera.com LEICA ELMARIT-M 28 mm f/2.8 ASPH. ENGINEERING DRAWING LENS SHAPE Aspherical lens This new high-speed lens is the most compact of Leica M lenses. -
Lens/Port Combinations SUBAL LEICA M 2017/07 Lens FOCUS Rings PORT Combinations Effective: July 2017
Lens/Port Combinations SUBAL LEICA M 2017/07 FOCUS PORT LENS RINGS COMBINatioNS Leica lenses BJAD2>3/LM30* + FE3 dome port (optional SWB) + +4 close up lens 77mm Leica Super-Elmar-M 18mm 1:3,8 ASPH FGLM18 BJAD2>3/LM30 + FE3 dome port + +4 close up lens 77mm BJAD2>3/LM30 + FP45-3 Flatport Leica Super-Elmar-M 21mm 1: 3,4 ASPH FGLM21 BJAD2>3/LM30 + FE3 dome port (optional SWB) + +4 close up lens 46mm BJAD2>3/LM30 + EXR20/3 + FE3 dome port (optional SWB) + +4 close up lens Leica Summilux-M 21mm 1: 1,4 ASPH FGLM21X (we do not recomend this lens because this is close up lens which we can not find on the market) Leica Elmar-M 24mm 1: 3,8 ASPH FGLM24 BJAD2>3/LM30 + FE3 dome port (optional SWB) + +4 close up lens 46mm BJAD2>3/LM30 + EXR20/3 + FE3 dome port (optional SWB) + +4 close up lens Leica Summilux-M 24mm 1: 1,4 ASPH FGLM24X (we do not recomend this lens because this is close up lens which we can not find on the market) Leica Elmarit-M 28mm 1: 2,5 ASPH FGLM28 BJAD2>3/LM30 + FE3 dome port (optional SWB) + +4 close up lens 39mm Leica Summicron-M 28mm 1:2 ASPH FGLM28N BJAD2>3/LM30 + FE3 dome port (optional SWB) + +4 close up lens 46mm Leica Summilux-M 28mm 1:1,4 ASPH FGLM28X BJAD2>3/LM30 + FE3 dome port (optional SWB) + +4 close up lens 49mm Leica Summicron-M 35mm 1:2 ASPH FGLM35N BJAD2>3/LM30 + FE3 dome port (optional SWB) + +4 close up lens 39mm Leica Summarit-M 35mm 1:2,4 ASPH FGLM35T BJAD2>3/LM30 + FE3 dome port (optional SWB) + +4 close up lens 46mm Leica Summilux-M 35mm 1:1,4 ASPH FGLM35X BJAD2>3/LM30 + FE3 dome port (optional SWB) + -
Super Elmar-M21 F3.4 Technische Daten EN Neu
LEICA SUPER ELMARM 1:3,4/21mm ASPH. 1 With the LEICA SUPER-ELMAR 21 mm f/3.4 ASPH., Leica is extending the range of M lenses in the super wide angle range with a model that combines outstanding reproduction with a compact design. It delivers uniformly excellent reproduction quality over the entire fi eld of view, with only a very slight deterioration at the edges in the close-up range. This performance can only be improved slightly by stopping down, which means that you can take photo- graphs with full stop with no concerns, unless your compositional ideas call for a greater extension of the depth of fi eld that can only be achieved with smaller apertures. The vignetting characteristic of every optical system is more pronounced on a super wide-angle lens than on normal lenses and those with long focal lengths. At full stop in 35mm format it is a maximum, i.e. in the corners of the image, of around 2,1 stops, around 1,2 stops on Leica M8 models with their slightly smaller format. Stopping down to f/5.6 reduces this light falloff at the edge of the image – to 1.6 and 1.0 stops respectively. Stopping down further does not result in any further reduction as essenti- ally only the natural vignetting remains. The maximum distortion of the lens of around 1.5 % is hardly perceptible. The retrofocus-like construction is made up of a total of eight lens elements, and the use of a lens element with two aspherical surfaces and four lens elements made of glass types with anomalous color dispersion (partial dispersion) make a crucial contri- bution towards restricting aberrations to an absolute minimum. -
Price List and Camera Models
I’m Back® GmbH Digital Back for 35mm Analog Cameras Carlo Maderno 24 6900 Lugano Switzerland Cell.: +41 789 429 998 www.imback.eu [email protected] I’m Back® 35mm Digital Back Details: Sensor: 16Mega CMOS Sensor Panasonic 34120 Display: 2.0"capacitive touch screens Picture System: Focusing screen Auto White: yes Video Resolution: UHD24(2880*2160) QHD30(2560*1440) Balance: yes 108OP60/30 720P120/60/30 VGA240 Auto Eve: yes Video nal aspect: Focusing screen/Vintage Picture ip: yes Picture Size: 20M 16M 12M 10M 8M 5M 3M VGA WIFI: yes Video Format: MP4 H.264 Remote: yes Picture Format: JPG & RAW Language EN FR ES PT DE IT CN RU JP Storage Capacity: Max 64Gb Battery: 3.7V 2.700mAh USB Interface: USB TYPE-C Catalogue 2019 [email protected] All prices are in Swiss Franc I'm Back GmbH www.imback.eu Catalogue - 2018/2019 - USD Product Code Type Compatibility Price in SFr* picture IBP I'm Back PRO All main Brands 299 IBU Universal Cover All main Brands 49 CA1 Dedicated Cover Canon F-1 69 Canon A Canon A1 CA2 Dedicated Cover 49 Canon AE1 Canon AE1 program Canon FT CA3 Dedicated Cover 49 Canon FTB CA4 Dedicated Cover Canon eos300 69 CN1 Dedicated Cover Contax II 49 Contax G1 CN2 Dedicated Cover 79 CN3 Dedicated Cover Contax RTS 49 CN4 Dedicated Cover Contax G2 79 I’m Back GmbH | Via Carlo Maderno 24 | CH – 6900 Lugano |IDI: CHE-216.910.630 | [email protected] | www.imback.eu Catalogue 2019 [email protected] All prices are in Swiss Franc I'm Back GmbH www.imback.eu Catalogue - 2018/2019 - USD Product Code Type Compatibility Price in SFr* picture DN1 Dedicated Cover -
Super-Elmar-M 21Mm ASPH
LEICA SUPER ELMAR-M 1:3,4/21mm ASPH. 1 With the LEICA SUPER-ELMAR 21 mm f/3.4 ASPH., Leica is extending the range of M lenses in the super wide angle range with a model that combines outstanding reproduction with a compact design. It delivers uniformly excellent reproduction quality over the entire field of view, with only a very slight deterioration at the edges in the close-up range. This performance can only be improved slightly by stopping down, which means that you can take photo- graphs with full stop with no concerns, unless your compositional ideas call for a greater extension of the depth of field that can only be achieved with smaller apertures. The vignetting characteristic of every optical system is more pronounced on a super wide-angle lens than on normal lenses and those with long focal lengths. At full stop in 35mm format it is a maximum, i.e. in the corners of the image, of around 2,1 stops, around 1,2 stops on Leica M8 models with their slightly smaller format. Stopping down to f/5.6 reduces this light falloff at the edge of the image – to 1.6 and 1.0 stops respectively. Stopping down further does not result in any further reduction as essenti- ally only the natural vignetting remains. The maximum distortion of the lens of around 1.5 % is hardly perceptible. The retrofocus-like construction is made up of a total of eight lens elements, and the use of a lens element with two aspherical surfaces and four lens elements made of glass types with anomalous color dispersion (partial dispersion) make a crucial contri- bution towards restricting aberrations to an absolute minimum. -
List & Label Report
10 Kamera-Auktion 1 1 Fernglas „Leitz Trinoid“ 8x32 40,00 € Sparte Hausrat 2 1 Leitz Summicron-R, 1:2/ 35mm 300,00 € Sparte Hausrat 3 1 Leitz Elmarit-R, 1:2, 8/180mm 100,00 € Sparte Hausrat 4 1 Leica R4 40,00 € Sparte Hausrat 5 1 Leitz Telyt 1:6, 8/400 Köcher 80,00 € Sparte Hausrat - Seite 1 / 28 - 6 1 Leitz- Leicaflex SL2 80,00 € Sparte Hausrat 7 1 Leitz- Leicaflex SL2, 50 Jahre-Jubiläum 250,00 € Sparte Hausrat 8 1 Leica III f, Summitar 1:2/50 200,00 € Sparte Hausrat 9 1 Leica III a, Modell G, Motor „Mooly“, Elmar 1:3,5/50 400,00 € Sparte Hausrat 10 1 PA- Curtagon, 1:4/ 35, Schneider-Kreuznach 80,00 € Sparte Hausrat 11 Leica Vorsatz 16507 30,00 € Sparte Hausrat - Seite 2 / 28 - 12 Leica Prismensucher 16460 10,00 € Sparte Hausrat 13 3x Nooky-Hesum, Naheinstellgerät 10,00 € Sparte Hausrat 14 Leitz Vario-Elmar-R 1:3,5/ 35-70 100,00 € Sparte Hausrat 15 Leitz Summicron 1:2/ 50 100,00 € Sparte Hausrat 16 Leitz Elmar 1:2,8 /50 100,00 € Sparte Hausrat 17 Leitz Summarit 1:1,5 / 50 200,00 € Sparte Hausrat - Seite 3 / 28 - 18 Leitz Visoflex II 10,00 € Sparte Hausrat 19 1 Leicaflex SL 40,00 € Sparte Hausrat 20 1 Leica minilux 150,00 € Sparte Hausrat 21 1 Leica M5, black 300,00 € Sparte Hausrat 22 1 Leica M5, black 250,00 € Sparte Hausrat 23 1 Leica R8 200,00 € Sparte Hausrat - Seite 4 / 28 - 24 1 Leica R3 electronic, Safari 200,00 € Sparte Hausrat 25 1 Leica R3 electronic, Safari 200,00 € Sparte Hausrat 26 1 Leica I, Modell c, Elmar 1:3,5/50 500,00 € Sparte Hausrat 27 1 Leica I f, 1:6,3 /28 100,00 € Sparte Hausrat 28 Leitz Elmar 1:3,5/ 50 150,00 -
Leica R-Lenses by Erwin Puts
Leica R-Lenses by Erwin Puts September 2003 Chapter 4: 28 mm and 35 mm lenses __ LEICA SUMMILUX-R 35 mm f/1.4 __ LEICA SUMMICRON-R 35 mm f/2 __ LEICA ELMARIT-R 28 mm f/2.8 Chapter 4 Leica R-Lenses 1 __Introduction into realms that were not explored in the past. An example is the Nikkor 43-86mm zoom lens that was optically very bad, but It is well known that the thirties and the fifties were the great offered the user a new way of visual expression. classical periods of the Leica rangefinder camera. The next One would be tempted to think that the lenses of Zeiss and period of 1965 to 1985 was the era of the mechanical SLR, Leitz were made with the goal to provide the photographer forever immortalized in the famous movie "Blow Up” by Anto- with the best possible image quality and not with the goal to nioni. In those days it was generally believed that the 35mm deliver tools that were needed to do the required job. In this SLR could evolve into the most universal photographic instru- respect the Japanese companies were far ahead. ment ever designed. Mechanical functions were replaced by The Japanese lenses did not deliver the ultimate in optical and electro-mechanical and electronic ones, more and more func- mechanical performance, but the practical characteristics tions were added and the lens range covered lenses from extre- (weight and compactness, or very wide angle or very wide me fish-eye to very long telephoto lenses with focal lengths of zoom range or very long telephoto lenses with high speeds) 2000mm and more. -
Il Summilux 50/1.4 Fu Introdotto Sul Mercato Nel 1959 E Andò a Sostituire Il Summarit 50/1.5
Cenni sul classico Summilux 50 di Giuseppe Ciccarella Il Summilux 50/1.4 fu introdotto sul mercato nel 1959 e andò a sostituire il Summarit 50/1.5. Rispetto a quest'ultimo potè giovarsi di nuovi vetri anche se il disegno continuava ad essere quello di Taylor & Hobson utilizzato dallo Schneider Xenon del 1936 prima e dal Summarit poi. Leitz Summarit 1.5/50mm (1949) Leitz Summilux 1.4/50mm (1959) Leitz Summilux 1.4/50mm (1962) Dr. Walter Mandler Leitz Summilux 1.4/50mm (1966) Dr. Walter Mandler I primi Summilux provvedevano ad una uniformità di campo combinata ad una buona risoluzione a tutta apertura. All'infinito, ai diaframmi da 5.6 a 11, la nitidezza ai bordi migliorava insieme al contrasto. Il Summarit e i primi Summilux sono equiparabili, da f/4 in poi, al 50 Elmar 3.5 scala rossa e al 50 Summicron rientrante, ma entrambi i luminosi, per la correzione flat field, sono affetti, alla massima apertura, da flare. Il primo Summilux, alla massima apertura e a tutte le distanze, era superiore al Summarit, ma a f/1.4 e a f/2 si notava la presenza di flare, era d©obbligo quindi sviluppando la pellicola e in sede di stampa incrementare il contrasto. L©obiettivo era disponibile inizialmente cromato silver in seguito si aggiunse la versione laccata nera. Pochi esemplari cromati silver furono prodotti nella versione a vite - il nostro mentore Ghester ci dice 548. Nel 1962 il Dr. Walter Mandler, prende in mano il progetto e ridisegna il Summilux utilizzando i pregiati vetri al Lantanio.