St George's Singers 2018-2019 Season
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THE MANCHESTER WEEKENDER 14 Th/15 Th/16 Th/OCT
THE MANCHESTER WEEKENDER 14 th/15 th/16 th/OCT Primitive Streak Happy Hour with SFX Dr. Dee and the Manchester All The Way Home Infinite Monkey Cage Time: Fri 9.30-7.30pm, Sat 9.30-3.30pm Time: 5.30-7pm Venue: Royal Exchange Underworld walking tour Time: Fri 7.15pm, Sat 2.30pm & 7.15pm Time: 7.30pm Venue: University Place, & Sun 11-5pm Venue: Royal Exchange Theatre, St Ann’s Square M2 7DH. Time: 6-7.30pm Venue: Tour begins at Venue: The Lowry, The Quays M50 University of Manchester M13 9PL. Theatre, St Ann’s Square, window display Cost: Free, drop in. Harvey Nichols, 21 New Cathedral Street 3AZ. Cost: £17.50-£19.50. booking via Cost: Free, Booking essential through viewable at any time at Debenhams, M1 1AD. Cost: Ticketed, book through librarytheatre.com, Tel. 0843 208 6010. manchestersciencefestival.com. 123 Market Street. Cost: Free. jonathanschofieldtours.com. Paris on the Irwell Good Adolphe Valette’s Manchester Time: 6.30-8.30pm Venue: The Lowry, The Quays M50 3AZ. Cost: Free, Víctor Rodríguez Núñez Time: Fri 7.30pm, Sat 4pm & 8pm Time: 4-5.30pm Venue: Tour begins at booking essential thelowry.com. Time: 6.30pm Venue: Instituto Cervantes, Venue: Royal Exchange Theatre, Manchester Art Gallery, Mosley Street, 326-330 Deansgate M3 4FN. Cost: Free, St Ann’s Square M2 7DH. Cost: £9-£33, M2 4JA. Cost: Ticketed, book through booking essential on 0161 661 4200. book through royalexchange.org.uk. jonathanschofieldtours.com. Culture Gym Unlocking Salford Quays Subversive Stitching Alternative Camera Club Crafternoon Tea Time: Various Venue: The Quays Cost: Time: 11am Venue: Meet in the foyer Time: 10am-12pm & 3-5pm Venue: Time: 11am-1pm Venue: Whitworth at The Whitworth £2.50. -
Cultural Strategy Business Plan 221206.Doc This Business Plan Is a Draft and Is Still Subject to Alteration
This Business Plan is a draft and is still subject to alteration. This plan is not scheduled for completion until March 2007 Appendix 1 Cultural Strategy, Strategic Marketing, Events and Visitor Services. Cultural Services Chief Executive’s Department Draft Business Plan 2007/08-2009/10 1 H:\CommitteeServices\O&S REPORTS\SocStrat\Jan 07\Appendix 1 Cultural Strategy Business Plan 221206.doc This Business Plan is a draft and is still subject to alteration. This plan is not scheduled for completion until March 2007 Part One: Context: Introduction from the Strategic Director, Eamonn Boylan, and Lead Executive Member, Councillor Mark Hackett Manchester has a proud history of creativity and innovation. Essential to our ambition to become a world-class city is the priority to deliver high quality cultural services that directly contribute to the economic success of the city and enable people to reach their full potential. Cultural activities, sports, parks and open spaces enrich local neighbourhoods, provide opportunities for individuals to participate, to acquire skills, and to build good relationships with each other. The successful delivery of the priorities of the city’s Cultural Strategy has been largely achieved by strong partnership working with the public, private and voluntary sectors as part of the Manchester Cultural Partnership. The development of brand Manchester—the original modern city—and a vibrant calendar of city centre and community-based events enhances the reputation of the city, attracts increasing numbers of visitors, creating wealth and employment opportunities, positioning Manchester as a modern European city—a cultural destination. The Cultural Services Division comprises Libraries and Theatres, City Galleries, Sport and Leisure Services, Cultural Strategy, Strategic Marketing and Events and Visitor Services. -
Authority Monitoring Report 2016
Manchester City Council | Authority Monitoring Report 2016 Development in the City 2015/16 The Authority Monitoring Report of Manchester City Council Monitoring the delivery of the Local Plan April 2015 - March 2016 1 1 Manchester City Council | Authority Monitoring Report 2016 Contents Page 1 Executive Summary 3 2 Introduction 4 3 Development in Manchester in 2015-16 7 4 Conclusion 21 Appendices Appendix A – The Monitoring Framework 23 Appendix B – The Local Plan 25 Appendix C – Saved UDP policies 27 Appendix D – Local Development Scheme 31 Appendix E – Statement of Community Involvement 32 Appendix F – Neighbourhood Planning 33 Appendix G – Action taken under the Duty to Cooperate 34 Appendix H – Core Strategy Indicators – data tables 36 Appendix I – Waste Development Monitoring 82 Appendix J – Minerals Development Monitoring 84 Appendix K – Core Strategy Indicators not currently being monitored 85 2 2 Manchester City Council | Authority Monitoring Report 2016 1 Executive Summary Manchester’s Authority Monitoring Report (AMR) summarises how the city has performed over the past year, based on key indicators for policies in the Local Plan. The city has a strong underlying economy, and there are many indicators within the 2016 AMR which show significant improvement and suggest that Manchester is continuing to make substantial progress to achieve the sustainable development goals set out in the Local Plan. Development that supports economic growth has remained at a high level, with 120,000 sqm of employment related floorspace being completed over the past year, a significant proportion of this is in the Regional Centre, which remains the main employment location and economic driver of the City Region. -
A Take#-*' Jsyeoe-De& /V Atlzt S&Szafc
GUIDE TO THE ERNEST BRADBURY ARCHIVE 1961 "Sir John has the right age and temperament. He can mirror the sentient loveliness o f this rare music, yet keep it free from cloying sentiment; he traces its inner lines as delicately as nature traces veins on a leaf and so shows the thin but unifying forces of Delius’ art - for Delius is not really a composer of the blurred image." Thus wrote Ernest Bradbury of Delius’ On Hearing the First Cuckoo., vindicating, if such be needed, the decision to make an archive of these writings, «,, Time has edged far enough forward now for us to catch our breath reading that he heard Hindemith and Stravinsky conducting "in the flesh" which in time will doubtless seem more awesome still..^arguments about not spending allocated local authority funds on music and over-reliance on the familiar might have been written last night. <• Once again I have not, regrettably, been able to credit (though my husband usually did) the invaluable work of producers and designers. Karajan is listed under K not V. Records and Music & Musicians articles appear in their month at the end of that month, records designated R. Music & Musicians entries (M M ) are in Miscellaneous only so it is advisable to check this section. The following (contents not alas listed) I hope the Brotherton will have photocopied from the Yorkshire Post by the time you read this; because of editioning dates and page numbers may vary slightly. 7.12.61 Combined Orchestras from Manchester (Halle & BBC Northern, Bruckner 9) 61—(page 7) Z effirelli charmn at Glyndcbournc ( L ’Elisir d?Am cTc): 25.10.61 (page 5) Leeds Town Hall, Royal Liverpool Phil. -
Sing It - Play It Leeds Music Education Partnership Artforms, Leeds City Academy, Bedford Field, Woodhouse Cliff, Leeds LS6 2LG And
Please return this form as soon as possible (and by 24th February if you require transport) to: Bring It - Sing It - Play It Leeds Music Education Partnership ArtForms, Leeds City Academy, Bedford Field, Woodhouse Cliff, Leeds LS6 2LG and Transport North Yorkshire Music Hub Subject to demand coach transfer to and from Horsforth school will be arranged on the day, with pick up points at ArtForms Music Centres. If you in partnership with would like to book a seat please tick your preferred option (from the centre to Horsforth, or from the ArtForms Music Centres centre and back again after the concert). Leeds Youth Choir and Leaving Guiseley 11.00am one way____both ways___ Leeds Festival Chorus Boston Spa 10.40am one way____both ways___ East Leeds 11.00am one way____both ways___ Rothwell 10.40am one way____both ways___ invite young people and adults to a South Leeds 10.40am one way____both ways___ BBC Ten Pieces North Leeds 11.00am one way____both ways___ Confirmation of your place on the day (and details Bring It - Sing It - Play It Day of transport arrangements if requested) will be sent after 26th February. Saturday 19th March 2016 We may take photographs on the day. Please inform us if you have any concerns. 11.30am to 5.15pm Please enclose a cheque for £5/£2 (plus coach transfer/s £1 per journey) made payable to Leeds Youth Choir. Signed ____________________parent/guardian if under 18 venue I would like to attend the Bring It - Sing It - Play It Horsforth School, Lee Lane East Day on 19th March Name _______________________________ Age -
Shakespeare Requiem' Receives Its First Performance, by PATRIC STANDFORD, YORKSHIRE POST
Judith Bingham's 'Shakespeare Requiem' receives its first performance, by PATRIC STANDFORD, YORKSHIRE POST The long awaited première of Judith Bingham's Shakespeare Requiem took place in Leeds Town Hall, UK, on 29 November 2008. The opening of the newly built town hall in 1858 was celebrated with the formation of a grand choral society -- the Leeds Festival Chorus -- and its first musical director, William Sterndale Bennett, initiated a tradition of first performances in the autumn of that year by directing the first performance of his own cantata The May Queen. The tradition of bringing new works to Leeds has remained with the Festival Chorus throughout its century and a half lifetime. A succession of distinguished directors maintained the tradition by commissioning new choral works, and the chorus have brought to life a fine inventory of great choral premiers including Sullivan's Golden Legend and Dvorák's St Ludmilla in 1886 and Elgar's Caractacus in 1898 through to Walton's Belshazzar's Feast, the memorable commission of 1931, and Michael Berkeley's The Red Macula of 1989. For this year's 150th Anniversary celebration, Judith Bingham could hardly be a more ideal choice. A student of both composition and singing in her time at London's Royal Academy of Music, she joined the BBC Singers in 1983 and spent twelve years as a full time member, becoming closely involved from the inside in the many challenges of both new and old music that such a renowned professional group of singers would undertake on a weekly basis. As may be expected, there is a large amount of choral music in her considerable output -- her catalogue has recently been taken up by Peters Edition, London -- and yet the new work for Leeds is her largest choral and orchestral undertaking to date. -
A Theoretical Framework for Successful Urban Heritage Regeneration Projects Involving Private Sector Development Companies
A THEORETICAL FRAMEWORK FOR SUCCESSFUL URBAN HERITAGE REGENERATION PROJECTS INVOLVING PRIVATE SECTOR DEVELOPMENT COMPANIES Paul JONES School of the Built Environment, University of Salford, UK Submitted in Partial Fulfilment of the Requirements of the Doctorate of Built Environment, September 2017 TABLE OF CONTENTS Table of Contents. i List of Tables. ix List of Figures. xi Acknowledgements. xiii Abstract. xiv CHAPTER 1: INTRODUCTION. 1 1.1 Introduction. 1 1.2 Research Background. 1 1.3 Research Scope. 4 1.4 The Research Problem. 4 1.4.1 Research Aim and Objectives. 5 1.4.2 Nature of Case Study Undertaken. 6 1.5 Motivation. 7 1.6 Professional Context. 8 1.7 Structure of the Thesis. 8 CHAPTER 2: LITERATURE REVIEW. 13 2.1 Introduction. 13 2.2 The Use of Heritage Assets in Urban Regeneration Projects. 13 2.2.1 Urban Regeneration. 13 2.2.2 Justification for Engagement in Urban Regeneration. 14 2.2.3 Contribution to Definition of Successful Regeneration. 15 2.2.4 Property Led Regeneration. 17 2.2.4.1 The Case of Canary Wharf, London. 18 2.2.4.2 The Case of Albert Dock, Liverpool. 19 2.2.5 The Use of Heritage Assets as a Vehicle for Urban 21 Regeneration. 2.2.6 The Value of Heritage Assets in Urban Regeneration 25 Projects. 2.3 Governance affecting Urban Heritage Regeneration Projects. 31 2.3.1 Definition and Origins of United Kingdom Regeneration 31 Governance. i 2.3.2 Contemporary Regeneration Governance in the United 33 Kingdom. 2.3.3 A Critical Evaluation of Contemporary Regeneration 37 Governance. -
Giving Our Past a Future Momentum
GIVING OUR PAST A FUTURE: THE WORK OF WORLD MONUMENTS FUND BRITAIN Foreword by Kevin McCloud, Ambassador, WMF Britain Pouring money into an old building is one of the great honourable activities of the modern age. How else are we supposed to understand where we’re going unless we understand where we’ve been? How else can we give any kind of context to our children’s education if we don’t care for what we have? World Monuments Fund Britain have to be congratulated for preserving so many exceptional sites for future generations and for helping them to make that vital connection with their sense of place, community and history. Front cover: A restored Corinthian capital at Stowe House in Buckinghamshire. Inside covers: The restored Large Library ceiling at Stowe House. GIVING OUR PAST A FUTURE: THE WORK OF WORLD MONUMENTS FUND BRITAIN Gorton Monastery, Manchester. This fine, derelict Victorian building by E.W. Pugin was Watch listed in 1998 and 2000. Subsequent WMF funding enabled the Trust to work up detailed plans for the rescue of the site when no other sources of funding were available. Bonnie Burnham Jonathan Foyle President, World Monuments Fund CEO,World Monuments Fund Britain Great works of architecture deserve to be World Monuments Fund exists to provide a celebrated beyond the time of their network of expert, considered and creation, and as their histories accumulate substantive responses to the needs of new chapters, these should add to our important but ailing historic sites around the appreciation and enjoyment of the place. world. WMF Britain does not dispense grants This principle has guided the work of from an endowment, but raises specific funds World Monuments Fund since its founding from scratch. -
Manchester Urban Historic Landscape Characterisation Section 7
7 Manchester’s Historic Character – Analysis and Recommendations 7.1 Unenclosed land broad type Figure 4 The area of the former Shadow Moss is indicated by the distinctive field boundary patterns depicted on OS 6” 1 st edition mapping of c1882 Description This character type comprises areas that are currently of low economic value and where there is little or no settlement. It includes marginal land such as open mossland and marsh, and other unimproved land which may nonetheless be exploited, such as common land, pasture and moorland. Unenclosed land only occurs in Manchester district as a previous type. 7.1.1 Open moorland Description and historical context Moorland does not exist as a current type within the Manchester landscape; it appears as a previous type only in the Baguley Moor area. Some areas of the former moorland have not been developed and although their character has changed, they may still contain palaeoenvironmental and archaeological evidence. 27 For example, the playing fields associated with Brookway High School (HLC Ref HGM13548) and the playing fields east of Church Stoke Walk (HLC Ref HGM13842) have both been enclosed from farmland that was formerly moorland. 7.1.2 Mossland Description and historical context Although there is no surviving untouched mossland in Manchester, there were several mosses in the district in the past. Mossland has thus been recorded as a previous rather than a current character type. Like the upland moors, the former lowland mosses were probably enclosed at a relatively late date. The three main former mosses in Manchester are Hough Moss in the area which is now Moss Side and Whalley Range; Shadow Moss, near Moss Nook and Manchester Airport in the south of the district; and White Moss, near Charlestown in the northern part of the district. -
Issue 27 Draft.Pub
February 2008 Issue 27 Hemiola St George’s Singers INSIDE THIS ISSUE: MAKING MONEY TO MAKE MUSIC Sounds like Russian 2 BY SALLY SMITH Elgar & After—review 3 Music for health 4 Making Music, the National Singing Day 2008 5 what they’ve done for years. In Federation of Music Societies, order to remain strong and in- The Speech of Angels— 6-7 was founded in 1935 to support deed grow Making Music is concert preview and champion voluntary music. encouraging groups to think There are now over 2,500 mem- outside the box and take a fresh St George’s Singers 8 ber groups nationally and we look at the things we do al- news have over 250 here in the North ready. West, ranging from large sym- Sally Smith, North West Regional There are increasing amounts Christmas highlights 9 phony orchestras to village Development Officer, Making handbell ringers, youth choirs of grant monies out there to Music to community jazz bands. support community develop- The Cheshire Consort 10 ment projects, work with the deed travel the world singing The organisation lobbies hard older generation, social inclu- together. on behalf of the members at sion and involvement of young national and local levels and Elijah’s return 11 people. Although these pots of In whatever shape or form our also offers a great support money don’t traditionally have ups and downs come, we all mechanism to individual ‘arts and culture’ written all have one thing in common: the groups. over them, if we take a good love of music making. -
Chamber Music Concerts Player and Chamber Musician with the Tempest Two Concerts Featuring Rounds for Brass Quintet, Flute Trio
We are Chamber Music We are Opera and Song We are Popular Music Our Chamber Music Festival goes to the city Again in Manchester Cathedral, we will be Following its success at the Royal Albert Hall and Welcome centre (10-12 Jan) using Manchester Cathedral taking the magic and mystery of Orpheus with here at the RNCM last term, the RNCM Session as our hub, and featuring the Academy of Gluck’s Orfeo ed Euridice (28 Mar), which Orchestra returns with an exciting eclectic Ancient Music, the Talich Quartet and The will also be performed alongside his witty programme (25 Apr). Staff-led Vulgar Display Band of Instruments together with our staff The Drunkard Cured (L’ivrogne corrigé) in our give us their take on extreme metal (12 Feb). to the and students, to explore ‘The Art of Bach’. exclusive double-bill in the intimacy of our Our faithful lunchtime concert followers need not worry about the temporary closure of our Studio Theatre (18, 20, 22 and 27 Mar). Opera We are Folk and World Spring Concert Hall. These concerts will be as frequent, Scenes are back (21, 24, 28 and 31 Jan), as Fusing Latin American and traditional Celtic diverse and delightful as ever, in fantastic venues entertaining as ever. Yet another exciting venture folk, Salsa Celtica appear on the RNCM stage such as the Holden Art Gallery, St Ann’s is the one with the Royal Exchange Theatre for (7 Mar), followed by loud, proud acoustic season at Church and the Martin Harris Centre, featuring an extra-indulgent Day of Song (27 Apr) where Bellowhead–founding members, Spiers & the RNCM Chamber Ensemble with Stravinsky’s we will be taking you with us through the lush Boden on their last tour as a duo (20 Mar), The Soldier’s Tale, as well as a feast of other atmosphere of the Secession and travelling from while the award-winning folk band Melrose ensembles: Harp, Saxophone, Percussion and country to country by song throughout the day. -
The Bridgewater
March 2011 Issue 36 Hemiola St George’s Singers INSIDE THIS ISSUE: BACK TO THE BRIDGEWATER St John Passion—preview 2 Nicholas Kraemer interview 3 The home of St George‘s Sing- work to such a large audience, marketing team, a seriously ers is the parish church of that and with such an amazing line passionate and dedicated cho- Triple concert reviews 4 name in Poynton, a lovely, up of soloists. However, hiring rus, and a commitment to cho- Music for your wedding 5 welcoming space in which to world-class venues, soloists and ral and performance excellence. Monteverdi in Pisa 6-7 sing, but which has room for orchestras does not come According to Manus Carey, Yoga for singers 8-9 only about 200 audience mem- cheap, and we do not take on Head of Artistic Planning at the bers. So for many years, we events like this without careful Camerata, ―We have a relation- St George’s Singers News 10-11 have been ‗peripatetic‘, per- consideration, budgeting and ship with St George‘s Singers forming in different venues planning, or without many going back many years, and it‘s Summer tour 12 around the Manchester area. sleepless nights! very exciting that we have the Elgar—footie fan! 12 In many ways this is an ad- opportunity to collaborate once Our 19th April St John Passion is vantage: we can choose the again at the Bridgewater Hall Charity swimathon 13 different. For the first time, we venue to for this suit the great, Making Music—Chinese 14-15 music we central style are perform- work in ing.