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A Quick Guide to HDR Photography
A quick guide to HDR photography PUBLISHED - 15 AUG 2017 Make sure that what your eye sees is what your camera captures, by using HDR in contrasty light situations. HDR – high dynamic range – imaging enables your camera to create an image that captures all the range of contrast in a scene, from the depths of the shadows to the highlights of the brightest areas. This is essentially how your eyes see, but it's a tall order for a camera to record the furthest ends of such a drastic range – if you meter for the highlights (the bright areas), you might lose detail in the shadow areas of the scene, while the other way round you risk 'blown-out' highlights. A common example is a well-exposed room interior flooded with light from the windows. If you expose to capture what's outside those windows, the room's details will be lost in shadow. Another is when shooting outdoors: the sunlight that creates bright highlights will also create dark shadows, but expose for one and you'll lose detail in the other. When you make an HDR image, on the other hand, what you see is what you're going to get, because you create it with a series of bracketed exposures to capture both the highlights and the shadow detail. 1 of 3 © NIKON SCHOOL Built-in HDR Some Nikon DSLRs have a built-in HDR mode that does it for you. Available when shooting JPEG only, it automatically takes two quick shots – the first slightly underexposed (darker) and the second exposure slightly overexposed (brighter) – then combines them in-camera to create one well-balanced, tonally wide-ranging image. -
Digital Camera Basics Slides
DIGITAL CAMERA BASICS BRIC AGENDA • Part 1: Camera Basics • Part 2: Composition PART 1: CAMERA BASICS • The exposure triangle • Depth of field, macro, focus • Shooting modes: Automatic, AV, TV, Manual • White balance • Holding the camera, angles, position THE EXPOSURE TRIANGLE LIGHT METER THE EXPOSURE TRIANGLE: ISO • Film speed, sensor sensitivity: 100, 200, 400, 800, 1600, 3200 • Each setting is double or half the brightness than the previous • Low ISO = sharper pictures • High ISO = lowers the light you need • Trade off: while it offers more flexibility, the higher the ISO, the grainier the picture THE EXPOSURE TRIANGLE: ISO ISO 100 ISO 3200 from digital photography school THE EXPOSURE TRIANGLE: ISO A few questions to ask yourself: 1. Do I have a tripod? 2. Do I want a grainy shot? 3. How is the light? 4. Is the subject still or moving around? Situations where you may need a higher ISO: 1. Indoor sporting events 2. Concerts, galleries, churches 3. Birthdays, or dinners THE EXPOSURE TRIANGLE: ISO Rules of thumb: Use a tripod if you can Try to shoot with the lowest ISO possible Rest camera on a solid surface if there's no tripod Hold your breath LET'S TRY IT! Set your camera to the following manual settings: Shutter Speed: 1/60 Aperature: 2.8 ISO: Shoot the same object four times with four different ISO settings, write down which picture has which ISO. What do you notice? THE EXPOSURE TRIANGLE: SHUTTER SPEED THE EXPOSURE TRIANGLE: SHUTTER SPEED Refers to how much time the shutter is open (in seconds) 1/4000, 1/2000, 1/1000, 1/500, 1/250, -
Making the Transition from Film to Digital
TECHNICAL PAPER Making the Transition from Film to Digital TABLE OF CONTENTS Photography became a reality in the 1840s. During this time, images were recorded on 2 Making the transition film that used particles of silver salts embedded in a physical substrate, such as acetate 2 The difference between grain or gelatin. The grains of silver turned dark when exposed to light, and then a chemical and pixels fixer made that change more or less permanent. Cameras remained pretty much the 3 Exposure considerations same over the years with features such as a lens, a light-tight chamber to hold the film, 3 This won’t hurt a bit and an aperture and shutter mechanism to control exposure. 3 High-bit images But the early 1990s brought a dramatic change with the advent of digital technology. 4 Why would you want to use a Instead of using grains of silver embedded in gelatin, digital photography uses silicon to high-bit image? record images as numbers. Computers process the images, rather than optical enlargers 5 About raw files and tanks of often toxic chemicals. Chemically-developed wet printing processes have 5 Saving a raw file given way to prints made with inkjet printers, which squirt microscopic droplets of ink onto paper to create photographs. 5 Saving a JPEG file 6 Pros and cons 6 Reasons to shoot JPEG 6 Reasons to shoot raw 8 Raw converters 9 Reading histograms 10 About color balance 11 Noise reduction 11 Sharpening 11 It’s in the cards 12 A matter of black and white 12 Conclusion Snafellnesjokull Glacier Remnant. -
Owner's Manual Read Before Using
Preparation Basic Advance Read before using Owner’s Manual this camera. Mode Thank you for purchasing this product. Please follow the instructions given in this manual carefully. Features d The 28mm F2.8 and 38mm F2.8 SUPER-EBC FUJINON lens delivers high quality images. d The program AE mode offers beginners easy photo taking while the aperture AE mode widens the range of expression. d High-speed shutter up to 1/500 sec. with aperture setting of F2.8 enables various photos to be taken. d The viewfinder display shows all functions you need such as shutter speed (in 1/2 step) and the exposure modes. d Versatile aperture techniques realized with the easy-to-use exposure compensation dial and AEB (Auto Exposure Bracketing) function. d The separate AF lock button best suitable for snapshot photography d The film sensitivity mode enables you to set the film speed (ISO) manually. d N mode generates “natural” photos with non-flash shooting while using an ultra-sensitive film. Accessories The product includes following accessories. Make sure to check the contents of the package. Lithium battery CR2 (1) Owner’s Manual (this document) (1) Neck Strap (1) Warranty Certificate (1) 2 Contents Features ......................................... 2 Mode Important Safety Notice .......................... 4 Selecting Modes ............................. .40 Part Names. ..................................... 6 List of Modes ................................ .43 Preparation Selecting Flash Mode ........................ .44 e AEB (Auto Exposure Bracketing) Attaching the Strap........................... .12 Photography . 48 Loading the Battery .......................... .12 m Manual-Focus Photography . 52 Turning the Camera ON ...................... 14 b Bulb Photography . 56 Turning the Camera OFF..................... 14 T Self Timer Photography . -
Quack Autumn 2008
Newsletter of E.J. Peiker, Nature Photographer and www.EJPhoto.com All contents ©2008 E.J. Peiker Autumn 2008 (Vol 6, Issue 5) Welcome to the quarterly newsletter from E.J. Peiker Nature Photography and www.EJPhoto.com . In this quarterly email publication, I will keep subscribers posted on upcoming workshops including the DuckShop Series as well as sharing some photos and experiences with you. I will also give you brief impressions on any new equipment that I get the opportunity to use and any other general information in the world of digital nature photography. Please feel free to forward this along to other photographers and interested parties but please do so only by forwarding this newsletter in its entirety. Please note that all content is copyrighted by E.J. Peiker. If you would like to be added or deleted to the mailing list or if you would like copies of past issues, just send me an email message at [email protected] . Back issues are available online at http://www.ejphoto.com/newsletter.htm Brown Bear, Katmai National Park, Alaska (EOS 1D Mark IIn, 400mm) E.J. Switches to Nikon??? After sending out the Namibia Special Edition, I received dozens of emails including some folks that were quite upset by what they perceived me as switching to Nikon. Have I switched? Well, not really but I am now dual platform. A couple of months ago I acquired a D300 and the Nikon 200-400mm f/4 lens. I simply got tired of waiting for Canon to put out a competitive product in this range. -
Nikon D700 Users’ Guide
Ken Rockwell I support my growing family through my website, KenRockwell.com, and these online PDFs. Please enjoy reading this online all you want, but this PDF is not free to print. If you wish to print or save your own personal copy of this copyrighted PDF, please PayPal me $5 for every full or partial copy you print or save. This mandatory $5 licence fee is what supports me and keeps these PDFs as easy downloads. My PayPal email address is [email protected]. Your honesty (I send no receipts) lets me keep writing guides and providing easy downloads, instead of having to use a complex pay-before-play system. (If you got your D700 through my website links or have made a previous contribution, you've already paid. THANK YOU!) If reading online, Click Here to pay via PayPal Thanks for reading! Ken © 2009 Ken Rockwell. All rights reserved. © KenRockwell.com. All Rights Reserved. Nikon D700 Users’ Guide Introduction This will teach you every possible nuance general photography issues here. 4.) Contrast, saturation or other fine of using the Nikon D700. This will make Getting great photos out of the D700 points not right? Adjust the Picture you to an expert on the Nikon D700. It really only takes your eye and about two Controls. includes lots of tips, tricks, secrets and settings: For more examples of why you’d want the settings I prefer to use, but this alone 1.) Take a picture. Look at the rear LCD. to change these settings and why, also won’t get great pictures. -
Aperture Digital Photography Fundamentals
Aperture Digital Photography Fundamentals K Apple Computer, Inc. © 2005 Apple Computer, Inc. All rights reserved. No part of this publication may be reproduced or transmitted for commercial purposes, such as selling copies of this publication or for providing paid for support services. Every effort has been made to ensure that the information in this manual is accurate. Apple is not responsible for printing or clerical errors. The Apple logo is a trademark of Apple Computer, Inc., registered in the U.S. and other countries. Use of the “keyboard” Apple logo (Option-Shift-K) for commercial purposes without the prior written consent of Apple may constitute trademark infringement and unfair competition in violation of federal and state laws. Apple, the Apple logo, Apple Cinema Display and ColorSync are trademarks of Apple Computer, Inc., registered in the U.S. and other countries. Aperture is a trademark of Apple Computer, Inc. 1 Contents Preface 5 An Introduction to Digital Photography Fundamentals Chapter 1 7 How Digital Cameras Capture Images 7 Types of Digital Cameras 8 Digital Single-Lens Reflex (DSLR) 9 Digital Rangefinder 11 Camera Components and Concepts 11 Lens 12 Understanding Lens Multiplication with DSLRs 14 Understanding Digital Zoom 14 Aperture 15 Understanding Lens Speed 16 Shutter 17 Using Reciprocity to Compose Your Image 17 Digital Image Sensor 20 Memory Card 20 External Flash 21 Understanding RAW, JPEG, and TIFF 21 RAW 21 Why Shoot RAW Files? 22 JPEG 22 TIFF 22 Shooting Tips 22 Reducing Camera Shake 23 Minimizing Red-Eye in Your Photos 25 Reducing Digital Noise Chapter 2 27 How Digital Images Are Displayed 27 The Human Eye’s Subjective View of Color 29 Understanding How the Eye Sees Light and Color 30 Sources of Light 30 The Color Temperature of Light 31 How White Balance Establishes Color Temperature 3 31 Measuring the Intensity of Light 32 Bracketing the Exposure of an Image 33 Understanding How a Digital Image Is Displayed 33 Additive vs. -
E-M10 Mark III Instruction Manual
Table of Contents Quick task index 1. Preparation DIGITAL CAMERA 2. Shooting 3. Playback 4. Menu functions Instruction Manual Connecting the camera to a 5. smartphone Connecting the camera to a 6. computer and a printer 7. Cautions 8. Information 9. SAFETY PRECAUTIONS Model No. : IM006 Thank you for purchasing an Olympus digital camera. Before you start to use your new camera, please read these instructions carefully to enjoy optimum performance and a longer service life. Keep this manual in a safe place for future reference. We recommend that you take test shots to get accustomed to your camera before taking important photographs. The screen and camera illustrations shown in this manual were produced during the development stages and may differ from the actual product. If there are additions and/or modifications of functions due to firmware update for the camera, the contents will differ. For the latest information, please visit the Olympus website. Indications used in this manual The following symbols are used throughout this manual. $ Notes Points to note when using the camera. Useful information and hints that will help you get the most out of % Tips your camera. g Reference pages describing details or related information. 2 EN Table of Contents Quick task index 7 Choosing shutter speed (Shutter Priority mode) .............47 of Contents Table Choosing aperture and Names of parts 10 shutter speed (Manual mode)...48 Shooting with long exposure time Preparation 12 (BULB/LIVE TIME) ...................49 Unpacking the box contents .....12 -
Nikon Digital SLR Camera D700 Specifications
Nikon Digital SLR Camera D700 Specifications Type Focus Type Single-lens reflex digital camera Autofocus TTL phase-detection AF, 51 focus points (15 cross-sensors) by Nikon Multi-CAM 3500FX Lens Mount Nikon F bayonet mount with AF coupling and AF contacts autofocus module; Detection: -1 to +19 EV (ISO 100 at 68°F/20°C); AF fine tuning possible; Picture Angle Equivalent to angle produced by lens focal length (1.5 times when DX format is selected) AF-assist illuminator (range approx. 1.6-9.8 ft./0.5-3 m) Lens Servo 1) Autofocus: Single-servo AF (S); Continuous-servo AF (C); Focus Tracking automatically Effective Pixels activated according to subject status, 2) Manual focus (M) with electronic rangefinder Effective Pixels 12.1 million Focus Point Single AF point can be selected from 51 or 11 focus points Image Sensor AF-Area Mode 1) Single-point AF, 2) Dynamic-area AF [number of AF points: 9, 21, 51, 51 (3D-Tracking)], Image Sensor CMOS sensor, 36.0 x 23.9 mm; Nikon FX format 3) Auto-area AF Total Pixels 12.87 million Focus Lock Focus can be locked by pressing AE-L/AF-L button or by pressing shutter-release button Dust-Reduction System Image sensor self-cleaning function, Image Dust Off reference data acquisition (Capture halfway (Single-point AF in AF-S) NX 2 required) Flash Storage Built-in Flash Manual pop-up type; guide number of 56/17 (ISO 200, ft./m, 68°F/20°C) or 39/12 (ISO 100, Image Size (pixels) ft./m, 68°F/20°C) Image area L M S Flash Control 1) TTL flash control with 1,005-pixel RGB sensor; i-TTL balanced fill-flash and standard -
The World's Best Photography. the World's Best Community. 500Px.Com
500px.com The World’s Best Photography. The World’s Best Community. Media Kit, June 2011 500px.com is a modern online community of photographers from all over the world. 1.6 million uniques. 28 million page views. 500% growth over the last 6 months. And some of the best photographs you’ve ever seen. 500px.com/photos “Have I ever mentioned how much I love 500px? This site is just blows everything else away.” Tom Lowe, 2010 Astronomy Photographer of the Year. 500px.com stats • 28,000,000 page views per month • 3,500,000 visits per month • 1,600,000 absolute unique visitors • 4:45 minutes is average time on site • 500% traffic growth over last 6 months • Tech savvy audience. Over 90% use IE alternatives • The most popular camera is Canon 5D Mark II Twitter Love What people say about 500px on Twitter: Twitter Love What people say about 500px on Twitter: Twitter Love What people say about 500px on Twitter: 500px users are PRO users. The most popular cameras among 500px.com users. 01. Canon EOS 5D Mark II 26. Canon EOS DIGITAL REBEL XTi 02. Nikon D90 27. Nikon D3100 03. Canon EOS 450D 28. Canon EOS DIGITAL REBEL XSi 04. Canon EOS 50D 29. Canon EOS REBEL T1i 05. Canon EOS 40D 30. Nikon D50 06. Canon EOS 400D DIGITAL 31. Canon EOS REBEL T2i 07. Canon EOS 500D 32. SONY DSLR-A200 08. Canon EOS 5D 33. Nikon D70 09. Nikon D700 34. Nikon D70s 10. Nikon D80 35. Canon EOS DIGITAL REBEL XT 11. -
Bracketing Is a Procedure Whereby the Photographer Takes Multiple Exposures of the Same Scene at Different Exposure Values
Better Query Saul: A Different Way to Bracket I remember asking my brother why his camera would click 5 times every time he touched the shutter. His answer was that he always brackets all his shots. “Why do you bracket?” I asked. “Because I want to make sure I get the correct exposure!” Bracketing is a procedure whereby the photographer takes multiple exposures of the same scene at different exposure values. For some cameras, bracketing is a menu option so that, if selected, you only have to press the shutter once and the camera will take multiple images. My Sony a7RII, for example, has an option in the menu for bracketing. I select the number of images and the difference in exposure value between the images. If I select 2.0EV 3 Images, and I have set my camera to an aperture of f4.0, shutter speed of 1/125 and ISO of 400, the camera will take the next shot at f4.0, 1/30 and ISO 400 – this will be the brighter exposure – and the last shot at f4.0, 1/500 and ISO 400 – the darker shot.1 There are many reasons why a photographer would want to do this – to apply HDR techniques, not sure of the correct exposure, or simply exploring how the image would look over- and under- exposed. A photographer could try doing this manually by simply varying the shutter speed - assuming the camera is in the same position so that camera movement does not corrupt the results. Notice that ‘bracketing’ in the example just described is accomplished by varying shutter speeds. -
White Paper the Canon Eos 5D Mark Ii Camera
WHITE PAPER THE CANON EOS 50D CAMERA: UNPRECEDENTED FLEXIBILITY OF DIGITAL PHOTOGRAPHY THE CANON EOS 5D MARK II CAMERA: HIGH PERFORMANCE FOR HIGH EXPECTATIONS I. Overview 4 II. Summary of New and Improved Features 8 EOS 50D vs. EOS 40D 9 EOS 5D Mark II vs. EOS 5D 10 EOS 5D Mark II vs. EOS-1Ds Mark III 11 III. Video Recording on EOS 5D Mark II 13 Features and Benefits 14 Positioning 16 Tech Info 18 Technology Highlight - New Video Shooting Capability 19 IV. Performance and Reliability 20 Advanced Sensor Designs 21 DIGIC 4 and 14-bit A/D Conversion 23 Image Recording and Processing 25 • RAW, sRAW, RAW+JPEG 25 • Intelligent Lithium-ion Battery on EOS 5D Mark II 26 Image Enhancement 26 • High ISO Noise Reduction 26 • Peripheral Illumination Correction 27 • Auto Lighting Optimizer 28 • Highlight Tone Priority 28 High Resolution, 3.0-inch Clear View LCD 29 Live View shooting with AF 30 Precise 9-point AF Systems 31 Improved Viewfinder Experience 33 Rugged Construction 33 EOS Integrated Cleaning System 34 Intuitive Button and Dial Arrangement 35 Increased Shutter Durability 35 Action-stopping Burst Modes 36 UDMA Compatibility 36 HDMI Connectivity 36 Technology Highlight - Live View Function 38 V. Controls and Convenience 39 Camera Settings and Displays 40 Creative Auto Mode 40 Image Quality Controls 42 Playback Controls and Displays 42 My Menu and User Settings 43 Custom Function Controls 43 AF Microadjustment 44 Quick Control Screen 45 Printing and Camera Direct Controls 45 VI. Intelligent Bundled Software 46 New Features in EOS Utility and DPP 47 VII.