2008 TGS Cost Benefit Analysis
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1 HUGH MARTIN Ryerson University, Toronto BFA (Photography Studies)
HUGH MARTIN Curriculum Vitae EDUCATION 2002 Ryerson University, Toronto B.F.A. (Photography Studies), Honours SELECTED EXHIBITIONS 2002-2018 Toronto International Art Fair. Mira Godard Gallery, Toronto 2017 Hugh Martin: Studio Window. Mira Godard Gallery, Toronto 2016 From the Collection. Curated by Anna Jedrzejowski. Ryerson Image Centre, Toronto 2012 Hugh Martin: Silent Lake. Mira Godard Gallery, Toronto. 2010 Photographs. Mira Godard Gallery, Toronto 2007 Hugh Martin: The Great Forest. Mira Godard Gallery, Toronto 2007 Collected. Ryerson Gallery, Toronto 2007 About the Landscape. Mira Godard Gallery, Toronto 2004 Hugh Martin: New Photographs. Mira Godard Gallery, Toronto 2004 Views of Hamilton. Arts Hamilton Gallery, Hamilton 2004 Hugh Martin: Dutch Landscape. Arts Hamilton Gallery, Hamilton 2002 Summer Landscape. Mira Godard Gallery, Toronto 2000 Hugh Martin: Of the City. Ryerson Image Arts Gallery, Toronto 1999 The Photography Lesson. Harbourfront Centre, Toronto PUBLICATIONS & INTERVIEWS Mira Godard Gallery: Silent Lake. Exhibition Catalogue including essay: "Hugh Martin: Sanctuary" written by John K. Grande, 2012 PREFIX PHOTO #16: Walking & Consciousness, "Walls" Portfolio, Nov. '07, pp.20-27. The Walrus, "Hugh Martin: Young Romantic" Interview/Photos, Dec/Jan 2006, pp.110-11. Hammered Out #8 (Hamilton). Several photographs published in Winter/Spring 2006. Arts Beat (Hamilton), "Dutch Landscape" Artist's statement published, Nov. 2004 issue. Cable 14 (Hamilton). Interviewed for "Drawn & Quartered" exhibition, Sep. 2002. 1 GRANTS -
Entuitive Credentials
CREDENTIALS SIMPLIFYING THE COMPLEX Entuitive | Credentials FIRM PROFILE TABLE OF CONTENTS Firm Profile i) The Practice 1 ii) Approach 3 iii) Better Design Through Technology 6 Services i) Structural Engineering 8 ii) Building Envelope 10 iii) Building Restoration 12 iv) Special Projects and Renovations 14 Sectors 16 i) Leadership Team 18 ii) Commercial 19 iii) Cultural 26 iv) Institutional 33 SERVICES v) Healthcare 40 vi) Residential 46 vii) Sports and Recreation 53 viii) Retail 59 ix) Hospitality 65 x) Mission Critical Facilities/Data Centres 70 xi) Transportation 76 SECTORS Image: The Bow*, Calgary, Canada FIRM PROFILE: THE PRACTICE ENTUITIVE IS A CONSULTING ENGINEERING PRACTICE WITH A VISION OF BRINGING TOGETHER ENGINEERING AND INTUITION TO ENHANCE BUILDING PERFORMANCE. We created Entuitive with an entrepreneurial spirit, a blank canvas and a new approach. Our mission was to build a consulting engineering firm that revolves around our clients’ needs. What do our clients need most? Innovative ideas. So we created a practice environment with a single overriding goal – realizing your vision through innovative performance solutions. 1 Firm Profile | Entuitive Image: Ripley’s Aquarium of Canada, Toronto, Canada BACKED BY DECADES OF EXPERIENCE AS CONSULTING ENGINEERS, WE’VE ACCOMPLISHED A GREAT DEAL TAKING DESIGN PERFORMANCE TO NEW HEIGHTS. FIRM PROFILE COMPANY FACTS The practice encompasses structural, building envelope, restoration, and special projects and renovations consulting, serving clients NUMBER OF YEARS IN BUSINESS throughout North America and internationally. 4 years. Backed by decades of experience as Consulting Engineers. We’re pushing the envelope on behalf of – and in collaboration with OFFICE LOCATIONS – our clients. They are architects, developers, building owners and CALGARY managers, and construction professionals. -
Entuitive Tall Buildings
TALL BUILDINGS HIGH PERFORMANCE ENTUITIVE IS COLLABORATING WITH DEVELOPERS, ARCHITECTS AND BUILDERS TO DESIGN AND ENGINEER HIGH PERFORMANCE TALL BUILDINGS THAT ARE DEFINING CITY SKYLINES Urban centres around the globe are experiencing unprecedented growth. With limited land resources, cities are increasingly building towers – both for commercial and residential developments. Entuitive’s Tall Buildings team consists of structural engineers, building envelope specialists and technologists with decades of experience in delivering high-rise buildings through innovative and value driven solutions. DELIVERING VALUE It’s our ambition to help clients realize the best performing buildings that support their vision and commercial objectives. Through a holistic, integrated and highly collaborative approach, we draw on the wide-range of expertise wielded by Entuitive’s professionals to develop advanced structural and envelope solutions that deliver multiple dimensions of building performance with greater life-cycle economies. OPTIMIZING PERFORMANCE With extensive experience in tall buildings, deep knowledge of the latest building materials and construction methods, and sophisticated modeling techniques, our engineers and building envelope specialists focusing on solutions that enhance building performance. We strive to deliver a high degree of occupant comfort by mitigating the effects of wind-induced vibration. Our designs consider building resilience to natural and man-made events including seismic, extreme weather and blast. And we consistently optimize our structural and envelope solutions with an eye to improving efficiency at every stage while minimizing costs. AN ADVANCED APPROACH We use BIM and the latest technologies to enhance collaboration and coordination in order to deliver projects on-time and on- budget. We also go beyond BIM and utilize computational design and parametric modelling to assist architects in unleashing their creativity while optimizing the building structure – affording greater constructability, cost-savings and reduced time to market. -
A Case Study of Daniel Libeskind's Roloff Beny Gallery
Ryerson University Digital Commons @ Ryerson Theses and dissertations 1-1-2012 Photographic Exhibition In The Anti-Cube Gallery : A Case Study Of Daniel Libeskind’s Roloff Beny Gallery Laura E. Hayward Ryerson University Follow this and additional works at: http://digitalcommons.ryerson.ca/dissertations Part of the Photography Commons Recommended Citation Hayward, Laura E., "Photographic Exhibition In The Anti-Cube Gallery : A Case Study Of Daniel Libeskind’s Roloff Beny Gallery" (2012). Theses and dissertations. Paper 1399. This Thesis is brought to you for free and open access by Digital Commons @ Ryerson. It has been accepted for inclusion in Theses and dissertations by an authorized administrator of Digital Commons @ Ryerson. For more information, please contact [email protected]. PHOTOGRAPHIC EXHIBITION IN THE ANTI-CUBE GALLERY: A CASE STUDY OF DANIEL LIBESKIND’S ROLOFF BENY GALLERY by Laura Elizabeth Hayward Bachelor of Arts, History in Art, Business, University of Victoria, 2010 A thesis presented to Ryerson University in partial fulfillment of the requirements for the degree of Master of Arts in the Program of Photographic Preservation and Collections Management Toronto, Ontario, Canada, 2012 © Laura Elizabeth Hayward 2012 I hereby declare that I am the sole author of this thesis. This is a true copy of the thesis, including any required final revisions, as accepted by my examiners. I authorize Ryerson University to lend this thesis to other institutions or individuals for the purpose of scholarly research. I further authorize Ryerson University to reproduce this thesis by photocopying means, in total or in part, at the request of other institutions or individuals for the purpose of scholarly research. -
The Politicization of the Scarborough Rapid Transit Line in Post-Suburban Toronto
THE ‘TOONERVILLE TROLLEY’: THE POLITICIZATION OF THE SCARBOROUGH RAPID TRANSIT LINE IN POST-SUBURBAN TORONTO Peter Voltsinis 1 “The world is watching.”1 A spokesperson for the Province of Ontario’s (the Province) Urban Transportation Development Corporation (UTDC) uttered those poignant words on March 21, 1985, one day before the Toronto Transit Commission’s (TTC) inaugural opening of the Scarborough Rapid Transit (SRT) line.2 One day later, Ontario Deputy Premier Robert Welch gave the signal to the TTC dispatchers to send the line’s first trains into the Scarborough Town Centre Station, proclaiming that it was “a great day for Scarborough and a great day for public transit.”3 For him, the SRT was proof that Ontario can challenge the world.4 This research essay outlines the development of the SRT to carve out an accurate place for the infrastructure project in Toronto’s planning history. I focus on the SRT’s development chronology, from the moment of the Spadina Expressway’s cancellation in 1971 to the opening of the line in 1985. Correctly classifying what the SRT represents in Toronto’s planning history requires a clear vision of how the project emerged. To create that image, I first situate my research within Toronto’s dominant historiographical planning narratives. I then synthesize the processes and phenomena, specifically postmodern planning and post-suburbanization, that generated public transit alternatives to expressway development in Toronto in the 1970s. Building on my synthesis, I present how the SRT fits into that context and analyze the changing landscape of Toronto land-use politics in the 1970s and early-1980s. -
James T. Lemon Fonds
University of Toronto Archives and Records Management Services James T. Lemon Fonds Prepared by: Marnee Gamble Nov. 1995 Revised Nov. 2005 Revised Nov 2016 © University of Toronto Archives and Records Management Services 2005 TABLE OF CONTENTS BIOGRAPHICAL NOTE…………………………………………………………………………1 SCOPE AND CONTENT………………………………………………………………………...2 Series 1 Biographical……………………………………………………………………….3 Series 2 Correspondence…………………………………………………………………...3 Series 3 Conferences and speaking engagements…………………………………………...4 Series 4 Publishing Activities………………………………………………………………4 Series 5 Reviews…………………………………………………………………………...5 Series 6 Research Grants…………………………………………………………………..5 Series 7 Teaching Files……………………………………………………………………..5 Series 8 Student Files………………………………………………………………………6 Series 9 References………………………………………………………………………...6 Series 10 Department of Geography………………………………………………………..7 Series 11 University of Toronto…………………………………………………………….7 Series 12 Professional Associations and Community Groups………………………………8 Series 13 New Democratic Party…………………………………………………………...8 Series 14 Christian Youth Groups………………………………………………………….8 Series 15 Family Papers…………………………………………………………………….9 Appendix 1 Series 12: Professional Associations and Community Groups 10 Appendix 2 Series 7 : Teaching student essays B1984-0027, B1986-0015, B1988-0054 12 University of Toronto Archives James T. Lemon Fonds BIOGRAPHICAL NOTE: Raised in West Lorne, Ontario, James (Jim) Thomas Lemon attended the University of Western Ontario where he received his Bachelor of Arts in Geography (1955). He later attended the University of Wisconsin where he received a Master of Science in Geography (1961) as well as his Ph.D. (1964). In 1967, after having worked as an Assistant Professor at the University of California, Prof. Lemon joined the University of Toronto Geography Department, where he remained until his retirement in 1994. His career has been spent in the field of urban historical geography of which he has written numerous articles, papers and chapters in books. -
Famcam News Winter 2017
VOL. 2, ISSUE 2 FAMCAM NEWS WINTER 2017 Keeping in touch with The Family Camera Network Winter Update from PI, Thy Phu Happy Holidays! 2017 has been an incredibly productive year for The Family Camera Network. Through collecting activities we have collected over ten-thousand photographs and almost thirty interviews. We curated an original exhibition, presented at the Royal Ontario Museum and the Art Gallery of Mississauga, and we organized a major conference, which sought to reframe family photography. Additionally, through public talks, tours, and panels, we shared our research endeavors and our collection with the public. This newsletter offers a snapshot of a successful and enriching year and it highlights some things to look forward to in the New Year. Thank you everyone for all of your efforts and warm wishes this holiday season. Recent Events & Activities SSHRC Partnership Active Teams & Committees The Family Camera Development Grant Royal Ontario Museum (May 6 – Oct. 29) and Art Gallery of Mississauga (May 4 – Aug. 27) Steering Team Curated by Deepali Dewan (lead), Jennifer Orpana, Thy Phu, Julie Crooks & Sarah Bassnett, Co-Applicants Thy Phu (PI) with Silvia Forni & Sarah Parsons Thy Phu (PI) Sarah Bassnett The Family Camera explored the relationship between photography and the Sarah Bassnett Elspeth Brown Elspeth Brown Deepali Dewan idea of family, and it looked at family photographs as a cultural practice Deepali Dewan Sarah Parsons through the lens of migration. With nearly every photograph featured in this Sarah Parsons exhibition coming from a Canadian home, The Family Camera shed light on Collecting Team Collaborators Deepali Dewan (Lead) how family photos reflect and shape our sense of self, family, community, Nadine Attewell Nadine Attewell and nation. -
Les Numéros En Bleu Renvoient Aux Cartes
210 Index Les numéros en bleu renvoient aux cartes. I13th Street Winery 173 Banques 195 The Upper Deck 64 Tranzac Club 129 37 Metcalfe Street 153 Barbara Barrett Lane 124 Velvet Underground 118 299 Queen Street West 73 Bars et boîtes de nuit Woody’s 78 314 Wellesley Street East 153 beerbistro 85 Bellwoods Brewery 117 Baseball 198 397 Carlton Street 152 Bier Markt Esplanade 99 Basketball 198 398 Wellesley Street East 153 Birreria Volo 122 Bata Shoe Museum 133 Black Bull Tavern 85 Beaches Easter Parade 199 Black Eagle 78 Beaches International Jazz Bovine Sex Club 117 Festival 200 A Boxcar Social 157 Accessoires 146 Beach, The 158, 159 Brassaii 85 Beauté 115 Activités culturelles 206 Cabana Pool Bar 60 Aéroports Canoe 85 Bellevue Square Park 106 A Billy Bishop Toronto City Castro’s Lounge 161 Berczy Park 96 Airport 189 C’est What? 99 Bickford Park 119 Toronto Pearson Clinton’s Tavern 129 Bière 196 International Airport 188 Crews 78 Aga Khan Museum 168 Bijoux 99, 144 Crocodile Rock 86 Billy Bishop Toronto City INDEX Alexandra Gates 133 dBar 146 Airport 189 Algonquin Island 62 Drake Hotel Lounge 117 Bird Kingdom 176 Alimentation 59, 84, 98, 108, El Convento Rico 122 Black Bull Tavern 74 115, 144, 155, 161 Elephant & Castle 86 Allan Gardens Free Times Cafe 122 Black Creek Pioneer Village 169 Conservatory 150 Hemingway’s 146 Alliance française de Lee’s Palace 129 Bloor Street 139, 141 Toronto 204 Library Bar 86 Blue Jays 198 Annesley Hall 136 Madison Avenue Pub 129 Bluffer’s Park 164 Annex, The 123, 125 Melody Bar 117 Brigantine Room 60 Antiquités 84, 98 Mill Street Brew Pub 99 Brock’s Monument 174 N’Awlins Jazz Bar & Grill 86 Architecture 47 Brookfield Place 70 Orbit Room 122 Argent 195 Brunswick House 124 Pauper’s Pub 129 Argus Corp. -
Stan Douglas Born 1960 in Vancouver
This document was updated February 25, 2021. For reference only and not for purposes of publication. For more information, please contact the gallery. Stan Douglas Born 1960 in Vancouver. Lives and works in Vancouver. EDUCATION 1982 Emily Carr College of Art, Vancouver SOLO EXHIBITIONS 2020 Stan Douglas: Doppelgänger, David Zwirner, New York, concurrently on view at Victoria Miro, London 2019 Luanda-Kinshasa by Stan Douglas, Plug In Institute of Contemporary Art, Winnipeg, Canada Stan Douglas: Hors-champs, Western Front, Vancouver Stan Douglas: SPLICING BLOCK, Julia Stoschek Collection (JSC), Berlin [collection display] [catalogue] 2018 Stan Douglas: DCTs and Scenes from the Blackout, David Zwirner, New York Stan Douglas: Le Détroit, Musée d'Art Moderne Grand-Duc Jean (MUDAM), Luxembourg 2017 Stan Douglas, Victoria Miro, London Stan Douglas: Luanda-Kinshasa, Les Champs Libres, Rennes, France 2016 Stan Douglas: Photographs, David Zwirner, New York Stan Douglas: The Secret Agent, David Zwirner, New York Stan Douglas: The Secret Agent, Salzburger Kunstverein, Salzburg [catalogue] Stan Douglas: Luanda-Kinshasa, Pérez Art Museum Miami (PAMM) Stan Douglas: The Secret Agent, Victoria Miro, London Stan Douglas, Hasselblad Center, Gothenburg, Sweden [organized on occasion of the artist receiving the 2016 Hasselblad Foundation International Award in Photography] [catalogue] 2015 Stan Douglas: Interregnum, Museu Coleção Berardo, Lisbon [catalogue] Stan Douglas: Interregnum, Wiels Centre d’Art Contemporain, Brussels [catalogue] 2014 Stan Douglas: -
Heritage Property Nomination Form 2018
HERITAGE PRESERVATION SERVICES Heritage Property Nomination Form Please complete this form. Attach additional pages as necessary. A. Address/Name of Property Nominated: Area (boundaries): Ward No.: To find the ward number: https://www.toronto.ca/city-government/council/members-of-council/ Map: Please attach an extract from a street map, marking the individual property, properties, street or area being nominated B. Please check one box. Nominated for: Listing on Inventory Designation under OHA C. Name of Nominator: Address of Nominator: 1 1. Reason for Nomination: I am nominating this property/group of properties/area because: The property is part of a group and I believe this group stands out because: 2. Classification (for each property): Building Type: (i.e., house, church, store, warehouse, etc.) Other: (outbuilding, landscape feature, etc.) Current Use: (residential, commercial, etc.) 2 3. Description (for each property): Photograph: Please attach 4x6" colour photographs showing (1) the street elevation and other applicable views for each property and (2) a group shot if the property is part of a group. Historical Name: Date of Construction: Architect/Builder/Contractor: Original Use: Significant Persons/Events: Alterations: 4. Sources: Please indicate whether you have consulted the following sources; please attach research information and full references (list of archives/libraries attached): __ Land Records (Land Registry Office) __ City Directories __ Goad's Fire Insurance Maps __ Building Permits __ Historical Photographs __ -
Photography: the Black Box of History Symposium, March 16-17, 2018
Photography: The Black Box of History Symposium, March 16-17, 2018 Organized by: Dr. Thierry Gervais, Associate Professor, Ryerson University and Head of Research, Ryerson Image Centre, Toronto Dr. Jason Hill, Assistant Professor, University of Delaware, Newark (DE) DESCRIPTION Developed by cyberneticists, the analytical concept of the black box is deployed “whenever a piece of machinery or a set of commands is too complex” (Ashby, 1956, 86). Photography is the black box par excellence, permitting image-makers and viewers alike to focus on inputs and outputs without regard to the machinery in between. Both the camera and the image, in their apparent simplicity, obscure complex technical and cultural operations. Scholars of society and media as varied as Bruno Latour and Vilém Flusser have observed this condition, the latter describing photography as “a super-black- box made up of black boxes” (Flusser, 1983, 71). This obscurity has made photography a difficult object to place at the centre of historical practice. Historians have tended to ignore the presence of the black box and simply place its inputs and outputs at the centre of their descriptions of the world, an approach that has led – if not compelled – them to undertake “the most magical tricks, [to] build descriptions of the world that, ultimately, are based not in presumed knowledge but in ignorance” (Glanville, 2007, 189). How might historians begin to reckon with photography’s black box? First, we must open these boxes, and call their contents to testify. Opening the black boxes that are photographs makes them testify to the image-making activities that produced them: activities that structure the lives of various countries and communities, in artistic circles and in family settings, in professional and amateur environments. -
Survey of Research Resources on Old Town Toronto with Special Attention to Digital and Online Content S
Survey of Research Resources on Old Town Toronto with special attention to digital and online content S. E. Thompson September 2013 Contents 1 Introduction 1 2 Research Parameters 2 3 General Survey of Sources 3 4 Sample Search Results 6 4.1 Digital resources 6 Searchable Databases 6 Digital Exhibitions 7 Online Maps and Public Records 9 Research Guides 10 Websites of Historical Sites 10 4.2 Digitized images 12 4.3 Bibliographical resources 27 5 Directions for Future Research 29 1. Introduction This report comprises a survey of research sources on Toronto’s Old Town area, as requested by Balen Grillo Design. The survey covers online, archival, and bibliographical sources, but particularly the first of these. My aim has been to document highquality work that has already been done rather than to replicate it. Adriana Balen of Balen Grillo has suggested that this research is the exploratory phase of gathering accessible materials for inclusion on a website or webpage devoted to the Old Town. It is not yet decided whether this material will contribute to an expansion of an existing web presence, or to an entirely new website. Adriana also suspects that web resources on the Old Town are currently fragmented. Having conducted extensive web searches on the Old Town’s internet presence, I concur with her assessment. A site which aggregates these resources could be a valuable contribution to internet heritage resources on early Toronto. 2. Research Parameters The following outline reflects my understanding of evolving discussions about the nature of this project with Balen Grillo. Purpose.