Jose Sebastian Named Director of ABT Incubator
Total Page:16
File Type:pdf, Size:1020Kb
Load more
Recommended publications
-
Study Guide for Teachers and Students
Melody Mennite in Cinderella. Photo by Amitava Sarkar STUDY GUIDE FOR TEACHERS AND STUDENTS 1 TABLE OF CONTENTS PRE AND POST-PERFORMANCE ACTIVITIES AND INFORMATION Learning Outcomes & TEKS 3 Attending a ballet performance 5 The story of Cinderella 7 The Artists who Created Cinderella: Choreographer 11 The Artists who Created Cinderella: Composer 12 The Artists who Created Cinderella Designer 13 Behind the Scenes: “The Step Family” 14 TEKS ADDRESSED Cinderella: Around the World 15 Compare & Contrast 18 Houston Ballet: Where in the World? 19 Look Ma, No Words! Storytelling in Dance 20 Storytelling Without Words Activity 21 Why Do They Wear That?: Dancers’ Clothing 22 Ballet Basics: Positions of the Feet 23 Ballet Basics: Arm Positions 24 Houston Ballet: 1955 to Today 25 Appendix A: Mood Cards 26 Appendix B: Create Your Own Story 27 Appendix C: Set Design 29 Appendix D: Costume Design 30 Appendix E: Glossary 31 2 LEARNING OUTCOMES Students who attend the performance and utilize the study guide will be able to: • Students can describe how ballets tell stories without words; • Compare & contrast the differences between various Cinderella stories; • Describe at least one dance from Cinderella in words or pictures; • Demonstrate appropriate audience behavior. TEKS ADDRESSED §117.106. MUSIC, ELEMENTARY (5) Historical and cultural relevance. The student examines music in relation to history and cultures. §114.22. LANGUAGES OTHER THAN ENGLISH LEVELS I AND II (4) Comparisons. The student develops insight into the nature of language and culture by comparing the student’s own language §110.25. ENGLISH LANGUAGE ARTS AND READING, READING (9) The student reads to increase knowledge of own culture, the culture of others, and the common elements of cultures and culture to another. -
Nutcracker – the Story of Clara the AUSTRALIAN BALLET EDUCATION
TEACHER’S RESOURCE KIT SECONDARY SCHOOLS Nutcracker – The Story of Clara THE AUSTRALIAN BALLET EDUCATION Contents 05/ Synopsis 08/ The Creatives 10/ Spotlight on Nutcracker – The Story of Clara with Artistic Director David McAllister 11/ The Music 12/ Invitation to the Dance: Graeme Murphy on the origins of his Nutcracker 15/ Curricular activities TEACHER RESOURCE KIT | NUTCRACKER - STORY OF CLARA | 2 THE AUSTRALIAN BALLET EDUCATION Leanne Stojmenov. Photography Justin Ridler. Nutcracker – The Story of Clara Choreography Graeme Murphy Creative associate Janet Vernon Concept Graeme Murphy and Kristian Fredrikson Music Piotr Ilyich Tchaikovsky Set and costume design Kristian Fredrikson Original lighting design John Drummond Montgomery recreated by Francis Croese Film collage Philippe Charluet TEACHER RESOURCE KIT | NUTCRACKER - STORY OF CLARA | 3 THE AUSTRALIAN BALLET EDUCATION Leanne Stojmenov and Kevin Jackson. Photography Justin Ridler TEACHER RESOURCE KIT | NUTCRACKER - STORY OF CLARA | 4 THE AUSTRALIAN BALLET EDUCATION Nutcracker – The Story of Clara Amelia Soh, Natasha Kusen and artists of the Australian Ballet. Photography Daniel Boud SYNOPSIS ACT I During a sweltering Christmas Eve in Melbourne in the late During a troubled sleep Clara descends into hallucination. 1950s, the ageing Clara, once a famous Russian ballerina, She dreams that she encounters herself as a child and once struggles home through the scorching heat with her meagre again is terrified by shadows in the night. Then, as the clock shopping. All she can afford is a few provisions and a tiny strikes midnight on this final Christmas, she witnesses the death Christmas tree, which she places on a table. The music of of the man she loved and is caught in the destructive chaos of Tchaikovsky’s The Nutcracker from her radio fills her with the Russian Revolution. -
David Mcallister AM Awarded Prestigious Queen Elizabeth II Coronation Award by the Royal Academy of Dance
David McAllister AM awarded prestigious Queen Elizabeth II Coronation Award by the Royal Academy of Dance Credit: David McAllister is surprised at a special lunch gala in Sydney with the presentation of the QEII Award. Photo by Chris Pavlic David McAllister AM was surprised at a special gala lunch held in Sydney by Friends of The Australian Ballet with the presentation of the QEII award The award was presented on behalf of the Academy by President of the RAD Dame Darcey Bussell DBE (virtually) and Audrey Nicholls OAM FRAD You are able to download images here. For further information visit: www.royalacademyofdance.org 28 April 2021: The Royal Academy of Dance (RAD) today announced it has awarded its highest honour the Queen Elizabeth II Coronation Award to David McAllister AM. David, immediate past Artistic Director of The Australian Ballet and a Vice-President of the RAD, was bestowed with this award in recognition of his contribution to The Australian Ballet as a dancer and director, as well as being a vital supporter and advocate for dance. The QEII Coronation Award, the Academy’s most prestigious accolade, was instituted in 1953 to commemorate the coronation of Her Majesty Queen Elizabeth II. The first recipient in 1954 was Dame Ninette de Valois. Since then it has been awarded to many of the greatest names in dance, in recognition of outstanding services to the art form. Former recipients include Dame Marie Rambert DBE, Sir Frederick Ashton, Rudolf Nureyev and Carlos Acosta CBE. It was most recently awarded to Karen Kain in 2019. The award was presented to David at a special lunch gala organised by the Friends of The Australian Ballet in Sydney. -
A Body of Work : Dancing to the Edge and Back Ebook
A BODY OF WORK : DANCING TO THE EDGE AND BACK PDF, EPUB, EBOOK David Hallberg | 432 pages | 07 Mar 2019 | Atria Books | 9781476771168 | English | New York, United States A Body of Work : Dancing to the Edge and Back PDF Book A Body of Work is a compelling read, not just for dancers, aficionados of dance, and fans of David Hallberg, but for anyone who would like to get to an intimate view of the creative process and the challenges, dedication, and euphoria of being an artist, the long-term emotional devastation of being bullied and ostracized, and the necessity of love, support, friendship, and determination to make it through the toughest of times and to rise above them. Sign up for your spot today and start reading! She just said you're traveling a lot now. If you can't come to an event and still want an autographed copy of the book , you may purchase titles in advance either in the store, over the phone or through our website. Parental discretion is advised. February 11, pm. The book brings us through his artistic life up to the moment he returns to the stage after a devastating injury almost cost him his career. Arthur Mitchell instilled this level of emotional honesty in his dancers, and it was key to the company's quick success. Elegies for empty stages, by Whitney White and Psalmayene 24 December 2, Learn more about George Where were you born and raised? To sign up for the Ballet Arizona Book Club, visit balletaz. About this product Product Information David Hallberg, the first American to join the famed Bolshoi Ballet as a principal dancer and the dazzling artist The New Yorker described as "the most exciting male dancer in the western world," presents a look at his artistic life--up to the moment he returns to the stage after a devastating injury that almost cost him his career. -
October 2020 New York City Center
NEW YORK CITY CENTER OCTOBER 2020 NEW YORK CITY CENTER SUPPORT CITY CENTER AND Page 9 DOUBLE YOUR IMPACT! OCTOBER 2020 3 Program Thanks to City Center Board Co-Chair Richard Witten and 9 City Center Turns the Lights Back On for the his wife and Board member Lisa, every contribution you 2020 Fall for Dance Festival by Reanne Rodrigues make to City Center from now until November 1 will be 30 Upcoming Events matched up to $100,000. Be a part of City Center’s historic moment as we turn the lights back on to bring you the first digitalFall for Dance Festival. Please consider making a donation today to help us expand opportunities for artists and get them back on stage where they belong. $200,000 hangs in the balance—give today to double your impact and ensure that City Center can continue to serve our artists and our beloved community for years to come. Page 9 Page 9 Page 30 donate now: text: become a member: Cover: Ballet Hispánico’s Shelby Colona; photo by Rachel Neville Photography NYCityCenter.org/ FallForDance NYCityCenter.org/ JOIN US ONLINE Donate to 443-21 Membership @NYCITYCENTER Ballet Hispánico performs 18+1 Excerpts; photo by Christopher Duggan Photography #FallForDance @NYCITYCENTER 2 ARLENE SHULER PRESIDENT & CEO NEW YORK STANFORD MAKISHI VP, PROGRAMMING CITY CENTER 2020 Wednesday, October 21, 2020 PROGRAM 1 BALLET HISPÁNICO Eduardo Vilaro, Artistic Director & CEO Ashley Bouder, Tiler Peck, and Brittany Pollack Ballet Hispánico 18+1 Excerpts Calvin Royal III New York Premiere Dormeshia Jamar Roberts Choreography by GUSTAVO RAMÍREZ -
The Nutcracker
American Ballet Theatre Kevin McKenzie Rachel S. Moore Artistic Director Chief Executive Officer Alexei Ratmansky Artist in Residence HERMAN CORNEJO · MARCELO GOMES · DAVID HALLBERG PALOMA HERRERA · JULIE KENT · GILLIAN MURPHY · VERONIKA PART XIOMARA REYES · POLINA SEMIONOVA · HEE SEO · CORY STEARNS STELLA ABRERA · KRISTI BOONE · ISABELLA BOYLSTON · MISTY COPELAND ALEXANDRE HAMMOUDI · YURIKO KAJIYA · SARAH LANE · JARED MATTHEWS SIMONE MESSMER · SASCHA RADETSKY · CRAIG SALSTEIN · DANIIL SIMKIN · JAMES WHITESIDE Alexei Agoudine · Eun Young Ahn · Sterling Baca · Alexandra Basmagy · Gemma Bond · Kelley Boyd Julio Bragado-Young · Skylar Brandt · Puanani Brown · Marian Butler · Nicola Curry · Gray Davis Brittany DeGrofft · Grant DeLong · Roddy Doble · Kenneth Easter · Zhong-Jing Fang · Thomas Forster April Giangeruso · Joseph Gorak · Nicole Graniero · Melanie Hamrick · Blaine Hoven · Mikhail Ilyin Gabrielle Johnson · Jamie Kopit · Vitali Krauchenka · Courtney Lavine · Isadora Loyola · Duncan Lyle Daniel Mantei · Elina Miettinen · Patrick Ogle · Luciana Paris · Renata Pavam · Joseph Phillips · Lauren Post Kelley Potter · Luis Ribagorda · Calvin Royal III · Jessica Saund · Adrienne Schulte · Arron Scott Jose Sebastian · Gabe Stone Shayer · Christine Shevchenko · Sarah Smith* · Sean Stewart · Eric Tamm Devon Teuscher · Cassandra Trenary · Leann Underwood · Karen Uphoff · Luciana Voltolini Paulina Waski · Jennifer Whalen · Katherine Williams · Stephanie Williams · Roman Zhurbin Apprentices Claire Davison · Lindsay Karchin · Kaho Ogawa · Sem Sjouke · Bryn Watkins · Zhiyao Zhang Victor Barbee Associate Artistic Director Ormsby Wilkins Music Director Charles Barker David LaMarche Principal Conductor Conductor Ballet Masters Susan Jones · Irina Kolpakova · Clinton Luckett · Nancy Raffa * 2012 Jennifer Alexander Dancer ABT gratefully acknowledges Avery and Andrew Barth for their sponsorship of the corps de ballet in memory of Laima and Rudolph Barth and in recognition of former ABT corps dancer Carmen Barth. -
Qurrat Ann Kadwani: Still Calling Her Q!
1 More Next Blog» Create Blog Sign In InfiniteBody art and creative consciousness by Eva Yaa Asantewaa Tuesday, May 6, 2014 Your Host Qurrat Ann Kadwani: Still calling her Q! Eva Yaa Asantewaa Follow View my complete profile My Pages Home About Eva Yaa Asantewaa Getting to know Eva (interview) Qurrat Ann Kadwani Eva's Tarot site (photo Bolti Studios) Interview on Tarot Talk Contact Eva Name Email * Message * Send Contribute to InfiniteBody Subscribe to IB's feed Click to subscribe to InfiniteBody RSS Get InfiniteBody by Email Talented and personable Qurrat Ann Kadwani (whose solo show, They Call Me Q!, I wrote about Email address... Submit here) is back and, I hope, every bit as "wicked smart and genuinely funny" as I observed back in September. Now she's bringing the show to the Off Broadway St. Luke's Theatre , May 19-June 4, Mondays at 7pm and Wednesdays at 8pm. THEY CALL ME Q is the story of an Indian girl growing up in the Boogie Down Bronx who gracefully seeks balance between the cultural pressures brought forth by her traditional InfiniteBody Archive parents and wanting acceptance into her new culture. Along the journey, Qurrat Ann Kadwani transforms into 13 characters that have shaped her life including her parents, ► 2015 (222) Caucasian teachers, Puerto Rican classmates, and African-American friends. Laden with ▼ 2014 (648) heart and abundant humor, THEY CALL ME Q speaks to the universal search for identity ► December (55) experienced by immigrants of all nationalities. ► November (55) Program, schedule and ticket information ► October (56) ► September (42) St. -
An Evening with Natalia Osipova Valse Triste, Qutb & Ave Maria
Friday 24 April Sadler’s Wells Digital Stage An Evening with Natalia Osipova Valse Triste, Qutb & Ave Maria Natalia Osipova is a major star in the dance world. She started formal ballet training at age 8, joining the Bolshoi Ballet at age 18 and dancing many of the art form’s biggest roles. After leaving the Bolshoi in 2011, she joined American Ballet Theatre as a guest dancer and later the Mikhailovsky Ballet. She joined The Royal Ballet as a principal in 2013 after her guest appearance in Swan Lake. This showcase comprises of three of Natalia’s most captivating appearances on the Sadler’s Wells stage. Featuring Valse Triste, specially created for Natalia and American Ballet Theatre principal David Hallberg by Alexei Ratmansky, and the beautifully emotive Ave Maria by Japanese choreographer Yuka Oishi set to the music of Schubert, both of which premiered in 2018 at Sadler’s Wells’ as part of Pure Dance. The programme will also feature Qutb, a uniquely complex and intimate work by Sadler’s Wells Associate Artist Sidi Larbi Cherkaoui, which premiered in 2016 as part of Natalia’s first commission alongside works by Arthur Pita and fellow Associate Artist Russell Maliphant. VALSE TRISTE, PURE DANCE 2018 Natalia Osipova Russian dancer Natalia Osipova is a Principal of The Royal Ballet. She joined the Company as a Principal in autumn 2013, after appearing as a Guest Artist the previous Season as Odette/Odile (Swan Lake) with Carlos Acosta. Her roles with the Company include Giselle, Kitri (Don Quixote), Sugar Plum Fairy (The Nutcracker), Princess Aurora (The Sleeping Beauty), Lise (La Fille mal gardée), Titania (The Dream), Marguerite (Marguerite and Armand), Juliet, Tatiana (Onegin), Manon, Sylvia, Mary Vetsera (Mayerling), Natalia Petrovna (A Month in the Country), Anastasia, Gamzatti and Nikiya (La Bayadère) and roles in Rhapsody, Serenade, Raymonda Act III, DGV: Danse à grande vitesse and Tchaikovsky Pas de deux. -
September 4, 2014 Kansas City Ballet New Artistic Staff and Company
Devon Carney, Artistic Director FOR IMMEDIATE RELEASE CONTACT: Ellen McDonald 816.444.0052 [email protected] For Tickets: 816.931.2232 or www.kcballet.org Kansas City Ballet Announces New Artistic Staff and Company Members Grace Holmes Appointed New School Director, Kristi Capps Joins KCB as New Ballet Master, and Anthony Krutzkamp is New Manager for KCB II Eleven Additions to Company, Four to KCB II and Creation of New Trainee Program with five members Company Now Stands at 29 Members KANSAS CITY, MO (Sept. 4, 2014) — Kansas City Ballet Artistic Director Devon Carney today announced the appointment of three new members of the artistic staff: Grace Holmes as the new Director of Kansas City Ballet School, Kristi Capps as the new Ballet Master and Anthony Krutzkamp as newly created position of Manager of KCB II. Carney also announced eleven new members of the Company, increasing the Company from 28 to 29 members for the 2014-2015 season. He also announced the appointment of four new KCB II dancers, which stands at six members. Carney also announced the creation of a Trainee Program with five students, two selected from Kansas City Ballet School. High resolution photos can be downloaded here. Carney stated, “With the support of the community, we were able to develop and grow the Company as well as expand the scope of our training programs. We are pleased to welcome these exceptional dancers to Kansas City Ballet and Kansas City. I know our audiences will enjoy the talent and diversity that these artists will add to our existing roster of highly professional world class performers that grace our stage throughout the season ahead. -
Houston Ballet Revives Artistic Director Stanton Welch AM's Epic
FOR IMMEDIATE RELEASE MEDIA CONTACT: Christian Brown Public Relations Director [email protected] [email protected] HOUSTON BALLET REVIVES ARTISTIC DIRECTOR STANTON WELCH AM’S EPIC MADAME BUTTERFLY HOUSTON, TEXAS [September 2016] From September 22 - October 2, Houston Ballet will revive artistic director Stanton Welch AM’s signature work Madame Butterfly in a program with his one-act ballet Son of Chamber Symphony. Set to Puccini’s memorable score, in an arrangement by John Lanchbery, Madame Butterfly chronicles the love story of the beautiful geisha Cio-Cio San who is betrothed to marry the handsome American, Lieutenant Pinkerton. The production unfolds dramatically on Peter Farmer’s picturesque sets, which beautifully evoke the mystery and languor of 19th century Japan. Opening the program is the company premiere of Mr. Welch’s Son of Chamber Symphony, set to music by John Adams. Houston Ballet will give seven performances of Madame Butterfly with Son of Chamber Symphony at Wortham Theater Center in downtown Houston. Tickets may be purchased by calling 713-227-2787 or by visiting www.houstonballet.org. Houston Ballet’s Son of Chamber Symphony and Madame Butterfly program is generously sponsored by: The Wortham Foundation, Inc. INTERNATIONAL ACCLAIM FOR MADAME BUTTERFLY Premiered by The Australian Ballet in 1995, Madame Butterfly was Mr. Welch’s first full-length ballet. The two-act work tells the story of the beautiful geisha Cio-Cio San who renounces her faith and her family to wed Lieutenant Pinkerton, the U.S. Naval officer who is betrothed to another woman back in the States. The centerpiece of the work is a ravishing wedding night pas de deux between Pinkerton and Cio-Cio San, which closes the first act. -
May 19 – June 30, 2021
LOUISVILLE BALLET MAY 19 – JUNE 30, 2021 CHORSHOW Louisville Ballet Studio Company Dancer Louisville Ballet Studio Elizabeth Abbick Company Artist from “The Movement” / Sarah Bradley from “Circadian” / ChorShow 2021 ChorShow 2021 #CHORSHOW 2021 Featuring new works by Danielle Rowe, Justin Michael Hogan, Sanjay Saverimuttu, Natalie Orms, and Brandon Ragland. Cinematography & Post Production by KERTIS: Producers: Aaron Mikel & Sawyer Roque Videographers: Aaron Mikel & Alan Miller Editors: Kaylee Everly, Tobias Van Kleeck, & Wesley Bacon Lighting: Jesse Alford Costume Design: Alexandra Ludwig Stage Manager: Kim Aycock Technical Director: Brian Sherman Louisville Ballet would like to thank our generous donors for making this production possible. Louisville Ballet would also like to thank The Fund for the Arts for its generous investment in our Organization and support for our fellow arts organizations across the state. We also deeply appreciate the Kentucky Arts Council, the state arts agency, which provides operating support to Louisville Ballet with state tax dollars and federal funding from the National Endowment for the Arts, as well as significant advocacy on behalf of Louisville Ballet and our fellow arts organizations across The Commonwealth. 2 NOTES FROM THE ROBERT ARTISTIC DIRECTOR CURRAN Welcome to the final, original film of our fully digital Season of Illumination, Choreographers’ Showcase, fondly known as #ChorShow, a program created by and for our Louisville Ballet dancers. This always popular, often sold out, in-studio production might feel a little different this year, but the process and the intimacy remain. As always the final production features new works by dancers from the Company, as well as a piece by San Francisco-based guest choreographer, Danielle Rowe, this time created remotely, from a screen to our studio. -
Choreographers for 2019 Abt Incubator Selected
CHOREOGRAPHERS FOR 2019 ABT INCUBATOR SELECTED CLAIRE DAVISON, ZHONG-JING FANG, SUNG WOO HAN, GABRIELLE LAMB AND LAURA O’MALLEY TO CREATE NEW WORK FOR CHOREOGRAPHIC PROGRAM Choreographers Gabrielle Lamb and Laura O’Malley, along with American Ballet Theatre dancers Claire Davison, Zhong-Jing Fang and Sung Woo Han, have been selected to create work for the 2019 ABT Incubator, a two-week choreographic workshop providing a focused lab to inspire new choreographic voices and generate ideas for the creation of new work. Directed by ABT Principal Dancer David Hallberg, ABT Incubator will be held October 29–November 9, 2019 at ABT’s New York studios. ABT Incubator choreographers were chosen through an audition process with selections made by a panel including Hallberg, ABT Artistic Director Kevin McKenzie, Danspace Executive Director Judy Hussie-Taylor and choreographer Jessica Lang. Selected choreographers are provided studio space and a stipend to create new work on ABT dancers. Lang will serve as a program mentor, offering composition exercises and professional management advice for ABT Incubator participants. In addition, ABT Incubator provides participating dancers and choreographers access to museum and gallery tours, as well as theater experiences. The workshop culminates with a private studio showing on November 9. “This year’s iteration of ABT Incubator is in alignment with my long-term vision for the program: to nurture voices over the course of time, each year facilitating another vital step in the process,” said Hallberg. “With exciting newcomers joining the program, as well as Gabrielle Lamb and Sung Woo Han returning to create and further develop their work for a second consecutive year, ABT Incubator has become invaluable to building a roster of new creative talent.” Claire Davison, from Boulder, Colorado, received her early training at the Boulder Ballet School.