Hollywood, Interrupted
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Cycle of Misconduct:How Chicago Has Repeatedly Failed to Police Its Police
DePaul Journal for Social Justice Volume 10 Issue 1 Winter 2017 Article 2 February 2017 Cycle of Misconduct:How Chicago Has Repeatedly Failed To Police Its Police Elizabeth J. Andonova Follow this and additional works at: https://via.library.depaul.edu/jsj Part of the Civil Rights and Discrimination Commons, Law and Society Commons, Legislation Commons, Public Law and Legal Theory Commons, and the Social Welfare Law Commons Recommended Citation Elizabeth J. Andonova, Cycle of Misconduct:How Chicago Has Repeatedly Failed To Police Its Police, 10 DePaul J. for Soc. Just. (2017) Available at: https://via.library.depaul.edu/jsj/vol10/iss1/2 This Article is brought to you for free and open access by the College of Law at Via Sapientiae. It has been accepted for inclusion in DePaul Journal for Social Justice by an authorized editor of Via Sapientiae. For more information, please contact [email protected]. Andonova: Cycle of Misconduct:How Chicago Has Repeatedly Failed To Police I Author: Elizabeth J. Andonova Source: The National Lawyers Guild Source Citation: 73 LAW. GUILD REV. 2 (2016) Title: Cycle of Misconduct: How Chicago Has Repeatedly Failed to Police the Police Republication Notice This article is being republished with the express consent of The National Lawyers Guild. This article was originally published in the National Lawyers Guild Summer 2016 Review, Volume 73, Number 2. That document can be found at: https://www.nlg.org/nlg-review/wp- content/uploads/sites/2/2016/11/NLGRev-73-2-final-digital.pdf. The DePaul Journal for Social Justice would like to thank the NLG for granting us the permission to republish this article. -
National Journalism Awards
George Pennacchio Carol Burnett Michael Connelly The Luminary The Legend Award The Distinguished Award Storyteller Award 2018 ELEVENTH ANNUAL Jonathan Gold The Impact Award NATIONAL ARTS & ENTERTAINMENT JOURNALISM AWARDS LOS ANGELES PRESS CLUB CBS IN HONOR OF OUR DEAR FRIEND, THE EXTRAORDINARY CAROL BURNETT. YOUR GROUNDBREAKING CAREER, AND YOUR INIMITABLE HUMOR, TALENT AND VERSATILITY, HAVE ENTERTAINED GENERATIONS. YOU ARE AN AMERICAN ICON. ©2018 CBS Corporation Burnett2.indd 1 11/27/18 2:08 PM 11TH ANNUAL National Arts & Entertainment Journalism Awards Los Angeles Press Club Awards for Editorial Excellence in A non-profit organization with 501(c)(3) status Tax ID 01-0761875 2017 and 2018, Honorary Awards for 2018 6464 Sunset Boulevard, Suite 870 Los Angeles, California 90028 Phone: (323) 669-8081 Fax: (310) 464-3577 E-mail: [email protected] Carper Du;mage Website: www.lapressclub.org Marie Astrid Gonzalez Beowulf Sheehan Photography Beowulf PRESS CLUB OFFICERS PRESIDENT: Chris Palmeri, Bureau Chief, Bloomberg News VICE PRESIDENT: Cher Calvin, Anchor/ Reporter, KTLA, Los Angeles TREASURER: Doug Kriegel, The Impact Award The Luminary The TV Reporter For Journalism that Award Distinguished SECRETARY: Adam J. Rose, Senior Editorial Makes a Difference For Career Storyteller Producer, CBS Interactive JONATHAN Achievement Award EXECUTIVE DIRECTOR: Diana Ljungaeus GOLD International Journalist GEORGE For Excellence in Introduced by PENNACCHIO Storytelling Outside of BOARD MEMBERS Peter Meehan Introduced by Journalism Joe Bell Bruno, Freelance Journalist Jeff Ross MICHAEL Gerri Shaftel Constant, CBS CONNELLY CBS Deepa Fernandes, Public Radio International Introduced by Mariel Garza, Los Angeles Times Titus Welliver Peggy Holter, Independent TV Producer Antonio Martin, EFE The Legend Award Claudia Oberst, International Journalist Lisa Richwine, Reuters For Lifetime Achievement and IN HONOR OF OUR DEAR FRIEND, THE EXTRAORDINARY Ina von Ber, US Press Agency Contributions to Society CAROL BURNETT. -
GORE VIDAL the United States of Amnesia
Amnesia Productions Presents GORE VIDAL The United States of Amnesia Film info: http://www.tribecafilm.com/filmguide/513a8382c07f5d4713000294-gore-vidal-the-united-sta U.S., 2013 89 minutes / Color / HD World Premiere - 2013 Tribeca Film Festival, Spotlight Section Screening: Thursday 4/18/2013 8:30pm - 1st Screening, AMC Loews Village 7 - 3 Friday 4/19/2013 12:15pm – P&I Screening, Chelsea Clearview Cinemas 6 Saturday 4/20/2013 2:30pm - 2nd Screening, AMC Loews Village 7 - 3 Friday 4/26/2013 5:30pm - 3rd Screening, Chelsea Clearview Cinemas 4 Publicity Contact Sales Contact Matt Johnstone Publicity Preferred Content Matt Johnstone Kevin Iwashina 323 938-7880 c. office +1 323 7829193 [email protected] mobile +1 310 993 7465 [email protected] LOG LINE Anchored by intimate, one-on-one interviews with the man himself, GORE VIDAL: THE UNITED STATS OF AMNESIA is a fascinating and wholly entertaining tribute to the iconic Gore Vidal. Commentary by those who knew him best—including filmmaker/nephew Burr Steers and the late Christopher Hitchens—blends with footage from Vidal’s legendary on-air career to remind us why he will forever stand as one of the most brilliant and fearless critics of our time. SYNOPSIS No twentieth-century figure has had a more profound effect on the worlds of literature, film, politics, historical debate, and the culture wars than Gore Vidal. Anchored by intimate one-on-one interviews with the man himself, Nicholas Wrathall’s new documentary is a fascinating and wholly entertaining portrait of the last lion of the age of American liberalism. -
Texts and Other Fictions in Gore Vidal╎s Burr
Studies in English, New Series Volume 11 Volumes 11-12 Article 29 1993 Texts and Other Fictions in Gore Vidal’s Burr Thomas Gladsky Central Missouri State University Follow this and additional works at: https://egrove.olemiss.edu/studies_eng_new Part of the American Literature Commons Recommended Citation Gladsky, Thomas (1993) "Texts and Other Fictions in Gore Vidal’s Burr," Studies in English, New Series: Vol. 11 , Article 29. Available at: https://egrove.olemiss.edu/studies_eng_new/vol11/iss1/29 This Article is brought to you for free and open access by the Studies in English at eGrove. It has been accepted for inclusion in Studies in English, New Series by an authorized editor of eGrove. For more information, please contact [email protected]. Gladsky: Texts and Other Fictions in Gore Vidal’s Burr TEXTS AND OTHER FICTIONS IN GORE VIDAL’S BURR Thomas Gladsky Central Missouri State University Over the years, Gore Vidal has campaigned furiously against theorists and writers of the new novel who, according to Vidal, “have attempted to change not only the form of the novel but the relationship between book and reader” (“French Letters” 67). In his essays, he has condemned the “misdirected” efforts of writers such as Donald Barthelme, John Gardner, Thomas Pynchon, John Barth, William Gass, and all those who come equipped with “formulas, theorems, signs, and diagrams because words have once again failed them” (“American Plastic” 102). In comparison, Vidal presents himself as a literary conservative, a defender of traditional form in fiction even though his own novels betray his willingness to penetrate beyond words and to experiment with form, especially in his series of historical novels. -
Visit to a Small Planet and the ―Fish out of Water‖ Comedy
Audience Guide Written and compiled by Jack Marshall July 8–August 6, 2011 Theatre Two, Gunston Arts Center Theater you can afford to see— plays you can’t afford to miss! About The American Century Theater The American Century Theater was founded in 1994. We are a professional company dedicated to presenting great, important, but overlooked American plays of the twentieth century . what Henry Luce called ―the American Century.‖ The company’s mission is one of rediscovery, enlightenment, and perspective, not nostalgia or preservation. Americans must not lose the extraordinary vision and wisdom of past playwrights, nor can we afford to surrender our moorings to our shared cultural heritage. Our mission is also driven by a conviction that communities need theater, and theater needs audiences. To those ends, this company is committed to producing plays that challenge and move all Americans, of all ages, origins and points of view. In particular, we strive to create theatrical experiences that entire families can watch, enjoy, and discuss long afterward. These audience guides are part of our effort to enhance the appreciation of these works, so rich in history, content, and grist for debate. The American Century Theater is a 501(c)(3) professional nonprofit theater company dedicated to producing significant 20th Century American plays and musicals at risk of being forgotten. The American Century Theater is supported in part by Arlington County through the Cultural Affairs Division of the Department of Parks, Recreation, and Cultural Resources and the Arlington Commission for the Arts. This arts event is made possible in part by the Virginia Commission on the Arts and the National Endowment for the Arts, as well as by many generous donors. -
2014/2015 Omium Gatherum & Newsletter
2014-2015 Issue 19 omnium gatherum & newsletter ~ i~ COMMUNITY OF WRITERS AT SQUAW VALLEY GOT NEWS? Do you have news you would OMNIUM GATHERUM & NEWSLETTER like us to include in the next newsletter? The 2014-15, Issue 19 Omnium is published once a year. We print publishing credits, awards and similar new Community of Writers at Squaw Valley writing-related achievements, and also include A Non-Profit Corporation #629182 births. News should be from the past year only. P.O. Box 1416, Nevada City, CA 95959 Visit www.squawvalleywriters.org for more E-mail: [email protected] information and deadlines. www.squawvalleywriters.org Please note: We are not able to fact-check the submitted news. We apologize if any incorrect BOARD OF DIRECTORS information is published. President James Naify Vice President Joanne Meschery NOTABLE ALUMNI: Visit our Notable Alumni Secretary Jan Buscho pages and learn how to nominate yourself or Financial OfficerBurnett Miller a friend: Eddy Ancinas http://squawvalleywriters.org/ René Ancinas NotableAlumniScreen.html Ruth Blank http://squawvalleywriters.org/ Jan Buscho NotableAlumniWriters.html Max Byrd http://squawvalleywriters.org/ Alan Cheuse NotableAlumniPoets.html Nancy Cushing Diana Fuller ABOUT OUR ADVERTISERS The ads which Michelle Latiolais appear in this issue represent the work of Edwina Leggett Community of Writers staff and participants. Lester Graves Lennon These ads help to defray the cost of the Carlin Naify newsletter. If you have a recent or forthcom- Jason Roberts ing book, please contact us about advertising Christopher Sindt in our next annual issue. Contact us for a rate sheet and more information: (530) 470-8440 Amy Tan or [email protected] or visit: John C. -
Freedom of Religion and the Church of Scientology in Germany and the United States
SHOULD GERMANY STOP WORRYING AND LOVE THE OCTOPUS? FREEDOM OF RELIGION AND THE CHURCH OF SCIENTOLOGY IN GERMANY AND THE UNITED STATES Religion hides many mischiefs from suspicion.' I. INTRODUCTION Recently the City of Los Angeles dedicated one of its streets to the founder of the Church of Scientology, renaming it "L. Ron Hubbard Way." 2 Several months prior to the ceremony, the Superior Administrative Court of Miinster, Germany held that Federal Minister of Labor Norbert Bluim was legally permitted to continue to refer to Scientology as a "giant octopus" and a "contemptuous cartel of oppression." 3 These incidents indicate the disparity between the way that the Church of Scientology is treated in the United States and the treatment it receives in Germany.4 Notably, while Scientology has been recognized as a religion in the United States, 5 in Germany it has struggled for acceptance and, by its own account, equality under the law. 6 The issue of Germany's treatment of the Church of Scientology has reached the upper echelons of the United States 1. MARLOWE, THE JEW OF MALTA, Act 1, scene 2. 2. Formerly known as Berendo Street, the street links Sunset Boulevard with Fountain Avenue in the Hollywood area. At the ceremony, the city council president praised the "humanitarian works" Hubbard has instituted that are "helping to eradicate illiteracy, drug abuse and criminality" in the city. Los Angeles Street Named for Scientologist Founder, DEUTSCHE PRESSE-AGENTUR, Apr. 6, 1997, available in LEXIS, News Library, DPA File. 3. The quoted language is translated from the German "Riesenkrake" and "menschenverachtendes Kartell der Unterdruickung." Entscheidungen des Oberver- waltungsgerichts [OVG] [Administrative Court of Appeals] Minster, 5 B 993/95 (1996), (visited Oct. -
Fianlists NAEJ 2018
11th NATIONAL ARTS & ENTERTAINMENT JOURNALISM AWARDS FINALISTS A. JOURNALIST OF THE YEAR A1a. JOURNALIST OF THE YEAR—Print * Lorraine Ali, Los Angeles Times * Simi Horwitz, Film Journal International and American Theatre * Randy Lewis, Los Angeles Times * Lacey Rose, The Hollywood Reporter * Ramin Setoodeh, Variety A1b. JOURNALIST OF THE YEAR— Broadcast/Online * Madeleine Brand, KCRW * Matt Donnelly, TheWrap * Kacey Montoya, KTLA 5 News * Morris O'Kelly (Mo'Kelly), KFI AM640/iHeartRadio * Tim Teeman, The Daily Beast A2. PHOTO JOURNALIST OF THE YEAR * Phi Ige, KTLA 5 News * Osceola Refetoff, KCET Link Artbound B. CRITIC — any media platform (print, broadcast or online) B1a. Film * Justin Chang, Los Angeles Times * Owen Gleiberman, Variety * Angie Han, Mashable * Simi Horowitz, Film Journal International * Peter Rainer, Christian Science Monitor B1b. TV * Lorraine Ali, Los Angeles Times, “How TV images of migrant children overrode media pundits and changed the immigration debate” * Daniel D'Addario, Variety * Kevin Fallon, The Daily Beast * Daniel Fienberg, The Hollywood Reporter * Caroline Framke, Variety B2. Performing Arts (theater, music, dance) *Robert Hofler, TheWrap *Randy Lewis, Los Angeles Times, “Taylor Swift's talent remains intact on 'Reputation,' her most focused, most cohesive album yet” *David Rooney, The Hollywood Reporter *Stereo Williams, The Daily Beast *Chris Willman, Variety, “Concert Review: Paul Simon Aces His Finals in Farewell Tour’s Hollywood Bowl Stop” B3. Books/Art/Design *Alexis Camins, Truthdig *Christopher Knight, Los Angeles Times, “Bellini masterpieces at the Getty make for one of the year's best museum shows” *MG Lord, New York Times Book Review, “The Paradoxes and Glory of Apollo 8” *Carolina Miranda, Los Angeles Times, “Alejandro Inarritu's terrifying crossing” *Shana Nys Dambrot, Flaunt, “Amir H. -
Movie Time Descriptive Video Service
DO NOT DISCARD THIS CATALOG. All titles may not be available at this time. Check the Illinois catalog under the subject “Descriptive Videos or DVD” for an updated list. This catalog is available in large print, e-mail and braille. If you need a different format, please let us know. Illinois State Library Talking Book & Braille Service 300 S. Second Street Springfield, IL 62701 217-782-9260 or 800-665-5576, ext. 1 (in Illinois) Illinois Talking Book Outreach Center 125 Tower Drive Burr Ridge, IL 60527 800-426-0709 A service of the Illinois State Library Talking Book & Braille Service and Illinois Talking Book Centers Jesse White • Secretary of State and State Librarian DESCRIPTIVE VIDEO SERVICE Borrow blockbuster movies from the Illinois Talking Book Centers! These movies are especially for the enjoyment of people who are blind or visually impaired. The movies carefully describe the visual elements of a movie — action, characters, locations, costumes and sets — without interfering with the movie’s dialogue or sound effects, so you can follow all the action! To enjoy these movies and hear the descriptions, all you need is a regular VCR or DVD player and a television! Listings beginning with the letters DV play on a VHS videocassette recorder (VCR). Listings beginning with the letters DVD play on a DVD Player. Mail in the order form in the back of this catalog or call your local Talking Book Center to request movies today. Guidelines 1. To borrow a video you must be a registered Talking Book patron. 2. You may borrow one or two videos at a time and put others on your request list. -
Fall 2013 Movie Tie-Ins
Fall 2013 TABLE OF CONTENTS BENA BELL Open........................................................................................................................................................................2 Impact ......................................................................................................................................................................4 The Bank On Yourself Revolution ..........................................................................................................................5 Brain Changer .........................................................................................................................................................6 If You’re in the Driver’s Seat, Why Are You Lost? ................................................................................................8 What Addicts Know ...............................................................................................................................................9 Jazzy Vegetarian Classics ...................................................................................................................................10 Happy Herbivore Light & Fit ................................................................................................................................12 Better Than Vegan ................................................................................................................................................14 The Citizenship Gap .............................................................................................................................................16 -
Lawyer Fall 2016
161882_Cover_TL-25coverfeature.qxp 9/15/16 8:12 PM Page CvrA TULANE UNIVERSITY LAW SCHOOL TULANE VOL.32–NO. 1 LAWYER FALL 2016 CHARMS CHALLENGES& ALUMNI IRRESISTIBLY PULLED BACK TO NEW ORLEANS ALSO INSIDE BLOGGING PROFESSORS LAW REVIEW CENTENNIAL DIVERSITY ENDOWMENT 161882_Cover_TL-25coverfeature.qxp 9/15/16 8:12 PM Page CvrB THE DOCKET 1 FRONT-PAGE FOOTNOTES 13 2 DEAN MEYER’S MEMO 3 BRIEFS 5 REAL-WORLD APPS Hands-on Learning 7 WORK PRODUCT Faculty Scholarship FOUR FIVE NEW PROFESSORSHIPS AWARDED. FACULTY TEST IDEAS THROUGH BLOGGING. SCHOLARLY WORK SPANS THE GLOBE. 13 CASE IN POINT CHARMS & CHALLENGES Alumni irresistibly pulled back to New Orleans 22 LAWFUL ASSEMBLY Events & Celebrations 27 RAISING THE BAR Donor Support NEW GRADS PROMOTE DIVERSITY. NEW SCHOLARSHIPS IN LITIGATION, BUSINESS, CIVIL LAW. GIFT ENHANCES CHINA INITIATIVES. 39 CLASS ACTIONS Alumni News & Reunions TULANE REMEMBERS JOHN GIFFEN WEINMANN. RIGHT: The 2016-17 LLMs and international students show their Tulane Law pride. Update your contact information at tulane.edu/alumni/update. Find us online: law.tulane.edu facebook.com/TulaneLawSchool Twitter: @TulaneLaw bit.ly/TulaneLawLinkedIn www.youtube.com/c/TulaneLaw FALL 2016 TULANE LAWYER VOL.32–NO.1 161882_01-2_TL-25coverfeature.qxp 9/15/16 7:19 PM Page 1 FRONT-PAGE FOOTNOTES CLASS PORTRAIT TULANE LAW SCHOOL CLASS OF 2019 198 students 100+ colleges/universities represented 34 U.S. jurisdictions represented THE CLASS OF 2019 INCLUDES: A speechwriter for a South American country’s mission at the United Nations age range 20–52 -
2020-21 Course Descriptions
2020-21 Course Descriptions Students should consult their success adviser and faculty adviser each quarter prior to registering for courses to be sure they are meeting graduation requirements for their course of study and taking appropriate electives. ACCESSORY DESIGN UNDERGRADUATE ACCE 101 Accessory Design Immersion Students discover the world of fashion accessory design with an in-depth exploration of the evolution of accessory trends, brands and research methodologies. Students learn to sketch accessory concepts, make patterns and select finishing techniques to bring accessory ideas to fruition. Through operating sewing machines, cutting tables and skiving machines students learn how to craft accessories with skill and precision. Prerequisite(s): DRAW 100, DSGN 102, any major or minor except accessory design. ACCE 110 Sewing Technology for Accessory Design This course introduces students to the industry practices involved in producing accessories. Students also are introduced to decorative ornamentation techniques while applying these techniques to accessory design. Basic patternmaking skills are taught and provide the foundation for future courses in accessory design. Prerequisite(s): None. ACCE 120 Materials and Processes for Accessory Design This course introduces students to core materials used in the implementation of accessory design products. By exploring the qualities and properties of traditional materials, students learn the basics of traditional and nontraditional materials. Students explore a variety of techniques related to accessory design with leather, from tanning to production. This course also explores alternative materials used in accessory products such as rubber, synthetics, woods and metals, as well as cements. This course requires experimentation culminating in a final project which explores individualized processes and material manipulation.