2017 Colloquium Book–

The Church Music Association of America

2 n sacred music colloquium 2017 sacred music colloquium 2017 n 3 Sacred Music Colloquium XXVII June 19–24, 2017

Contents & liturgical music schedule Introductory material Schedule and repertory by choir...... 7 Choosing a chant course...... 9 Polyphonic choirs...... 11 Breakout sessions...... 12 Grace before meals...... 17 Morning and night prayer...... 19

Tuesday, June 20, 3:45 p.m., University Chapel Mass, ordinary form, 11th week of ordinary time...... 35

The Reverend Robert Pasley, celebrant Paul Weber, organist Organ prelude: Præludium, Op. 142, Josef Rheinberger Mass ordinary: Missa Brevis, Theodore Marier Introit: O Lord, hear my voice, Father Samuel Weber (men’s schola, Cole) Kyrie: Missa Brevis (Turkington choir) Responsorial psalm: Praise the Lord, praise the Lord, my soul, Richard Rice (women’s schola, Hughes) Alleluia: I give you a new commandment, Rice (chant refresher, Brouwers) Offertory: I will bless the Lord, who gives me counsel, Weber (men’s schola, Cole) Offertory motet: From the rising of the sun, Frederick Ouseley (Cole choir) Sanctus: Missa Brevis (Turkington choir) Memorial acclamation: Save us, Savior of the world The Lord’s Prayer (tutti) Agnus Dei: Missa Brevis (Turkington choir) Communion: There is one thing I ask of the Lord, Weber (women’s schola, Hughes) Communion motet: O Lord, increase my faith, Orlando Gibbons (motet choir, Malinka) Organ postlude: Fuga. Con moto, Op. 142, Rheinberger

2 n sacred music colloquium 2017 sacred music colloquium 2017 n 3 Wednesday, June 21, 3:45 p.m., St. Mark Mass, ordinary form, Votive Mass of St. Paul...... 69

Father Eric Andersen, celebrant (tentative) David Hughes, organist Organ prelude: Scherzo and Adagio, Suite Modale, Op. 43, Flor Peeters Mass ordinary: Stelliferi conditor orbis, Mass XIII Introit: Scio cui credidi (chant refresher, Brouwers) Kyrie: Mass XIII (tutti) Gloria: Mass XIII (tutti) Gradual: Qui operatus est (men’s schola, Cole) Alleluia: Sancte Paule (women’s schola, Hughes) Offertory: Mihi autem (improvisation choir, Mahrt) Offertory motet: Beati quorum via, Charles Villiers Stanford (motet choir, Malinka) Sanctus: Mass XIII (tutti) Memorial acclamation: Mysterium fidei (tutti) Agnus Dei: Mass XIII (tutti) Communion: Amen dico vobis (men’s schola, Cole) Communion motet: Accepit Jesus panes, Cristóbal de Morales (motet choir, Malinka) Organ postlude: Koraal and Toccata, Suite Modale, Op. 43, Peeters

Thursday, June 22, 2 p.m., St. Mark Requiem Mass, extraordinary form...... 99

Bishop Andrew Cozzens, celebrant Mass ordinary: Requiem, Jacob Clemens non Papa Introit: Requiem aeternam, Clemens non Papa (Brouwers choir) Kyrie: Clemens non Papa (Brouwers choir) Gradual: Requiem (improvisation choir, Mahrt) Tract: Absolve, Domine (chant conducting, Turkington) Sequence: Dies iræ (tutti) Offertory: Domine, Iesu Christe (men’s schola, Cole) Sanctus and benedictus: Clemens non Papa (Brouwers choir) Agnus Dei: Clemens non Papa (Brouwers choir) Communion: Lux æterna, Clemens non Papa (Brouwers choir) Communion motet: Ne reminiscaris Domine, Orlando di Lasso (motet choir, Malinka) Responsory: Libera me (women’s schola, Hughes)

4 n sacred music colloquium 2017 sacred music colloquium 2017 n 5 Thursday, June 22, 7 p.m., University Chapel First Vespers of the Sacred heart, extraordinary form...... 131

Paul Weber, organist Organ prelude: Præludium et Fuga in A, BWV 543, J. S. Bach First Vespers of the Sacred Heart (office choir, Ryan and Morse) Magnificat, Dieterich Buxtehude (office choir, Ryan and Morse), with soloists Mary Ann Carr-Wilson, soprano; Alyssa Anderson, mezzo-soprano; Matthew Moore, tenor; and Andrew Kane, bass- baritone Organ postlude: Passacaglia in D, BuxWV 161, Buxtehude

Friday, June 23, 1:45 p.m., University Chapel Exposition and benediction ...... 161

Jonathan Ryan, organist Organ prelude: Institution de l'Eucharistie, Livre du Saint-Sacrement, Olivier Messiaen Lauda Sion, Felix Mendelssohn (Turkington choir), with soloists MeeAe Nam, soprano; Alyssa Anderson, mezzo-soprano; Matthew Moore, tenor; and Andrew Kane, bass-baritone; and the Sobieski String Quartet with members of the St. Cecilia Academy for Strings, Michal So- bieski, director Organ postlude: Final: Allegro assai vivace, Sonata in F Minor, Op. 65, No. 21, Mendelssohn

Friday, June 23, 5:15 p.m., St. Agnes Mass, ordinary form, Solemnity of the Most Sacred Heart of Jesus ...... 221

Mass ordinary to be sung by the the Twin Cities Catholic Chorale All propers to be sung by master schola of male faculty members, directed by Charles Cole Introit: Cogitationes cordis eius Gradual: Dulcis et rectus Alleluia: Tollite iugum Offertory: Improperium Communion: Unus militum

4 n sacred music colloquium 2017 sacred music colloquium 2017 n 5 Saturday, June 25, noon, St. Mark Mass, extraordinary form, the Nativity of St. John the Baptist...... 231

Jonathan Ryan, organist Organ prelude: Rhapsody in D-flat Major, Op. 17, No. 1, Herbert Howells Mass ordinary: Mass in the Dorian Mode, Howells (not in book because of copyright restrictions) Introit: De ventre matris (chant conducting, Turkington) Kyrie: Howells (Cole choir) Gloria: Howells (Cole choir) Gradual: Priusquam (office choir, Ryan and Morse) Alleluia: Tu, puer (chant fundamentals, Carr-Wilson) Credo: Howells (Brouwers polyphony) Offertory: Justus ut palma (women’s schola, Hughes) Offertory motets: Ave Maria, attributed to Tomás Luis de Victoria (beginning polyphony, Morse) Inter natos mulierum, di Lasso (motet choir, Malinka) Communion: Tu, puer (chant refresher, Brouwers) Communion motet: O sacrum convivium, Messiaen (motet choir, Malinka) (not in book because of copyright restrictions) Organ postlude: Transports de joie, L’Ascension (Outbursts of joy), Messiaen

Appendix Veni Creator Spiritus...... 248 Mass readings...... 250 Ave verum corpus...... 260 Repertory credits...... 262

6 n sacred music colloquium 2017 sacred music colloquium 2017 n 7 Schedule and repertory by choir

Sung by everyone Chant improvisation—Mahrt Wednesday, June 21, 3:45 p.m. Mass Wednesday, June 21, 3:45 p.m. Mass Offertory: Mihi autem Mass ordinary, Stelliferi conditor orbis, Mass XIII: Thursday, June 22, 2 p.m. Mass Kyrie, Gloria, Sanctus, Memorial acclamation, Gradual: Requiem Agnus Dei

Thursday, June 22, 2 p.m. Mass Chant conducting—Turkington Sequence: Dies Irae Thursday, June 22, 2 p.m. Mass: Tract: Absolve, Domine

Chant choirs Saturday, June 24, noon Mass Introit: De ventre matris Office choir—Ryan and Morse Thursday, June 22, 7 p.m. Vespers First Vespers of the Sacred Heart Schola men—Cole Magnificat Tuesday, June 20, 3:45 p.m. Mass Introit: O Lord, hear my voice Saturday, June 24, noon Mass Offertory: I will bless the Lord, who gives me Gradual: Priusquam counsel

Wednesday, June 21, 3:45 p.m. Mass Fundamentals for men and women—Carr- Gradual: Qui operatus est Wilson Communion: Amen dico vobis Saturday, June 24, noon Mass Alleluia: Tu puer Thursday, June 22, 2 p.m. Mass Offertory: Domine, Iesu Christe

Refresher for men and women—Brouwers Tuesday, June 20, 3:45 p.m. Mass Schola women—Hughes Alleluia: I give you a new commandment Tuesday, June 20, 3:45 p.m. Mass Responsorial psalm: Praise the Lord, praise the Wednesday, June 21, 3:45 p.m. Mass Lord, my soul Introit: Scio cui credidi Communion: There is one thing I ask of the Lord

Saturday, June 24, noon Mass Wednesday, June 21, 3:45 p.m. Mass Communion: Tu, puer Alleluia: Sancte Paule Responsory: Libera me

6 n sacred music colloquium 2017 sacred music colloquium 2017 n 7 Saturday, June 24, noon Mass Thursday, June 22, 2 p.m. Mass Offertory: Justus ut palma Communion motet: Ne reminiscaris Domine

Saturday, June 24, noon Mass Polyphony choirs Offertory: Inter natos mulierum Communion motet: O sacrum convivium Howells—Cole Tuesday, June 20, 3:45 p.m. Mass Beginning polyphony—Morse Offertory motet: From the rising of the sun Saturday, June 24, noon Mass Offertory: Ave Maria Saturday, June 24, noon Mass Mass in the Dorian Mode: Kyrie, Gloria, Sanctus/ Benedictus, Agnus Dei

Clemens non papa—Browers Thursday, June 22, 2 p.m. Mass Requiem Introit: Requiem aeternam Kyrie, Sanctus/Benedictus, Agnus Dei Communion: Lux aeterna

Saturday, June 24, noon Mass Mass in the Dorian Mode: Credo

Mendelssohn—Turkington Tuesday, June 20, 3:45 p.m. Mass Missa Brevis: Kyrie, Sanctus, Agnus Dei

Friday, June 23, 1:45 p.m., exposition and benediction Lauda Sion

Motets—Malinka Tuesday, June 20, 3:45 p.m. Mass Communion motet: O Lord, increase my faith

Wednesday, June 21, 3:45 p.m. Mass Offertory motet: Beati quorum via Communion motet: Accepit Jesus panis

8 n sacred music colloquium 2017 sacred music colloquium 2017 n 9 Choosing a chant course

hen you come to the Colloquium, you will need to choose a chant course for your participation during the week. There are few joys greater than singing in a well-prepared Gregorian Wchant schola. Although there is always a little tweaking after the first day, i.e., singers moving up or down a level, most people find it relatively easy to choose.

Many returning attendees to the Colloquium find themselves advancing from a fundamentals choir through refresher and finally to the schola. However, if you have not had many opportunities to refine your chant work during the year, you might consider staying at a level for more than one year. As all of our chant repertory is graded to suit the capabilities of each choir, the musical rewards and polish of performance are not always related to the level of the schola.

Countertenors: You may choose to sing with either men or women.

Some attendees may choose to attend a fundamentals course in order to learn teaching techniques for beginners from the conductors, even though their level of chant singing is higher than that of most other participants.

A note about styles: Although the American Church has a long history with the traditional Solesmes method of learning, teaching, and singing Gregorian chant, attendees will find a considerable variety of approaches to the interpretation of the chants sung. Happily, we find that each year brings new ideas informed by the latest chant research, including interpretation of neumes, rhythm, tuning, and other aspects of performance.

The following guidelines will help you find the right group in which to sing for the week:

Fundamentals for men and women—Mary Ann Carr-Wilson This course is for real chant beginners: those who can read modern notation and those with no musical training. Participants will learn how to read the four-line staff, the names of the neumes, and how to navigate intervals with solfege. Rhythm will be introduced. Course material will include the ordinaries of the Mass and one proper during the week.

Refresher for men and women—Wilko Brouwers This course offers continued study in Gregorian chant and is intended for those who have had some background in chant but do not sing chant regularly. This is a beginning to intermediate course whose primary aim, like the foundations course, is strengthening one’s chant skills rather than performance during the liturgy. Participants will be responsible for singing the ordinaries of the Mass and will be prepared to sing three or four chant propers during the week.

8 n sacred music colloquium 2017 sacred music colloquium 2017 n 9 Schola, two sections—David Hughes, women; Charles Cole, men This course is for advanced singers who chant regularly. The men’s and women’s scholas will be responsible for the bulk of the more difficult Mass propers sung during the week.

Advanced seminar on vocal/polyphonic improvisation on chant—Dr. William Mahrt This course is for advanced singers (both men and women) who wish to continue their studies of Gregorian chant. The focus is study rather than performance, covering various types of chant improvisation, including organum, diaphonum, descant, and fauxbourdon, with the seminar class preparing two Mass propers.

Advanced seminar on chant conducting—Scott Turkington This course is for advanced singers (both men and women) who wish to continue their studies of Gregorian chant, particularly on conducting. The focus will be study rather than performance. This choir will prepare two Mass propers for the week.

Office choir for men and women—Jonathan Ryan and Jeffrey Morse This course is for intermediate to advanced singers and will concentrate on the singing of the Divine Office—particularly Vespers psalmody on Thursday evening—and will take the lead during morning and night prayer throughout the week. The choir will also sing the Buxtehude Magnificat during Vespers.

10 n sacred music colloquium 2017 sacred music colloquium 2017 n 11 Polyphonic choirs

eing part of a polyphonic choir is one of the many highlights of the Colloquium. Note that there is no sign-up or preregistration for any of the groups. Simply arrive at the rehearsal of your choice Bon Tuesday. If the conductors find they have too many sopranos or too few tenors, for example, a little shifting around may occur from choir to choir on the first day.

But as a matter of good choir etiquette, conductors ask that you not bounce from choir to choir. Five days of rehearsal is not much time to develop an ensemble sound, and the deadlines of performing in liturgy loom delightfully throughout the week. N.B.: If your plans require that you depart before Saturday, please do not pick the choir whose main work will be performed that day and so on.

The descriptions below will help you choose the right polyphonic choir:

Beginning polyphony—Jeffrey Morse This choir is designed to introduce and improve on the critical vocal and musical techniques necessary for singing polyphonic music. Singers will learn how to carry a part on their own, independent of other sections and without accompaniment. Members of this choir will learn rhythm, pitch, and vocal production. The choir is designed for novice singers who would not yet benefit from a more advanced choir, but it might also be useful for directors who wish to see how a master goes about teaching inexperienced singers to make beautiful music. This choir will sing one piece, a setting of Ave Maria attributed to Tomás Luis de Victoria, at Mass on Saturday.

Clemens non Papa choir—Wilko Brouwers This choir’s major piece will be the Requiem Mass by Jacob Clemens non Papa, be sung at Mass on Thursday, June 22. This choir will also sing a polyphonic Credo by Herbert Howells during on Saturday, June 24.

Mendelssohn choir—Scott Turkington Felix Mendelssohn’s Lauda Sion is this choir’s major work, to be sung Friday afternoon during adoration of the Blessed Sacrament. This choir will also sing choral parts of Theodore Marier’s Mass ordinary on Tuesday.

Howells choir—Charles Cole This choir will sing the Herbert Howells Mass in the Dorian Mode on Saturday with the exception of the Credo, to be performed by another choir. The choir will also sing the motet From the rising of the sun by Frederick Ouseley during Mass on Tuesday.

Motet choir—Melanie Malinka This choir will sing a variety of motets by various composers: Orlando Gibbons, Charles Villiers Stanford, Cristóbal de Morales, Orlando di Lasso, and Olivier Messiaen.

10 n sacred music colloquium 2017 sacred music colloquium 2017 n 11 Breakout sessions

1 to 2 p.m. Tuesday and Wednesday; 4 to 5 p.m. Thursday; 10 to 11 a.m. Friday

Semiology Room 203, O’Shaughnessy Education Center

Tuesday through Friday: Scribbling semiology scribes—Edward Schaefer If you have ever wondered what it was like to be a scribe in a monastery, this series of classes might give you some insight. They will also help you understand what we can learn about the nuances of singing chant from the notation of the oldest manuscripts.

Vocal pedagogy Auditorium, O’Shaughnessy Education Center

Wednesday: Breathing for singing—Cecilia MeeAe Nam The session will concentrate on developing efficient breathing technique for singing; help singers experience correct respiratory process of inhalation and exhalation for singing, understand the role of respiratory muscles and how to use them; examine various exercises and their influence on sound quality, and correct specific examples of common errors in use of breath. Attendees will fully participate by exploring techniques throughout the class.

Thursday: Vocal placement—Cecilia MeeAe Nam The session will introduce the benefit of proper understanding and efficient use of vocal placement. Corrective techniques for uneven resonance, throat tension, tight tongue and jaw, vibrato issues and under-pitch singing will be examined throughout the session. Attendees will fully participate by exploring techniques throughout the class.

New music Room 108, Library

Tuesday, Wednesday, and Thursday: Composers’ forum—David Hughes This year’s schedule includes three sessions in which you’ll be able to collaborate with other composers to fine-tune your compositions. Composers should bring at least 15 copies of a work in progress, which will be critiqued and discussed by the instructor and class, with the goal of producing polished pieces by the end of the week. Composers should bring manuscript paper or a laptop with music- notation software so they can make revisions and edits during the week. New music participants: 12 n sacred music colloquium 2017 sacred music colloquium 2017 n 13 Please plan to provide digital pdf files of the compositions to the Colloquium for printing before the new music reading session. The best compositions from the new music breakout sessions will be used for the new music reading session at 11:15 a.m. Friday, June 23, at the O'Shaughnessy Education Center Auditorium.

Chant Room 454, O’Shaughnessy Education Center

Tuesday and Friday: Gregorian chant modes—William Mahrt This course will cover the system of the eight ecclesiastical modes in two sessions. The first will discuss characteristics that distinguish chants in the modes and the psalm tones as proper to each mode with their relation to antiphons. The second will discuss psalm tones themselves, with practical exercises, pointing and chanting psalms to psalm tones in Latin and English. Each session is independent, but students are encouraged to attend both.

Children’s programs

Tuesday: The Ward Method: training Catholic musicians for the future—Scott Turkington Auditorium, O’Shaughnessy Education Center Come observe a demonstration with choristers from Holy Family Parish in Minneapolis with Scott Turkington, director. This demonstration will show how the use of Justine Ward’s methodology can be used in modern schools.

Tuesday: Beginning repertoire for child choristers and children’s choirs—Jeffrey Morse Room 100 (Big Room), McNeely Hall This session will explore ideas for a beginning and intermediate repertoire for treble choirs of children as well as basic ideas on how to progress with a firm musical foundation, using chant, other unison singing, and polyphony to keep child musicians growing and moving toward excellence and mastery of their voices, sight-singing, and musicianship.

Friday: Children’s programs—panel discussion Auditorium, O’Shaughnessy Education Center Panel members: Melanie Malinka, Scott Turkington, Mary Ann Carr-Wilson, and David J. Hughes; moderator Dr. Paul Weber Listen to four expert directors on the challenges of nurturing and working with young voices. You’ll learn from some of the best and have opportunities to ask questions.

12 n sacred music colloquium 2017 sacred music colloquium 2017 n 13 Organ St. Thomas Acquinas University Chapel

Tuesday and Thursday: Introduction to organ for pianists—Dr. Ann Labounsky Dr. Ann Labounsky will share methods for pianists to learn basic organ techniques and will briefly work with each student. The first session will focus on how to sit at the organ, use of the body, differences between piano technique and organ technique, pedal technique, and materials. The second session will cover hymn playing, responses, chant harmonization. Easy repertoire.

Wednesday: Masterclass—Dr. Paul Weber As many as three organists may sign up to perform a piece of their choosing and receive instruction from Dr. Weber, which, in master-class format, will be designed to apply generally to all those attending. Performers may register for a session by emailing [email protected]. Moderate to difficult repertoire is encouraged.

Friday: Liturgical leadership from the organ—Jonathan Ryan The foundations of solid congregational musical leadership from the organist will be presented, discussed, and heard. Topics include playing congregational liturgical music and hymns, including rhythmic clarity, articulation, and the use of various kinds of organs. Ways to accompany Gregorian chant and tastefully add flavor to hymn playing, such as reharmonization, with an emphasis on practicality will be examined as well.

Clergy training Room 203, O’Shaughnessy Education Center

Tuesday: Dialogues of the Missal: cultivating active participation through singing the Mass— The Rev. Robert Pasley The dialogues form an important component in cultivating congregational singing in the parish. This session will cover all the dialogues of the new English translation of the Third Typical Edition of the Roman Missal and will address any questions or concerns you have regarding various chants from the Missal.

Wednesday: What is the traditional Latin Mass?—The Rev. Robert Pasley and Bill Riccio This session will concentrate on the sights, sounds, and action of the extraordinary form. This is geared for those who are unfamiliar with its structure or want to know more about the ceremonies and prayers that make up the rite.

Thursday: Spiritual formation and vocal pedagogy for priests and seminarians—Dr. Jenny Donelson How do I help my pastor learn to sing the Mass? What exercises can I use to help a priest or seminarian who struggles to match pitch? What resources and key documents do I need to understand and refer priests and seminarians to when developing a fully sung Mass in my parish? What does the Church ask seminarians to learn about music during their formation? What do I do in the face of roadblocks to the implementation of the Church’s ideal of a fully sung liturgy? What are some

14 n sacred music colloquium 2017 sacred music colloquium 2017 n 15 spiritual obstacles for priests and seminarians regarding the Church’s treasury of sacred music? Join Dr. Jennifer Donelson, director of sacred music at St. Joseph’s Seminary (Dunwoodie) in New York, for this practical session on how to better serve your neighborhood priests and seminarians in cultivating sung Masses in your area.

Friday: Sacred music and the new evangelization—Dr. Jenny Donelson The Church has a long tradition of sharing the Gospel through sacred music. We can learn a lot from the successes and failures of these historical examples, especially regarding what successful inculturation is, what role it plays in evangelization, and the place of Catholic tradition and the treasury of sacred music in playing a countercultural role that draws souls to Christ. In this presentation, we’ll look at the musical evangelism of the Jesuits and Franciscans, especially in North and South America, as well as more recent successful exemplars of drawing people to Christ through the beauty of sacred music and the sacred liturgy. Handouts for this session will include suggested reading on helpful discussions of evangelism in the post-modern era as well as music from the missions that might be particularly useful in English- and Spanish-speaking communities in the present day.

Miscellaneous topics

Wednesday: Spanish propers—Janet Gorbitz Room 100 (Big Room), McNeely Hall With the hope of a new USCCB-approved Spanish Missal on the horizon, many are working on new resources for liturgies in Spanish. Janet will share a bit about her project, developing chant propers in Spanish, as well as discuss other resources that are becoming available.

Wednesday and Thursday: Musicianship—Melanie Malinka Room 454, O’Shaughnessy Education Center Join Melanie Malinka for a musicianship class based on her very successful musicianship program at the Choir School (Cathedral of the Madeleine, Salt Lake City), bridging the gap between learning music theory and applying it in singing. Use these techniques to help your choir read music better or strengthen musicianship skills in your ensembles (kids, teens, or adults). The course will be offered on two separate days.

Thursday: Introducing sacred music to a parish community—Matthew J. Meloche Room 100 (Big Room), McNeely Hall Creating a plan of action is necessary for implementing sacred music in your parish. Whether you’re just beginning to introduce sacred music to a parish that is hostile or you’ve been working to bring about a sacred music program for years, talking through problems with others can always help. Through lecture, group discussion, and Q&A, the instructor will illuminate strategies and different ways of planning to bring sacred music to your parish. Taught by Matthew Meloche of the Cathedral of SS Simon and Jude in Phoenix.

14 n sacred music colloquium 2017 sacred music colloquium 2017 n 15 Friday: Making this a career: interviewing, negotiating, renegotiating—Matthew J. Meloche Room 100 (Big Room), McNeely Hall Nobody gets into church music for the money, but that doesn’t mean you have to live in poverty. This lecture will review techniques for spotting good positions, applying for jobs, interviewing successfully, negotiating a good deal for yourself once a job has been offered to you, and renegotiating your deal at a later date. Though mostly intended for full-time church musicians, this lecture will also benefit those who work for the church part-time or in contract work—and can help volunteers improve their working conditions.

Friday: From Indianapolis to Nigeria: A narrative of church music apostolate in Onitsha—Father Jude Orakwe Room 108, Library Father Orakwe, a lecturer at Chukwuemeka Odumegwu Ojukwu University, Anambra State in Nigeria, director of the archdiocesan choir, and director of music at St. Joseph’s Parish in Onitsha, attends this year at the direction of his archbishop, along with two other priests from Nigeria. He will share with us his experiences, successes, and challenges with sacred music in his home country.

16 n sacred music colloquium 2017 sacred music colloquium 2017 n 17 Grace before meals

O bless (the Lord). ․ O bless (the Lord). — Bless us, O Lord, and these Thy gifts, which we are about to receive from Thy bounty. Through Christ Our Lord. ․ Amen.

16 n sacred music colloquium 2017 sacred music colloquium 2017 n 17 18 n sacred music colloquium 2017 sacred music colloquium 2017 n 19 Morning and Night prayer J

Prepared by William Mahrt

18 n sacred music colloquium 2017 morning and night prayer sacred music colloquium 2017 n 19 20 n sacred music colloquium 2017 morning prayer sacred music colloquium 2017 n 21 Note: The Gospel side is left; the Epistle side is right.

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COMPLINE NIGHT PRAYER

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28 n sacred music colloquium 2017 night prayer sacred music colloquium 2017 n 29

Congregation: Congregation: (bowing) Confíteor Deo omnipoténti, beátæ Maríæ (bowing) I confess to almighty God, to blessed Mary ever semper vírgini, beáto Michaéli archángelo, beáto Joánni virgin, to blessed Michael the archangel, to blessed John the Baptístæ, sanctis Apóstolis Petro et Paulo, ómnibus Baptist, to the holy apostles Peter and Paul, to all the saints, Sanctis et tibi Pater, quia peccávi nimis cogitatióne, and to thee, Father, that I have sinned exceedingly in thought, verbo, et ópere: (striking the breast three times) mea word, and deed: (striking the breast three times) through my culpa, mea culpa, mea máxima culpa. Ideo precor beátam fault, through my fault, through my most grievous fault. Maríam semper vírginem, beátum Michaélem Therefore I beseech blessed Mary ever virgin, blessed Michael archángelum, beátum Joánnem Baptistam, sanctos the archangel, blessed John the Baptist, the holy apostles Peter apóstolos Petrum et Paulum, omnes Sanctos, et te Pater, and Paul, all the saints, and thee, Father, to pray to the Lord oráre pro me ad Dóminum Deum nostrum. our God for me. Officiant: Officiant: Misereátur vestri omnípotens Deus, et dimíssis peccátis May almighty God have mercy on you, and having forgiven vestris, perdúcat vos ad vitam ætérnam. you your sins, bring you to life everlasting. Congregation: Congregation: Amen (rise). Amen (rise). Officiant: Officiant: Indulgéntiam, ✠ absolutiónem, et remissiónem May the almighty ✠ and merciful Lord grant us pardon, peccatórum nostrórum tríbuat nobis omnípotens et absolution, and remission of our sins. misericors Dóminus. Congregation: Congregation: Amen. Amen.

A cross is made on the heart. A cross is made on the heart.

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28 n sacred music colloquium 2017 night prayer sacred music colloquium 2017 n 29 PSALMODY

8G Cantor (Gospel side): All: Cantor (Gospel side): All:

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Psalm 4 Psalm 4 Cantor (Gospel side): Cantor (Gospel side): B bbbbb bbbbbb bbbbbb bbbbb bgb bbbbbbb bbbbbb bbbh bbbb bbbbbb bbbbbb bÃb bbbbbb bbbbbb bbbbbb bbbbbb bbbbbb bbbbbb bbbbbb bbbbb bbbbbb bbbbbb bbbbbbb bbbbbb bbbbbb bbbbbb bbbbbb bbbbb bbbbbb bbbbbb bbbbbb bbbbbb bbbbbb bbbbbb bbbbbb bbbb bb bbbbbb bbbbbb bbbbbb bbbbbb bbbbbb bbbbbb bbbbbb bbbbbb bbbbbbb bbbbbbb´lbbbb bbbÃ bbbbb bbbbbb bbbk /bbbb bbbbbb ] B bbbbb bbbbbb bbbbbb bbbbb bbbbbbg bbb bbbbbb bbbbh bbb bbbbbb bbbbbbÃ bbbb bbbbbb bbbbbb bbbbbb bbbbbb bbbbbb bbbbbb bbbbbb bbbbbb bbbbbb bbbbbb bbbbbb bbbbbb bbbbb bbbbbbb bbbbbb bbbbbb bbbbb bbbbbb bbbbbb bbbbbb bbbbbb bbbbbb bbbbbb bbbbbb bbbbbb bbbbbb bbbbbb bbbbbb bbbbb bbbbbb bbbbbbbb bbbbbb bbbbbb bbbbbbb bbbbbb bbbbbb bbbbbb´bbblb bbbbbb bbbbb bbbbbb bÃbbbbbbbbbbbkbbbbbbbbb]bbbbb 1. Cum in-vocárem exaudívit me Deus justítiæ me- æ * 1. When I called upon him, the God of my justice heard me: * Be seated. Be seated. All (Gospel side): All (Gospel side): ´ ´ ´ ´ BbbbbbbbbbbbÃbbbbbbbbbbbbbbbbbbbbbbbbbbbbbbbbbbbbbbbbbbbbbbbbbbbbbbbbbbbbbbbbbbbbbbbbbbbbbbbbbbbbbbbbbbbbbbbbbbbbbbbbjbbbbbbbbbkbbbbbbbbbbbbbbbbhbbbbbbbbbbbòbbbbbbbbbbg

Psalm 90 Psalm 90 Cantor (Epistle side): All (Epistle side): Cantor (Epistle side): All (Ep. side): 1. Qui hábitat in adjutório Altíssimi, * in protectióne Dei 1. He that dwelleth in the aid of the most High, * shall abide cæli commorábitur. under the protection of the God of heaven. 2. (Gospel side): Dicet Dómino: Suscéptor meus es tu et 2. (Gospel side): He shall say to the Lord: Thou art my refúgium meum: * Deus meus, sperábo in eum. protector and my refuge: * my God, I will trust in him. 3. Quóniam ipse liberávit me de láqueo venántium, * et a 3. For he hath delivered me from the snare of the hunters: * verbo áspero. and from the sharp word. 4. Scápulis suis obumbrábit tibi: * et sub pennis ejus 4. He will overshadow thee with his shoulders: * and under sperábis. his wings shalt thou be hopeful. 5. Scuto circúmdabit te véritas ejus: * non timébis a 5. His truth shall compass thee with a shield: * thou shalt not timóre noctúrno, be afraid of the terror of the night.

30 n sacred music colloquium 2017 night prayer sacred music colloquium 2017 n 31 6. A sagítta volánte in die, † a negótio perambulánte in 6. Of the arrow that flieth in the day, † of the business that ténebris: * ab incúrsu, et dæmónio meridiáno. walketh about in the dark: * of invasion, or of the noonday devil. 7. Cadent a látere tuo mille, † et decem míllia a dextris 7. A thousand shall fall at thy side, † and ten thousand at thy tuis: * ad te autem non appropinquábit. right hand: * but it shall not come nigh thee. 8. Verúmtamen óculis tuis considerábis: * et 8. But thou shalt consider with thy eyes: * and shalt see the retributiónem peccatórum vidébis. reward of the wicked. 9. Quóniam tu es Dómine spes mea: * Altíssimum 9. Because thou, O Lord, art my hope: * thou hast made the posuísti refúgium tuum. most High thy refuge. 10. Non accédet ad te malum: * et flagéllum non 10. There shall no evil come to thee: * nor shall the scourge appropinquábit tabernáculo tuo. come near thy dwelling. 11. Quóniam Ángelis suis mandávit de te: * ut custódiant 11. For he hath given his angels charge over thee, * to keep te in ómnibus viis tuis. thee in all thy ways. 12. In mánibus portábunt te: * ne forte offéndas ad 12. In their hands they shall bear thee up, * lest thou dash thy lápidem pedem tuum. foot against a stone. 13. Super áspidem et basilíscum ambulábis: * et 13. Thou shalt walk upon the asp and the basilisk: * and thou conculcábis leónem et dracónem. shalt trample under foot the lion and the dragon. 14. Quóniam in me sperávit, liberábo eum: * prótegam 14. Because he hoped in me I will deliver him: * I will protect eum, quoniam cognóvit nomen meum. him because he hath known my name. 15. Clamábit ad me, et ego exáudiam eum: † cum ipso 15. He shall cry to me, and I will hear him: † I am with him in sum in tribulatióne: * erípiam eum et glorificábo eum. tribulation, * I will deliver him, and I will bring him to honor. 16. Longitúdine diérum replébo eum: * et osténdam illi 16. I will fill him with length of days: * and I will show him salutáre meum. my salvation. 17. (bow) Glória Patri, et Fílio, * et Spirítui Sancto. 17. (bow) Glory be to the Father and to the Son * and to the Holy Spirit. 18. (rise) Sicut erat in princípio, et nunc, et semper, * et 18. (rise) As it was in the beginning, is now, and ever shall be, in saécula sæculórum. Amen. * world without end. Amen.

Psalm 133 Psalm 133 Cantor (Gospel side): All (Gospel side): Cantor (Gospel side): All: (Gospel side): 1. Ecce nunc benedícite Dóminum, * omnes servi 1. Behold now bless the Lord: * all ye servants of the Lord: Dómini. 2. (Epistle side): Qui statis in domo Dómini, * in átriis 2. (Epistle side): Who stand in the house of the Lord, * in the domus Dei nostri. courts of the house of our God. 3. In nóctibus extóllite manus vestras in sancta, * et 3. In the nights lift up your hands to the holy places: * and benedícite Dóminum. bless ye the Lord. 4. Benedícat te Dóminus ex Sion, * qui fecit cælum et 4. May the Lord out of Sion bless thee, * he that made heaven terram. and earth. 5. (bow) Glória Patri, et Fílio, * et Spirítui Sancto. 5. (bow) Glory be to the Father and to the Son * and to the Holy Spirit. 6. (rise) Sicut erat in princípio, et nunc, et semper, * et in 6. (rise) As it was in the beginning, is now, and ever shall be, saécula sæculórum. Amen. * world without end. Amen. All: All: BbbbbbbbbbbbbbbbbbbbbbbbbbbbbbbbbbbbbbbbbbbbbbbbbbbbbbbbbbbbbbbbbbbbbbbbbbbbbbbbbbbbbbbgbbbbbbbbbbbgbbbbbbbbbbbbhbbbbbbbbtfbbbbbbbbbbbbbbbbbbbGYbbbbbbbbbhbbbbbbbbbbbbbbbbbbgbbbbbbbbbbbbbbbbFTbbbbbbbbbbbbbbbg

30 n sacred music colloquium 2017 night prayer sacred music colloquium 2017 n 31 HYMN

All stand All stand Cantor (Epistle side): All (Epistle side): Cantor (Epistle side): All (Epistle side):

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CHAPTER & SHORT RESPOND

Tu autem in nobis es Dómine, † et nomen sanctum Thou art in the midst of us, O Lord, † and upon us tuum invocátum est super nos: * ne derelínquas nos thy holy name is invoked: * do not desert us, O Dómine Deus noster. (Jerem. 14: 9) Lord our God. V bbbbbbbbbbbbbbbbbbbbbbbbbbbbbbbbbbhbbbbbbbbbbbbbhbbbbbbbbbbbbbbbfbbbbbbbbbbbbbdbbbbbbbbbbbbDRM,bbbbbbbbbbbbbbbb} V bbbbbbbbbbbbbbbbbbbbbbbbbbbbbbbbbbbbbbbbbbbhbbbbbbbbbbbbbbbbbbbbbbbbbfbbbbbbbbbbbbbbdbbbbbbbbbbbbbbbbbbbbbbDRM,bbbbbbbbbbbbbbbb} R. De- o gra- ti- as. R. Thanks be to God. BbbbbbbbbbbbfbbbbbbbbbbbbbbbbbbbbbfbbbbbbbbbbbbbbbbbbbbbbbbbbbbbbbFTbbbbbbbbgbbbbbbbbbbbbbbbtfbbbbbbbbbbbbbbbgbbbbbbbbGY,.bbbbbbbbbbbbbb{bbbbbbbbbbbbbhbbbbbbbbbbbbfbbbbbbbbbbbbbbbGYbbbbbbbbbbbbbbbbbbbgbbbbbbbbr®sbbbbbbFTbbbbbbbbbbbbbbbbbbbbbbbbbbbg,bbbbbbbbbbfb,bbbbbbbbb} BbbbbbbbbbbbfbbbbbbbbfbbbbbbbbbbbbbbbbbbbbFTbbbbbbbbbbbbbbbbbbbbbbbtfbbbbbbbbbbbbbbbbbbbbbbbbbbbgbbbbbbbbbbbbbbbbbbbbGYbbbbbbbbbbbbbb{bbbbbbbbbbbbbbbbbbbbbfbbbbbbbbbbbbbbbGYbbbbbbbbbbbbbbbbbbb5z$@bbbbbbbbbbbbbbbbbbbFTbbbbbbbbbbbbbbbbg,bbbbbbbbbbbbbbbbbbbbbbbfb,bbbbbbbbbbbbbbb} R. In manus tuas Dómine, * Coméndo spí-ritum me-um. R. Into your hands, O Lord, * I commend my spirit. Repeat: In manus tuas . . . Repeat: Into your hands Bbbbbbbbbbbbbbbbbbbbbhbbbbbbbbbbbbhbbbbbbb\bbHUbbbbbbbbbbhbbbbbbbbbbbbhbbbbbbbbbbbbbbbbbbbbbbbGYbbbbbbbbbbbbgbbbbbbbb≥gbbbbbbbbbbbb[bbbbbbbbhbbbbbbgbbbbbbbbbbbbbbbbgbbbbbbbbbbbbbtfbbbbbbbbbbbgbbbbbbbbbbbbbbbGY,.bbbbbbbbbb} Bbbbbbbbbbbbbbbbbbbbbhbbbbbbbbbbbbbbbbbbbhbbbbbbbbbbbbbbbbbbbbbhbbbbbbbbbbbbbbbbbbbbbbbbhbbbbbbbbbb\bbHUbbbbbbbbbbbbbbbbbbbbbbbbbbbbbbbbbbbbbbhbbbbbbbbbbbbbbbbbbhbbbbbbbbbbbbbbbhbbbbbbbbbb[bbbbbbbbbbbgbbbbbbbbbbbbbbbtfbbbbbbbbbbbbbbbbgbbbbbbbbbbbbbbbGY,.bbbbbbbbbb} V. Redemísti nos Dómine, De-us ve- ri- tá- tis. V. For you have redeemed me, O Lord, O God of truth. Repeat: Commendo . . . Repeat: I commend . . . Bbbbbbbbbbbbbbbbbbbbbbbbbbbhbbbbbbbbbbbhbbbbbbbbbbbhbbbbbbbb\bHUbbbbbbbbbbbbb˘hbbbbbbb[bbbbbbbbbhbbbbbbbbbbbbbbbbGYbbbbbbbbbbbbgbbbbbbbbbb≥gbbbbbbbb[bbbbbbbbbgbbbbbbbbbbbbbbbbbbbbbgbbbbbbbbbbbhbbbbbbbbbgbbbbbbbbbfbbbbbbbbbbbbbbgbbbbbbbbbbbbbbbbbbGY,.bbbbbbbbbbbb} Bbbbbbbbbbbbbbbbbbbbbbbbbbbbhbbbbbbbhbbbbbbbbbbbhbbbbbbbbbbhbbbbbbbbbbbbbbbhbbbbbbbbbbbbb\bHUbbbbbbbbbbbbbbbhbbbbbbb[bbbbbbbbbgbbbbbbbbbbbbbbbbbGYbbbbbbbbbbbbgbbbbbbbbbbbbbbbbbbbbgbbbbbbbbbbb[bbbbbbbbbbgbbbbbbbbbbbbbbbbbbhbbbbbbbbbbbbbbbbbgbbbbbbbbbbbbbbbbfbbbbbbbbbbbbbgbbbbbbbbbbbb V. Gló-ri- a Pa-tri et Fí- li- o, et Spi-rí-tu- i Sancto. V. Glory be to the Father, and to the Son, and to the Ho-ly Spirit. Repeat: In manus tuas . . . BbbbbbbbbbbbbbbbbbbbbGYbbbbbbbbbbbh.bbbbbbbbbbbbb} Spi-rit. Repeat: Into your hands

32 n sacred music colloquium 2017 night prayer sacred music colloquium 2017 n 33

Bbbbbbbbbbbbbbbbbbbbbbbbbbbbbbbfbbbbbbbbbbbbbfbbbbbbbbbfbbbbbbbbbbbbfbbbbbbbbbbbbbbbbbbbbbbbbfbbbbbbbbbbbbbfbbbbbbbfbbbbbbbbbbbbbfbbbbbbbbbbbbbbfbbbbbbbbbbbfbbbbbbbbfbbbbbbbbbbbbbbbbbbfbbbbbbbbbfbbbbbbbb≤dzz4z#@!zsdsmbbbbbbbbbbbbbbbbbb} Bbbbbbbbbbbbbbbbbbbbbbbbbbbbbbbbbbbbfbbbbbbbbbbbbbbbfbbbbbbbbbbbbbbbbbfbbbbbbbbbbbbbbbbbbbfbbbbbbbbbbbbbbbbbbbbbbbbbfbbbbbbbbbbbbbbbbfbbbbbbbbbfbbbbbbbbbbbbbbbfbbbbbbbbbbbbbbfbbbbbbbbbbbbbbbbbbbbbfbbbbbbbbbbbbbbbbbbbb≤dzz4z#@!zsdsmbbbbbbbbbbbbbbbbbb} V. Custódi nos Dómine, ut pupíllam óculi. V. Keep us, O Lord, as the apple of thine eye. R. Sub umbra alárum tuárum prótege nos. R. Hide us under the shadow of thy wings.

GOSPEL CANTICLE

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Canticum Simeonis Canticle of Simeon The sign of the cross is made The sign of the cross is made Cantor (Gospel side): Cantor (Gospel side): ´ } ´ ´ } ´

BbbbbbbbbbbbbbbbbbbbbbbbbbbgbbbbbbbbbbbbbbbbbbbbbbHIbbbbbbbbbbbbÃbbbbbbbbbbbbbbbbbbbbbbbbbbbbbbbbbbbbbbbbbbbbbbbbbbbbbbbbbbbbbbbbbbbbbbbbbbbbbbbbbbblbbbbbbbbbbbbbÃbbbbbbbbbbbbbkbbbbbbbbbbbbbbbbbbbbbbbbbÃbbbbbbbbbbuhbbbbbbbbbbbbbbk/bbbbbbbbbbbbb]bbbb BbbbbbbbbbbbbbbbbbbbbbbbgbbbbbbbbbbbbbbbbbbbbbbHIbbbbbbbbbbbbbbbbbbbbbbbbbbbbbÃbbbbbbbbbbbbbbbbbbbbbbbbbbbbbbbbbbbbbbbbbbbbbbbbbbbbbbbbbbbbbbbbbbbbbbbbbbbbbbbbbbbbbbbbbbbbbbbbbbbblbbbbbbbbbbbbbÃbbbbbbbbbbbbkbbbbbbbbbbbbbbÃbbbbbbbbbbbbbbbuhbbbbbbbbbbbbk/bbbbbbbbbbbbb]bbbb 1. Nunc dimíttis ✠ servum tuum Dómi-ne, * 1. Now dost thou ✠ dismiss thy servant, O Lord, * All (Gospel side): All (Gospel side): ´ ´ bBbbbbbbbbbbbbbbbbbbbbÃbbbbbbbbbbbbbbbbbbbbbbbbbbbbbbbbbbbbbbbbbbbbbbbbbbbbbbbbbbbbbbbbbbbbbbbbbbbbbbbbbbbbbbbbbbbbbbbbbbbbbbbbbbbbbbbbbbbbbbbbbbbbbbbbbbbbbbbbbhbbbbbbbbbbbbbbbkbbbbbbbbbbbbÃbbbbbbbbbbbuh<>bbbbbbbbbbbbbbbbbbbb} bBbbbbbbbbbbbbbbbbbbbbÃbbbbbbbbbbbbbbbbbbbbbbbbbbbbbbbbbbbbbbbbbbbbbbbbbbbbbbbbbbbbbbbbbbbbbbbbbbbhbbbbbbbbbbbbbbbbbbbkbbbbbbbbbbbbbbbbbbbbbbbbbbbÃbbbbbbbbbbbbbbbuh<>bbbbbbbbbbbbbbbbbbbb} secúndum verbum tuum in pace. according to thy word, in peace. (Epistle side): 2. Quia vidérunt óculi mei * salutáre tuum. (Epistle side): 2. Because my eyes have seen * thy salvation. 3. Quod parásti * ante fáciem ómnium populórum. 3. Which thou hast prepared * before the face of all peoples. 4. Lumen ad revelatiónem géntium, * et glóriam plebis 4. A light to the revelation of the Gentiles, * and the glory of tuæ Ísrael. thy people Israel. 5. (bow) Glória Patri, et Fílio, * et Spirítui Sancto. 5. (bow) Glory be to the Father, and to the Son, * and to the Holy Spirit. 6. (rise) Sicut erat in princípio, et nunc, et semper, * et in 6. (rise) As it was in the beginning, is now, and ever shall be, * saécula sæculórum. Amen. Repeat antiphon world without end. Amen. Repeat antiphon

COLLECT

V. Dóminus vobíscum. V. The Lord be with you. R. Et cum spíritu tuo. R. And with thy spirit. Oremus. Visita, quaésumus Dómine, habitatiónem istam, Let us pray. Visit, we beseech thee, O Lord, this et omnes insídias inimíci ab ea longe repélle: † Ángeli tui dwelling-place, and drive far from it all the deceits of sancti hábitent in ea, qui nos in pace custódiant; * et the enemy: † let thy holy Angels dwell herein to keep us benedíctio tua sit super nos semper. Per Dóminum in peace, * and may thy blessing be ever upon us. nostrum Jesum Christum Fílium tuum: † qui tecum vivit et Through Jesus Christ our Lord, thy Son, † who with regnat in unitáte Spíritus Sancti Deus, * per ómnia saécula thee in the unity of the Holy Spirit * lives and reigns sæculórum. God, world without end. R. Amen. R. Amen.

32 n sacred music colloquium 2017 night prayer sacred music colloquium 2017 n 33

V. Dóminus vobíscum. V. The Lord be with you. R. Et cum spíritu tuo. R. And with thy spirit. VbbbbbbbbbbbbbbbbbbbbbbbbbbbbbbbbbhbbbbbbbbbhbbbbbbbbbbhbbbbbbbbbbbHUbbbbbbbbbbbbbjbbbbbbbbbbbbbbbbbbbbbbbbjbbbbbbbbbbbbbbbjbbbbbbbbbbb7xx^%

Blessing Blessing Benedícat et custódiat nos omnípotens et miséricors May the almighty and merciful Lord bless and guard us, Dóminus, Pater, ✠ et Fílius, et Spíritus Sanctus. the Father, ✠ the Son, and the Holy Spirit. R. Amen. R. Amen.

MARIAN ANTIPHON

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V. Divinum auxilium maneat semper nobiscum. R. Amen. Lord’s Prayer, Hail Mary, Apostles’ Creed, silently

34 n sacred music colloquium 2017 night prayer sacred music colloquium 2017 n PB Tuesday J

3:45 p.m. June 20 University Chapel

Ordinary form

Order of Mass: Parish Book of Chant, page 2

Mass readings: page 250

PB n sacred music colloquium 2017 sacred music colloquium 2017 n 35 508______Eleventh Sunday in Ordinary Time ELEVENTH SUNDAY IN ORDINARY TIME

ENTRANCE ANTIPHON Exaudi, Dominus . . . adiutor. Ps 30 : 3. 4. 2 - i -

4. 1183 f BfbbbbbbbbbbbbbFTbbbbbbbbbbbbbbbbbbrdbbbbbbbbbbbbwabbbbbbbbbbbbbbbbabNbbbbbbbbbbbbb[bbbbbbbbbabbbbbbbbbS4bbbbbbbbbbbbbbfbbbbbbbbbbbbbbbb4Rbbbbbbbbbbbbgbbbbbbbbbbbbbygb<.bbbbbbbb{bbbb\ O Lord, hear my voice, * for I have called to you ; Bb\bbbbjbbbbbbbbbbbbhbbbbbbbbbbbbbbgb

= 3 Job Name: 5303 PDF Page: txt_5303.p532.pdf Chant settings by Father Samuel F. Weber, O.S.B. Copyright 2017 Saint Meinrad Archabbey,1195 St. Meinrad, IN 47577-1010.BbbbfbbbbbbbbbbbbbbGYbbbbbbbbbbbbbhbbbbbbbbbbbbbbbb All rights reserved.hbbbbbbbbbbbbbbhbbbbbbb\bbbb Usedjbbbbbbbbbbbbhbbbbbbbbbbbbbbbbhbbbbbbbbbbbbbbb with permission.gbbbbbbbbbbbbbbhbbbbbbbbbbbbbbbhb.bbbbbbbbbbbb]bbbbbbbbbbhbbbbbbbbbhbbb 36 n sacred music c olloquium A 2017 ND so my heart re- joic-es, my soul is glad ; * e-ven tuesday, june 20 tuesday, june 20 sacred music colloquium 2017 n 37 BbbbbbbhbbbbbbbbbbbbbbbbgbbbbbbbbbbbbbbbbbbbfbbbbbbbbbbbbbbbbbGYbbbbbbbbbbbbbbgbbbbbbbbbbbbbbtfb

Job Name: 5303 PDF Page: txt_5303.p537.pdf Eleventh Sunday in Ordinary Time 513

VERSES Conserva me, Domine. Ps 15 : 1-2 = 1 BbbfbbbbbbbbbbbbbbbGYbbbbbbbbbbbhbbbbbbbbbbbbbbhbbbbbbb[bbbbbhbbbbbbbbbhbbbbbbbbbbbbhbbbbbbbbhbbbbbbbbbbbhbbbbbbbbbbbhbbbbbbbbbbbgb at your rightbbbbbbbbbbb}bbbbbbbbbbbbbbbbbbbbbbbbbbbbbbbbbbbbbbbbbbbbbbbbbbbbbbbbbbbbbbbbbbbbbbbbbbbbbbbbbbbbbbbb hand for- ev- er. shall be, world with-out end. A- men.

4. g 2332

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36 n sacred music colloquium 2017 tuesday, june 20 tuesday, june 20 sacred music colloquium 2017 n 37

Job Name: 5303 PDF Page: txt_5303.p1005.pdf 3

INTRODUCTORY RITES GREETING O$ O$ < B. In the name of the Father, and of the Son, and of the Ho- ᠁ Ё ly Spirit. A.Amen. A O$ O$ < B. The grace of our Lord Jesus Christ, and the love of God, O$ < and the communion of the Holy Spirit be with you all. A. And with your spirit. B O$ < B. Grace to you and peace from God our Father O$Excerpts from the English translation of The Roman Missal , copyright © 2010 International Committee on English in the Liturgy, Inc. All rights reserved. and the Lord Jesus Christ. A. And with your spirit. Chant setting of Penitential Act Form A (“I confess”) copyright © 2011 Aristotle A. C Esguerra. Licensed under a Creative Commons Attribution–NonCommercial–ShareAlike 3.0 Unported License (http://creativecommons.org/licenses/by-nc-sa/3.0/). This square-note edition was prepared and is maintained by Aristotle A. Esguerra ([email protected]), and is available on the Internet in PDF format at http://musicasacra.com/pdf/missal_chants_solemn.pdf . B. TheFirst edition:Lord Maybe 24, with2011. Latestyou. revision:A June. And 10, 2011with. your spirit.

38 n sacred music colloquium 2017 tuesday, june 20 tuesday, june 20 sacred music colloquium 2017 n 39 O$ O$< I confess * to almighty God and to you, my brothers and O$ O$< sisters, that I have greatly sinned in my thoughts and in O$ O$ < my words, in what I have done and in what I have failed O$ O$ O$ < to do, through my fault, through my fault, through my 4 ORDER OF MASS In this ﬁrst greeting, a Bishop, inO$ place of The Lord be with you, says: < most grievous fault; INTRODUCTORYtherefore I RITES ask blessed Mary ever- 5 B.O$ Peace beO$with you. A. And with your spirO$

38 n sacred music colloquium 2017 tuesday, june 20 tuesday, june 20Virgin, all the Angels and Saints, and you, mysacred brothers music colloquium 2017 n 39 O$ O$ < and sisters, to pray for me to the Lord our God. O$ O$ < B. May almighty God have mercy on us, forgive us our O$ ᠁ Ё sins, and bring us to everlasting life. A.Amen. 40 n sacred music colloquium 2017 tuesday, june 20 tuesday, june 20 sacred music colloquium 2017 n 41 40 n sacred music colloquium 2017 tuesday, june 20 tuesday, june 20 sacred music colloquium 2017 n 41 42 n sacred music colloquium 2017 tuesday, june 20 tuesday, june 20 sacred music colloquium 2017 n 43 10

LITURGY OF THE WORD AT THE END OF THE FIRST READING Response after the first reading (see Mass readings in the Appendix, page 250) O$ O$ B. The Word of the Lord. A. Thanks be toGod.   AT THE END OF THE SECOND READING      O$ O$    B. The Word of the Lord. A. Thanks be to God.   AT THE GOSPEL READING         < B. The Lord be with you. A. Andwith your spir it.     O$  O$ <    M" B. A reading from the holy Gospel according  toN.        O$      A. Glory to you, O Lord.   AT THE END OF THE GOSPEL READING      O$  <   B. The Gospel of the Lord.          Ё       A. Praiseto you,Lord Jesus Christ.     On Sundays and solemnities the Creed , p. 11 or 14, follows. On other days the Prayer of the Faithful, p. 17, follows.

 Chant setting by Richard Rice. Copyright Richard Rice 2017. All rights reserved. Used with  permission. 42 n sacred music colloquium 2017 tuesday, june 20 tuesday, june 20 sacred music colloquium 2017 n 43 

 

      

          



Chant setting by Richard Rice. Copyright Richard Rice 2017. All rights reserved. Used with permission. 44 n sacred music colloquium 2017 tuesday, june 20 tuesday, june 20 sacred music colloquium 2017 n 45 10

LITURGY OF THE WORD AT THE END OF THE FIRST READING O$ O$ B. The Word of the Lord. A. Thanks be to God. AT THE END OF THE SECOND READING O$ O$ B. The Word of the Lord. A. Thanks be to God. AT THE GOSPEL READING < B. The Lord be with you. A. And with your spirit. O$ O$ M" < B. A reading from the holy Gospel according to N. O$ A. Glory to you, O Lord. AT THE END OF THE GOSPEL READING O$ < B. The Gospel of the Lord. Ё A. Praise to you, Lord Jesus Christ. On Sundays and solemnities the Creed, p. 11 or 14, follows. On other days the Prayer of the Faithful, p. 17, follows.

44 n sacred music colloquium 2017 tuesday, june 20 tuesday, june 20 sacred music colloquium 2017 n 45 LITURGY OF THE WORD 17 PRAYER OF THE FAITHFUL

The text that follows the dagger (†) in the invocations given below can also be used to conclude intentions that are not sung; alternatively, the ﬁnal words of the individual intentions can take its place. A ' O$ O$ < B. (Petition...) + Be pleased to hear us: A. Lord we ask you, hear our prayer. B E ᠁ B. (Petition...)O$ O$ + Let us call upon the Lord: = ᠁ A. HearЁ us, O Christ. C E O$ ᠁ < O$ LITURGY OF THE WORD᠁ 17 B. (Petition...) + Let us pray to the Lord: PRAYER OF THEOr: FAITHFUL The text that follows the dagger (†) in the invocations given below can also be used to᠁ conclude intentions that are not sung;᠁ alternatively, the ﬁnal words of the individual intentions can᠁ take its place. Ё A. Lord, hear our prayer. A. Lord, have mercy. A D 'E O$ O$ < . (Petition...)O$ Q O$ Be pleasedQto hear us: Ђ < B. (Petition...) ++ Let us im ploreЂ the Lord: Ký-ri- e, e-lé- i- . Lord weask you, Ђhear our prayer. Ason. A.Ký-ri- e, e-lé- i-son. B E ᠁ B. (Petition...)O$ O$ + Let us call upon the Lord: =

512 Eleventh᠁ S unday in Ordinary Time A. HearЁ us, O Christ. CO FFERTORY ANTIPHON Bendicam Dominum. E Ps 15:7.8 O$ O$ ᠁- i - ᠁ < B. (Petition...) + Let us pray to the Lord: Or: 1191 1. ᠁ Babbbbbbbbbbbbbbbbsbbbbbbbb\bbbbS67bbbbbbbbbbbbygbbbbbbbbH ᠁ 8bbbihb.bbbbbbbbb[bbbbbbbbfbbbbbbbb ᠁ \bbGY<bbbb8hbbbbbbbhbbhbbbbbbbbbFTbbhbbygbbbbbbbbgb<Ё bbbbbbbbbb]bbbbbbbbfbbbbb A . I Lord, hear willour blessprayer. the LordA .* Lord, who giveshave memer coun-sel.cy. I D E BbbghgbbbbbbbbbbbbhbbbbbbbbbbyfbbtfbbbO$ Q O$\bbbh8hIbbbbbbbgbbbbbbbbbbbbbfbbbbbbbbbsbbbb4bb# Q @bdbbbbbbbbwabNmbbbbbbbbbb]bbbbbbbbsbbbbbbbbbbbbbbbrdbbbbbbbr sbbbbbbbbbtfbbbbbbbbbb6bb%$bbb Ђ < B .keep(Petition...) the Lord al-+ waysLet us be-foreim plore Ђ methe ; Lord: with himKý -atri- mye, e- rightlé- i- Bbbbbbfb,bbbbbbb[bbbbfbbfbbfbbtfbbtfbbrdbbbbbbbbbbS Ebbbbbbbbbb4bb#@bbbbbbbbbbbdbbbbbbbbbbbbbbbesbMNЂ bbbbbbbbbbb}bbbbbbbbbbbbbbbbbbbbbbbbbbbbbbbbbbbbbbbbbbbbbbbbbbbbbbbbbbbbbbbbbbbbbbbbbbbbbbbbbbbbbbbbbbbbbbbbbbbbbbbbbbbbbbb son.hand, AI .K ý - ri- e, shalle-lé- noti-son. be moved.

- ii - Chant settings by Father Samuel F. Weber, O.S.B. Copyright 2017 Saint Meinrad Archabbey, St. Meinrad, IN 47577-1010. All rights reserved. Used with permission. 46 n sacred music colloquium 2017 tuesday, june 20 tuesday, june 20 sacred music colloquium 2017 n 47 1192 1. Babbbbbbbbbbbbbbbbsbbbbbbbb\bbbbS67bbbbbbbbbbbbbhbbbbbbbbbbbbbbbbbbhbbbbbbbbbbbbb[bbbbbbbbbbhbbbbbbbbbbbbbbbbbbbygbbbbbbbbbbbbbfbbbbbbbbbbbbbbbbbGYbbbbbbbbbbbbbbbbhb.bbbbbbbbbb]bbbbbbbhbbbb\b I will bless the Lord * who gives me coun-sel. I Bbb\bbbbjbbbbbbbbbbbbbbbgbbbbbbbbbbbbbbbbhb.bbbbbbbb[bbbbbhbbbbbbbbbbbbbbbgbbbbbbbbbbbbbbbfbbbbbbbbbbbbbbgbbbbbbbbbbbbbsbmbbbbbbbbbbbb{bbbbbbbbbbgbbbbbbbbbbbbbbbbbgbbbbbbbbbbbbdbbbbbbbbbbbbbgbbbbbbbbbbbbbbbbbygbbbbbbbbbbbbbbb keep the Lord al-ways be-fore me ; with him at my right Bbbbbbfb,bbbbbbbbb[bbbbbDRbbbbbbbbbbbbbbgbbbbbbbbbbbbbbbbfbbbbbbbbbbbbbbbdbbbbbbbbbbbbbbbbbsbmbbbbbbbbbbbb}bbbbbbbbbbbbbbbbbbbbbbbbbbbbbbbbbbbbbbbbbbbbbbbbbbbbbbbbbbbbbbbbbbbbbbbbbbbbbbbbbbbbbbbbbbbbbbbbbbbbbbbbbbbbbbbbbbbbbbbbbbbbbbbbbbbbbbbbbbbbbbbbbb hand, I shall not be moved.

Job Name: 5303 PDF Page: txt_5303.p536.pdf Eleventh Sunday in Ordinary Time 513

VERSES Conserva me, Domine. Ps 15 : 1-2 = 1 BbbfbbbbbbbbbbbbbbbGYbbbbbbbbbbbhbbbbbbbbbbbbbbhbbbbbbb[bbbbbhbbbbbbbbbhbbbbbbbbbbbbhbbbbbbbbhbbbbbbbbbbbhbbbbbbbbbbbhbbbbbbbbbbbgb

Chant settings by Father Samuel F. Weber, O.S.B. Copyright 2017 Saint Meinrad Archabbey, St. Meinrad, IN 47577-1010. All rights reserved. Used with permission. 46 n sacred music colloquium 2017 tuesday, june 20 tuesday, june 20 sacred music colloquium 2017 n 47

Job Name: 5303 PDF Page: txt_5303.p537.pdf From The Rising Of The Sun Malachi Ch. 1, Vs 11 Edited By: John Henry Fowler Frederick A. Gore Ouseley Revision: - 12 / 26 / 01 ( 1825 - 1889 ) Andante 2 3 4 Sopr: F ¬ b 4 « « ˙» . »œ « « b b ∑ From« the« ris« -ing« of« the« sun»˙. un-»œ to» the» goœ» -ing»œ down»˙ ˙«of. theˆ« “======l & 2 «˙. «ˆ ll «˙ «˙ «˙ «˙ ll » » » » l » » » =l Alto: “l F bb 4 ∑ « « « « « « « « « « « « “l b 2 From« the« ris« -ing« of« the« sun˙« un˙« - to« the˙« go«ˆ -ing«ˆ down« « of« the« ======& _«˙. _«ˆ ll_«˙ _«˙ ˙« ˙« ll « « ˙« ll ˙« ˆ« ˆ« «˙=ll Tenor: “l F b 4 « « « « »˙ »˙ »˙ »˙ »œ »˙ « “l b ∑ From«. the« ris« -ing« of»˙ the» sun» un» - to» the»˙ go»œ -ing» down» »˙of the˙« ======& b 2 «˙ «ˆ ll «˙ «˙ » » ll » » » » ll » » » » «=ll “l • Bass: F œ “l b 4 »˙. »œ ˙ »˙ « « « » »œ »˙ »˙ »œ »œ »˙ »˙. »œ b 2 ∑ From» the» ris» -ing» of«˙ the«˙ sun«˙ un» »- to» the» go» -ing» down» »of the» “Ll======? b » » ll » » ll » ll » =» ll Organ: « « « « l b 4 « « « « «˙. «ˆ « « « « « ß b b 2 ∑ « « « « «˙ «˙ «˙. «ˆ »˙ »œ«ˆ »œ«ˆ «˙ «˙. «ˆ ======& _«˙. _«ˆ _«˙ _«˙ »˙ »˙ »˙ »˙ »˙ » » » »˙ »œ »œ »˙ = l »˙. »œ l »˙ »˙ » «» l « « «» l »« » » » l F « »« « « _«˙ _«˙ _«˙ _«˙ _«˙ « _«ˆ _«ˆ _«˙ _«˙ « Íl 4 «˙. «ˆ l «˙ «˙ l »œ »œ »˙ «˙ l »œ »œ »˙ »˙. «˙ »œ l bbb 2 ∑ »˙. »œœ˙»˙˙»˙ »˙ »˙ »˙ » » » »˙ » » » » » ======l ? » » l » » » » l » » l =l 5 6 7 8 ¬ f bbb « « « »œ. »Jœ w »˙ »˙ »˙ »˙ w »˙ »˙ w “======l & same«˙ my«˙ Name«˙ shall» be» ll great, shall» be» greatl » a» -mong l » the» Gen= - l “l bb « Ó∑ Ó f « « « « ÓÓ« « « “======l & bsame˙« ll my« Name˙« shall«ˆ. «jˆbe ll ˙«great a˙« - mongll «˙ the«˙ Genw = - ll “l _˙« b f « « « « « “l b same˙» my« Name« shallœ» . beœ»J great,»˙ wshall be˙« great« ÓÓa»œ œ»- mongn˙« thew Gen˙« - ======& b » ˙« ˙« » » ll » « ll ˙« » » ll « «=ll “l • “l « « »˙. w b same»˙ Ó∑ Ó fmy« Name˙« shall»œ. be»Jœ great˙» ÓÓa»˙ - mong» the»œ Gen - “L======? b b » ll ˙« » » ll » » ll » » =ll l « b « « « « « « « « w «˙ « ßl b b « « « «ˆ. «jˆ w «˙ «˙ «˙ «˙ «˙ w ======& »˙« «˙ «˙ »˙ »˙ »˙ »˙ w w = l » _Ó _∑ l _˙Ó« _» » » l _Ó _Ó « l l ˙« f « « «ˆ.ˆ« _«˙ « « _«ˆ ˆ« « w « Íl b ˙« ˙« «˙ j l w «˙. ˙« ˙ « n˙»˙«. w «˙ b b » Ó« Ó »˙ »˙ »œ »Jœ l » ÓÓÓÓ » l » »œ l ======l ? » ∑ Copyright © 2002l by the» Choral» Public» Domain» Libraryl » (http://www.cpdl.org)» l » =l Edition may be freely» distributed, duplicated, performed, or recorded.

48 n sacred music colloquium 2017 tuesday, june 20 tuesday, june 20 sacred music colloquium 2017 n 49 Page - 2

9 10 11 12 13 ¬ F . ˙ ˙» w ˙ ˙» ˙» bbb w »˙ »œ »˙ » » »˙ »˙. »œ »˙ »˙ » »˙ w » » “======l & - tiles: and» in» llev» »- - ' ry» l place, and» in» l ev» »- »- ' ry» placel in - cense=l “l “l bbb F« « « « « « « « « « « »˙. »œ ======& - tiles: and«˙. in«ˆ llev«˙ «˙- «- ' ry«˙ ll place,w and«˙. in«ˆ ll ev«˙ «- «- ' ry«˙ placellw in» - cense=» ll “l w «˙ «˙ _«˙ » » “l b F « « »˙. »œ b - tiles:w and»˙ in»˙ n˙ev» w- - ' ry»˙ wplace, and»˙ b˙ in» n˙ev« w- - ' ry˙« placew in» - cense» “l======& b » » ll » » ll » » ll « « ll » =» ll • “l _»˙ F »˙ (b)»˙ w. ˙» » (b)»˙ n˙» ˙» w. »˙ w « « “l bb - tiles:w and» in» ev - ' ry» place,» and» in» ev» - - ' ry» place in«˙.- cense«ˆ L“l======? b ll ll ll » ll =ll « « « « « « « « ˙« « « « « « « « «˙ «˙ l bb w «˙. «ˆ «˙ «˙ « «˙ w «˙. «ˆ «˙ «˙ «˙ «˙ w »˙. »œ ß======& b w »˙. »œ »˙ »˙ »˙ »˙ w »˙. »œ »˙ »˙ »˙ w» ˙. =» l » « » l » » » l » » l » » _»˙ » l «» « l w˙˙« _«˙ n˙« _w ˙« _w_»˙ b ˙ _«˙ b˙« « « _«˙. _«ˆ Íl b »« (b)»˙ w.« »˙« » ( )» n˙» »˙« n˙w«. w ˙»« ww ˙«. b b w » » l » l » » » l » l »˙. »œ l ======l ? l l l l » =» l

14 15 16 17 18 ¬ b ˙» « b b » »˙ »˙ »˙ n˙« ÓÓ˙» »˙ »˙ »˙ »œ »œ w »˙ »˙ w »˙. »œ “======l & shall» be» of» - fer'd» ll up un» - l»to » » my» » lName: for» my» Namel shall» =be» l “l b « « “l b b n˙« »˙ « « « « w w. n˙« w « « «. « ======& shall« be» of«˙ - fer'd«˙ ll «˙up «˙un - to ll my Name:ll for«˙ my«˙ Namell w shall«˙ =be«ˆ ll “l » “l b ˙ »˙ ˙ »˙ »˙ »˙ w b b » » »˙ » »˙ ÓÓ» » » w »˙ »˙ w »˙. »œ “l======& shall» be of» - fer'd» ll up» un - llto my Name:ll for» my» Namell shall» =be» ll “l • - ˙ ˙ “l b « ˙ « ˙» ˙ « ˙» » » w »˙. »œ b shall«˙ be»˙ of» - fer'd«˙ up» ÓÓ˙un» - to» »˙ «˙ my» Name:w for» my» Name shall» be» “Ll======? b » » ll » » ll» » » ll ll =ll « « « « « « « « « « « l b «˙ «˙ « « « « « «˙ «˙ «ˆ « «˙ «˙ w˙«. «ˆ ß b b n˙» »˙ »˙« »˙« n˙« w «˙ w«.˙ n˙» «ˆ w w »˙. »œ l======& » »« » » »˙ »˙ « « « » »˙ »˙ » =» _«˙ _«˙ « _«˙ l « _«˙ l_«˙ _«˙ _w lw «˙ «˙ l « « l Íl _ _ _«˙ _ _«˙ _Ó _Ó ______»˙ _»˙ w »˙«. »œ«ˆ b »˙ »˙ »˙ »˙ l »˙ ÓÓÓÓ˙» l»˙ »˙ »˙ »˙ lw » » l » » l l======? b b » » » » l » » l» » » » l l » =» l

48 n sacred music colloquium 2017 tuesday, june 20 tuesday, june 20 sacred music colloquium 2017 n 49 Page - 3

19 20 21 22 23 ¬ b w.> « « . w »˙ »˙ b b »˙ »˙ ˙» n˙« »˙ ˙» « »˙ »œ ˙» ˙» » »œ »œ »˙ » “======l & great a» - mongll» » the» heal » - ˙«then, »for my» lName shall» be» greatl » a» »- mong» =the» l “l “l bbb >. « . « « « «. « « « « « « « ======& greatw a«˙ - mongllw #˙the« heall «˙ - then«˙ for«˙ my«ˆ ll Namenw shall«˙ «˙be greatll «˙ a-«˙ mong« =«˙the ll “l «˙ “l > ˙ « bbb w. »˙ » w˙» »˙ »˙ »˙. »œ w »˙ »˙ »˙ n˙« »˙ »˙ “======l & great a» - mongll» the» heall » - then,» for» my» llName shall» be» greatll » a-« mong» the=» ll “l • > “l b w. « « « »˙ »˙ »˙. »œ ˙» « »˙ « ˙» b great a«˙ -mong˙« « thew hea» - then,» for» my» Namew shall» be»˙ great˙« a-» mong«˙ the» L“l======? b ll «˙ ll ll » » ll » =» ll « « « « « « « « « « l b w. « « « « ˙« « « ˙«. ˆ« w « « «˙ ˆ« « ˙« «˙ ß b b w. ˙« w«˙. «˙ n˙« ˙« »«˙ »˙. »œ »˙« «˙ «ˆ »˙ l======& » #˙» » » » » nw » »˙ »˙ »˙ »˙ » = « l_«˙ « l « « « « l « « l «» » «» « l Íl w. _«˙ _ _w _«˙ _«˙ «˙ «˙.ˆ« w «˙ «˙ _˙« n˙« «˙ «˙ b w. l w l »˙ »˙ »˙. »œ l w »˙ »˙ l »˙ »˙ l ======? b b »˙ »˙ »˙ » » » » » » »˙ » »˙ » = l » l» » l l » l » » l

24 25 26 27 28 29 ¬ ƒ U bb W w ∑ w « « ∑ w »˙. »œ w ∑ “======l & b hea - ll then, lthus(b saith)«˙. the«ˆ l Lordw ! thusl saith» the» l Lord !=l “l b ƒ « U “l b b « ∑ « « ∑w ˙«. « ∑ ======& heaw. - ˙«- ll then, llthusw saith« theˆ« ll Lordw ! thusll saith« theˆ« ll Lordw !=ll “l w «˙. “l b « « ƒ Z U b b «˙ nˆ««w w w w »˙. »œ w w w »˙. »œ w ∑ “======l & hea - «ˆ- - - ll then, thus ll saith» the» ll Lord ! thus ll saith» the» ll Lord !=ll “l • U “l b W ƒ w »˙. œ w »˙. œ b hea - then,w ∑ thus saith» the» Lordw ! ∑ thus saith» the» Lordw ! ∑ “L======l ? b ll ll » » ll ll » » ll =ll U l b « « w »˙. »œ w ß b b W w∑∑ w b˙«. «ˆ w ∑∑ w »˙. »œ w ∑ l======& _˙W _» »˙ w w »˙. »œ w » »œ« = ∑« » l ƒ l »« _«ˆ l Z l « _«ˆ l w l Íl «˙ nˆ« «ˆ w w w w «˙. _ _w w ww˙«. _ _w bb w w l w ∑ l »˙ »œ l w ∑ l »˙ »œ l w ∑ l l======? b w l l » » l l » » l u=l

50 n sacred music colloquium 2017 tuesday, june 20 tuesday, june 20 sacred music colloquium 2017 n 51 Page - 4

30 31 32 33 ¬ b F « « »˙. « « b b « « « « « « ˙» . œ» » »œ »œ »œ ˙» «˙. «ˆ “======l & ∑From˙«. ˆ«the ll ri˙« -sing˙« of˙« the˙« lsun» un» - to» the» gol » -ing» down» of the=l “l b F « « « “l b b « « « « « « «ˆ «ˆ « « « « ======& ∑From« the« ll ri« -sing« of«˙ the«˙ llsun«˙ un«˙ - to«˙ the«˙ goll -ing down«˙ «ˆ of«ˆ the« =ll “l _«˙. _«ˆ _«˙ _«˙ «˙ “l F ˙ ˙ ˙ « bbb «. « « « »˙ » »˙ »˙ » »˙ »œ »œ » »˙ ˙« “======l & ∑From«˙ «ˆthe ll ri«˙ -sing«˙ of» the» llsun» un» - to» the» goll » -ing» down» of» the« =ll “l • œ» “l b F ˙» . œ» ˙» ˙» « « « » »œ »˙ ˙» »œ »œ »˙ »˙. »œ b ∑From» »the ri» -sing» of˙« the˙« sun«˙ un» »- to» the» go» -ing» down» of» the» L“l======? b » » ll » » ll » ll » =» ll « « « « « « « « « l bb ∑ « « « « « « «˙. «ˆ «˙. «ˆ «ˆ «ˆ «˙ « « ß======& b «˙. «ˆ «˙ «˙ »˙« »˙« »˙ »˙ »˙ »˙ »œ »œ »˙ »œ«˙. »œ «ˆ= l _»˙. _»œ l _»˙ _»˙ » «» l «» «» «» » l « «» » » »˙ l F «» »« «» «» _«˙ _«˙ _«˙ _«˙ _«˙ « _«ˆ _«ˆ _«˙ _«˙ « Íl «˙. «ˆ «˙ «˙ »œ »œ »˙ «˙ »œ »œ »˙ ˙» . «˙ œ» bbb ∑ »˙. »œ l »˙ »˙ »˙ »˙ l »˙ » » » »˙ l » » » » » l ======l ? » » l » » » » l » » l » »=l

34 35 36 37 ¬ b « f w ˙ b b « « « »œ. »œJ w »˙ »˙ »˙ »˙ » »˙ w “l======& same,«˙ my«˙ Name«˙ shall» be» ll great, shall» » be greatl » a» - mong l » the» Gen= - l “l “l bbb « Ó∑ Ó f « « « « ÓÓ « « « ======& same˙« ll my« Name˙« shall«ˆ. «jˆbe ll ˙«great a˙« - mongll «˙ the«˙ wGen= - ll “l _˙« “l b f « « « « b b »˙ « « »œ. »Jœ »˙ w ˙« « ÓÓ »œ »œ n˙« w ˙« “======l & same» my«˙ Name«˙ shall» be» ll great,» shall be ll «˙great a» »- mongll the Gen= -ll “l • “l b »˙ f « « . »˙ »˙ »˙. »œ w b same» Ó∑ Ó my« Name«˙ shall»œ be»Jœ great» ÓÓ a» - mong» the» Gen - “Ll======? b » ll «˙ » » ll » » ll » » =ll « « l b « « « « « « « « w «˙ « ß b « «Ó «∑ «ˆ. «jˆ wÓ «˙ «˙ J «˙ «Ó˙ Ó «˙ w ======& b ˙»« ˙« «˙ ˙» »œ. »œ »˙ »˙ w w l » l « _»˙ » » » l « l l «˙ f « «ˆ.ˆ« _«˙ « « _«ˆ ˆ« « w « Íl b »˙ «˙ «˙ j l w «˙. l ˙« ˙ « l n˙»˙«. w «˙ l b b » Ó ∑ Ó »˙ »˙ »œ »Jœ » ÓÓÓÓ » » »œ ======l ? » l » » » » l » » l » l

50 n sacred music colloquium 2017 tuesday, june 20 tuesday, june 20 sacred music colloquium 2017 n 51 Page - 5

38 39 40 41 42 ˙» ¬ bb w »˙. »œ »˙ »˙ » »˙ w »˙. »œ »˙ »˙ »˙ »˙ w »˙ »˙ “======l & b tiles: and» in» ll ev» -» -» ' ry» place,l and» in» l ev» -» »- ' ry» lplace in» - cense»=l “l “l bbb « « « « « « « « « « « « « ======& - tiles: and«˙. in«ˆ ll ev«˙ -«˙ -« ' ry«˙ place,llw and«˙. in«ˆ ll ev«˙ -« «- ' ry«˙ llplacew in«˙ - cense«˙=ll “l w «˙ «˙ _«˙ “l « « bbb w »˙ »˙ n˙» w »˙ w »˙ b˙» n˙« w ˙« w »˙ »˙ “======l & - tiles: and» in» ll ev» - - ' ry» place,ll and» in» ll ev« - - ' ry« ll place in» - cense»=ll “l • ˙» _»˙ b ˙» “l b » (b)»˙ w. »˙ » ( )» n˙» »˙ w. »˙ »˙ »˙ b - tiles:w an» in» ev - ' ry» place, » and» in» ev - ' ry» placew in» - cense» L“l======? b ll ll ll » ll =ll « « « « « « « « « « « « « « l b «˙. «ˆ «˙ «˙ «˙ «˙ w « « « «˙ «˙ « w «˙ «˙ ß b b w »˙ w «˙. «ˆ «˙ «˙ l======& w »˙. »œ »˙ »˙ »˙ » »˙. »œ »˙ »˙ _»˙ »˙ w »˙ »˙= « « l « » » « l «» « » l » »« »« l » » l Í w «»˙ b_»˙« n˙« _w «˙ _w_»˙ b »˙ n˙_«˙ b˙« n˙« «˙ «˙_˙ ˙« w w l b » ( )» l w. »˙ l » ( )» » »˙ l w«. »˙« l »˙ »˙ l ======l ? b b w » l » l » » l » l w » » =l

43 44 45 46 47 48 « U ¬ b « « « « « « « « ƒ ww˙» . œ» W b b shall˙« be«˙ of˙« -fer'd« «up ÓÓun« - to« « »˙. myˆ«Name, thus saith» the» Lord ! “======l & «˙ ll˙« «˙ l ˙« «˙ » lw l » » l =” “l b « « « « « U “l b b « « « « « « ƒ w˙« «ˆ « «˙. «ˆ ======& shall«˙ be«˙ of« -fer'd«˙ ll«up un-« wto llw. my« Namellw thus ll «ˆsaith the ll LordW !=” “l «˙ «˙ _«˙ «˙ “l b ˙ « « « « « « « « ƒ ˙ U b b »˙ » ˙« «˙ «˙ ÓÓ˙« «˙ «˙ «˙ «˙ w » b˙» b˙» »œ »œ »˙ »˙ W “======l & shall» be» of« - fer'dll up un -llto my Name,ll thus» » llsaith» » » » the» ll Lord !=” “l • U “l b »˙ »˙ ˙» ˙ « »˙ »˙ »˙ ˙» « w ƒ w w W b shall» be» of» -fer'd» ˙«up ÓÓun» - to» » » my˙« Name, thus saith the Lord ! “Ll======? b » » ll ll » ll ll w ll =” « « U l b « « « « « « « « w w «˙. «ˆ W ß b b «˙ «˙ «˙ « « Ó Ó « « « «˙ «ˆ «ˆ w »˙ œ ˙. œ ======& »˙ »˙ »˙ »˙« »˙« w «˙ «˙w.«˙ »˙ w » » »œ » » W = l »« »« » » l» _»˙ l » l « « l « l ” _«˙ _«˙ « ˙« ˙« » «˙ _«˙ ˙« _«˙ ˙« w _«˙ b˙_« b˙_« _«ˆ ˆ« _«˙ _«˙ W Íl b »˙ »˙ »˙« « « »˙ »˙ »˙« »˙ « w w « b b » » » »˙ l»˙ ÓÓÓÓ » l » » » »˙ lw l w l W ” l======? » l» l » » l l l u =”

52 n sacred music colloquium 2017 tuesday, june 20 tuesday, june 20 sacred music colloquium 2017 n 53 18

LITURGY OF THE EUCHARIST ORATE, FRATRES O$ O$ < B. Pray, brethren (brothers and sisters), that my sacriﬁce andO$ yours mayO$ be acceptable to God, the almigh ty Fa ther. < O$ O$< A. May the Lord accept the sacriﬁce at your hands for the praiseO$ and glory of his name, for ourO$ good andO$< the good of allO$ his ho ly Church. PREFACE DIALOGUE < B. The LordЁ be with you. A. And withЁ your spirit. ᠁ Ё ᠁ ᠁ ᠁ < B. Lift up your hearts. A. We lift them up to the Lord. < B. Let us give thanks to the LordЁ our God. Ё ᠁ A. It is right and just.

52 n sacred music colloquium 2017 tuesday, june 20 tuesday, june 20 sacred music colloquium 2017 n 53 Holy, Holy, Holy

Theodore Marier adapted by Scott Turkington Celebrant or Cantor All

                 Ho - ly, ho - ly,  ho - ly Lord, God of hosts,

                        Organ                        +Ped. Choir only                              hea - ven and earth are full of your glo -                         Heav'n and earth are full of your glo  -                        Heav'n and earth  are full of your glo -

                          Heav'n and earth are full of your glo -                                                                         

54 n sacred music colloquium 2017 tuesday, june 20 tuesday, june 20 sacred music colloquium 2017 n 55 54 n sacred music colloquium 2017 tuesday, june 20 tuesday, june 20 sacred music colloquium 2017 n 55 56 n sacred music colloquium 2017 tuesday, june 20 tuesday, june 20 sacred music colloquium 2017 n 57 LITURGY OF THE EUCHARIST 19 SANCTUS ᐁ ᐁ < H O-ly, ho-ly, ho ly Lord God of hosts. Heav en and earth are full of your glo ry. Ho san na in the high est. = Bless ed is he who comes in the name of the Lord. Ho- = sanЁ na in the high᠁ est.Ё MEMORIAL ACCLAMATION 20B . The mysЁ ter- y of faith.ORDER OF MASS A C 20 ORDER OF MASS C ᠁ < . WeЂ pro claim your death, O Lord, and pro fess your < AA. Save us, Sav ior of the world, for by your Cross and Ђ ᠁ < A . Save us, Sav ior of the world, for by your Cross and Res ur recЁ tion un til you comeЁ a- gain. ResurrecЁ tion you have setЁ us free. B DOXOLOGY ResurrecЁ tion you have setЁ us free. DOXOLOGY < A. When we O$eat this Bread and drink Ё this Cup, weO$ pro-< B. Through him, and with him, and in him, O God, al- O$ Ё O$ < B . Through him, and with him, and in him, O God, al- claimO$ your death, ЁO$ O Lord, until you᠁ comeЁ Ё a- gain. < mightyO$ Father, inO$ the unity of the Ho-᠁ ly Spir-it, all glo- mighty Father, in the unity of the Ho-ly SpirЁ -it, all glo-< O$ ᠁ Ё Ё Ё ry and hon or isO$ yours, for ever and ever. Amen. Thery Lord’sand Prayerhonor, p. is21, yours,22, or 23, forfollows.ev-᠁ erЁ and ev-Ё er. A men.Ё

The Lord’s Prayer, p. 21, 22, or 23, follows.

56 n sacred music colloquium 2017 tuesday, june 20 tuesday, june 20 sacred music colloquium 2017 n 57 COMMUNION RITE 23 THE LORD’S PRAYER: TONE C (SOLEMN ANAPHORA TONE) O$ O$ < B. At the Savior’s command, and formed by di-vineЁ teaching, we dareЁ to say:

Ё ᠁ O Ur FaЁ ther, who art in heaven, hal lowed be thy = ᠁ name; thyЂ kingdom come, thy willЁ beO$ done onO$ earth as = Ё it is in heaven. GiveO$ us this day our dai- ly bread, = O$ < and for give us our tres-pass-es, as we forgive those who tres- pass a-gainst us: andЂ lead us notO$ into temp-ta-Ё< O$ tion, but deliver us from e-vil. The Embolism, p. 24, follows.

58 n sacred music colloquium 2017 tuesday, june 20 tuesday, june 20 sacred music colloquium 2017 n 59 24 ORDER OF MASS EMBOLISM O$ O$ < B. De liv-er us, Lord, we pray, from every e-vil, graciously grantO$ peace in our days, that, byO$ the help of your mer- < cy, weO$ may be always free from sin and safe from all < dis tress, as we await the bless ed hope andO$ the coming < of our Savior, Je sus Christ. DOXOLOGY O$ A. For the kingЁ dom, the power, and the glory are yours, = now and for ev er.

58 n sacred music colloquium 2017 tuesday, june 20 tuesday, june 20 sacred music colloquium 2017 n 59 COMMUNION RITE 25 SIGN OF PEACE O$ O$ < B. Lord Jesus Christ, who said to your Apostles: Peace I leaveO$ you, my peace I give you, look notO$ on our sins, < butO$ on the faith of your Church, andO$ graciously grant < herO$ peace and unity in accordance with your will. = O$ ᠁ < Who live and reign for ever and ev-er. A.A men.Ё < B. The peace of the Lord be with you always. A. And with your spirit.

Then, if appropriate, the Deacon, or the Priest, adds: O$ B. Let us offer each other the signЁ of peace.

60 n sacred music colloquium 2017 tuesday, june 20 tuesday, june 20 sacred music colloquium 2017 n 61 60 n sacred music colloquium 2017 tuesday, june 20 tuesday, june 20 sacred music colloquium 2017 n 61 62 n sacred music colloquium 2017 tuesday, june 20 tuesday, june 20 sacred music colloquium 2017 n 63 62 n sacred music colloquium 2017 tuesday, june 20 tuesday, june 20 sacred music colloquium 2017 n 63 COMMUNION RITE 27 INVITATION TO COMMUNION O$ O$ < B. Behold the Lamb of God, behold him who takes away the sins of the world. BlessO$ ed are those called to the = O$ < sup per of the Lamb. A. Lord, I am not worthy that youO$ should enter un der my roof, butO$ only say the word < O$ and my soulЁ shall be healed. The Blessing, p. 28, follows the Prayer after Communion. leventh unday in rdinary ime 515 In Pontiﬁcal MassesE the PontiﬁcalS BlessingO , p. 29, followsT the Prayer after Communion. COMMUNION ANTIPHON Unum petii a Domino. Ps 26:4 - i - 7. VbbbbbbjbbbbbbbbbbbbbugbbbbbbbbbbbJIbbjkjbbbbbbbbbbhb.bbbbbbbbb[bbbbbF6bbbbbbbhYbbbbbbbbbbfbbbbbbbbbbbbdbbbbbbbbbbbbdbMbbbbbfhdbbrdbbesbmbbbbbbbbbb{bbbbbbbbbS4bbbbbbbbb 1199 T Here is one thing * I ask of the Lord, on- keep the Lord al-ways be-fore me ; with him at my right VbbbbbhbbbbbbbbbbbbbHUbblbbojbbbbbbbu>gbbbbbb7bb^%$bbbbbbbDR5bb$#bbfbbbbbbbbbbrdbM,bbbbbbbbbbbb]bbbbbbbbbbbhbbbbbbbbbbbbbbbJ9bbbbbbbbbbbbbblbbbbbbbbbbbbbbkbbbbbbbbbbbbb9bb*&bbjbbbbbbbbbbbhbbbbbbbb ly this do I seek : to live in the house of hand, I shall not be moved. Vbbbbkbbbbbbbbbbbjkjb>bbbbbbbbb{bbbbbbbbu>gbbbbbb7bb^%bbbbbbbbbbbfbbbbbbbbbbbbbbDRbbtfbbbbbbbbbbbbdbbbbbbbbbbbbfbbbbbbbbbbbbbbrdbM,bbbbbbbbbb}bbbbbbbbbbbbbbbbbbbbbbbbbbbbbbbbbbbbbbbbbbbbbbbbbbbbbbbbbbbbbbbbbbbbbbbbbbbbbbbb the Lord all the days of my life. - ii - 7. Chant settings by Father Samuel F. Weber, O.S.B. Copyright 2017 Saint Meinrad Archabbey,1200 St. Meinrad, IN 47577-1010. All rights reserved. Used with permission.

n VbbbbbbdbbbbbbbbbbbdbbbbbbbbbbbbGYbbbbbbbbbbbbbbbbbbjb>bbbbbbbbb[bbbbbbbJIbbbbbbbbbygbbbbbbbbbbbbbfbbbbbbbbbbbhbbbbbbbbbbbbhjhb.bbbbbbb{bbbbbbbjbbbbbbbbgbbbbbbbbbbb6bb6bbbbbbbbbbfbbbbbbb n 64 sacred music c olloquium T 2017 Here is one thing * I ask of the Lord, on-ly this do tuesday, june 20 tuesday, june 20 sacred music colloquium 2017 65 keep the Lord al-ways be-fore me ; with him at my right VbdbbbbbbbbbbrdbM,bbbbbbbbb]bbbbbbdbbbbbbbbbfbbfbbbbbbbbbdbbbbbbbbbbbbbbfbbbbbbbbbbbbbbbbbbfbbbbbbbbbbbbbbbdbbbbbbbbbbbbbbsbbbbbbbbbbbbbbbbDRbM,bbbbbbbbbb{bbbbbbbbjbbbbbbbbbbbbbbkbbbbbbbbbbbbbbyfbbbbbbbbbbbbbbbbgbbbbbbbbbbb I seek : to live in the house of the Lord all the days of

hand, I shall not be moved. VbbbbbbfbbbbbbbbbbbbbdbMbbbbbbbb}bbbbbbbbbbbbbbbbbbbbbbbbbbbbbbbbbbbbbbbbbbbbbbbbbbbbbbbbbbbbbbbbbbbbbbbbbbbbbbbbbbbbbbbbbbbbbbbbbbbbbbbbbbbbbbbbbbbbbbbbbbbbbbbbbbbbbbbbbbbbbbbbbbbbbbbbbbbbbbbbbbbbbbbbbbbbbbbbbbbbbbbbbbbbbbbbbbbbbbbbbbbbbbbbbbbbbbbbbbbbbbbbbbbbbbbbbb my life. ______VERSES Quoniam abscondit me. Ps 26:5 = 1 VbbbbygbbbbbbbbHUbbbbbbbbbbbbbbbjbbbbbbbbbbbbbjbbbbbbbbbbbbbjbbbbbbbbbbjbbbbbbbbbbjbbbbbbbbbbbbbblbbbbbbbbbbbbbbkbbbbbbbbbbbbjbbbbbbbbbbbkbbbbbbbbbbbbbkb/bbbbbbbbbb]bbbbbbbbbjbbbbbbbbbbbbjbbbbb 1201 H E will conceal me in the shel-ter of his tent, * he will VbbbbbjbbbbbbbbbbbjbbbbbbbbbbbbbbbkbbbbbbbbbbbbbbjbbbbbbbbbbbbbhbbbbbbbbbbbbhbbbbbbbbbbbbbbbG7b<>bbbbbbbbb}bbbbbbbbbbbbbbbbbbbbbbbbbbbbbbbbbbbbbbbbbbbbbbbbbbbbbbbbbbbbbbbbbbbbbbbbbbbbbbbbbbbbbbbbbbbbbbbbbbbbbbbbbbbbbbbbbbbbbbbbbbbbbbbbbbbbbbbbbbbbbbbbbb set me high upon a rock.

Job Name: 5303 PDF Page: txt_5303.p539.pdf 516 Eleventh Sunday in Ordinary Time

Conserva me, Domine. Ps 26:6 = 2 1202 VbbbygbbbbbbbbbbHUbbbbbbbbbbbbjbbbbbbbbbbbbjbbbbbbbbbbbbbjbbbbbbbbbbbjbbbbbbbbbbjbbbbbbbbbbbbbbjbbbbbbb[bbbbbbjbbbbbbbbbjbbbbbbbbbjbbbbbbbbbjbbbbbbbbbbbbbbjbbbbbbbbbbbbbbbbbbbbblbbbbbbbbbbbbb A ND I will offer in his tent sac-ri-fic-es with shouts Vbbbbkbbbbbbbbbbbbbjbbbbbbbbbbbbbbbkb/bbbbbbbbb]bbbbbbbbbjbbbbbbbbbbbbbjbbbbbbbbbbbbbbbbjbbbbbbbbbbbbbbbbjbbbbbbbbbbbbbbbbbbjbbbbbbbbbbbbbbbbbbbkbbbbbbbbbbbbbbbjbbbbbbbbbbbbbbbhbbbbbbbbbbbbbbbhbbbbbbbbbbbbbbbG7b>bbbbbbbbbbb{bbbbbbbbbbbbbjbbbbbbbbbbbbbbjbbbbbbbbbbbbbbbbbbbbbjbbbbbbbbbbbbbbbbbbbbbbbjb>bbbbbbbbbbbbb{bbbbbbbbbbbbjbbbbbbbbbbbb O F you my heart speaks ; you my glance seeks ; your Vbbbbbblbbbbbbbbbbbbbkbbbbbbbbbbbbbbbbbkbbbbbbbbbbbbbbjbbbbbbbbbbbbbkbbbbbbbbbbbbbbkb/bbbbbbbbbbbb]bbbbbbbbbbbbjbbbbbbbbbbbbbbbbkbbbbbbbbbbbbbbbbjbbbbbbbbbbbbbbbbbbbhbbbbbbbbbbbbbbbbbbhbbbbbbbbbbbbbbbbG7b>

= 5 1205 VbbbbbbbbygbbbbbbbbbbbbbbbbbHUbbbbbbbbbbbbbbbbjbbbbbbbbbbbbbjbbbbbbbbbbbbbbbjbbbbbbbbbbbbbbbbbblbbbbbbbbbbbbbkbbbbbbbbbbbbbkbbbbbbbbbbbbbjbbbbbbbbbbbbbbkb/bbbbbbbbbbb]bbbbbbbbbbjbbbbbbbbbbbbjbbbbbbb T Hough my fa-ther and moth-er forsake me, * yet will VbbbbbbbjbbbbbbbbbbbbbbbkbbbbbbbbbbbbbbbbbjbbbbbbbbbbbbbhbbbbbbbbbbbbbbbG7b>

Chant settings by Father Samuel F. Weber, O.S.B. Copyright 2017 Saint Meinrad Archabbey, St. Meinrad, IN 47577-1010. All rights reserved. Used with permission. 64 n sacred music colloquium 2017 tuesday, june 20 tuesday, june 20 sacred music colloquium 2017 n 65

Job Name: 5303 PDF Page: txt_5303.p540.pdf O Lord Increase my Faith h=72 Orlando Gibbons                    O Lord, in -crease my faith, strength -en me and con -firm me in                  O Lord, in -crease my faith, strength -en me and con - firm                   O Lord, in -crease my faith, strength -en me and con -firm me                   O Lord, in -crease my faith, strength -en me and con - firm

5                 thy true faith; en -due me with wis -dom, with wis - dom,

          me in thy true faith; en due me with wis -dom, with wis -dom, en - due me with                in thy true faith; en - due me with wis - dom,              me in thy true faith; en - due me with wis - dom,

9               char -i - ty, char -i - ty and pa -                   wis - dom, char -i - ty, char -i - ty, and pa - tience, and pa -                    char -i - ty, char -i - ty, and pa -tience, and pa ---             char -i - ty, char -i - ty, and pa --

66 n sacred music colloquium 2017 tuesday, june 20 tuesday, june 20 sacred music colloquium 2017 n 67 2 13            tience in all my ad- ver --si          tience in all my ad- ver ---   si                  tience in all my ad- ver - si - ty, in all my ad- ver --si               tience in all my ad- ver - si - ty, ad - ver ---si -

16                    ty. Sweet Je -sus say A - men, sweet Je -sus, say A -men, sweet Je-                    ty. Sweet Je -sus, say A -men, sweet Je -sus, say A -Amen, -men, sweet Je-                   ty, Sweet Je -sus, say A - men, Sweet Je - sus,say A - men,                 ty, Sweet Je - sus,say A - men, Sweet Je -sus say A - men,

21               -sus, say A - men, sweet Je -sus, say A - men.             -sus say A - men, sweet Je -sus, say A -amen, - men.                Sweet Je- sus, say A -men, say A - men.                 Sweet Je -sus, say A- men, A -Amen, - men.

66 n sacred music colloquium 2017 tuesday, june 20 tuesday, june 20 sacred music colloquium 2017 n 67 28

CONCLUDING RITES BLESSING < B. The Lord be with you. A. And with your spirit. O$ < B. May almighty God bless you, the Father, and the ᠁ Ё Son, and the Holy Spir-it. A.Amen. The Dismissal, p. 30, follows.

30On Easter Sunday, the Octave ORDERof Easter, OF MASSand in the Mass during the Day on Pentecost Sunday the Paschal Dismissal, p. 31, follows. DISMISSAL A Ѓ ᠁ Ё Ѓ ᠁ B. Go forth, the Mass is ended. A. Thanks be to God. B Ё Ѓ ᠁ < B. Go and announce the Gospel of the Lord. Ѓ ᠁ A. Thanks be to God. C O$ Ѓ ᠁ < B. Go in peace, glorifying the Lord by your life. Ѓ ᠁ A. Thanks be to God. D

68 n sacred music colloquium 2017 tuesday, june 20 tuesday, june 20 sacred music colloquium 2017 n PB ᠁ Ё ᠁ ᠁ ᠁ B. Go in peace. A. Thanks be to God. Wednesday J

3:45 p.m. June 21 St. Mark

Votive Mass of St. Paul Ordinary form

Order of Mass: Parish Book of Chant, page 2

Mass readings: page 251

PB n sacred music colloquium 2017 sacred music colloquium 2017 n 69 For I know whom I have believed, and I am certain that he is able to guard until that day what has been entrusted to me. Ps. O Lord, you have searched me and known me! You know when I sit down and when I rise up.

70 n sacred music colloquium 2017 wednesday, june 21 wednesday, june 21 sacred music colloquium 2017 n 71 3

70 n sacred music colloquium 2017 wednesday, june 21 wednesday, june 21 sacred music colloquium 2017 n 71 O$ O$< I confess * to almighty God and to you, my brothers and O$ O$< sisters, that I have greatly sinned in my thoughts and in O$ O$ < my words, in what I have done and in what I have failed O$ O$ O$ < to do, through my fault, through my fault, through my 4 ORDER OF MASS In this ﬁrst greeting, a Bishop, inO$ place of The Lord be with you, says: < most grievous fault; INTRODUCTORYtherefore I RITES ask blessed Mary ever- 5 B.O$ Peace beO$with you. A. And with your spirO$

72 n sacred musicVirgin, colloquium 2017 all the Angels and Saints, and you, my brotherswednesday, june 21 wednesday, june 21 sacred music colloquium 2017 n 73 O$ O$ < and sisters, to pray for me to the Lord our God. O$ O$ < B. May almighty God have mercy on us, forgive us our O$ ᠁ Ё sins, and bring us to everlasting life. A.Amen.     Intoned  by cantor,  women    begin,  alternatim,   tutti BzbsvbvzwavzzbSRz#z!bnvvvzbeszfzrÌsbvv‚avvbsvvbsbmvvbbvv}vvvvvzzgvvzz5z$#@bNvz5z$#z!bnvvbzzeszfzrÌsbbbbñ BzbsvbvzwavzzbSRz#z!bnvvvzbeszfzrÌsbvv‚avvbsvvbsbmvv bbvv}vvvvvzzgvvzz5z$#@bNvz5z$#z!bnvvbzzeszfzrÌsbbbbñ   Bzzzb‚avbzzbsvbvsbmvvzzvb}vvvvbSØYvbbbzzbygzbbbzzbzHÛOzâ*&z%b,vvzbzzzuhzkziÐhvzzzbßgbbvzzhbvvbhb.vvv}vvvvbbSØYvzzzzbygbvbvHÛOzâ*&z%b,vbbbb÷ Bzzzb‚avbzzbsvbvsbmvvzzvb}vvvvbSØYvbbbzzbygzbbbzzbzHÛOzâ*&z%b,vvzbzzzuhzkziÐhvzzzbßgbbvzzhbvvbhb.vvv}vvvvbbSØYvzzzzbygbvbvHÛOzâ*&z%b,vbbbb÷ Bzvuhzkz8zà^%zhzhvbbzz[vzsÎÌhgzHÛOzâ*&z%b,vuhzkz8zà^%zhzhvzbb[vbbz6z%Þ$#@bNvvbbzbbËWvzzzbbfzfzvvsbvvzsbmvv}xcbb Bzvuhzkz8zà^%zhzhvbbzz[vzsÎÌhgzHÛOzâ*&z%b,vuhzkz8zà^%zhzhvzbb[vbbz6z%Þ$#@bNvvbbzbbËWvzzzbbfzfzvvsbvvzsbmvv}xcbb     Intoned  by priest;   cantor BbbzhvvztfvvbGYvbbbvgvvbzbbÝdvbvvfvvzSEvvvvzb4z#@vzbbsbmvzbz}zvvbsvvbbzvvvbzbhvbvzbGYvbvvzàhvvvvzbhbbbbbbø begins at BbbzhvvztfvvbGYvbbbvgvvbzbbÝdvbvvfvvzSEvvvvzb4z#@vz bbsbmvzbz}zvvbsvvbbzvvvbzbhvbvzbGYvbvvzàhvvvvzbhbbbbbbø Et in terra;   women  begin at Laudamus te, BvzkzkvzGYvvbhb.vzz[vbzhvvzbßgvvvzfvvbbbvvvhb.vbvzhb.vzb}zbvzzvvvvgvvzzzrdvvzbzsbmvz}zzzbzbavvSRvvzzÞfvvbsvvvAWbbbbbò alternatim, BvzkzkvzGYvvbhb.vzz[vbzhvvzbßgvvvzfvvbbbvvvhb.vbvzhb.vzb}zbvzzvvvvgvvzzzrdvvzbzsbmvz}zzzbzbavvSRvvzzÞfvvbsvvvAWbbbbbò tutti at  amen Bzzbsbmvb}zbzbzhvvzbtfbbvzzgvvvGYvvvzzhb.vb}vbvàhvvbkvvbKOvzbbzblbvvzbzijvvzzhb.vzb}vbzzzàhvvbgbvvbfvbbvzbGYvzbzbbÞfvvzbbgbbbbbô Bzzbsbmvb}zbzbzhvvzbtfbbvzzgvvvGYvvvzzhb.vb}vbvàhvvbkvvbKOvzbbzblbvvzbzijvvzzhb.vzb}vbzzzàhvvbgbvvbfvbbvzbGYvzbzbbÞfvvzbbgbbbbbô Bzbzfb,bzvzbbbzsbmvzbb[bvbbavvvzvvvvbzbvbbvvfvvvvvvbrdvbzzsvvbvvbvvzbsbmvvbbzsbmvv}vvzzàhvbvgvvbfvbvvzbGYvvbhb.zbbbbb[bö Bzbzfb,bzvzbbbzsbmvzbb[bvbbavvvzvvvvbzbvbbvvfvvvvvvbrdvbzzsvvbvvbvvzbsbmvvbbzsbmvv}vvzzàhvbvgvvbfvbvvzbGYvvbhb.zbbbbb[bö Bzbzzbhvzbbvbzztfvvbgzgbvzzsbmvzbzb[vzzbavvzSRvvbbzzvbFTvvbbfvbvzbbrdvvzzbbsvvzzbAWvvzsbmvvz}vbvzbàhvbvbgvvbfbvvzbGYbbbvbhb.vbbbb[ö Bzbzzbhvzbbvbzztfvvbgzgbvzzsbmvzbzb[vzzbavvzSRvvbbzzvbFTvvbbfvbvzbbrdvvzzbbsvvzzbAWvvzsbmvvz}vbvzbàhvbvbgvvbfbvvzbGYbbbvbhb.vbbbb[ö Bbbzzbhzbbbvtfbbbzvgvvvrdvzzbbsbmvzbb[vzfzrdvzzbbAWvbbbbvvvvzzsbmvvvbsbmvzbb}vbbzbzàhvbvgbvvfvbvvzbGYvvbbhb.vzbbz[bbvzbvvvvbzzfbbbbbbbõ Bbbzzbhzbbbvtfbbbzvgvvvrdvzzbbsbmvzbb[vzfzrdvzzbbAWvbbbbvvvvzzsbmvvvbsbmvzbb}vbbzbzàhvbvgbvvfvbvvzbGYvvbbhb.vzbbz[bbvzbvvvvbzzfbbbbbbbõ  72 n sacred music colloquium 2017 wednesday, june 21 wednesday, june 21 sacred music colloquium 2017 n 73  

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10 LITURGY OF THE WORD ResponseBbbzzAW4vbzzzfbvvbÞfvvbbdvvvfvbbbbbvìgvbbbbdvvvvzz5z after theAT first THE reading END OF $#vzzbdbmvzbz}zvvbsvvbbz(see THE Mass FIRST readings READINGvvvbzbhvbvzbGYvbvvzàhvv}zöxcvbbbbbbb in the Appendix, page 251)  O$ O$ B. The Word of the Lord. A. Thanks be to God.   BbvzGYvvvvvgb,vvvz[zzvzbzDRvvvzzzbsbmvv[bzvzbbÝdvvvAT THE END OF THE SECONDvzzgvvz[zbvzbßgvvzhbvvbájvvvvvkbvzzbàhvbbvbvvgzbbbz READING bzFTbbbvõ  O$ O$  74 n sacred music colloquium 2017 wednesday, june 21 wednesday, june 21 sacred music colloquium 2017 n 75 B. The Word of the Lord. A. Thanks be to God. Bbzgb,vvv]vzzvßgvzbbbbbbjbbbbbvvkvvbvvzzzbãlbvbAT THEbbbz; vvbbzbâkvvvzlvbvbjb.vv[zbzbbâkvbvbhvzzbbhbbbbvvzgb, GOSPEL READING vvzbzgb,vzzz]bvzbhbbvzbbzvvzzbzvbbgbbbbbö   < B. The Lord be with you. A. And with your spirit. O$ O$ M" < B. A reading from the holy Gospel according to N. O$ A. Glory to you, O Lord. AT THE END OF THE GOSPEL READING O$ < B. The Gospel of the Lord. Ё A. Praise to you, Lord Jesus Christ. On Sundays and solemnities the Creed, p. 11 or 14, follows. On other days the Prayer of the Faithful, p. 17, follows. For He who worked through Peter for the mission to the circumcised worked through me also for the Gentiles, and they perceived the grace that was given to me. V. But by the grace of God I am what I am, and His grace toward me was not in vain. 74 n sacred music colloquium 2017 wednesday, june 21 wednesday, june 21 sacred music colloquium 2017 n 75 Holy Apostle Paul, preacher of the truth and doctor of the Gentiles, intercede for us.

76 n sacred music colloquium 2017 wednesday, june 21 wednesday, june 21 sacred music colloquium 2017 n 77 10

LITURGY OF THE WORD 17 PRAYER OF THE FAITHFUL < B. TheThe Lordtext thatbe followswith theyou. dagger (†)A . in And the invocationswith your givenspir belowit. can also be used to conclude intentions that are not sung; alternatively, the ﬁnal words of the individual intentions can take its place. O$ A O$ < ' M" B. A readingO$ from O$ the holy Gos pel according to N. < B. (Petition...) + Be pleased to hear us: O$ A. Glory to you, O Lord. A. Lord we ask you, hear our prayer. B AT THEE END OF THE GOSPEL READING ᠁ O$B. (Petition...)O$ O$ + Let us call upon the Lord: = < B. The Gospel of the Lord. ᠁ A. HearЁ us, O Christ. C Ё A. Praise to you,E Lord Jesus Christ. On Sundays andO$ solemnities the Creed᠁ , p. 11 or 14, follows. On other days< the O$ LITURGY OF THE WORD᠁ 17 PrayerB .of(Petition...) the Faithful,+ p.Let 17, usfollows.pray to the Lord: PRAYER OF THEOr: FAITHFUL The text that follows the dagger (†) in the invocations given below can also be used to᠁ conclude intentions that are not sung;᠁ alternatively, the ﬁnal words of the individual intentions can᠁ take its place. Ё A. Lord, hear our prayer. A. Lord, have mercy. A D 'E O$ O$ < . (Petition...)O$ Q O$ Be pleasedQto hear us: Ђ < B. (Petition...) ++ Let us im ploreЂ the Lord: Ký-ri- e, e-lé- i- . Lord weask you, Ђhear our prayer. Ason. A.Ký-ri- e, e-lé- i-son. B 76 n sacred music colloquium 2017 wednesday, june 21 wednesday, june 21 E sacred music colloquium 2017 n 77 ᠁ B. (Petition...)O$ O$ + Let us call upon the Lord: = ᠁ A. HearЁ us, O Christ. C E O$ O$ ᠁ ᠁ < B. (Petition...) + Let us pray to the Lord: Or: ᠁ ᠁ ᠁ Ё A. Lord, hear our prayer. A. Lord, have mercy. D E O$ Q O$ Q Ђ < B. (Petition...) + Let us im ploreЂ the Lord: Ký-ri- e, e-lé- i- Ђ son. A.Ký-ri- e, e-lé- i-son. But to me Thy friends, O God, are made exceedingly honorable: their principality is exceedingly strengthened.

78 n sacred music colloquium 2017 wednesday, june 21 wednesday, june 21 sacred music colloquium 2017 n 79 To Alan Gray and the Choir of Trinity College, Cambridge Beati Quorum Via Psalm CXIX, 1. S.S.A.T.B.B. unaccompanied C. V. Stanford, Op. 38 (1852 - 1924) Con moto tranquillo ma non troppo lento Ed. J. Cooke  p  Soprano I                      Be - a - ti quo-rum vi - a in - te-gra p  Soprano II                        Be - a - - ti quo-rum vi - a in - te-gra

p Alto                          Be - a - - ti quo-rum vi - a in - te-gra

Tenor             

Bass I          

Bass II           

8               est:               est: 

           est: p                      Be - a - ti quo-rum vi - a in - te-gra p                         Be - a - - ti quo-rum vi - a in - te-gra p                        Be - a - - ti quo-rum vi - a in - te-gra © 2008 by the Choral Public Domain Library (http://www.cpdl.org) 78 n sacred music colloquium 2017 wednesday, june 21 wednesday, june 21 sacred music colloquium 2017 n 79 Edition may be freely distributed, duplicated, performed or recorded. 2 16                     Be - a - ti quo-rum vi - a in - te-gra est:                     Be - a - ti quo-rum vi - a in - te-gra est, quo rum vi -                      Be - a - ti quo-rum vi - a in - te-gra est, quo rum vi -                      est: quo-rum vi - a in - te-gra est,

                        est: quo-rum vi - a in - te-gra est, quo-rum

                        est: quo-rum vi - a in - te-gra est, quo -rum

24                     vi - a in - te-gra est: Qui am-bu-                - a in - te-gra est: Qui am-bu-             - a in - te-gra est: Qui am-bu-                            vi - a in - te-gra est: Qui am-bu - lant in le - ge Do - mi - ni,                           vi - a in - te-gra est: Qui am-bu - lant in le - ge Do - mi - ni,                           vi - a in - te-gra est: Qui am-bu - lant in le - ge Do - mi - ni,

80 n sacred music colloquium 2017 wednesday, june 21 wednesday, june 21 sacred music colloquium 2017 n 81 3 32 cresc.                         lant in le - ge Do - mi - ni, in cresc.                       lant in le - ge Do - mi - ni, in le- ge Do - cresc.                      lant in le - ge Do - mi - ni,  in le - ge Do - mi - ni, in cresc.                              in le - ge Do - mi - ni, in le - ge Do - mi - ni, in    cresc.                          in le - ge Do - mi - ni, in le - ge Do-mini, Do - mi - ni, in cresc.                         Qui am - bu-lant in le- ge Do - mi - ni, in

40 f   p pp                          le - ge Do - mi - ni. Be - a - ti, Be - a - ti, f  p pp                   - mini, Do - mi - ni. Be - a - ti, Be - a - ti, f  p pp                   le - ge Do - mi - ni. Be - a - ti, Be - a - ti, f  p pp                     le - ge Do - mi - ni. Be - a - ti, Be - f    p    pp                  le - ge Do - mi - ni. Be - a - ti, Be - f p      pp                      le - ge Do - mi - ni. Be - a - ti, Be -

80 n sacred music colloquium 2017 wednesday, june 21 wednesday, june 21 sacred music colloquium 2017 n 81 4 50                          Be - a - ti, quo-rum vi - a in - te-gra est:

                      Be - a - ti, quo-rum vi - a in - te-gra est:                      Be - a - ti, quo-rum vi - a in - te-gra est: mf                    a - ti, Be - a - ti, Be - a - ti, mp                    a - - ti, Be - a - ti, Be -   mp              a - - - ti, Be -

58  mf f               Be - a - ti, quo-rum f              Be - a - mf f                   Be - a - ti, Be - a - ti, [ ] f                       quo-rum vi - - a in - te-gra est, quo-rum vi - f                         - a - ti quo-rum vi - a in - te-gra est, quo-rum vi - f                         - a - ti quo-rum vi - a in - te-gra est, quo-rum vi -

82 n sacred music colloquium 2017 wednesday, june 21 wednesday, june 21 sacred music colloquium 2017 n 83 5 65 p                          vi - a in - te - gra est, quo-rum vi - a quo-rum vi - a in- p                         - ti quo-rum vi - a quo-rum vi - a quo-rum vi - a in- p                       quo-rum vi - a in - te-gra est,quo-rum vi - a, quo-rum vi - a in- p                          - a, vi - a in - te-gra est,quo-rum vi - a, quo-rum vi - a in-  p                       - a, in - te - gra est, quo-rum vi - a, quo-rum vi - a in-  p                    - a, in - te - gra est, quo - rum vi - a,

73                 - te - gra est:              - te - gra est:  p                - te - gra est: Qui am - bu-  p                     - te - gra est: Qui am - bu - lant in le - p                        - te - gra est: Qui am - bu - lant in le - ge, in le -  p                  in - te - gra est: Qui am - bu - lant in

82 n sacred music colloquium 2017 wednesday, june 21 wednesday, june 21 sacred music colloquium 2017 n 83 6 6 82 p 82        p                     Qui am - bu - lant in le - ge p Qui am - bu - lant in le - ge  p                               Qui am - bu - lant in le - -  ge, in le - ge Qui am - bu - lant in le - - ge, in le - ge                       lant  in le - ge Do - mi - ni, in le - ge lant in le - ge Do - mi - ni, in le - ge                           -  ge, Do - -  mi - ni.    - ge, Do - - mi - ni.                      -  ge Do - - mi - ni.   - ge Do - - mi - ni.                  le - ge Do - mi - ni,   le - ge Do - mi - ni,

88 pp 88  pp                      Do - mi - ni,  Do -  - mi - ni. Do - mi - ni, ppDo - - mi - ni.   pp                    Do - mi - ni,  Do - - mi - ni. Do - mi - ni, ppDo - - mi - ni.   pp                  Do - mi - ni,  Do -  - mi - ni. Do - mi - ni,  ppDo - - mi - ni.   pp                           in le - ge Do - - mi - ni.  in le - ge ppDo - - mi - ni.    pp                       in le - ge Do - - mi - ni. in le - ge ppDo - - mi - ni.  pp                            in le - ge Do -  - mi - ni. in le - ge Do - - mi - ni. Blessed are the undefiled in the way, who walk in the law of the Lord. 84 n sacred music colloquium 2017 wednesday, june 21 wednesday, june 21 sacred music colloquium 2017 n 85 18

84 n sacred music colloquium 2017 wednesday, june 21 wednesday, june 21 sacred music colloquium 2017 n 85   BbzzGYvbvhb.vzz[vbzbàhbbbbvbgzzbvbfvzbvvbzbGYzbbzvbhb.vzbz}bvvbbsÎÌhgzzb\vHUvvbàhvvbbvzzhbbvvzzßgbvzbzbfzbvvzzbbvbbbvvbhb.vzzb[bbbzfvvbzGYbbbbbbö  Bbbv6z%Þ$vzzbgbbzzbvvtfvzzzsbmvzzb}vzzbbbbsÎÌhgzbbb\vHUvbvàhvbbvbvzhbbvvzbßgbzbzzzbbfzbbbbvvzzbbvbvbbvhb.vbbbbz[bbzvfvbvbbGYvbbbbhb.vvbvzbàhvbbbô  BbbbfbbbbbvßgvvbdvbvbFTbbbvvrdvvvbbvbbsbmvvbvzsbmvvzbb}vbvvzabbbvvzAWvvbÜsvbbvbsvvbvvzbfvvbbbzrdbbzzbzzSEvvvbbvvzszsvbbzzabnbbzbbb[bó  BzbbdbbvvFTbvzzzrdvzzbbSRzbbbbvzzesbvvsbmvvb}vvzbbavzbvAWvbvSØYvvvbbvzbàhvbbvzbgbbvzzfvbbvvzvvvvzzhb.vzz}zzbbvbSØYvbbbvzgzzvzbÞfbbbbbbõ  BzzbbgbvvzGYvvhb.vz}vzbbzbSØYvbbbvbàhvvbbgvvbzzGYvvzgvvbrdvbzzsbmvbzb[bbbvfzrdvvAWvzvvzzvzbzbsbmvvvbbsbmvzb}zbvzbSØYvvvzbvvgbvzbô  BbvzbÞfvzbvvzzbgbbvvGYvbvbhb.vzzbb[bvbzfvvbvvzzGYvvzàhvbvhbbvvvzz6z%Þ$zbbbvgvbbbvzztfvvzsbmvbzb}vbzzbfz4z#z‚!zszbzzbzzsbmvzb}vvvbbbb 

 BbbzzAW4vbzzzfbvvbÞfvvbbdvvvfvbbbbbvìgvbbbbdvvvvzz5z$#vzzbdbmvzbz}zvvbsvvbbzvvvbzbhvbvzbGYvbvvzàhvv}zöxcvbbbbbbb 

Intoned by cantor,   tutti BbvzGYvvvvvgb,vvvz[zzvzbzDRvvvzzzbsbmvv[bzvzbbÝdvvvvzzgvvz[zbvzbßgvvzhbvvbájvvvvvkbvzzbàhvbbvbvvgzbbbzbzFTbbbvõ   

Bbzgb,vvv]vzzvßgvzbbbbbbjbbbbbvvkvvbvvzzzbãlbvbbbbz; vvbbzbâkvvvzlvbvbjb.vv[zbzbbâkvbvbhvzzbbhbbbbvvzgb,vvzbzgb,vzzz]bvzbhbbvzbbzvvzzbzvbbgbbbbbö  BbvbHUvbv7z^ß%vzbhvzzzgb,vzbzb]bbbbvgvvßgvvzbhvvzzbßgvvvvvbfbvvzbrdvzzbzsbmvvvzdvvbvvzDTvvzÝdbvzzbsvvvzbÝdvvzbgvvzgb,zzbbbb]bõ  Bvzzgvbzbvvvvzzb8zb^%Þ$vzbbzhbzzvbbzzhjhzbbzvzgb,vbvzzzgb,vzzz}xxxxxxcbbbbbbbb    BvbSEvvvzwavvvvbbfvbvesbNMvzvz[zzvvbdbbbvvzßgvzzbhvvb\vhjàhvvbgzzbzbzb4z#Ü@vvzbaDRz#Ü@!zzbvbsbmvzbzzb{zzzvdbvbõ     BvzzßgvzbzbbhvvzbSRzÝ#@‚!vvzbfvvbesbNMvz}vbzzhvvvvKOvvvvvz8z&à^%bbvzhb.vvzb[zzv\vHUzà^%vbzz4z#Ü@zdvvbsbmvvbbvzbdvvvGYzbbbbò  BvsvvvvbDRvvvz3z@!bnvzz{bvzzÝdvvzfvvz3z@!vvbsbmvvvvbdzghÎÌÜsz4zÝ#@‚!zfvbbvesbNMvb}vbzzzSEvvvvwavzvvvfvbvesbNMbbbbbb[ó  Bvdbbvvzßgvzzbhvvb\vhjàhvvbgzzbvzb4z#Ü@vvzbaDRz#Ü@!vvbsbmvzbbz{bzvzzdvvbßgvbbvbzbzhvvbSRzÝ#@‚!zbvzbfvzzbesbNMvzbz}xvvbb 

  BzzbsvvzwazzSRz#z!bnvbbvvbeszfzrÌsvbzzbAWvvbbsbmc}xxxxxxbbb     

86 n sacred music colloquium 2017 wednesday, june 21 wednesday, june 21 sacred music colloquium 2017 n 87 LITURGY OF THE EUCHARIST 19 SANCTUS ᐁ ᐁ < H O-ly, ho-ly, ho ly Lord God of hosts. Heav en and earth are full of your glo ry. Ho san na in the high est. = Bless ed is he who comes in the name of the Lord. Ho- = sanЁ na in the high᠁ est.Ё MEMORIAL ACCLAMATION B. The mysЁ ter- y of faith. 20 A ORDER OF MASS C < A. WeЂ pro claim your death, O Lord, and profess᠁ your < A. Save us, Sav ior of the world, for by your Cross and Ё Ё Res ur recЁ tion un til you comeЁ a-gain. BRes urrection you have set us free. DOXOLOGY < A. When we O$eat this Bread and drink Ё this Cup, weO$ pro-< B. Through him, and with him, and in him, O God, al- Ё Ё claimO$ your death, O$ O Lord, until you᠁ come a- gain. mighty Father, in the unity of the Ho-ly SpirЁ -it, all glo-< O$ ry and honor is yours, for ev-᠁ erЁ and ev-Ё er. A men.Ё

The Lord’s Prayer, p. 21, 22, or 23, follows.

86 n sacred music colloquium 2017 wednesday, june 21 wednesday, june 21 sacred music colloquium 2017 n 87 COMMUNION RITE 23 THE LORD’S PRAYER: TONE C (SOLEMN ANAPHORA TONE) O$ O$ < B. At the Savior’s command, and formed by di-vineЁ teaching, we dareЁ to say:

88 n sacred music colloquium 2017 wednesday, june 21 wednesday, june 21 sacred music colloquium 2017 n 89 24 ORDER OF MASS EMBOLISM O$ O$ < B. De liv-er us, Lord, we pray, from every e-vil, graciously grantO$ peace in our days, that, byO$ the help of your mer- < cy, weO$ may be always free from sin and safe from all < dis tress, as we await the bless ed hope andO$ the coming < of our Savior, Je sus Christ. DOXOLOGY O$ A. For the kingЁ dom, the power, and the glory are yours, = now and for ev er.

88 n sacred music colloquium 2017 wednesday, june 21 wednesday, june 21 sacred music colloquium 2017 n 89 COMMUNION RITE 25 SIGN OF PEACE O$ O$ < B. Lord Jesus Christ, who said to your Apostles: Peace I leaveO$ you, my peace I give you, look notO$ on our sins, < butO$ on the faith of your Church, andO$ graciously grant < herO$ peace and unity in accordance with your will. = O$ ᠁ < Who live and reign for ever and ev-er. A.A men.Ё < B. The peace of the Lord be with you always. A. And with your spirit.

Then, if appropriate, the Deacon, or the Priest, adds: O$ B. Let us offer each other the signЁ of peace.

90 n sacred music colloquium 2017 wednesday, june 21 wednesday, june 21 sacred music colloquium 2017 n 91   BbvbHUvbv7z^ß%vzbhvzzzgb,vzbzb]bbbbvgvvßgvvzbhvvzzbßgvvvvvbfbvvzbrdvzzbzsbmvvvzdvvbvvzDTvvzÝdbvzzbsvvvzbÝdvvzbgvvzgb,zzbbbb]bõ  Bvzzgvbzbvvvvzzb8zb^%Þ$vzbbzhbzzvbbzzhjhzbbzvzgb,vbvzzzgb,vzzz}xxxxxxcbbbbbbbb 

Intoned    by cantor, tutti BvbSEvvvzwavvvvbbfvbvesbNMvzvz[zzvvbdbbbvvzßgvzzbhvvb\vhjàhvvbgzzbzbzb4z#Ü@vvzbaDRz#Ü@!zzbvbsbmvzbzzb{zzzvdbvbõ    BvzzßgvzbzbbhvvzbSRzÝ#@‚!vvzbfvvbesbNMvz}vbzzhvvvvKOvvvvvz8z&à^%bbvzhb.vvzb[zzv\vHUzà^%vbzz4z#Ü@zdvvbsbmvvbbvzbdvvvGYzbbbbò  BvsvvvvbDRvvvz3z@!bnvzz{bvzzÝdvvzfvvz3z@!vvbsbmvvvvbdzghÎÌÜsz4zÝ#@‚!zfvbbvesbNMvb}vbzzzSEvvvvwavzvvvfvbvesbNMbbbbbb[ó  Bvdbbvvzßgvzzbhvvb\vhjàhvvbgzzbvzb4z#Ü@vvzbaDRz#Ü@!vvbsbmvzbbz{bzvzzdvvbßgvbbvbzbzhvvbSRzÝ#@‚!zbvzbfvzzbesbNMvzbz}xvvbb 

 COMMUNION RITE 27   BzzbsvvzwazzSRz#z!bnvbbvvbeszfzrÌsvbzzbAWvvbbsbmc}xxINVITATION TO COMMUNIONxxxxbbb     O$  O$ < B. Behold the Lamb of God, behold him who takes away the sins of the world. BlessO$ ed are those called to the = O$ < sup per of the Lamb. A. Lord, I am not worthy that youO$ should enter un der my roof, butO$ only say the word < O$ and my soulЁ shall be healed. The Blessing, p. 28, follows the Prayer after Communion. 90 n sacred music colloquium 2017 wednesday, june 21 wednesday, june 21 In Pontiﬁcal Masses the Pontiﬁcal Blessing, p. 29, follows the Prayersacred after music colloquium 2017 n 91 Communion. Amen I say to you, that you who have left all things and followed Me shall receive a hundredfold and shall possess life everlasting

92 n sacred music colloquium 2017 wednesday, june 21 wednesday, june 21 sacred music colloquium 2017 n 93 Accepit Iesus panes In Dominica IV. Quadragemisimæ

Ms. Madrid y Valladolid Cristóbal de Morales (c.1500-1553) Cantus Ac ce pit Ie sus pa nes, Altus 8 Ac ce pit Ie sus pa

Tenor 8 Ac ce pit Ie sus pa nes ac ce Bassus Ac ce pit Ie sus

ac ce pit Ie sus pa nes et cum

8 nes ac ce pit Ie sus pa nes et cum gra ti as e

8 pit Ie sus pa nes et cum gra ti as e gis

pa nes ac ce pit Ie sus pa nes

14 gra ti as e gis set dis tri bu it pa nes dis cum ben

8 gis set di stri bu it pa nes dis cum ben 8 set di stri bu it pa nes dis cum ben

et cum gra ti as e gis set dis tri bu it dis cum 92 n sacred music colloquium 2017 wednesday, june 21 wednesday, june 21 sacred music colloquium 2017 n 93

Edited by Nancho Alvarez  2 Accepit Iesus panes Morales 21 ti bus: et de quin que pa ni bus

8 ti bus: et de quin que pa ni bus et du

8 ti bus: et de quin que pa ni bus

ben ti bus: et de quin que pa ni bus et de quin que

28 et du o bus pi sci bus sa ti a vit quin que mi li a ho

8 o bus pi sci bus sa ti a vit quin que mi li a

8 et du o bus pi sci bus sa ti a vit, quin que mi li a ho pa ni bus sa ti a vit quin que mi li a ho

35 mi num. Col li gi te, col li gi te quæ

8 ho mi num. Col li gi te, col li gi te quæ su pe ra ve

8 mi num. Col li gi te quæ su

mi num. Col li gi te

94 n sacred music colloquium 2017 wednesday, june 21 wednesday, june 21 sacred music colloquium 2017 n 95 Morales Accepit Iesus panes 3 42 su pe ra ve runt frag men ta quæ su pe ra ve runt frag men

8 runt frag men ta frag men

8 pe ra ve runt frag men ta quæ su pe ra ve

quæ su pe ra ve runt frag men ta quæ su pe

48 ta. O bo ne Ie su O

8 ta. O bo ne Ie su, O

8 runt frag men ta O bo ne Ie

ra ve runt frag men ta. O bo ne Ie su

55 bo ne Ie su!

8 bo ne Ie su! Sa ti a sti fa mi li am tu

8 su O bo ne Ie su! sa ti O bo ne Ie su! Sa ti a sti fa mi

94 n sacred music colloquium 2017 wednesday, june 21 wednesday, june 21 sacred music colloquium 2017 n 95 4 Accepit Iesus panes Morales

62 Sa ti a sti fa mi li am tu am sa ti

8 am, tu am sa ti a sti fa mi li am tu am,

8 a sti fa mi li am tu am

li am tu am sa ti a sti fa mi

69 a sti fa mi li am tu am: 8 sa ti a sti fa mi li am tu am: gra ti a tu a sa ti 8 sa ti a sti fa mi li am tu am: gra ti a li am tu am sa ti a sti fa mi li am tu am: gra

76 gra ti a tu a sa ti at nos sem per.

8 at nos sem per gra ti a tu a sa ti at nos sem per.

8 tu a sa ti at nos sem per, sa ti at nos sem per.

ti a tu a sa ti at nos sem per.

96 n sacred music colloquium 2017 wednesday, june 21 wednesday, june 21 sacred music colloquium 2017 n 97 Music engraving by LilyPond 2.18.2—www.lilypond.org   BbvbHUvbv7z^ß%vzbhvzzzgb,vzbzb]bbbbvgvvßgvvzbhvvzzbßgvvvvvbfbvvzbrdvzzbzsbmvvvzdvvbvvzDTvvzÝdbvzzbsvvvzbÝdvvzbgvvzgb,zzbbbb]bõ  Bvzzgvbzbvvvvzzb8zb^%Þ$vzbbzhbzzvbbzzhjhzbbzvzgb,vbvzzzgb,vzzz}xxxxxxcbbbbbbbb  28  CONCLUDING RITES    Bbvzbbgzvbbvvvhvbbvhzbbbvvhb.vvvzz}vbzvvhvbvzzzhvbbBvbSEvvvzwavvvvbbfvbvesbNMvzvz[zzvvbdbbbvvzßgvzzbhvBLESSINGbvhvbbbvhbbbvvhvvbvvvzhvvbzbbvhvvzbbbvbbbbzhvvbbvvzvb\vhjàhvvbgzzbzbzb4z#Ü@vvzbaDRz#Ü@!zzbvbsbmvzbzzb{ zhvvzbhvbbbbvhbbbbbbbbbözzzvdbvbõ     < BBbvzbbgzvbbvvvhvbbvhzbbbvvhb.vvvzz}vbzvvhvbvzzzhvbb. The Lord be with you. Abvhvbbbvhbbbvvhvvbvvvzhvvbzbbvhvvzbbbvbbbbzhvvbbvvz. And with your spirit. zhvvzbhvbbbbvhbbbbbbbbbö BvzzßgvzbzbbhvvzbSRzÝ#@‚!vvzbfvvbesbNMvz}vbzzhvvvvKBvzbhvbvzgzzbvvgb,vbvv}vvzvzzbgbvvzbhvvzhvvvzbhbvvgOvvvvvz8z&à^%bbvzhb.vvzb[zzv\vHUzà^%vbzz4z#Ü@zdvvbsvvvbzzgvvvzzhvvzbhb.vvv}zvbbxxxczbmvvbbvzbdvvvGYzbbbbò  <  O$   BBvzbhvbvzgzzbvvgb,vbvv}vvzvzzbgbvvzbhvvzhvvvzbhbvvg. May almighty God blessvvvbzzgvvvzzhvvzbhb.vvv}zvbbxxxcz you, the Father, and the BvsvvvvbDRvvvz3z@!bnvzz{bvzzÝdvvzfvvz3z@!vvbsbmvvvvbdzghÎÌÜsz4zÝ#@‚!zfvbbvesbNMvb}vbzzzSEvvvvwavzvvvfvbvesbNMbbbbbb[ó     ᠁ Ё Son,and theHoly Spir-it. A.Amen.  TheBvdbbvvzßgvzzbhvvb\vhjàhvvbgzzbvzb4z#Ü@vvzbaDRz#Ü@! Dismissal , p. 30, follows. vvbsbmvzbbz{bzvzzdvvbßgvbbvbzbzhvvbSRzÝ#@‚!zbvzbfvzzbesbNMvzbz}xvvbb  On Easter Sunday, the Octave of Easter, and in the Mass during the Day on  Bz\vHUvbvzygzyÎÍsbm.vbzbb[bzz\zfGY7z^%z4z#@vzzzAWvz vsbmvvzz}bxxxxcvbbbbbbbvbbbbbb Pentecost Sunday the Paschal Dismissal, p. 31, follows.         Bz\vHUvbvzygzyÎÍsbm.vbzbb[bzz\zfGY7z^%z4z#@vzzzAWvzvsbmvvzz}bxxxxcvbbbbbbbvbbbbbb   BzzbsvvzwazzSRz#z!bnvbbvvbeszfzrÌsvbzzbAWvvbbsbmc}xxxxxxbbb       BzvgbvbvbHIvvvvbijvvzhvzvbjb.cbb}czzzbbbgzbbbbvbHIvvvvijvbzbbzhbvzzzjb.zzzzzzz}bbbbbbxxbbbvvbbb          BzvgbvbvbHIvvvvbijvvzhvzvbjb.cbb}czzzbbbgzbbbbvbHIvvvvijvbzbbzhbvzzzjb.zzzzzzz}bbbbbbxxbbbvvbbb                                                Bbvgvvbgvvvbvgbbzbvbgzzbbvbbhz.zzvvvbbvbgvvbfbvvbvvbbhb.vvb[vzzhvvbGÚIz&à^%vbbbbbfGYvvbygb,.vv}bbbbbbccv         Bbvgvvbgvvvbvgbbzbvbgzzbbvbbhz.zzvvvbbvbgvvbfbvvb vvbbhb.vvb[vzzhvvbGÚIz&à^%vbbbbbfGYvvbygb,.vv}bbbbb bccv 96 n sacred music colloquium 2017 wednesday, june 21 wednesday, june 21     sacred music colloquium 2017 n 97   98 n sacred music colloquium 2017 sacred music colloquium 2017 n PB Thursday J

2 p.m. June 22 St. Mark

Requiem Mass for deceased members Extraordinary form

Order of Mass: Parish Book of Chant, page 151

Mass readings: page 252

sacred music colloquium 2017 n 99 Missa Defunctorum

Jacobus Clemens non Papa (1510-1545) Edited by Wilko Brouwers (2017)

Engraved by Jonathan Eason (2017) Introit

Tenor b V ReÏ - Ï quiÏ - emÏ

Cantus & b C Ï Ï Ï Ï. Ï Ï Ï Ï Ï Ï Ï ú j Æú. ---J ter ---Ï Ï Ï nam,Ï. Ï Ï Ï Ï Ï Altus & b C î Î ú Æ ----Ï terÏ ÏÏ nam, Ï æ-- terÏ Ï Ï Ï nam,ú æ -Ï ú Ï Ï Ï Ï Ï Ï Ï Tenor b C · î V Æú ------w ú ú ú ú ú terú

Bassus ú ? C · ú. Ï ú ú Ï bú ú Ï. nÏ Ï Ï b Æ --ter nam do-- naÏ e is, do J -

7  b Ï. j Î Ï Ï Ï Ï & Ï æ Ï Ï -Ï Ï ú terÏ -namú doÏ -Ï naÏ ú e -isÏ DoÏ Ï ----Ï Ï Ï Ï Ï ú Ï Ï

& b Î terÏ ---Ï nam do---- na e is DoÏ Ï Ï Ï miÏ - ne, ú Ï Ï ú w ú Ï ú Ï Ï Ï Ï ú b ú ú ú ú ú Ï. Ï Ï Ï Ï V ---ú ú namú ú do - na ú e- is J Ï Do-- miú  ? w Ï ú ú Ï ú ú Î ú Ï Ï Ï Ï Ï Ï ú b na e Ï ---is,Ï do na e is, dona e - is Do --Ï mi

100 n sacred music colloquium 2017 thursday, june 22 thursday, june 22 sacred music colloquium 2017 n 101 14

b Ï Ï Ï ú Ï. Ï Ï Ï Ï Ï Ï Ï Ï . & miú - ne,Ï et lux Ï Ï Ï per J -peÏ ú - tuÏ -Ïa luceat --e - is, Ï Ï ú luÏ -

b & Î Ï ú Ï Ï ú. ú et lux ú Ï per-- pe Ï útu ú - úa luú ---ú Ïce atÏ e Ï b ú î ú ú V - ú ne,ú etú ú lux ú perú ---pe tuú wa luú --ce

Ï Ï ? ú Ï ú ú ú ú Ï Ï Ï ú Ï Ï Ï. Ï Ï Ï b- úne, Ï et lux per ------peú tu a luceat e J

21 U b Ï . j & ce- atÏ ú e ------Ï Ï Ï Ï Ï Ï is.w U b & Ï Ï ------ú ú Ï Ï ú is.w U b ú ú V at ú e -----Ï Ï Ï ú is.w U ? Ï Ï Ï ú Ï Ï ú b------ú is.w

100 n sacred music colloquium 2017 thursday, june 22 thursday, june 22 sacred music colloquium 2017 n 101 b j V TeÏ deÏ Ï- cetÏ hymÏ -- nusÏ DeÏ usÏ inÏ SiÏ - Ï on: Ï 24   b C ú Ï Ï Ï Ï ú. Ï ú. Ï Ï ú Î Ï ú Ï Ï & Etw tiú ----bi red de tur vo tum in Je -ru -- saÏ lem. ExÏ ---- auÏ di De us o   & b C ú Ï Ï Ï Ï ú Ï ú Ï Ï ú Î Ï ú Ï Ï Etw tiú ----bi red de tur vo. tum in. Je -ru -- saÏ lem. ExÏ ---- auÏ di De us o   b C w Ï Ï Ï Ï ú. Ï ú. Ï Ï Ï ú Î Ï Ï ú Ï Ï V Etw ti ----bi red de tur vo tum in Je -ru -- sa lem. ExÏ ---- au di De us o

  ? C w ú Ï Ï Ï Ï ú. Ï Ï Ï ú Î Ï Ï ú Ï b Et tiú ----bi red de tur vo tum inú. JeÏ -ru -- sa lem. Ex---- auÏ di De usÏ o

32 Requiem ut supra

b Ï Î & ra- tiÏ --Ï o nemÏ meú - am:ú adÏ teÏ omÏ- -nisú. caÏ- -roú ú veú. - niÏ - et.w w

j & b Ï. Î Ï Ï- Ï. ú Ï ra- tiÏ --Ï o nemÏ meÏ Ï - am:ú adÏ te om -nis ÏÏ Ï Ï caú --Ï Ï Ï roÏ veú. - niÏ et.w - b Ï Ï Ï Î Ï Ï ú w ú. Ï. j V ra- ti -- o nemÏ meú - am:ú adÏ te om -nis caú - ro ve Ï - Ï Ï niÏ -et.w

Ï - ? Ï Ï bú ú Î Ï Ï Ï ú. Ï ú ú ú. Ï b raÏ - ti -- o nem me - am: ad te om -nis ca -ro veni - et.w w

102 n sacred music colloquium 2017 thursday, june 22 thursday, june 22 sacred music colloquium 2017 n 103 Kyrie

Tenor b Ï Ï Ï Ï Ï V KyÏ Ï -- ri eÏ e Ï Ï -Ï Ï leÏ --Ï i son.Ï

Cantus b C ú Ï & Kyw --riú ú eú ú ú ú. e Ï Ï- Ï Ï

Altus & b C ú ú ú ú Ï Kyw --riú e ú e Ï-Ï le . ---Ï Ï ú Tenor  b C j w ú. Ï Ï Ï ú Ï Ï Ï Ï Ï Ï V KyÏ. Ï--Ï riÏ e, Ky------ri e e le Ï ú

Bassus ? C w ú ú ú ú Ï Ï Ï Ï Ï Ï ú b Ky --riú e ú e -----le

7 U b · C w ú ú ú & --Ï ú Ï Ï leÏ - Ï i - son.ú Chri - ste ú U & b · C w ú w --ú ú Ï Ïi- son.ú Chri - ste ú e - U  b ú Ï Ï Ï Ï Ï C w ú ú ú ú V --ú Ï Ïi - son.ú ChriÏ Ï - steÏ eÏ Ï--Ï Ï leÏ -Ï i son.Ï Chri - ste U  Ï ? ú Ï Ï · C ú ú ú b--ú i- son.ú Chriw - ste Ï e - 12 U b w ú. & e ------ú Ï Ï ú ú leÏ- úi- ú son. w U & b Ï ú ú w le--Ï i son, ChriÏ Ï -Ï Ï steú e -leÏ Ï --ú Ï Ïi- son.ú U  . b ú Ï ú. Ï ú ú Ï Ï Ï. Ï Ï Ï Ï ú V Ïe- le -- i son, ChriÏ -ste Ï e -le -J --i son. U Ï Ï  ? ú Ï. Ï Ï Ï bú ú ú Ï Ï Ï. Ï Ï Ï b- -le J --i son, Chriú --ste e le J - i - son.ú

102 n sacred music colloquium 2017 thursday, june 22 thursday, june 22 sacred music colloquium 2017 n 103 b Ï Ï Ï Ï Ï V KyÏ Ï -- ri eÏ e Ï Ï --Ï Ï leÏ - Ï i son.Ï 18

b C w ú & Kyw --riú ú e,ú ú Ky -----ú ú riú

& b C ú ú ú. Ï ú ú Kyw --riú e ú e --lei ú son,ú e -  b C w ú w ú. Ï Ï ú #Ï ú. Ï V Ky -riú ---ee ---le i son, e -

ú  Ï ú ? C bú Ï. nÏ ú ú Ï ú ú b Kyw -ri ---J úe, Ky -rie e -- lei son, Ky - 24

b Ï w w & -ú úe úe . -leÏ ú --Ï i son,w Ky ---riw -

& b j Ï Ï ú ú Ï bleú --Ï Ï i son,ú. KyÏ -riú ú -úeeÏ. ---Ï leÏ i son,Ï e bÏ -ú Ï

b Ï ú Ï úÎÏ ú ú Ï. Ï ú. Ï ú. Ï ú. V le-- i son, Ky -ri ú -ee-----J le i son, e le Ï Ï Ï  ? bÏ  Ï ú ú Ï Ï Ï ú Ï. Ï Ï Ï ú bú b rie e- lei -son,ú Ky -rieÏ Ï e -- leiú son,ú Ï Ky - - -riJ- e e -

b Ï & úee. --leÏ ÏÏ- Ï Ï Ïi son.w

& b ---ú ú leú - Ï Ïi -son.w

b ú ú V ----Ï Ï Ï Ïi -son.w

? Ï. nÏ ú Ï Ï b le ----J ú i - son.w

104 n sacred music colloquium 2017 thursday, june 22 thursday, june 22 sacred music colloquium 2017 n 105   Before the epistle  BvzzgbvvzbhvvzhvvvzbbzGYvbvygbbzbzzgb,vvzz}vbzzzvgbzzvvvzhvvvvvvbbhvzzbzgzzbvzgvvzbbzhzvzzzbhb.vzb}zöbvvvvzb   BvzhvvzGYvvzbhb.vvz}vvzzgvvzzbbhvvvvbhzzvzzhvvzzhvvzhbvvhvvvgvvbbhzbvvygbbbbbvgb,vvv}zbbbvvbgvvbzzbGYb,.vzbb}bbvvvb 

 

 

    

 

                                                         Vzbbzzhvbbvzbhbbbvvzhvvbvzbbzhvbvhvzzbzzhb.vvzz}vbzzzvhbzzvvvzhvvvvvvbhvzzbzhzzbvzhvvzbhzvzzzbhb.vzb}zöbvvvvb   104 n sacred music colloquium 2017 thursday, june 22 thursday, june 22Vzzbbbvvvzhvvvzbhvzzvhvvzhvbzzbzbhzvvvzbhvvbzhvvhvzbbvzhbvbzbhbbvzzhvzbbvzhzbvzhvvzzzzbfvvvvvvzzzhbzbvvvzhb.vvzzhb.vbb}zösacred music colloquium 2017 n 105        106 n sacred music colloquium 2017 thursday, june 22 thursday, june 22 sacred music colloquium 2017 n 107        

 

    

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                                   106 n sacred music colloquium 2017 thursday, june 22 thursday, june 22 sacred music colloquium 2017 n 107                  

Intoned  by cantor, men begin  at solvet sæclum,  alternatim,  tutti at   amen                                

108 n sacred music colloquium 2017 thursday, june 22 thursday, june 22 sacred music colloquium 2017 n 109    

                               

                   

108 n sacred music colloquium 2017 thursday, june 22 thursday, june 22 sacred music colloquium 2017 n 109        

        

          

110 n sacred music colloquium 2017 thursday, june 22 thursday, june 22 sacred music colloquium 2017 n 111      

                           Tutti  

110 n sacred music colloquium 2017 thursday, june 22 thursday, june 22 sacred music colloquium 2017 n 111    BvzzgbvvzbhvvzhvvvzbbzGYvbvygbbzbzzgb,vvzz}vbzzzvgbzzvvvzhvvvvvvbbhvzzbzgzzbvzgvvzbbzhzvzzzbhb.vzb}zöbvvvvzb   BvzhvvzGYvvzbhb.vvz}vvzzgvvzzbbhvvvvbhzzvzzhvvzzhvvzhbvvhvvvgvvbbhzbvvygbbbbbvgb,vvv}zbbbvvbgvvbzzbGYb,.vzbb}bbvvvb 

 

 

 

                                                        Before the Gospel Vzbbzzhvbbvzbhbbbvvzhvvbvzbbzhvbvhvzzbzzhb.vvzz}vbzzzvhbzzvvvzhvvvvvvbhvzzbzhzzbvzhvvzbhzvzzzbhb.vzb}zöbvvvvb   Vzzbbbvvvzhvvvzbhvzzvhvvzhvbzzbzbhzvvvzbhvvbzhvvhvzbbvzhbvbzbhbbvzzhvzbbvzhzbvzhvvzzzzbfvvvvvvzzzhbzbvvvzhb.vvzzhb.vbb}zö           Vvvzzvzzhvzzzbhvzbzzhzbbvvhzzzvzfzbbvvvbhbbvvhvvhb.zzzzb}vvzzbbbzbzzbbzzhb.vvzhb.vzbb}zbbbbbbzzhb.vvbzhb.vzbbb}zvzzzbhbbbbvbhb.vvzbbzzhb.vv}      BzbbzzgvbbvzbhbbbvvzhvvbvzbbzGYvbbbbvygbbbbbzzgb,vvzz}vbbzzzvgbzzvvvbhvvvvvvbbhbvzzbzgzzbvzgvbvzbzbhzvbzzbhb.vzb}zövvb   Bvbbbbbvvzhvvvzzhvzzvhvvzhvbzzbzbhzvvvzbfvvbzhvvgvzbbvzgbvbzbhbbvzzhb.zbzbbb[vzhzbvzhvvzzzzhbbvvvbvvzzzhbzbbbvvvzgb,vvzgb,bbbb}zö         Bvvzzvzhvzzzbhvzbzzhzbbvvhzzzvzhzbbvvbvbgbbvvgvvbgb,zzzzb}zbbvzzbbbzbzzbbzzgb,vvzgb,vzbb}zbbbbbbzzgb,vvbzgb,vzbbb}zvzzzbhbbbbbvbgb,vvzbbzzgb,vv}  

 

 

      

                                  112 n sacred music colloquium  2017        thursday, june 22 thursday, june 22 sacred music colloquium 2017 n 113                                                                    112 n sacred music colloquium 2017 thursday, june 22 thursday, june 22 sacred music colloquium 2017 n 113 Preface dialogue

Preface

Vere dignum et justum est, æquum et salutare, nos tibi semper, et ubique gratias agere: Domine sancte, Pater omnipotens, æterne Deus: per Christum Dominum nostrum. In quo nobis spes beatæ resurrectionis effulsit: ut quos contristat certa moriendi conditio, eosdem consoletur futuræ immortalitatis promissio. Tuis enim fidelibus, Domine, vita mutatur, non tollitur: et dissoluta terrestris hujus incolatus domo, æterna in cælis habitatio comparatur. Et ideo cum Angelis et Archangelis, cum Thronis et Dominationibus, cumque omni militia cælestis exercitus, hymnum gloriæ tuæ canimus, sine fine dicentes:

It is truly meet and just, right and salutary, that we should always, and in all places, give thanks to thee, O holy Lord, Father almighty, eternal God. Through Christ our Lord. In whom the hope of blessed resurrection hath shone upon us: that those whom the certainty of dying afflicteth, the promise of future immortality may console. For unto thy faithful, O Lord, life is changed, not taken away: and the abode of this earthly sojourn being dis- solved, an eternal dwelling is prepared in heaven. And therefore with the An- gels and Archangels, with the Thrones and Dominions, and with all the hosts of the heavenly army, we sing a hymn to thy glory, evermore saying:

114 n sacred music colloquium 2017 thursday, june 22 thursday, june 22 sacred music colloquium 2017 n 115 Tenor

V SanÏ - ctus,Ï

Cantus C ú ÏNÏ Ï Î bú & Sanú ----Ï Ï Ï #Ï ctus,ú ú sanÏ -Ï ctusÏ DoÏ -- miÏ nus Deú -

Altus  & C î Î Sanú ú- ctusú ú Ï DoÏ --Ï miÏ nusÏ DeÏ- -us,ú DoÏ --Ï miÏ nusú

Tenor C ú ú Nú ú. Ï Ï Ï ú Ï bÏ Ï Ï V Sanw ---ctus ú Do-- mi nus De - us Sa -

Bassus ú ú ú. Ï bú ? C î ú ú Ï Ï ú Ï. Ï San - ctus ú Do- mi -nus De - us, Do -- mi J

7 U Î Ï Ï Ï Ï ú &-Ï usÏ Saú --baú oth,ú SaÏ -- baÏ oth. Plew - niú ú suntú. cœÏ- - U & Deú - Ï Ï us Ï SaÏ Ï-- baÏ oth,Ï ú Sa Ï -Ï Ï baÏ - oth.ú Plew - úni ú suntú. cœÏ- - U - Ï #Ï ú Î ú #Ï Ï. nÏ ú w w ú ú ú. Ï V--ba oth, Sa- ba - oth. J Ple - ni sunt cœ - Ï Ï U - ? Ï. Ï Ï Ï ú w w ú ú ú. Ï -nus De J -us Sa --ba oth.w Ple -ni sunt cœ -

14 U   Ï Ï ú ú w bú & li et terú -raú gloú --Ï riÏ a tuú - a. O -san - naú inú. exÏ - celw -sis.w U   & Ï Ï ú w ú li et terú -raú gloú --Ï riÏ ú a tuú - a. O -san - naú inú. exÏ - celw -sis.w   U Ï Ï ú ú ú ú w ú ú V li et ter -raú gloú --Ï riÏ a tu - a. O -san - na inú. exÏ --celÏ ú #Ï sis.w  U ? Ï Ï ú ú Ï Ï ú ú w ú. Ï w li et ter -raú glo --riú a tu - a. O -bsanú - naú in ex - cel -sis.w

114 n sacred music colloquium 2017 thursday, june 22 thursday, june 22 sacred music colloquium 2017 n 115 23 U · C & Inú NoÏ -- miÏ new Doú. -- miÏ ni.w U & · C Inú NoÏ -- miÏ new Doú. -- miÏ ni.w U j j C Ï Ï Ï Ï Ï ú ú. Ï V BeÏ - neÏ -- diÏ ctusÏ quiÏ veÏ - nitÏ Inú No-- mi ne Do-- mi ni.w

w U ? · C ú Ï Ï ú. Ï w In No-- mi ne Do-- mi ni.

. & Ow sanú -- naÏ inú exú - celw sis.W

& . Oú Ï Ï sanú -- naú inú exú - Ncelw sis.W

ú. Ï ú ú Ï bÏ V O Ï san- na inÏ exÏ --celÏ #Ï #Ï ú sis.W

? ú ú ú ú w Oú san --naú in ex - cel sis.W

116 n sacred music colloquium 2017 thursday, june 22 thursday, june 22 sacred music colloquium 2017 n 117 Agnus Dei

Tenor j V AÏ -- gnusÏ DeÏ Ï i,

Cantus U C & Quiú tolÏ - lisÏ pecw --caÏ taÏ munú -di,w

Altus U & C Quiú tolÏ - lisÏ pecw --caÏ taÏ munú -di,w

Tenor U C ú Ï Ï w Ï ú w V Qui tol- lis pec --ca taÏ mun -di,

Bassus U ? C w Ï Ï Quiú tolÏ - lisÏ pec --ca ta munú -di,w

5 U · C & dow --naú ú e Ï isÏ reú - Ï quiÏ - em.ú Quiú tolÏ -- lisÏ pecw U & · C dow --naú ú e Ï isÏ reú - Ï quiÏ - em.ú Quiú tolÏ -- lisÏ pecw U w ú ú Ï Ï Ï Ï Ï Ï ú j C ú Ï Ï w V do -na e -is re Ï --qui em. AÏ -- gnusÏ DeÏ Ï i, Qui tol-- lis pec U ? w ú ú Ï Ï ú Ï · C ú Ï Ï do --na e is re - quiÏ - em.ú Qui tol-- lis pecw 12 U U ú ú Ï Ï ú ú ú & caÏ -- taÏ munú di,w dow --na e is re - quiú -ú em. U U & caÏ -- taÏ munú di,w dow --naú ú e Ï Ï Ï isú ú reú - Ï quiÏ - em.ú U U Ï w w ú ú Ï Ï ú Ï Ï Ï Ï Ï Ï ú V ca-- taÏ munú di, do -na e -is re -Ï - --qui em. U U ? Ï ú w ú Ï ú ú ú Ï Ï ú ca-- taÏ mun di,w do --naú e isÏ re ---qui- em.

116 n sacred music colloquium 2017 thursday, june 22 thursday, june 22 sacred music colloquium 2017 n 117 19 U · C w & Quiú tolÏ - lisÏ pecw --caÏ taÏ munú -di,w dow -naw e - U & · C w Quiú tolÏ - lisÏ pecw --caÏ taÏ munú -di,w dow -naw e - U j C ú Ï Ï w Ï ú w w w w V AÏ -- gnusÏ DeÏ Ï i, Qui tol- lis pec --ca taÏ mun -di, do -na e -

ú Ï Ï U w ? · C w Ï Ï ú w w Qui tol- lis pec --ca ta mun -di,w do -na e -

27 

& isú reú --Ï quiÏ emú semú. - piÏ - terw -nam.w

 & isú reú --Ï quiÏ emú semú. - piÏ - terw -nam.w

 ú ú Ï Ï ú ú. Ï Ï Ï ú w V is re --qui em sem-- pi ter Ï - nam.  ? ú ú. Ï w w isú reú --Ï quiÏ em sem - pi - ter -nam.

118 n sacred music colloquium 2017 thursday, june 22 thursday, june 22 sacred music colloquium 2017 n 119 Lux Æterna Tenor j V LuxÏ Ï æÏ- Ï terÏ- Ï na Ï

Cantus  C w Ï Ï- Ï. j & Lu --ce atú e -isÏ Do Ï Ï - Ï miÏ - ne,ú ú DoÏ -Ï

Altus C  & ú ú  j Ï Luw --ce atú Ïe -Ï isÏ DoÏ Ï. Ï--Ï mi neú  Tenor  - j C w ú Ï Ï Ï Ï. Ï ú . Ï Ï ÏÏÏ Ï Ï V Lu -ce - at e -is Do --J miÏ ne, DoÏ --- Bassus  ? C Ï Ï Ï ú ú Ï Ï Ï Ï Ï Ï Ï Luw -ceÏ Ï Ï -atÏ e - isÏ Do --mi ne, Do ---Ï 6   - & Ï ú Ï Ï Ï Ï. jÏ Ï ú Ï Ï Ï ú ú Î Ï --Ï miÏ Ï neÏ cum san - ctis tu -is in Ï æ- ter - num, in

 j  & Î Ï Ï Ï Ï Ï. Ï Ï ÏÏ ú cumÏ san- Ï ctis tu- isÏ Ï in Ï Ï Ï æú -ter ---Ï Ï Ï Ï num,Ï cumÏ san -  Ï ú î Î Ï Ï Ï ú Ï Ï. Ï Ï ú ú Î Ï Ï Ï V--miÏ ne cum san-- ctis tu is inJ æ --ter num, cum sanctis

? · · Î Ï ú Ï Ï Ï Ï ÏÏÏ Ï Ï miú -- neú cum san ctisÏ tu - is 12  Ï Ï Î Ï ä j ú & æ-- terú num,w quiÏ Ï--Ï a piú usÏ es,ú quiÏ Ï --Ïa pi Ï 3   & Ï Ï Ï ú ú Ï Ï ctisÏ tu- isÏ Ï in æ----- terú Ï Ï Ï Ï Ï Ï num,Ï quiÏ Ï -Ï a pi - usú es,  Ï  Ï Ï Ï Ï ú Ï Ï. Ï Ï Î Ï Ï. Ï Ï j Ï Ï Ï V tu-- is in æÏ ter -J num,Ï qui---J a pi Ï usJ es, quiÏ Ï Ï a Ï  Ï Ï Ï Ï ? Ï Ï Ï. Ï ú ú Î Ï Ï Ï. Ï Ï Ï Ï Ï Ï in æ --ter J num, qui --a pi us es, J qui --a pi usÏ

118 n sacred music colloquium 2017 thursday, june 22 thursday, june 22 sacred music colloquium 2017 n 119 18

Ï &-Ï #usÏ es,Ï quiÏ -Ï nÏa piú ---Ï Ï Ï Ï Ï Ï #usÏ ú es. w w

& Î Î ú quiÏ --Ï Ïa piÏ usÏ es,w ú quiÏ --Ï Ïa piÏ usÏ es.w

Ï Ï Ï Ï Ï Ï ä j Ï Ï V pius es,Ï quiÏ --Ï a pi us es, quiÏ Ï --Ï a pi usú es. w w

Ï ? úÎÏ Ï Ï Ï Ï ú úÎ Ï Ï Ï es, qui - a pi - us Ï es, quiÏ --Ïa pi us es.w

W Ï Ï Ï V ReÏ -- quiÏ em æternam dona eis Do-- mi ne: 24 U ú Ï Ï ú. Ï ú ú Ï. j Ï Ï & Et lux per ---pe tu a lu -ce Ï -at Ïe ú -#Ï is.w U & ú Ï Ï ú ú Ï Ï ú Et lux per ---peú. tuÏ a lu -ce - at ÏeÏ - is.ú w U ú Ï Ï ú ú Ï Ï Ï Ï Ï Ï Ï V Et lux per ---peú. tuÏ a lu ---ce atú e is.w U ú Ï ? ú Ï Ï ú. Ï ú ú . Ï Ï ú Et lux per ---pe tu a lu --ce at e - is.w 30

î ú Ï Ï j ú Î & Cumú san-- ctis tu isÏ Ï in. Ï Ï æÏ - ter Ï - Ï Ï num,ú ú inÏ  j  & ú Ï Ï Ï. Ï Ï ÏÏ ú Cumú san --ctisÏ tu isÏ Ï in Ï Ï Ï æú -ter ---Ï Ï Ï Ï num,Ï cumÏ san -  · î Î Ï Ï Ï ú Ï Ï. Ï Ï ú ú Î Ï Ï Ï V Cum san-- ctis tu is inJ æ --ter num, cum sanctis

? · · · Î Ï ú Ï Ï Ï Ï ÏÏÏ Ï Ï Cum san - ctisÏ tu - is

120 n sacred music colloquium 2017 thursday, june 22 thursday, june 22 sacred music colloquium 2017 n 121 36

Ï Ï Î Ï ä j ú & æ-- terú num,w quiÏ Ï--Ï a piú usÏ es,ú quiÏ Ï --Ïa pi Ï 3  & Ï Ï Ï ú ú Ï Ï ctisÏ tu- isÏ Ï in æ----- terú Ï Ï Ï Ï Ï Ï num,Ï quiÏ Ï -Ï a pi - usú es, Ï Ï Ï Ï Ï ú Ï Ï. Ï Ï Î Ï Ï. Ï Ï j Ï Ï Ï V tu-- is in æÏ ter -J num,Ï qui---J a pi Ï usJ es, quiÏ Ï Ï a Ï Ï Ï Ï Ï ? Ï Ï Ï. Ï ú ú Î Ï Ï Ï. Ï Ï Ï Ï Ï Ï in æ --ter J num, qui --a pi us es, J qui --a pi usÏ

bÏ Ï &-Ï #usÏ es,Ï quiÏ -Ï nÏa piú ---Ï Ï Ï #usÏ ú es. w w

& Î Î ú quiÏ --Ï Ïa piÏ usÏ wes, ú quiÏ --Ï Ïa piÏ usÏ es.w

Ï Ï Ï Ï Ï Ï Ï Ï V pius es,Ï quiÏ --Ï a pi us es, quiÏ Ï --Ï a pi usú es. w w

Ï ? úÎÏ Ï Ï Ï ú. úÎ Ï Ï Ï es, qui --a pi usÏ es, quiÏ --Ïa pi us es.w

Tutti j V ReÏ - quiÏ -- esÏ cantÏ inÏ Ï paÏ- ce.Ï AÏ - Ï men. Ï

120 n sacred music colloquium 2017 thursday, june 22 thursday, june 22 sacred music colloquium 2017 n 121

Ne reminiscaris Domine Orlandus Lassus Cantus Ne re mi ni sca ris

Altus Ne re mi ni sca ris, ne re

Tenor 8 Ne re mi ni sca ris, ne re mi Bassus Ne re mi ni sca ris, ne re mi

6 Do mi ne de li cta no stra, de li mi ni sca ris Do mi ne de li cta no stra, 8 ni sca ris Do mi ne de li cta no stra, de ni sca ris Do mi ne de li cta no

12 cta no stra, de li cta no

de li cta no stra, de li cta no 8 li cta no stra, de li cta no

stra, de li cta no stra

122 n sacred music colloquium 2017 thursday, june 22 thursday, june 22 sacred music colloquium 2017 n 123

17 stra vel pa ren tum no stro rum, vel pa ren tum no stra vel pa ren tum, vel pa ren tum 8 stra vel pa ren tum no stro rum, vel pa ren tum, vel pa ren tum no stro rum, vel

22 stro rum, ne que vin di ctam su

no stro rum, ne que vin di ctam su 8 vel pa ren tum no stro rum, ne que vin pa ren tum no stro rum, ne que vin di ctam su

27 mas de pec ca tis no stris. Par ce Do mi ne, mas de pec ca tis no stris. Par ce Do mi ne, par

8 di ctam su mas de pec ca tis nostris. Par ce Do mi ne,

mas de pec ca tis no stris. Par ce Do mi ne,

122 n sacred music colloquium 2017 thursday, june 22 thursday, june 22 sacred music colloquium 2017 n 123

33 par ce po pu lo tu o quem prae ti o so san

ce po pu lo tu o, po pu lo tu o quem prae ti o so 8 par ce po pulo tu o quem prae ti o so par ce po pu lo tu o quem prae ti o so

39 gui ne tu o re de mi sti, ne in ae ter num,

san gui ne tu o re de mi sti, ne in ae ter 8 san gui ne tu o re de mi sti, ne in ae

san gui ne tu o re de mi sti, ne in ae ter num,

45 ne in ae ternum i ra sca ris no bis, i rasca ris, i rasca ris no bis, i num i rasca ris no bis, i rasca ris, i rasca ris 8 ternum, ne in ae ternum i ra sca ris, i ra sca ris no bis, i ne in ae ternum i ra sca ris no bis, i rasca ris no bis,

124 n sacred music colloquium 2017 thursday, june 22 thursday, june 22 sacred music colloquium 2017 n 125

51 rasca ris no bis, i rasca ris, i rasca ris no bis,

no bis, i rasca ris no bis, i ra sca 8 rasca ris no bis, i rasca ris no

i rasca ris no bis, i rasca ris no bis,

56 i rasca ris no bis, i ra sca ris no bis, i rasca ris no bis.

ris no bis, i rasca ris no bis, i rasca ris no bis. 8 bis, i rasca ris, i rasca ris, i rasca ris no bis. i rasca ris no bis, i rasca ris no bis.

124 n sacred music colloquium 2017 thursday, june 22 thursday, june 22 sacred music colloquium 2017 n 125 THE RITE OF ABSOLUTION WHEN THE BODY IS NOT PRESENT

The Absolution begins with the following responsory:

* Dum veneris judicare saeculum per ignem. R.: Deliver me, O Lord, from death eternal in that awful day. * When the heavens and the earth shall be moved: * When Thou shalt come to judge the world by fire. V.: Tremens factus sum ego, et timeo, dum V.: Dread and trembling have laid hold on me, discussio venerit, atque ventura ira. and I fear exceedingly because of the judgment and of the wrath to come. R.: Quando coeli . . . R.: When the heavens . . . V.: Dies illa, dies irae calamitatis et miseriae: dies V.: O that day, that day of wrath, of sore distress magna et amara valde. and of all wretchedness, that great day and exceeding bitter. R.: Dum veneris . . . R.: When Thou shalt . . . V.: Requiem aeternam dona eis, Domine, et lux V.: Eternal rest grant unto him (her or them), O perpetua luceat eis. Lord, and let perpetual light shine upon him (her or them). R.: Libera me . . . R.: Deliver me . . . Kyrie, eleison . . . Lord, have mercy. Christe, eleison . . . Christ, have mercy. Kyrie, eleison . . . Lord, have mercy. Pater noster . . . (secreto) Our Father . . . (silently)

The priest then walks twice round the bier, first sprinkling it with holy water and then incensing it. He proceeds:

V.: Et ne nos inducas in tentationem. V.: And lead us not into temptation. R.: Sed libera nos a malo. R.: But deliver us from evil. V.: A porta inferi. V.: From the gate of hell. R.: Erue, Domine, animam ejus. R.: Deliver his soul, O Lord. V.: Requiescat in pace. V.: May he rest in peace. R.: Amen. R.: Amen. V.: Domine, exaudi orationem meam. V.: O Lord, hear my prayer. R.: Et clamor meus ad te veniat. R.: And let my cry come before Thee. V.: Dominus vobiscum. V.: The Lord be with you. R.: Et cum spiritu tuo. R.: And with thy spirit.

126 n sacred music colloquium 2017 thursday, june 22 thursday, june 22 sacred music colloquium 2017 n 127 PRAYER

Absolve, quaesumus, Domine animas famulorum famularumque tuarum ab omni vincula delictorum: ut, in resurrectionis gloria, inter Sanctos et electos tuos resuscitasti respirent. Per Christum Dominum nostrum. Amen.

Absolve, we beseech Thee, O Lord, the soul of Thy servants and handmaids, that he they who are dead to the world, may live unto Thee: and wipe away by Thy most merciful forgiveness whatever sins they may have committed in life through human frailty. Through Christ our Lord. R.: Amen.

V.: Requiem † aeternam dona ei (eis), Domine. V.: Eternal rest grant † unto him (her or them), O Lord. R.: Et lux perpetua luceat ei (eis). R.: And let perpetual light shine upon him (her or them). V.: Requiescat (requiescant) in pace. V.: May he (she or they) rest in peace. R.: Amen. R.: Amen. V.: Anima ejus (animae eorum) et animae V.: May his (her or their) soul and the souls of all omnium fidelium defunctorum per misericordiam the faithful departed through the mercy of God Dei requiescant in pace. rest in peace. R.: Amen. R.: Amen.

126 n sacred music colloquium 2017 thursday, june 22 thursday, june 22 sacred music colloquium 2017 n 127  

                       128 n sacred music colloquium 2017 thursday, june 22 thursday, june 22 sacred music colloquium 2017 n 129     

                               

 

      

128 n sacred music colloquium 2017 thursday, june 22 thursday, june 22 sacred music colloquium 2017 n 129

                        130 n sacred music colloquium 2017 Vespers J

7 p.m. June 22 University Chapel

First Vespers of the Sacred Heart Extraordinary form

First Vespers: Liber Usualis (1961), page 965

PB n sacred music colloquium 2017 sacred music colloquium 2017 n 131

Ant. 1. Do Thou rule with Thy sweet yoke, O Lord, in the midst of Thine enemies.

Psalm 109. Dixit Dominus (p. 128 LU)

132 n sacred music colloquium 2017 vespers, thursday, june 22 vespers, thursday, june 22 sacred music colloquium 2017 n 133

Psalm 109 1. The Lord said to My Lord: * Sit at My right side. 2. Until I make Thy enemies * Thy footstool.

132 n sacred music colloquium 2017 vespers, thursday, june 22 vespers, thursday, june 22 sacred music colloquium 2017 n 133

Psalm 109 1. The Lord said to My Lord: * Sit at My right side. 2. Until I make Thy enemies * Thy footstool. 3. The Lord will send forth the scepter of Thy power out of Zion: * rule Thou in the midst of Thy enemies. 4. With Thee is the principality in the day of Thy strength: in the brightness of the saints: * from the womb before the day-star I begot thee. 5. The Lord hath sworn, and He will not repent: * Thou art a priest forever according to the order of Melchisedech. 6. The Lord at Thy right hand * has broken kings in the day of His wrath. 7. He shall judge among nations; He shall fill ruins. * He shall crush the heads in the land of many. 8. He shall drink of the torrent in the way: * therefore shall He lift up the head.

Ant. 2. The gracious and merciful Lord hath given food to them that fear Him.

Psalm 110. Confitebor (p. 134 LU)

134 n sacred music colloquium 2017 vespers, thursday, june 22 vespers, thursday, june 22 sacred music colloquium 2017 n 135

Psalm 110 1. I will praise Thee, O Lord, with my whole heart; * in the council of the just, and in the congregation. 2. Great are the works of the Lord: * sought out according to all His wills. 3. His work is praise and magnificence: * and His justice continueth forever and ever. 4. He hath made a remembrance of His wonderful works, † being a merciful and gracious Lord: * He hath given food to them that fear Him. 5. He will be mindful forever of His covenant: * He will show forth to His people the power of His works. 6. That He may give them the inheritance of the Gentiles: * the works of His hands are truth and judgment. 7. All His commandments are faithful, † confirmed forever and ever, * made in truth and equity. 8. He hath sent redemption to His people: * He hath commanded His covenant forever. 9. Holy and terrible is His name: * the fear of the Lord is the beginning of wisdom. 10. A good understanding to all that do it: * His praise continueth forever and ever.

134 n sacred music colloquium 2017 vespers, thursday, june 22 vespers, thursday, june 22 sacred music colloquium 2017 n 135

Ant. 3. To the righteous a light has risen up in darkness; the Lord is merciful and compassionate.

Psalm 111. Beatus vir. (p. 146 LU)

136 n sacred music colloquium 2017 vespers, thursday, june 22 vespers, thursday, june 22 sacred music colloquium 2017 n 137

Psalm 111 1. Blessed is the man that feareth the Lord: * he shall delight exceedingly in His commandments. 2. His seed shall be mighty upon the earth: * the generation of the righteous shall be blessed. 3. Glory and wealth shall be in his house: * and his justice remaineth forever and ever. 4. To the righteous, a light is risen up in the darkness: * he is merciful, and compassionate, and just. 5. Acceptable is the man that showeth mercy and lendeth: † he shall order his words with judgment * because he shall not be moved forever. 6. The just shall be in everlasting remembrance: * he shall not fear the evil hearing. 7. His heart is ready to hope in the Lord: † his heart is strengthened, * he shall not be moved until he look over his enemies. 8. He hath distributed, he hath given to the poor: † his justice remaineth forever and ever: * his horn shall be exalted in glory. 9. The wicked shall see, and shall be angry, † he shall gnash with his teeth and pine away: * the desire of the wicked shall perish.

136 n sacred music colloquium 2017 vespers, thursday, june 22 vespers, thursday, june 22 sacred music colloquium 2017 n 137

Ant. 4. What shall I render unto the Lord for all His benefits bestowed upon me.

Psalm 115. Credidi. (p. 165 LU)

138 n sacred music colloquium 2017 vespers, thursday, june 22 vespers, thursday, june 22 sacred music colloquium 2017 n 139

Psalm 115

1. I have believed, therefore have I spoken; * but I have been humbled exceedingly. 2. I said in my excess: * Every man is a liar. 3. What shall I render to the Lord, * for all the things that He hath rendered to me? 4. I will take the chalice of salvation, * and I will call upon the name of the Lord. 5. I will pay my vows to the Lord before all His people: * precious in the sight of the Lord is the death of His saints. 6. O Lord, for I am Thy servant: * I am Thy servant, and the son of Thy handmaid. 7. Thou has broken my bonds: † I will sacrifice to Thee the sacrifice of praise, * and I will call upon the name of the Lord. 8. I will pay my vows to the Lord in the sight of all His people: * in the courts of the house of the Lord, in the midst of thee, O Jerusalem.

Ant. 5. With the Lord, there is merciful forgiveness and with Him is plenteous redemption.

Psalm 129 De Profúndis (p. 178 LU)

138 n sacred music colloquium 2017 vespers, thursday, june 22 vespers, thursday, june 22 sacred music colloquium 2017 n 139

Psalm 129

1. Out of the depths I have cried to Thee, O Lord! * Lord, hear my voice. 2. Let Thy ears be attentive * to the voice of my supplication. 3. If Thou, O Lord, wilt mark iniquities: * Lord, who shall stand it? 4. For with Thee there is merciful forgiveness: * and by reason of Thy law, I have waited for Thee, O Lord. 5. My soul hath relied on His word: * My soul hath hoped in the Lord. 6. From the morning watch even until night, * let Israel hope in the Lord. 7. For with the Lord there is mercy: * and with Him plentiful redemption. 8. And He shall redeem Israel from all his iniquities.

Chapter and Hymn (see p. 978 LU)

140 n sacred music colloquium 2017 vespers, thursday, june 22 vespers, thursday, june 22 sacred music colloquium 2017 n 141

CHAPTER: Ephesians 3, 8-9 Brethren, to me, the least of all the Saints, is given this grace, to preach among the Gentiles the unsearchable riches of Christ, and to enlighten all men, that they may see what is the dispensation of the mystery which hath been hidden from eternity in God.

140 n sacred music colloquium 2017 vespers, thursday, june 22 vespers, thursday, june 22 sacred music colloquium 2017 n 141

HYMN

Behold the proud and cruel deeds Our sinful minds and hearts have wrought, Thus wounding Jesu’s sinless heart, Deserving only love.

Our heartless sins direct the thrust Of driven spear, by soldier held, Our hell-deserving guilt hath pressed The cruel steel within His breast.

Leaps forth the Church from riven heart Of Christ, her spouse upon the Cross,

142 n sacred music colloquium 2017 vespers, thursday, june 22 vespers, thursday, june 22 sacred music colloquium 2017 n 143 His open side the ark’s wide door, Become heaven’s gate for Gentiles weal.

Unending grace flows from this heart, The seven-fold river of our life, Haste we our sin-stained souls to wash Cleansed by the Blood the Lamb has shed.

Oh shame! To turn to evil deeds, That rend His loving heart in twain, In virtue’s ways march bravely on, While burning hearts our love proclaim.

To Thee be glory, Jesu Lord, Who from Thy Heart bestowest grace, With Father, and the Holy Ghost, Be praise while endless ages run. Amen

CANTORS

V. Take my yoke upon you, and learn of Me. R. For I am meek and lowly of heart

142 n sacred music colloquium 2017 vespers, thursday, june 22 vespers, thursday, june 22 sacred music colloquium 2017 n 143

Magnificat antiphon

I am come to cast fire upon earth, and what will I, but that it be kindled?

Magnificat, Buxtehude

1. My soul * doth magnify the Lord. 2. And my spirit hath rejoiced * in God, my Savior. 3. Because He hath regarded the humility of His handmaid; * for behold from henceforth all generations shall call me blessed. 4. Because He that is mighty hath done great things for me; * and holy is His name. 5. And His mercy is from generation unto generations, * to them that fear Him. 6. He hath shewed might in His arm: * He hath scattered the proud in the conceit of their heart. 7. He hath put down the mighty from their seat, * and He hath exalted the humble. 8. He hath filled the hungry with good things; * and the rich, He hath sent away empty. 9. He hath received Israel His servant, * being mindful of His mercy: 10. As He spoke to our fathers, * to Abraham and his seed forever.

Prayer (p. 971 LU)

144 n sacred music colloquium 2017 vespers, thursday, june 22 vespers, thursday, june 22 sacred music colloquium 2017 n 145 Chorpartitur Magnificat Anonymous, 17th Century Previously attr. Buxtehude

Violin ÏN 15 Ï Ï Ï Ï Ï Ï Ï Ï Ï Ï Ï Ï Ï Ï ú # 3 ú Ï Ï Ï Ï Ï Ï Ï ú . Ï w . & # 2 Continuo

15 ú w ú w ú w w ? # 3 w ú ú w . # 2

22 Soprano 1 [Solo] # # î î ú. ú. Ï Ï Ï Ï & Soprano 2 [Solo] Maú -gni -- fiÏ catú a - ni - maú me-Ï aÏ Ï ú Doú. -- miÏ num.w. # & # î î ú. Ï Maú -gniú. -- fiÏ catú a - niÏ - maú meÏ Ï-Ï aÏ Ï ú Doú. -- miÏ num.w. Continuo w ? # î î ú w . ú w . Ï Ï w . # w

Soprano 1 ## ú ú ú w ú ú. Ï ú ú w w î & Et ex-- sul ta -vit spi-- ri tus me - us

Soprano 2 ## ú ú. Ï î & Et exú. -- sulÏ# taw -vitú spi-- riú tus ú meú. - Ï# usw Alto # # w & Etú exú -- sulÏ Ï taw -vitú spiú. -- riÏ ú tus ú me - usw inú Tenor # ú # ú ú ú ú. Ï ú ú ú ú w ú V Et ex-- sul taw -vit spi-- ri tus me - us in Bass ú ú ? # ú Ï Ï Ï Ï ú ú# . Ï ú ú w w ú # Et ex--- sul ta vit spi-- ri tus me - us in

144 n sacred music colloquium 2017 vespers, thursday, june 22 vespers, thursday, june 22 sacred music colloquium 2017 n 145 33 # ú # î î ú ú Ï Ï w ú ú ú. Ï w. & in De- o sa -- lu ta - ri me - o. # # î î ú ú ú Ï Ï & in De- o sa -- lu taw - úri úwme - wo. . # # ú ú ú & De- o, in Deú -ú o saÏ -- luÏ taw - úri ú mew - wo. . # ú ú # ú ú Ï Ï ú ú ú w w. V De- o, inú De- o sa -- lu ta ú - ri me - o. w ? # ú ú ú ú ú #Ï Ï ú ú w. # De- o, in De- o sa -- lu ta - ri mew - o.

38 Alto [Solo] # # ú ú Ï ú ú ú. w ú Ï Ï ú & Qui------a re Ï speú xitú huú #miw li ta #Ï tem an -NcilÏ Ï -

ú ú ú ? # ú w ú w ú ú ú . Ï # Cont. w w .

44 [Solo] # # Ï î î Ï Ï Ï & læÏ suw - æ.w Ec- ce Ï úe- nimú exú hoc,w exú hocw beú - Tenor [Solo] [Solo] # Ï Ï Ï Ï # · î Ï Ï Ï ú î Ï ú ú ú w ú V Ec- ce e- nim,w ecce e-- nim ex hoc be [Solo] ú w #w ú î Ï Ï Ï NÏ ú ú ? # ú w w . ú w ú # Bass [Solo] Ec- ce e-- nim ex hoc be

146 n sacred music colloquium 2017 vespers, thursday, june 22 vespers, thursday, june 22 sacred music colloquium 2017 n 147 50 Tutti # ú ú # · · · w w w ú & om-- nes, om nes ge-- ne Tutti # # · · · ú ú ú & om-- nes,w om nesw gew -- ne Tutti # & # úa--ú tamú meú diú. Ï centw. omú -- nes,w omú nesw ge-- ne Tutti w ú # ú # w w w w V a-- tamú meúw di centw. omú -- nes, omú nes ge-- ne Tutti w ? # w ú úw w. ú ú w ú # a-- tam me di cent om-- nes,w om nes ge-- ne 56 [piano] ## w ú ú ú. Ï w. ú w ú w & ra --ti o -nes, om-- nes, om nes [piano] ## ú ú & raw --tiú úwo -nes,w. om-- nes,w om nesw [piano] ## & raw --tiú ú wo -nes,w. om-- nes,w om nesw [pianoú ] ú ## ú ú ú ú w w. w w V ra --ti o -nes, omú -- nes, omú nes [piano] w ú úw w ? # w. ú ú # ra --ti o -nes, om-- nes,w om nes 61 ## w ú w ú ú ú. Ï w. & ge --ne ra -ti - o -nes.

## ú & gew --ne raw -tiú -úwo -nes.w. # & # ú ú w gew --neú raw -ti -wo -nes.. ú ## w ú ú ú ú w w. V ge --ne ra -ti -o -nes. w ? # ú w ú úw w. # ge --ne ra -ti -o -nes.

146 n sacred music colloquium 2017 vespers, thursday, june 22 vespers, thursday, june 22 sacred music colloquium 2017 n 147 65 Soprano 1 [Solo] # # î ú ú ú. Ï Ï Ï ú ú ú ú. Ï w. ú ú ú & Qui- a fe -- cit mi hi ma - gnaú qui potens est et sanctum Soprano 2 [Solo]

## î ú ú & Quiú -#ú a feú. -- citÏ # miÏ hiÏ #maú - gnaú quiú ú poú. -- tens#Ï estw. etú san ctum

Continuo w . w . w . w ? ## ú ú w w .

71 # ú. # Ï Ï Ï ú Ï Ï Ï Ï ú Ï Ï Ï Ï & No ------#w menú ú we - ius,w. # # ú. Ï Ï Ï Ï Ï Ï Ï Ï & No ------#ú Ï ú #Ï Ï w úmen ú úe . #- Ï ius,w. w ú w #ú ú w ? ## w . w ú w .

77 # # ú ú ú ú. Ï Ï Ï Ï Ï Ï Ï Ï Ï & et sanctum No ------ú Ï #ú Ï Ï ú Ï NÏ Ï # # ú ú ú. Ï Ï Ï Ï Ï & #etú sanctum No ------#Ï ú #Ï Ï ú aÏ Ï Ï ú NÏ Ï Ï Ï

? # w ú w ú ú # . w w ú w

## · · · · · & --w menú ú we ius.w. # # · · · · · & --men e ius. w ú ú ú. Ï w. Alto [Solo] # # · · · î & Etú ú miw. -sew - riú -corú. -- diÏ #ú a we - iusú Tenor [Solo] # ú. Ï ú V # · · · · î ú ú w ú w ú Bass [Solo] Et mi -se - ri -cor -- di a e - ius

. ? # w w w î ú ú ú ú ú # ú ú Et mi -se - ri, mi -sew - riú -corú. -- diÏ ú a we - iusú

148 n sacred music colloquium 2017 vespers, thursday, june 22 vespers, thursday, june 22 sacred music colloquium 2017 n 149 90 # # î Ï w . & ÏaÏ proÏ -geú. -- niÏ ú e inw proú -ge -- niú es,w inú proú --- geú niÏ esw tiú -

## · î Ï Ï Ï ú. Ï ú w ú ú ú Ï V aÏ pro -ge -- ni e in pro -gew -ú. niÏ --esw Ï ti

? ## · · î Ï Ï Ï ú. Ï ú w ú. Ï ú aÏ pro -ge -- ni e in proú -ú ge -- ni esw ti -

97 # & # ú w ú menw -- tiú busú w e -um,w ti -men -- ti busúw e -um.w. ## w ú ú ú. w ú w ú ú ú. Ï w. V men-- ti bus e -Ï# um, ti -men -- ti bus e -um. ú. Ï Ï Ï ú w ? # Ï Ï Ï Ï ú Ï Ï ú Ï Ï Ï Ï Ï Ï Ï Ï w. # men -ti - bus e - um, ti -men -- ti bus, ti -men -ti - bus e - um. Ritornello ut supra Violin 103 ÏN 17 Ï Ï Ï Ï Ï Ï Ï ú # Ï Ï Ï Ï ú . Ï w . & # Cont.

17 w ú w ú ú w ? ## w . 124 Tutti

## · · ú ú ú ú. Ï ú î î ú w ú & Fe- cit po -ten -- ti am in bra-- chi Tutti ## · · ú Ï ú î î ú & Fe- citú poú -tenú. -- ti am in braw -- chiú Tutti # & # ú ú ú. Ï ú î î ú w Fe- citú poú -tenú. -- tiÏ am,ú feú - citú po -ten -- ti am in bra-- chiú Tutti # ú ú Ï Ï ú # · ú ú ú Ï ú. î î ú w ú V Fe- cit po -ten -- ti am, po -ten -- ti am in bra-- chi Tutti ú . ú ú ? ## w w ú ú ú ú ú î î ú w ú Fe- cit po -ten --ú ti úam in bra-- chi

148 n sacred music colloquium 2017 vespers, thursday, june 22 vespers, thursday, june 22 sacred music colloquium 2017 n 149 130 # # úw ú ú ú ú ú ú î î î ú ú ú ú & o su - wo; di -sper - sit su --per bos, di ---sper sit su # # ú ú ú ú î î î ú ú ú ú & úoú su. #-Ï wo; di -sper - sit su --perú bos,ú di ---sper sit su # # ú ú ú î î î & úo suw - wo; diú -sper - sit su --perú bosú diú --sperú sitú suú - # # úw w ú ú ú ú î î î ú ú ú ú V o su - o; di -sper - sit su --perú bosú di --sper sit su -

? # ú w ú úî î î ú ú ú # o su - wo; diú -sperú - sitú suú --per bos, diú ---sper sit su

136 # ú. Ï # ú ú î ú. Ï ú úw w. ú ú ú. Ï w. & per- bos men -- te cor dis su -i, men-- te cor dis su -i.

## î ú. Ï ú ú ú w. ú. Ï ú ú & #perú - bosú men -- te cor dis su #ú -i, men-- te cor dis suw -wi. . # # î ú. Ï & perú - bosú menú. -- teÏ corú disú suw -wi, . men-- te corú disÏ Ï suw -wi. . # # ú ú î ú. Ï ú ú w #w. nú. Ï ú úw w. V per- bos men -- te cor dis su -i, men-- te cor dis su -i.

? # ú ú î ú. Ï ú ú w ú. Ï ú ú w w. # per- bos men--- te cor dis su wi, . men-- te cor dis su -i.

143 Alto [Solo] # & # î î ú Ï Ï Ï Ï Ï Ï #ú ú w ú Deú -poÏ Ï -Ï suÏ - itÏ poÏ --tenú tesú de se - dew. etú ex--- al ta vit Tenor [Solo] # ú # î î ú Ï Ï Ï Ï ú ú ú Ï Ï Ï Ï Ï Ï ú ú #ú #ú V De ---po su# itÏ poÏ --ten tes de se - dew. etú ex-- al ta - Continuo ú ? ## î î ú w w ú w . w . w ú ú ú ú

150 n sacred music colloquium 2017 vespers, thursday, june 22 vespers, thursday, june 22 sacred music colloquium 2017 n 151 150 # & # ú #ú. Ï #Ï Ï ú ú ú. #Ï w. hu-- mi les,w. etú exú -- alú taú - vit hu- mi -les. . . ## ú ú #Ï w ú ú w. ú ú. Ï w. ? V vit hu-- mi les, #etú ex-- al ta - vit hu- mi -les.

w . w ú ú w ? ## ú w ú ú ú w . Bass [Solo] 156 ú ú. Ï ú ú Ï ú ú ? # ú Ï Ï Ï Ï Ï ú ú ú Ï Ï Ï Ï Ï Ï Ï # E- su - ri --en tes im -ple -vitÏ bo - nis et di---- vi tes di mi sit, etú Continuo

w ú w w . w . ? ## ú w ú w .

162 Ï Ï ú ú ú Ï Ï Ï Ï Ï Ï ? # Ï Ï ú ú ú Ï Ï Ï Ï Ï Ï Ï Ï Ï Ï # diÏ ---- viÏ Ï tesÏ diÏ mi sit, et di ------vi tes di mi sit in a Ï w . w w . w . ú w ? ## w . ú

168 Ï ú Ï Ï Ï Ï ? ## Ï Ï Ï Ï Ï w î î Ï Ï Ï Ï Ï Ï Ï ----Ï #Ï Ï nes,w. in - a ----

? # w ú ú ú w w ú # w #ú ú ú ú ú ú

174 Soprano 1 [Solo] # # · · · î î Ï Ï Ï Ï ú & Suú --sceÏ Ï Ï Soprano 2 [Solo] # # · · · î î ú & Suú --sceÏ Ï Ï Ï Ï Ï Ï Ï Ï Ï Ï #Ï ÏaÏ Ï ? ## Ï Ï Ï Ï Ï w. V · ------Ï w nes. Cont. w ? # ú w ú w . w # ú w ú

150 n sacred music colloquium 2017 vespers, thursday, june 22 vespers, thursday, june 22 sacred music colloquium 2017 n 151 179

## ú ú. Ï ú. Ï ú ú ú. Ï w Ï Ï Ï Ï Ï Ï Ï Ï & pit Is-- ra elw. pu-- e rum su - um; reÏ -- corÏ daÏ Ï Ï - # # ú ú. w. . Ï Ï Ï Ï Ï & pit Is--# raÏ el Npuú --Ï e rumú ú suw - um;w reÏ -- corÏ daÏ Ï Ï Ï Ï #Ï - w Ï w ú ú w . w ? ## Ï w . w ú 185 Ï ## ú ú Ï Ï Ï Ï Ï Ï Ï Ï Ï Ï Ï Ï Ï ú ú Ï Ï Ï Ï Ï Ï Ï Ï Ï Ï Ï Ï ú Ï Ï Ï Ï & -tus, re ----- cor da tus, re -- cor da ---tus mi --- se ri # # Ï Ï Ï Ï Ï Ï Ï Ï Ï Ï Ï Ï Ï ú Ï Ï Ï Ï & -#ú tus,ú reÏ ----- corÏ #daÏ Ï Ï Ï Ï Ï ú tus,ú reÏ ----- corÏ daÏ Ï Ï tus mi --- se ri

w . w w . ? ## w . w ú ú

190 # # w ú Ï Ïw ú. Ï Ï Ï w ú Ï Ï ú. Ï w. & cor-- di æ su - æ, mi-- se ri -cor - di - æ su - æ. # # w ú Ï Ï ú. #Ï ú. & cor-- di æ su -æ, miÏ -- seÏ riÏ -corw - diú -Ï æÏ suw - æ.w.

ú ú ú ú w w . ? ## ú . Ï ú w ú úw 196 Tutti ## ú ú ú ú. Ï ú ú ú ú w ú ú. Ï ú & Si--- cut lo cu tus est ad pa- tres no- stros A-- bra ham, Tutti ## ú ú ú ú. Ï ú ú ú ú w ú ú & Si--- cut lo cu tus est ad pa- tres no- stros Aú. -- braÏ ham, Tutti # # ú ú Ï ú ú & Si--- cut loú cuú. tus est adú paú - tresú now - strosú Aú. -- braÏ ham, Tutti # ú # ú ú ú. Ï ú ú ú. w ú ú. Ï ú V Si--- cut lo cu tus est ad pa-- tresÏ no stros A-- bra ham, Tutti ú. ú ú ú. Ï ú ? # ú ú ú Ï ú ú w ú # Si--- cut lo cu tus est ad pa- tres no- stros A-- bra ham,

152 n sacred music colloquium 2017 vespers, thursday, june 22 vespers, thursday, june 22 sacred music colloquium 2017 n 153 201 # ú # ú. Ï Ï Ï w Ï Ï w Ï Ï ú. Ï w. ú. Ï ú & A-- bra ham et se - mi - ni e - ius in sæ-- cu la, A-- bra ham, # Ï Ï ú ú. Ï # w ú ú ú w# . ú & Aú. -- braÏ hamÏ etÏ se - mi - ni e - ius in sæ-- cu la, Aú. -- braÏ ham, # & # w Ï Ï w ú ú. Ï ú Aú. -- braÏ hamÏ etÏ se - mi - ni e - iusú in sæú -- cuú la,w. A-- bra ham, # ú. ú. Ï # Ï Ï Ï w w ú ú ú. w. ú V A-- bra ham et se - miÏ - niÏ e - ius in sæ-- cuÏ# la, A-- bra ham, ú. Ï Ï Ï ? # w Ï Ï w ú ú ú. Ï w ú # A-- bra ham et se - mi - ni e - ius in sæ-- cu la,w. A-- bra 207 # ú # Ï Ï w Ï Ï w ú ú. Ï w. & Aú. -- braÏ ham et se--- mi ni e ius in sæ-- cu la. # # w Ï Ï w ú ú ú. Ï w. & Aú. -- braÏ hamÏ etÏ se--- mi ni e ius in sæ-- cu la. # # ú Ï w. & Aú. -- braÏ hamÏ etÏ sew --- miÏ niÏ we ius inÏ Ï sæú. -- cu la. # ú Ï w. # ú. Ï Ï Ï Ï Ï w ú ú . V A-- bra ham et sew --- mi ni e ius in sæ-- cu la.

? ## w ú w. ham et sew --- miÏ niÏ we iusú inú sæú. -- cuÏ la.

Ritornello ut supra Violin 212 ÏN 17 Ï Ï Ï Ï Ï # Ï Ï Ï Ï Ï Ï ú ú . Ï w . & # Cont.

17 w ú w ú ú w ? ## w .

233 Alto [Solo] # & # Ï Ï Ï Ï Ï Ï Ï Ï Ï Ï Ï Ï Ï Ï Glo ------Ï Ï ÏTenor [Solo]Ï Ï Ï Ï Ï Ï Ï Ï Ï Ï Ï Ï Ï ú # Ï Ï Ï # · Ï Ï Ï Ï Ï Ï Ï Ï Ï Ï Ï Ï Ï Ï Ï Ï Ï Ï Ï ú V Glo ------Ï Ï

w ú w Ï ú ? ## w . w . Ï ú . Ï

152 n sacred music colloquium 2017 vespers, thursday, june 22 vespers, thursday, june 22 sacred music colloquium 2017 n 153 238 Tutti . ## · · ú Ï ú ú. Ï ú ú ú. Ï w. & Glo-- ri a, glo -- ri a Pa - tri, Tutti # # · · ú. Ï ú ú w w. & Gloú. -- riÏ ú a, glo -- ri a Pa - tri, Tutti # # ú. ú. Ï w w. & riÏ --Ïw a Pa tri,w. Glo-- riÏ ú a, glo -- riú a ú Pa - tri, Tutti ## Ï Ï ú. Ï w. ú. Ï ú ú. Ï ú ú w w. V ri-- a Pa tri, Glo-- ri a, glo -- ri a Pa - tri, Tutti ú w Ï ú ú w ? # w . ú. Ï ú ú. w. # Glo-- ri a, glo -- ri a Pa - tri, Soprano 1 [Solo] 244 Ï ## Ï Ï Ï Ï Ï Ï Ï Ï Ï Ï Ï Ï Ï Ï Ï Ï Ï Ï Ï Ï ú ú ú. Ï w. & gloÏ Ï Ï Ï------Ï#Ï Ï ri a et Fi -- li o, Soprano 2 [Solo] # # Ï Ï Ï Ï Ï Ï Ï & gloÏ Ï Ï Ï Ï------Ï Ï Ï Ï Ï Ï Ï #Ï Ï Ï NÏ Ï Ï Ï Ï riÏ ú a etú Fiú. -- liÏ wo, . Cont. w . w . ú w ? ## w . úw w . 250 Tutti . ## ú Ï ú ú. Ï ú ú ú. Ï w. · · & Glo-- ri a, glo -- ri a et Fi- li -o, Tutti # # ú. Ï ú ú ú. Ï w. · · & Gloú. -- riÏ ú a, glo -- ri a et Fi- li -o, Tutti # # ú. · · & Gloú. -- riÏ ú a, glo -- riÏ ú a etú Fiú. - liÏ -wo, . Tutti Bass [Solo] . ## ú. Ï ú ú. Ï ú ú ú. Ï w ? Ï Ï Ï Ï Ï Ï Ï Ï Ï Ï ú V Glo-- ri a, glo -- ri a et Fi- li -o, Glo ----ri a, Tutti Ï ú ú ú. ? # ú. Ï ú ú. w. w ú w . # Glo-- ri a, glo -- ri a et Fi-- liÏ o, Continuo

154 n sacred music colloquium 2017 vespers, thursday, june 22 vespers, thursday, june 22 sacred music colloquium 2017 n 155 Bass [Solo] 256 Ï Ï Ï Ï Ï ÏNÏ Ï Ï ú ú aú. Ï ú ú ú. Ï ú ? # Ï ú î ú ú # glo ----ri a et Spi ---ri tu i San --cto, et Spi

w ú w . w . ? ## w ú ú w w .

262 ú ú ú. ú ú Ï Ï Ï Ï ? # #ú. Ï #Ï ú ú. Ï ú Ï Ï Ï Ï Ï Ï Ï Ï # ri-- tu i San -cto, et Spi ---ri tu i San ----

w w . w ú w . ? ## ú ú w w ú

268 Ï Ï Ï Ï Ï Ï Ï Ï ? # Ï Ï Ï Ï Ï Ï Ï Ï Ï Ï Ï Ï Ï Ï w. #------Ï Ï Ï Ï Ï cto;

ú ú ú w ? ## ú ú ú ú ú ú ú w .

273 Tutti # ú. # Ï ú ú. Ï ú Ï Ï ú. Ï w. · · & glo-- ri a et Spi-- ri tu - i San -cto; Tutti # # ú. Ï ú Ï Ï w w. · · & gloú. -- riÏ ú a et Spi-- ri tu - i San -cto; Tutti Alto [Solo] # # ú. · î & gloú. -- riÏ ú a et SpiÏ -- riú tuÏ -Ï i Sanw -cto;w. Siú - cutú Tutti Tenor [Solo] . ## ú. Ï ú ú. Ï ú Ï Ï w w î ú ú Ï Ï Ï Ï V glo-- ri a et Spi-- ri tu - i San -cto; Si-- cut e ratú

Tutti Cont. Ï ú Ï Ï w w ú ? # ú. Ï ú ú. w. w . # glo-- ri a et Spi-- ri tu - i San -cto;

154 n sacred music colloquium 2017 vespers, thursday, june 22 vespers, thursday, june 22 sacred music colloquium 2017 n 155 279 # # ú. Ï ú ú & Ïe Ï -Ï Ï ratú inw prin#ú ---ci pi o, Ninw prinú -ciú. -- piÏ ú o etú nunc#ú et

## w ú ú. Ï ú · w ú ú. Ï ú ú ú ú V in prin --ci- pi o, in prin -ci -- pi o et nunc et

ú ú Ï Ï Ï Ï w ú ú. Ï ú ú ú ? # w . î ú ú # Bass [Solo] Si-- cut e rat in prin -ci -- pi o et nunc et

285 Soprano 1 [Solo]

## · · î Ï Ï Ï ú. Ï ú î Ï Ï Ï Ï ú. Ï ú & etÏ in sæ-- cu la, et in sæ-- cu la Soprano 2 [Solo] # # · î Ï · î Ï Ï ú. Ï ú & ÏetÏ Ï in sæú. - cuÏ - la,ú # etÏ in Ï sæ-- cu la # # · · · · & semw #-ú per,w. # # w. w. · · · · V sem - per, Cont.

. w . w . ? # w. w w . w . # sem - per,

291 Tutti # U # ú. Ï ú ú ú. Ï w. ú. Ï ú ú ú. Ï ú î î & sæ- cu -- lo rum, A - men, sæ- cu -- lo rum. A - men. Tutti # U # î î & sæú. - cuÏ -- loú rum,úw A - men,w. sæú. - cuÏ -- loú rum.úw A - men.ú Tutti # U & # ú. Ï ú ú î î sæ- cu -- lo rum,ú A ú- men,w. sæú. - cuÏ -- loú rum.ú Aú ú- men.ú Tutti U # # ú. Ï ú ú. Ï ú î î V sæ- cu -- loú rum, Aw - men,w. sæ- cu -- loú rum. Aw - men.ú Tutti U ? # ú. Ï ú ú w w. ú. Ï ú ú w ú î î # sæ- cu -- lo rum, A - men, sæ- cu -- lo rum. A - men.

156 n sacred music colloquium 2017 vespers, thursday, june 22 vespers, thursday, june 22 sacred music colloquium 2017 n 157

Magnificat antiphon

I am come to cast fire upon earth, and what will I, but that it be kindled?

Magnificat, Buxtehude

8. He hath filled the hungry with good things; * and the rich, He hath sent away Magnificat antiphon empty. V. Dóminus vobiscum. 9. He hath received Israel His servant, * being mindful of His mercy: I am come to cast fire upon earth, and what will I, but that it be kindled? 10. As He spoke to our fathers, * to Abraham and his seed forever. R. Et cum spíritu tuo.

Magnificat, Buxtehude

Prayer (p. 971 LU) 1. My soul * doth magnify the Lord. Collect 2. And my spirit hath rejoiced * in God, my Savior.

3. Because He hath regarded the humility of His handmaid; * for behold from O God, who in the Heart of thy Son, wounded by our transgressions, henceforth all generations shall call me blessed. dost mercifully vouchsafe to bestow upon us the infinite wealth of Thy love; 4. Because He that is mighty hath done great things for me; * and holy is His grant, we beseech Thee, that revering it with meet devotion, we may make name. aCollect worthy reparation for our sins. Through the same Thy Son our Lord… 5. And His mercy is from generation unto generations, * to them that fear Him.

6. He hath shewed might in His arm: * He hath scattered the proud in the conceit OV. God,Dóminus who vobiscum.in the Heart of thy Son, wounded by our transgressions, dostof mercifully their heart. vouchsafe to bestow upon us the infinite wealth of Thy love; 7.R. EtHe cum hath sp putíritu down tuo. the mighty from their seat, * and He hath exalted the grant, we beseech Thee, that revering it with meet devotion, we may make a worthyhumble. reparation for our sins. Through the same Thy Son our Lord… Benedicamus Domino (p. 124 LU) 8. He hath filled the hungry with good things; * and the rich, He hath sent away empty. V. Dóminus vobiscum. 9. He hath received Israel His servant, * being mindful of His mercy: R. Et cum spíritu tuo. 10. As He spoke to our fathers, * to Abraham and his seed forever.

Benedicamus Domino (p. 124 LU) Prayer (p. 971 LU)

Marian antiphon (p. 276 LU) 156 n sacred music colloquium 2017 vespers, thursday, june 22 vespers, thursday, june 22 sacred music colloquium 2017 n 157 Tutti (intoned by priest)

Marian antiphon (p. 276 LU) Tutti (intoned by priest)

Intoned by priest, tutti

158 n sacred music colloquium 2017 vespers, thursday, june 22 vespers, thursday, june 22 sacred music colloquium 2017 n 159 Salve Regina

Hail, holy Queen, Mother of Mercy, Our life, our sweetness and our hope. To you do we cry, Poor banished children of Eve; To you do we send up our sighs, Mourning and weeping in this valley of tears. Turn then, most gracious advocate, Your eyes of mercy toward us; And after this our exile, Show us the blessed fruit of your womb, Jesus. O clement, O loving, O sweet Virgin Mary. ℣ Pray for us, O holy Mother of God, ℟ that we may be made worthy of the promises of Christ.

Prayer (p. 277 LU)

Let us pray: Almighty, everlasting God, who by the cooperation of the Holy Spirit didst prepare the body and soul of the glorious Virgin-Mother Mary to become a dwelling-place meet for thy Son: grant that as we rejoice in her commemoration; so by her fervent intercession we may be delivered from present evils and from everlasting death. Through the same Christ our Lord. Amen.

158 n sacred music colloquium 2017 vespers, thursday, june 22 vespers, thursday, june 22 sacred music colloquium 2017 n 159 160 n sacred music colloquium 2017 sacred music colloquium 2017 n PB Friday J

1:45 p.m. June 23 University Chapel

Exposition and benediction

PB n sacred music colloquium 2017 sacred music colloquium 2017 n 161 Text removed from web edition because of copyright restrictions.

exposition and benediction, friday, june 23 exposition and benediction, friday, june 23 sacred music colloquium 2017 n 163 Text removed from web edition because of copyright restrictions.

162 n sacred music colloquium 2017 exposition and benediction, friday, june 23 sacred music colloquium 2017 n 163 Page intentionally left blank

164 n sacred music colloquium 2017 exposition and benediction, friday, june 23 exposition and benediction, friday, june 23 sacred music colloquium 2017 n 165 164 n sacred music colloquium 2017 exposition and benediction, friday, june 23 sacred music colloquium 2017 n 165 166 n sacred music colloquium 2017 exposition and benediction, friday, june 23 exposition and benediction, friday, june 23 sacred music colloquium 2017 n 167 166 n sacred music colloquium 2017 exposition and benediction, friday, june 23 sacred music colloquium 2017 n 167 168 n sacred music colloquium 2017 exposition and benediction, friday, june 23 exposition and benediction, friday, june 23 sacred music colloquium 2017 n 169 168 n sacred music colloquium 2017 exposition and benediction, friday, june 23 sacred music colloquium 2017 n 169 170 n sacred music colloquium 2017 exposition and benediction, friday, june 23 exposition and benediction, friday, june 23 sacred music colloquium 2017 n 171 170 n sacred music colloquium 2017 exposition and benediction, friday, june 23 sacred music colloquium 2017 n 171 8

__ sal _ va - to rem, ]au _ da du - l'l'Jll ----- et_ pa_ "to _ mn, Re - 1Y'r, Ret _ fer, ______

gie dei _ nen dei_ nen F1i'h r, _re

Si ou, lau _ da du - et Si Ret _ fer, ____--= c·rm _____ pa_ sto _ mu on dei _ nen dei _ nen Fiih _ rer,

d1t_ re suff'i _ 1·1,. Lau_ da du _ et mn, _ trm _____ �in e1u•h umseinn1 Thmn. D1•i _ nen Ref ter, ____� m; lob_

lau _ da _ re "uf _ f'i _ ck Lauda du _ {'t'·lll ----- t>t - ne,, pa_ sto rrm, __ snmmelt euch um spi_ nPn Thron.Deinen Ret _ ff'r, _____ dei _ nen Fiih _ re-r, __

) I', ------' --_.,--.--.__ - - - -- .\ u I T in hy - mni!>. .-t (·an - ti - in hv - et - ti - <"is, in lob_ .,ir1g'__ mif H11r _ fen _ ton, lob - si11g'_ Har_ fn1 _ ton, lob_ I', I cis, . mni� l'an . -- . ihm .. ihm mil � I/ ------u # --'-._;- ., ------in hy - mms Pt t/111-- - - ti - l'i�, iu b·----y - umis rt ,·an - ti - ,-i�, in lob_sl11g' Har - - fm ton, lob - Har - fni - ton, lob_ I', - - .t -� - - � � --- ihm mil - - - - sin,q'__ ihm . mil- -- - 1 u I I hy et 1·an _ ti - ei�, Ill hy - mni1< et 1·an _ ti - tis, et ,·an - - ti - Har_fen_ ton, lob - mit Har_fen_ Har - - mnis ----- � .,.. � : sing' ihm mil sing'__ ihm ton, mil -- fen_ -� - I\ " - I - rt_ pa sto - - - r1'111,,, in hy - muis Pt - dPi Fiih - - rPr, - il1m mif q ,-. I I nenI --_---;---_ JI -- lob sin, -'__ -

I I ' - - �- •

172 n sacred music colloquium 2017 exposition and benediction, friday, june 23 exposition and benediction, friday, june 23 sacred music colloquium 2017 n 173 172 n sacred music colloquium 2017 exposition and benediction, friday, june 23 sacred music colloquium 2017 n 173 174 n sacred music colloquium 2017 exposition and benediction, friday, june 23 exposition and benediction, friday, june 23 sacred music colloquium 2017 n 175 u N9 2 Coro

Andnnte con moto

So rano

Alto

Tt>nori-

ere.fl'. VI VU8 vi

B a s s o pa ni� et Brod der ffei he, Brod des

Lau di� tht> ma spe _ ('i . a fo, Ziel der 8Ph11 • . m rh t , Ziel des Sfre • bens,

par _ nis B od Jpr -. c·1 _ Lau _ dis the ma �pe _ a fo, dim. Ziel der Sehn surht,Ziel der Sire b1•ns, tur.

ta . Ii� ho dLe --]JI'o.po. ni . Le _ hens, sPr Lin{_ an die_sem Tag.

174 n sacred music colloquium 2017 exposition and benediction, friday, june 23 sacred music colloquium 2017 n 175 176 n sacred music colloquium 2017 exposition and benediction, friday, june 23 exposition and benediction, friday, june 23 sacred music colloquium 2017 n 177 176 n sacred music colloquium 2017 exposition and benediction, friday, june 23 sacred music colloquium 2017 n 177 178 n sacred music colloquium 2017 exposition and benediction, friday, june 23 exposition and benediction, friday, june 23 sacred music colloquium 2017 n 179 178 n sacred music colloquium 2017 exposition and benediction, friday, june 23 sacred music colloquium 2017 n 179 180 n sacred music colloquium 2017 exposition and benediction, friday, june 23 exposition and benediction, friday, june 23 sacred music colloquium 2017 n 181 17 S o l o Tutti S o l o Tutti � Solo

ju _ bi _ la _ ti _ o, sit Jaus pit•_ na, �it lau� pJi,_ua, �it so _ no_ ra, sit �o _ no_ ra mr.n_ tis Ta _ ges Herr_ lich_ k e i t , schalltmit Choren,srhnllfmif Chilren, ro/_ !er Ehre11,.roU1•1· Ehrn1 die_ ses

ti - o, sit lauR pkna, sit �o _ no_ ra Herr_ Zich_ keit, s rh n l l t m i t Choren, r n U 1 · r Ehren L � f �

Bolo ,.. - - - I� 1 ,J.U_ b'1 - 1 a _ hr. - o, men_ ti� ju_ bi _ ia _ ti _ o, jubi _ la_ ti _ o. Tages Herr_lich_keit, die_ ses TagPsHPrrlich _ keil, seine Hn-rlirhkeil. I":\ VII I pp -====- -· � �� - ., - - r llH'Il - ti� ju - - bi - la - ti - o. die_ ses Ta - - ges Herr_/irh - keil. /', I . pp -====- I":\ - • -_____..-, V mr.n - ti� . . -6-. die - ses - 111 -====- I":\ ./. --. - l I - � , 1 r --, 1 Illl'Il - ti, ju - - hi - la - ti - o. Di_!'$ f'_nim so_ Je_mnis die_ ses Ta - - /JeS Herr _ lirh - keil. Iknn die {twf_ lirhe Zeil isf pp -===- I":\ � ...... - � .

I I �-- ' .... - ... II • ...; -, � - - - ·--� ,, - - - • I \ �� :. '1 "-,r ( r rr t===- PP ., " k '/ ., ,, � � � .. - e_----- �

180 n sacred music colloquium 2017 exposition and benediction, friday, june 23 sacred music colloquium 2017 n 181 182 n sacred music colloquium 2017 exposition and benediction, friday, june 23 exposition and benediction, friday, june 23 sacred music colloquium 2017 n 183 19 -==

no_ vum Paseha no _ vie I,,_ gi� pha_ �" w _ tus for_ mi _ nat. neu _ er Ordmm,q Har_lichkeUPII sei der al _ fp Bund .ze,•_sfiirf,

'---' � '-- no_ -vmn Pas<'ha no _ -vre J..,_gi� pha_st>_ n, _ tuR tt>r_ mi _ nat. 1wu _ er Ord11u11glurrlich_k eUP n sei dPr_ al_ fe Bund .zer_ s f or f , s,olo

In hac lll!'n_ sa no_ vi In dem Glan.z dn ne1u•n Solo

In vi re_ gis In en Zeilen,

Ye_ tu_ sta tPm no _ yi_ tas au fda ssAl _ tes wer _ deneu,

Ye_ tu_ sta _ tt>m no _ v L t a s aufdass Al tes wer _ de neu,

no_ vum Paseha le _ gis p a_ se ve _ tus ter_ minat. Ye_ tu_ sta _ tPlll no _ vLtas neu _ er Ordnung Herr_lich_kei _ ten sei der Bund .zerslort, aufda� Al _ fes u,er_ de neu, �

no_ v u m Paseha no_ vai le_gis pha _ se ve _ fus_ fer _ minat. Ye_ tu_ sta tem no _ vLtas neu _ er Ordnung Herr_ l i c h k e i_t e n sei dPr al_ te _Bund zerstort, aufdassAl fps wer _ de neu,

182 n sacred music colloquium 2017 exposition and benediction, friday, june 23 sacred music colloquium 2017 n 183 184 n sacred music colloquium 2017 exposition and benediction, friday, june 23 exposition and benediction, friday, june 23 sacred music colloquium 2017 n 185 184 n sacred music colloquium 2017 exposition and benediction, friday, june 23 sacred music colloquium 2017 n 185 186 n sacred music colloquium 2017 exposition and benediction, friday, june 23 exposition and benediction, friday, june 23 sacred music colloquium 2017 n 187 186 n sacred music colloquium 2017 exposition and benediction, friday, june 23 sacred music colloquium 2017 n 187 ·if.=====--:::"

no_ tt!'m lux e _ Ii minat, no _ !'tem, no _ _ ctem lux r_li_ mL Nflcht in Licht sei mm verkliirt, iYacht i11 Licht, in Licht seinunver_

no_ctem Iux e - li - minat, no <:tem, no - - dem lux e. lLmi.. Nacht in Licht sei nun ve1·ld iirt, Nacht in Licht, in Licht sei nunver- .rf

no_ctem lux e - IL mi_ nat, no ctrm, no - - ctem lux e. IL mi_ 1/'('T - Nacht in Licht sei nun ver_khiW, Nacht in Licht, in Licht sei nunver_ === � .f

yp, - rLtas,_ no_ctem lux e - Ii mi_ nat, no_ <'fem, no _ - cttm e_ li_ mi_ wer de frei,_ Nacht in Lirht sei 711111 ver _ kliirf, Nacht in Licht, in Licht seinunver_ lux

no _ dem, no _ ctem lux e _ Ii _ mi_ nat. Nacht_ iii Llcht,___ in Licht sei nun uer _ klci'rt.

no.ctem lux,_ no _ ctem lux e _ Ii _ mi _ nat. Nacht in Licht, Nachf __ in Lichtsei nun rer _ kllirt.

no_ctem lux,_ no _ l'ttm lux e _ li _ mi _ nat. Narht i,1 Licht, Nacht----___ in Licht sei mm t•er _ kliirf. no_ ttrm lux, lux ______e _ Ii _ mi_ nat. Narht in Licht, 1Vachf______set nun ver _ kllirt.

188 n sacred music colloquium 2017 exposition and benediction, friday, june 23 exposition and benediction, friday, june 23 sacred music colloquium 2017 n 189 188 n sacred music colloquium 2017 exposition and benediction, friday, june 23 sacred music colloquium 2017 n 189 190 n sacred music colloquium 2017 exposition and benediction, friday, june 23 exposition and benediction, friday, june 23 sacred music colloquium 2017 n 191 190 n sacred music colloquium 2017 exposition and benediction, friday, june 23 sacred music colloquium 2017 n 191 28

Suh di ver _ si" �pe _ t'.J _ e _ hu�. ,i _ gnis tan_ tum 11011 In 1·er _ schie _ de _ 11P11 Ot' _ ,ffnl _ fen .._,,,m"ll ge _ heim nls et Zei _ l'h1•n

Suh di Y!'J' l--l/"I d t• - Im><, _.,...si _ gnis tan _ tum non In -,,,,,.. - d,· - 1/f'II {,',, - sfrd - tn, will ge - helm nls Z,•i _ che11 et .I' &·hie _ ,pl\ -

if if---.

res f'.X - i 1111 _ "' - font rl's l'X - j mL Di11 - ge If{, sn,Jwif, sler Din_ f/f' }11, - ,W'IL la hik:h ·___,,- if

ft' - hu�, la tl'ut res f'X - j mi_ re, - tt>ut rr� ex i mi_ wul ln,'--ff'i;,,h_ ,yfer Din Hf, hoch sfer Din _ gt> ffe - sn,_ s la ge .,en_heit,

192 n sacred music colloquium 2017 exposition and benediction, friday, june 23 exposition and benediction, friday, june 23 sacred music colloquium 2017 n 193 29 / /l -r dim. .., p -· -· . -. e) -- � I• ll', la - - tent, la_ - - ttnt fl'S ex - 1 _ m1 - II'. heit_. /wch_ - _ ster, hoch_ - _ ster Din_ge ffe_sen - he.it. /l "" din,. 'II . -· - '@) - - -- - ,9-• dim. ll ..., 'P " -- I #H --· ·--· . . @) - ie, la - _ tent, ]a - - t�nt res ex - L mi - "'· heit, /wcli_ - _ ster, hiick - _ ster Din_ge Tfe_sen - heit. i dim. P, . . . . . ' I I ll It. - ,..._ � - -�� ' ------·. - ,@) - ...... -· ...... � ...'--" ... dim. ; .. :.;.._.i �;·- d11n. p p I -. ·�.I I pp . --:. .� 4• -s-• 71. •-..:__,• .,..,. �- ...... ,...... col� 8'1- ad lib.

N9 f Soprano Solo Andante

So rano Solo

san _ guis po _ tus, m11. _ nf't fa_ mtn ChrL stus to _ tu� suh n _ Blut tier_ 11eh_ ret,dodtble.ibt Christus un _ t.'e.1' _ sel,_ref IJtl_ier -----

192 n sacred music colloquium 2017 exposition and benediction, friday, june 23 sacred music colloquium 2017 n 193 Lauda Sion for Soli, Chor und Orchester, Op. 73

Jakob LudwigFelix Nr. 6. Sub diversis Speciebus Mendelssohn-Bartholdy (I 809-184 7) r Allegromaestoso Engaved byJonathan Eason (2017) .,,-. - - -

. - - ti

f, " l - .. - - - -· - - - � \I Sub di . ver . sis spe . ci .

. - - - -

I",

I r-, rr, .,... H. ( .. - . - - .., - - .., - _, "",_ - "" •- . - I .. -,._ ""- :: � ,... •�v _, _, -_, _, -_, _, --_, ------I - - - I - - - L....l f .. , .... -ii ...... "-J J 7 T- J - r-- J. .h ..-· .. -m- - - - � - - .. r., - -· - -· LJ - -

5 f _," l - - - -· - - - � - ti Sub di . ver -sis spe - ci . " f - �- : �-v - - - -· - -- M- -� - -- - tJ -· I = = -· - -- Sub di ver - sis spe - ci . e . bus, si - gnis tan . tum, et non re - bus, si-gnis ..._.. - ' ' -· - M - � � - .= - -· - - -- -· M� '" I e . bus, si - gnis tan -tum, et non re . bus, si . gnis tan . . tum, et non __,, - --- . - - - - - " -

I\ "-J "-J "-JH.Jr.J _, I "-/1Lr1 I m IJ I I ri I ... - . - r- -, -mr- -_, - - _, - - - - ., -_, - -..._, -... - '"" " - - .-J - - M - • • - - ... - ,� -· M� -- - �-- - � - - - -� � � - - -- :::. - - - � I I I I l I' r" ·1 V I .J. J)J J J J. ji J �_J \J) aJ j J_ J _J r -.. 1 - J. ------

194 n sacred music colloquium 2017 exposition and benediction, friday, june 23 exposition and benediction, friday, june 23 sacred music colloquium 2017 n 195 194 n sacred music colloquium 2017 exposition and benediction, friday, june 23 sacred music colloquium 2017 n 195 196 n sacred music colloquium 2017 exposition and benediction, friday, june 23 exposition and benediction, friday, june 23 sacred music colloquium 2017 n 197 196 n sacred music colloquium 2017 exposition and benediction, friday, june 23 sacred music colloquium 2017 n 197 198 n sacred music colloquium 2017 exposition and benediction, friday, june 23 exposition and benediction, friday, june 23 sacred music colloquium 2017 n 199 198 n sacred music colloquium 2017 exposition and benediction, friday, june 23 sacred music colloquium 2017 n 199 29 / /l -r dim. .., p -· -· . -. e) -- � I• ll', la - - tent, la_ - - ttnt fl'S ex - 1 _ m1 - II'. heit_. /wch_ - _ ster, hoch_ - _ ster Din_ge ffe_sen - he.it. /l "" din,. 'II . -· - '@) - - -- - ,9-• dim. ll ..., 'P " -- I #H --· ·--· . . @) - ie, la - _ tent, ]a - - t�nt res ex - L mi - "'· heit, /wcli_ - _ ster, hiick - _ ster Din_ge Tfe_sen - heit. i dim. P, . . . . . ' I I ll It. - ,..._ � - -�� ' ------·. - ,@) - ...... -· ...... � ...'--" ... dim. ; .. :.;.._.i �;·- d11n. p p I -. ·�.I I pp . --:. .� 4• -s-• 71. •-..:__,• .,..,. �- ...... ,...... col� 8'1- ad lib.

N9 f Soprano Solo Andante

So rano Solo

san _ guis po _ tus, m11. _ nf't fa_ mtn ChrL stus to _ tu� suh n _ Blut tier_ 11eh_ ret,dodtble.ibt Christus un _ t.'e.1' _ sel,_ref IJtl_ier -----

200 n sacred music colloquium 2017 exposition and benediction, friday, june 23 exposition and benediction, friday, june 23 sacred music colloquium 2017 n 201 30

tra _ <1u1• spt> .1-i _ r, 1"11 _ ro 1·i.lms, �nn _ guis po_ tus, ma.nrt fa.mrn Chri . stus to_ tu� 1-'Uh u _ bei _ dl'r. lei Ge. sffl/f_, Ff,•i.v,-hwird Spd.,e, Bluf _ !'l'r. .zeh.ret,dorhhl,•ibt Christu., 1m _ t'l!1'_ st•h _ ret un. fer ��---

p �-

� .

<·i _ r, manl't Chri to _ tu� s.uh u _ tra _ IJUP spt'.ci _ r. A �U Ge. stnlt, unfer hei {pi, UJI. • fer h11i _ der.lei Ge. stnlf. DemEm.

mrn _ tr. non ("(JD _ ci _ sus, non con_ frn _ 1·tus, non di _ vi _ su�, in _ _ tr.grr 111:.1-i. pi _ tur, pfiiil.gl'rwird., t"f'_ fhei. let, un.gl' _ fre11_ t1Pf, ""- .zer. ihei. let, ei _ n(qgan$, sowird es sein,

rreso.

tur. Ca_ _ ro snn _ guis po _ tu� 11111 .nrt Fleisrh wirrl Blut 1•er _ s1•h_ ,v•f,dorhhleiht

200 n sacred music colloquium 2017 exposition and benediction, friday, june 23 sacred music colloquium 2017 n 201 202 n sacred music colloquium 2017 exposition and benediction, friday, june 23 exposition and benediction, friday, june 23 sacred music colloquium 2017 n 203 202 n sacred music colloquium 2017 exposition and benediction, friday, june 23 sacred music colloquium 2017 n 203 204 n sacred music colloquium 2017 exposition and benediction, friday, june 23 exposition and benediction, friday, june 23 sacred music colloquium 2017 n 205 204 n sacred music colloquium 2017 exposition and benediction, friday, june 23 sacred music colloquium 2017 n 205 206 n sacred music colloquium 2017 exposition and benediction, friday, june 23 exposition and benediction, friday, june 23 sacred music colloquium 2017 n 207 206 n sacred music colloquium 2017 exposition and benediction, friday, june 23 sacred music colloquium 2017 n 207 208 n sacred music colloquium 2017 exposition and benediction, friday, june 23 exposition and benediction, friday, june 23 sacred music colloquium 2017 n 209 38 Andante maestoso Solo

E,· _ 1·1· pa ni, an _ gp _ lo _ - rum, frt _ rtu� ,·1 _ _ hn� YI _ 11 _ r SiPh dPr En _ gel Himmels_.y!Pi _ _ SP wird dn1 Pil _ ,qern B od .zur Solo

_ rum, fa _ ctus ci _ _ bus ,i _ IL wird d e n Pil _ gern Brod .zur �

ju jffo - - • to - - - rum, I I I I I,/'- Rei - - - se, ,,, . .,-- - � - .. � - - � to - - - rmu, R,,,- - - - - " Sf!, - \ I/', p �------,, � - - e) y" - - rf' pa - nis fi - Ii - 0 - - rum, __ den llP, /', Rin - dern, iirh_ fe Spei - 1!fod . !� TUTTI p . - �- - -- le.J yf' - - rr pa - ms fi - Ii - 0 - - rum, __ lJ.rod Jpn Rin - dPrn, iich te Spei _ - st>, - - - - : - � - - \ !!f�.� !!-�C!!- .. -- = � ,_ T- - - -� � - � -� � � � t) ------

208 n sacred music colloquium 2017 exposition and benediction, friday, june 23 sacred music colloquium 2017 n 209 210 n sacred music colloquium 2017 exposition and benediction, friday, june 23 exposition and benediction, friday, june 23 sacred music colloquium 2017 n 211 210 n sacred music colloquium 2017 exposition and benediction, friday, june 23 sacred music colloquium 2017 n 211 212 n sacred music colloquium 2017 exposition and benediction, friday, june 23 exposition and benediction, friday, june 23 sacred music colloquium 2017 n 213 212 n sacred music colloquium 2017 exposition and benediction, friday, june 23 sacred music colloquium 2017 n 213 214 n sacred music colloquium 2017 exposition and benediction, friday, june 23 exposition and benediction, friday, june 23 sacred music colloquium 2017 n 215 ) II cresi-. - dim. "\ 'P r = lu tu nos ho - lHl fac vi _ - dti - re in for_ _ ra vi _ ven - ti - lass uns mit den Dei - nen woh nen, macli uns se - ti9, madl uns II cresc. [ ,dim. \ 'P " - T' � "" _,�. . "" "" I� li � crese. .u. dim. ' p r - -- �. � l iu tu nos ho - DI\ fac vL - de - re in ter_ - ra ,i_ ven . ti - la.,s uns mil den Dei - nen woh _ nen, mach' uns se - li9, mach' uns crese. - dim. \ � r, - � \ I I I II ,,- - . - --- � --- - � - ,, r!w· iu -...�.., ...... ,. � ...... i i..--�· � �crese. dim. p-��' � � . � "" -,:) 6 6- 6- 11 r:.; - 9r:.; l #9 � #� 0

in ______ter )'I\ vi - ven _ ' tL Ulll. maeh'____ _ uns se lig, mae/i_uns reieh.

1 in __ ' ____ _ ter _ rl\ vi _ ven _ ti - Ulll. mach' uns se l(q, macli un.,reich.

\ I 1 ) ll 'P ere_ - Sl'e71 _ do

scis t L um. ' .... uru, VJ_ ven Tu, qni CUD_ ct/\ et reich, und maeli u11Breieh. Du, der Al _ [es weisst und p ere _ _ seen _ do

- �- I p ere _ seen _ do

\ scis um, ·yi _ ven ti. run. Tu, qui cun _ cfa et reieh, und maeN uns reieh. Du, der Al _ /es weisst und : _ _ se� do p I -6-• -6- �. ... -- -- � '--• .... __,/ '-'* � �.. cre _ _ seen _ _ do "' e -

214 n sacred music colloquium 2017 exposition and benediction, friday, june 23 sacred music colloquium 2017 n 215 216 n sacred music colloquium 2017 exposition and benediction, friday, june 23 exposition and benediction, friday, june 23 sacred music colloquium 2017 n 217 216 n sacred music colloquium 2017 exposition and benediction, friday, june 23 sacred music colloquium 2017 n 217 ) II S00 1 " ,, - I - I I� p illL_ w - rt�, Je - sn, no - �tri Dll - SP. - re - re, Dll - se - rr.- . - a - c IN.I - - . .. Trost der_ Ar_ men, Je - wol le -dich er bar_ men,tih er_ bar_ JI Solo - - - - lt.J '6J. ·- 6- 6 6- - - � II Solo ,, \ - n LL - - ,. . I I ,., - pa - BIS ve - re, Je - su, no - stri mi - se - re - re, mi - se - re_ - - - - Trost der Ar_ men, Je - s-u wol - le-dich er - hnr men, dich er_ bar_ - Solo ,, J,l. : -- - - n 9 I f'- t . -- Basso Tutti - ., - - - pa nis_ ve - re, Je -- su! I ------:------au! Trost der_ Ar_ men, Je ·-

�-�·- #- � �� - /:.#-• - '- -� � : �-· _, -- - -- � . - -- - ,,.,- ,..._ . --- . - ·--,. eJ - u..:;tJ I � -- ...... � p ------=== -··-· ere seen do = = = - - - -

Tutti ) /'J ,. ��r. dim. p - - r, - tJ stri Dll se re - re, mi �e . re, Je - - - - su, no - I• ------8U - - . men, Je_ wol le - dich er bnr men, dirh er II Tutti dim.I p . I ., - � ,u - - . r.., �� - +tr,, Jutti /'J L_.-.__ dim. p - -- - ., r, I ' re, Je - - - su, no _ stri mi - se - re - re, mi - se. . - - - SU - - - men, ___ JuttiJe wol le dieh er bar_ men, dirh er dim. p . ,.., ,� - I ' r.., \ I fl� II - � • ,_ --- •------• __._ I • *'i*fl -•j• � ·•::±•·� -• � � j �* p I I dim. : ., - - - 6- fr � j!r:.I - - �� 77 � � I �TS ;�

218 n sacred music colloquium 2017 exposition and benediction, friday, june 23 exposition and benediction, friday, june 23 sacred music colloquium 2017 n 219 218 n sacred music colloquium 2017 exposition and benediction, friday, june 23 sacred music colloquium 2017 n 219 220 n sacred music colloquium 2017 exposition and benediction, friday, june 23 exposition and benediction, friday, june 23 sacred music colloquium 2017 n PB Friday J

5:15 p.m. June 23 St. Agnes

Solemnity of the Most Sacred Heart of Jesus Ordinary form

Order of Mass: Parish Book of Chant, page 2

Mass readings: page 258

PB n sacred music colloquium 2017 sacred music colloquium 2017 n 221 108222 n SACRED n sacred MUSIC music COLLOQUIUM colloquium 2014 2017 FRIDAY,friday ,JULY june 4 23 FRIDAY,friday JULY, june 4 23 SACREDsacred MUSIC music COLLOQUIUM colloquium 2014 201 n7 109 n 223   VzzzzzJIvbvzuhvbvbhb.vz}vzzbhvvzbbàhvvzfvvbzeszzbbzbDRvvhbbbvzzuhb<>vzzbb[bbvbJIbvbvokvvbbbvvzbbjb.vbvzzbhb.vbb}zbbbbvàhvzbvvvvhvbbbô  Vbbzzzb4z#@bbvzbbvDRvbvbdbvvbsbmvvb{vbbÜsvvvvvbdbbvvzÞfvvbhbzbbbbbbbbvzzájvzzbbbhvzvvJIzokvzzzuhb<>vbb}zbbb|zz6z$Ý#@z5z$#bvvesbNMbbbbb}                         

 BzzhbvzbzGYvvzbhb.vv}vzbvgvvzhvvvzzbhzbvzbhvvzbhvvhbvvhvvvgvvbhzzzvygbbbbbvgb,vvzz}vvzgvvbzzbGYb,.bbbbbbb}       Vzzhbvzbzhvvzbhb.vv}vzbvhvvzhvvvzzbhzbvzbhvvzbhvvhbvvhvvvhvvbhzzzvbhbbbbbbbvhb.vvzz}vbvzhb.vbzzzzbbhb.bbbbbb}   

Response after the first reading (see Mass readings in the Appendix, page 258) Vzzzbbhvvvzbhvvvvvvzzhvvzzsvvzzsbmvvz}vzzzzzbzzbbhzzbbvzbhvvvzzbhvvzbsbvvsbmvv}bbbxxvvvv   

222 n sacred music colloquium 2017 friday, june 23 friday, june 23 sacred music colloquium 2017 n 223

132 n SACRED MUSIC COLLOQUIUM 2014 FRIDAY, JULY 4 FRIDAY, JULY 4 SACRED MUSIC COLLOQUIUM 2014 n 133  



 Vzzzbbhvvvzbhvvvvvvzzhvvzzfvvzzfb,vvz}vzzzzzbzzbbhzzbbvzbhvvvzzbhvvzbfbvvfb,vv}bbbxxvvvv       Bbbzzbfvbvzßgvvzhvvzbfb,vv[bvvGYvzzzßgvvzfvvzéwazbbbb[zzvfvvzGYvvzvvvzfb,vv}xczvbbzbbvvbvvvvvb    BvvfvvGYvvhvvhvvhvvgvvhvv¤vvfb,vv]vvhvvhvvhvvfvvGYvvgvv¤vvfb,vzz}ccxvzbcvvvb  

    BvbzzhbvzvvzzßgvbvzzfvvvvvbvzbGYvbvbgb,vvbbb[vvzgvbbbvvdvvzzbÞfvvvzbdvbbvvzzbsvzzzbbsbvzbzzsbmvv}bbbbbbbbvvvvvbbb     BvvfvvGYvvhvvhvvhvv\vjvv¦vvhvvgvv¦vvhb.vv]vvhvvhvvhvvgvvfvvgvv¦vvhb.vzz}ccvbczzbbb    Xbvbbhvvzhzbvvhvbbzbzhvvbvzzhbbbvzbbhvzbbbvzzbjbvvzhb.vvbzb]bvvzhvbvhvvvzzhvbvbvvvzzhvbvzhvvbhvzbvhvbbbbö   Xvbzhbvvgvvvvzzbdvvzzfb,vvvz}vvvzzzzbfvvzhvvzztfbvvygvbbvzzzfb,vvbbbzzfb,vv}zöxxvvvvvvcbbbbbbbb   

224 n sacred music colloquium 2017 friday, june 23 friday, june 23 sacred music colloquium 2017 n 225

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228 n sacred music colloquium 2017 friday, june 23 friday, june 23 sacred music colloquium 2017 n 229 150 n SACRED MUSIC COLLOQUIUM 2014 FRIDAY, JULY 4 FRIDAY, JULY 4 SACRED MUSIC COLLOQUIUM 2014 n 151 230 n sacred music colloquium 2017 sacred music colloquium 2017 n PB Saturday J

Noon June 24 St. Mark

Nativity of St. John the Baptist Extraordinary form

Order of Mass: Parish Book of Chant, page 34

Mass readings: page 259

PB n sacred music colloquium 2017 sacred music colloquium 2017 n 231 232 n sacred music colloquium 2017 saturday, june 24 saturday, june 24 sacred music colloquium 2017 n 233   Before the epistle  BvzzgbvvzbhvvzhvvvzbbzGYvbvygbbzbzzgb,vvzz}vbzzzvgbzzvvvzhvvvvvvbbhvzzbzgzzbvzgvvzbbzhzvzzzbhb.vzb}zöbvvvvzb   BvzhvvzGYvvzbhb.vvz}vvzzgvvzzbbhvvvvbhzzvzzhvvzzhvvzhbvvhvvvgvvbbhzbvvygbbbbbvgb,vvv}zbbbvvbgvvbzzbGYb,.vzbb}bbvvvb 

 

 

232 n sacred music colloquium 2017 saturday, june 24 saturday, june 24 sacred music colloquium 2017 n 233

                                                         Vzbbzzhvbbvzbhbbbvvzhvvbvzbbzhvbvhvzzbzzhb.vvzz}vbzzzvhbzzvvvzhvvvvvvbhvzzbzhzzbvzhvvzbhzvzzzbhb.vzb}zöbvvvvb   Vzzbbbvvvzhvvvzbhvzzvhvvzhvbzzbzbhzvvvzbhvvbzhvvhvzbbvzhbvbzbhbbvzzhvzbbvzhzbvzhvvzzzzbfvvvvvvzzzhbzbvvvzhb.vvzzhb.vbb}zö        234 n sacred music colloquium 2017 saturday, june 24 saturday, june 24 sacred music colloquium 2017 n 235 234 n sacred music colloquium 2017 saturday, june 24 saturday, june 24 sacred music colloquium 2017 n 235    BvzzgbvvzbhvvzhvvvzbbzGYvbvygbbzbzzgb,vvzz}vbzzzvgbzzvvvzhvvvvvvbbhvzzbzgzzbvzgvvzbbzhzvzzzbhb.vzb}zöbvvvvzb   BvzhvvzGYvvzbhb.vvz}vvzzgvvzzbbhvvvvbhzzvzzhvvzzhvvzhbvvhvvvgvvbbhzbvvygbbbbbvgb,vvv}zbbbvvbgvvbzzbGYb,.vzbb}bbvvvb 

 

 

 

                                                        Before the Gospel Vzbbzzhvbbvzbhbbbvvzhvvbvzbbzhvbvhvzzbzzhb.vvzz}vbzzzvhbzzvvvzhvvvvvvbhvzzbzhzzbvzhvvzbhzvzzzbhb.vzb}zöbvvvvb   Vzzbbbvvvzhvvvzbhvzzvhvvzhvbzzbzbhzvvvzbhvvbzhvvhvzbbvzhbvbzbhbbvzzhvzbbvzhzbvzhvvzzzzbfvvvvvvzzzhbzbvvvzhb.vvzzhb.vbb}zö           Vvvzzvzzhvzzzbhvzbzzhzbbvvhzzzvzfzbbvvvbhbbvvhvvhb.zzzzb}vvzzbbbzbzzbbzzhb.vvzhb.vzbb}zbbbbbbzzhb.vvbzhb.vzbbb}zvzzzbhbbbbvbhb.vvzbbzzhb.vv}      BzbbzzgvbbvzbhbbbvvzhvvbvzbbzGYvbbbbvygbbbbbzzgb,vvzz}vbbzzzvgbzzvvvbhvvvvvvbbhbvzzbzgzzbvzgvbvzbzbhzvbzzbhb.vzb}zövvb   Bvbbbbbvvzhvvvzzhvzzvhvvzhvbzzbzbhzvvvzbfvvbzhvvgvzbbvzgbvbzbhbbvzzhb.zbzbbb[vzhzbvzhvvzzzzhbbvvvbvvzzzhbzbbbvvvzgb,vvzgb,bbbb}zö         Bvvzzvzhvzzzbhvzbzzhzbbvvhzzzvzhzbbvvbvbgbbvvgvvbgb,zzzzb}zbbvzzbbbzbzzbbzzgb,vvzgb,vzbb}zbbbbbbzzgb,vvbzgb,vzbbb}zvzzzbhbbbbbvbgb,vvzbbzzgb,vv}  

 

 

                                  236 n sacred music colloquium  2017        saturday, june 24 saturday, june 24 sacred music colloquium 2017 n 237                                                                    236 n sacred music colloquium 2017 saturday, june 24 saturday, june 24 sacred music colloquium 2017 n 237 Ave Maria Avea 4Maria voces Munich, B.S. 2 Mus. Pr. 23 a 4 voces Anonymous Munich, B.S. 2 Mus. Pr. 23 attributed to T.L.Anonymous de Victoria attributed to T.L. de Victoria A ve Ma ri a A ve Ma ri a

Cantus Cantus gra ti a ple na gra ti a ple na, Do mi nus te cum, Do mi nus te gra ti a ple na gra ti a ple na, Do mi nus te cum, Do mi nus te Altus Altus gra ti a ple na gra ti a ple na, Do mi nus te cum, Do mi nus te gra ti a ple na gra ti a ple na, Do mi nus te cum, Do mi nus te Tenor 8 Tenor gra ti a ple na Do mi nus te cum Do mi nus te 8 gra ti a ple na Do mi nus te cum Do mi nus te Bassus Bassus gra ti a ple na Do mi nus te gra ti a ple na Do mi nus te

7 7 cum: be ne di cta tu in mu li e ri bus, et cum: be ne di cta tu in mu li e ri bus, et cum: be ne di cta tu in mu li e ri bus, et cum: be ne di cta tu in mu li e ri bus, et 8 cum: be ne di cta tu in mu li e ri bus in mu li e ri bus 8 cum: be ne di cta tu in mu li e ri bus in mu li e ri bus cum: be ne di cta tu in mu li e ri bus cum: be ne di cta tu in mu li e ri bus

13 13 3 be ne di ctus fru ctus ven tris tu i Ie sus Chri 4stus. 3 be ne di ctus fru ctus ven tris tu i Ie sus Chri 4stus. 3 4 be ne di ctus fru ctus ven tris tu i, Ie sus Chri 3stus. 4 be ne di ctus fru ctus ven tris tu i, Ie sus Chri stus.

8 3 et be ne di ctus fru ctus ven tris tu i, Ie sus Chri 4stus. 8 3 et be ne di ctus fru ctus ven tris tu i, Ie sus Chri 4stus. 3 et be ne di ctus fru ctus ven tris tu i, Ie sus Chri 4stus. 3 et be ne di ctus fru ctus ven tris tu i, Ie sus Chri 4stus. 238 n sacredTranscribed music colloquium and edited 201 by7 Nancho Alvarez saturday, june 24 saturday, june 24 sacred music colloquium 2017 n 239 Transcribed and edited by Nancho Alvarez  2 Ave Maria Victoria (apocryphal)

19 San cta Ma ri a Ma ter De i San cta Ma ri a Ma ter De i San cta Ma ri a Ma ter De i San cta Ma ri a Ma ter De i

8 San cta Ma ri a Ma ter De i San cta Ma ri a Ma ter De i

San cta Ma ri a Ma ter De i San cta Ma ri a Ma ter De i

27 o ra pro no bis, o ra pro no bis pec ca to ri bus, nunc et in ho

o ra pro no bis, o ra pro no bis pec ca to ri bus nunc et in ho

8 o ra pro no bis, o ra pro no bis pec ca to ri bus nunc et in ho

o ra pro no bis, o ra pro no bis pec ca to ri bus, nunc et in ho

34 ra mor tis no stræ. A men.

ra mor tis no stræ. A men, a men.

8 ra mor tis no stræ. A men, a men.

ra mor tis no stræ. A men, a men. 238 n sacred music colloquium 2017 saturday, june 24 saturday, june 24 sacred music colloquium 2017 n 239

Music engraving by LilyPond 2.18.2—www.lilypond.org

Inter natos mulierum Lassus Cantus In ter na tos mu li e rum non sur re Altus 8 Non sur re xit ma Quintus 8 Non sur re xit ma jor,

Tenor 8

Bassus

6 xit ma jor, non sur re xit ma jor, 8 jor, non sur re xit ma jor, non 8 non sur re xit ma jor, non sur re xit ma 8 In ter na tos mu li e rum non sur re xit In ter na tos

11 non sur re xit ma jor, non sur re xit ma jor, 8 sur re xit ma jor, non sur re xit ma jor, non sur 8 jor, non sur re xit ma jor, non sur re xit ma jor 8 ma jor, non sur re xit ma jor, mu li e rum non sur re xit ma jor, non

240 n sacred music colloquium 2017 saturday, june 24 saturday, june 24 sacred music colloquium 2017 n 241

17 non sur re xit ma jor Jo han ne Ba pti sta, Jo han ne 8 re xit ma jor Jo han ne Ba pti sta, Jo hanne, Jo han 8 Jo han ne Ba pti sta, Jo han ne Ba 8 non sur re xit ma jor Jo han ne Ba pti sta, Jo han ne Ba sur re xit ma jor Jo han ne Ba pti sta, Jo han ne

24 Ba pti sta, qui vi am, qui 8 ne Ba pti sta qui vi am, qui vi 8 pti sta qui vi am, qui vi 8 pti sta qui vi am,

Ba pti sta qui vi am,

29 vi am Do mi no prae pa ra vit, 8 am, qui vi am Do mi no prae pa ra vit, 8 am, qui vi am Do mi no 8 qui vi am Do mi no prae pa ra qui vi am Do mi no prae pa

240 n sacred music colloquium 2017 saturday, june 24 saturday, june 24 sacred music colloquium 2017 n 241

34 prae pa ra vit in e re mo, prae pa ra vit in e re 8 prae pa ra vit, prae pa ra vit in e re mo, prae pa ra vit in e re 8 prae pa ra vit in e re mo, prae pa ra vit in e re mo, 8 vit, prae pa ra vit in e re mo, in e re mo, prae pa ra vit in e ra vit, prae pa ra vit in e re mo, prae pa ra vit in e

40 mo. 8 mo, prae pa ra vit, prae pa ra vit in e re mo. 8 in e re mo, prae pa ra vit in e re mo.

8 re mo, in e re mo.

re mo, prae pa ra vit in e re mo.

242 n sacred music colloquium 2012017 saturday, june 24 saturday, june 24 ssacredacred mmusicusic ccolloquiumolloquium 2017 n 243 Preface

Vere dignum et justum est, aéquum et salutáre, nos tibi simper, et ubíque grátias ágere: Dómine sancte, Pater omnípotens, ætérne Deus: per Chris- tum Dóminum nostrum. Per quem majestátem tuam laudant Ángeli, adórant Dominatiónes, tremunt Potestátes. Cæli, cælorúmque Virtútes, ac beáta Séraphim, sócia exsultatióne concélebrant. Cum quibus et nostras voces, ut admítti júbeas, deprecámur, súpplici confessióne dicéntes:

It is truly meet and just, right and for our salvation, that we should at all times, and in all places, give thanks unto Thee, O holy Lord, Father almighty, everlasting God, through Christ our Lord. Through whom the Angels praise Thy majesty, the Dominations worship it, the Powers stand in awe. The heavens and the heavenly hosts together with the blessed Seraphim in triumphant chorus unite to celebrate it. Together with them we entreat Thee, that Thou mayest bid our voices also to be admitted, while we say in lowly praise:

Followed by Sanctus

242 n sacred music colloquium 2012017 saturday, june 24 saturday, june 24 ssacredacred mmusicusic ccolloquiumolloquium 2017 n 243  

                         

    

    

          

244 n sacred music colloquium 2017 saturday, june 24 saturday, june 24 sacred music colloquium 2017 n 245  

   

   

   

     

    

  244 n sacred music colloquium 2017 saturday, june 24 saturday, june 24 sacred music colloquium 2017 n 245 

   

    

                                               

   

246 n sacred music colloquium 2017 saturday, june 24 saturday, june 24 sacred music colloquium 2017 n PB Appendix J

Veni Creator Spiritus

Mass readings, Tuesday through Saturday

Ave verum corpus

Repertory credits

PB n sacred music colloquium 2017 sacred music colloquium 2017 n 247 Veni Creator Spiritus

n 248280 n sacred Sacred music Mu colloquiumSic colloquiu 2017 M 2013 Veni creator SpirituappendixS appendix sacred music colloquium 2017 n 249 John Dryden’s translation of Veni Creator from 1693

Creator Spirit, by Whose aid The world’s foundations first were laid, Come, visit every pious mind; Come, pour Thy joys on human kind; From sin, and sorrow set us free; And make Thy temples worthy Thee.

O Source of uncreated Light, The Father’s promised Paraclete! Thrice holy Fount, thrice holy Fire, Our hearts with heav’nly love inspire; Come, and Thy sacred unction bring To sanctify us, while we sing!

Plenteous of grace, descend from high, Thou strength of His almighty hand, Whose pow’r does Heav’n and earth command: Proceeding Spirit, our Defense, Who dost the gift of tongues dispense, And crown’st Thy gift with eloquence!

Refine and purge our earthly parts; But, oh, inflame and fire our hearts! Our frailties help, our vice control; Submit the senses to the soul; And when rebellious they are grown, Then, lay Thy hand, and hold them down.

Create all new; our wills control, Subdue the rebel in our soul; Make us eternal truths receive, And practice all that we believe; Give us Thyself, that we may see The Father and the Son by Thee.

Immortal honor, endless fame, Attend th’almighty Father’s Name: The Savior Son be glorified, Who for lost man’s redemption died: And equal adoration be, Eternal Paraclete, to Thee.

Veni creator SpirituS Sacred MuSic colloquiuM 2013 n 281 248 n sacred music colloquium 2017 appendix appendix sacred music colloquium 2017 n 249 Mass readings

Tuesday, June 20, ordinary form Eleventh week of ordinary time

READING I 2 Corinthians 8:1-9 We want you to know, brothers and sisters, of the grace of God that has been given to the churches of Macedonia, for in a severe test of affliction, the abundance of their joy and their profound poverty overflowed in a wealth of generosity on their part. For according to their means, I can testify, and beyond their means, spontaneously, they begged us insistently for the favor of taking part in the service to the holy ones, and this, not as we expected, but they gave themselves first to the Lord and to us through the will of God, so that we urged Titus that, as he had already begun, he should also complete for you this gracious act also. Now as you excel in every respect, in faith, discourse, knowledge, all earnestness, and in the love we have for you, may you excel in this gracious act also. I say this not by way of command, but to test the genuineness of your love by your concern for others. For you know the gracious act of our Lord Jesus Christ, that for your sake he became poor although he was rich, so that by his poverty you might become rich.

GOSPEL Matthew 5:43-48 Jesus said to his disciples: “You have heard that it was said, You shall love your neighbor and hate your enemy. But I say to you, love your enemies and pray for those who persecute you, that you may be children of your heavenly Father, for he makes his sun rise on the bad and the good, and causes rain to fall on the just and the unjust. For if you love those who love you, what recompense will you have? Do not the tax collectors do the same? And if you greet your brothers only, what is unusual about that? Do not the pagans do the same? So be perfect, just as your heavenly Father is perfect.”

250 n sacred music colloquium 2017 appendix appendix sacred music colloquium 2017 n 251 Wednesday, June 21, ordinary form Votive Mass of St. Paul

READING I Galatians 1:11-20 Now I want you to know, brothers, that the gospel preached by me is not of human origin. For I did not receive it from a human being, nor was I taught it, but it came through a revelation of Jesus Christ. For you heard of my former way of life in Judaism, how I persecuted the church of God beyond mea- sure and tried to destroy it, and progressed in Judaism beyond many of my contemporaries among my race, since I was even more a zealot for my ancestral traditions. But when [God], who from my mother’s womb had set me apart and called me through his grace, was pleased to reveal his Son to me, so that I might proclaim him to the Gentiles, I did not immediately consult flesh and blood, nor did I go up to Jerusalem to those who were apostles before me; rather, I went into Arabia and then returned to Damascus. Then after three years I went up to Jerusalem to confer with Cephas and remained with him for fif- teen days. But I did not see any other of the apostles, only James the brother of the Lord. (As to what I am writing to you, behold, before God, I am not lying.)

GOSPEL Matthew 10:17-22 But beware of people, for they will hand you over to courts and scourge you in their synagogues, and you will be led before governors and kings for my sake as a witness before them and the pagans. When they hand you over, do not worry about how you are to speak or what you are to say. You will be given at that moment what you are to say. For it will not be you who speak but the Spirit of your Father speaking through you. Brother will hand over brother to death, and the father his child; children will rise up against parents and have them put to death. You will be hated by all because of my name, but whoever endures to the end will be saved.

250 n sacred music colloquium 2017 appendix appendix sacred music colloquium 2017 n 251 Thursday, June 22, extraordinary form Requiem Mass: In Missis Quotidianis Defunctorum

INTROIT Requiem aeternam dona eis, Domine: et lux perpetua luceat eis. Ps 64: 2-3. Te decet hymnus Deus in Sion; et tibi reddetur votum in Jerusalem: exaudi orationem meam, ad te omnis caro veniet. Requiem aeternam dona eis, Domine: et lux perpetua luceat eis.

Eternal rest give unto them, O Lord; and let perpetual light shine upon them. Ps. A hymn, O God, becometh Thee in Sion; and a vow shall be paid to Thee in Jerusalem: hear my prayer; all flesh shall come to Thee. Eternal rest give unto them, O Lord; and let perpetual light shine upon them.

COLLECT Oremus/Let us pray.

Deus, cui proprium est misereri semper et parcere: propitiare animabus famulorum famularumque tuarum, et omnia eorum peccata dimitte; ut, mortalitatis vinculis absolutae, transire mereantur ad vitam. Per Dominum nostrum Jesum Christum filium tuum, qui tecum vivit et regnat in unitate Spiritus Sancti, Deus, per omnia sæcula sæculorum. R. Amen

O God, whose property is ever to have mercy and to spare; have mercy on the souls of Thy servants and handmaids, and grant them the remission of all their sins; that being delivered from the bonds of mortality, they may be found worthy to enter into life. Through Our Lord Jesus Christ, Thy Son, Who liveth and reigneth with Thee in the unity of the Holy Ghost, God world without end. R. Amen.

EPISTLE Apocalypse 14:13 Lectio libri Apocalypsis beati Joannis Apostoli. In diebus illis: Audivi vocem de caelo, dicentem mihi: Scribe: Beati mortui, qui in Domino moriuntur. Amodo jam dicit Spiritus, ut requiescant a laboribus suis: opera enim illorum sequuntur illos.

R: Deo gratias.

A lesson from the book of Apocalypse of Blessed John the Apostle

In those days: I heard a voice from Heaven, saying to me: Write, blessed are the dead who die in the Lord, from henceforth now, saith the Spirit, that they may rest from their labors, for their works follow them.

R: Thanks be to God.

GRADUAL 4 Esdras 2:34-35 Requiem aeternam dona eis, Domine: et lux perpetua luceat eis. Ps 111: 7. In memoria aeterna erit justus; ab auditione mala non timebit.

252 n sacred music colloquium 2017 appendix appendix sacred music colloquium 2017 n 253 Eternal rest give to them, O Lord; and let perpetual light shine upon them. Ps. The just shall be in everlasting remembrance; he shall not fear the evil hearing.

TRACT Absolve, Domine, animas omnium fidelium defunctorum ab omni vinculo delictorum: V. Et gratia tua illis succurrente, mereantur evadere judicium ultionis: V. Et lucis aeternae beatitudine perfrui.

Absolve, O Lord, the souls of all the faithful departed from every bond of sin. V. And by the help of Thy grace may they be enabled to escape the avenging judgement. V. And enjoy the bliss of everlasting light.

SEQUENCE Dies irae, dies illa, solvet saeclum in favilla, teste David cum Sibylla. Quando tremor est futurus, quando judex est venturus, cuncta stricte discussurus. Tuba mirum spargens sonum per sepulcra regionum, coget omnes ante thronum. Mors stupebit, et natura, cum resurget creatura, judicanti responsura. Liber scriptus proferetur, in quo totum continetur, unde mundus judicetur. Judex ergo cum sedebit, quidquid latet, apparebit; nil inultum remanebit. Quid sum miser tunc dicturus? Quem patronum rogaturus, cum vix justus sit securus? Rex tremendae majestatis, qui salvandos salvas gratis, salva me, fons pietatis. Recordare, Jesu pie, quod sum causa tuae viae; ne me perdas illa die. Quaerens me, sedisti lassus; redemisti crucem passus; tantus labor non sit casus. Juste judex ultionis, donum fac remissionis ante diem rationis. Ingemisco tamquam reus; culpa rubet vultus meus; supplicanti parce, Deus. Qui Mariam absolvisti, et latronem exaudisti, mihi quoque spem dedisti. Preces meae non sunt dignae; sed tu bonus fac benigne, ne perenni cremer igne. Inter oves locum praesta, et ab haedis me sequestra, statuens in parte dextra. Confutatis maledictis, flammis acribus addictis, voca me cum benedictis. Oro supplex et acclinis, cor contritum quasi cinis. gere curam mei finis. Lacrimosa dies illa, qua resurget ex favilla judicandus homo reus. Huic ergo parce, Deus; pie Jesu Domine, dona eis requiem. Amen.

The day of wrath, that dreadful day, shall all the world in ashes lay, as David and the Sibyl say? What tremor shall the soul affright, when comes that judge whose searching light brings thought and word and deed to light? The last loud trumpet’s spreading tone shall through the place of tombs be blown, to summon all before the throne. Death is struck, and nature quaking, all creation is awaking to its judge an answer making. The written book shall be outspread, and all that it contains be read, to try the living and the dead. Then shall the judge His throne attain, and every secret sin arraign, till nothing unavenged remain. What shall my guilty conscience plead, and who for me will intercede, when even saints forgiveness need? King of tremendous majesty! Who savest whom Thou savest, free, Thou fount of pity, save Thou me. Remember, Jesus Lord, I pray, for me Thou walked’st on life’s way; confound me not on this last day. T’was me Thy weary footsteps sought, my ransom on the Cross was bought, let not such labour come to naught. Just judge of recompense, I pray, cancel my debt, too great to pay, before the last accounting day.

252 n sacred music colloquium 2017 appendix appendix sacred music colloquium 2017 n 253 My groans a culprit’s heart declare, my cheeks shame’s burning livery wear, spare me, O God, Thy suppliant spare! As Thou didst Mary’s sin efface, and take the thief to Thine embrace, so dost Thou give me hope of grace. Though all unworthy be my cry, give grace, O gracious Lord, or I shall burn in fires that never die. Grant me among Thy sheep to stand; from outcast goats my soul disband, and raise me to Thine own right hand. When cursed foes are put to shame, and given o’er to biting flame, Ah! with Thy blessed call my name. Prostrate, my contrite heart I rend; My God, my Father, and my friend, do not forsake me in the end. O day of weeping, day of woe, when rising from his pyre below, the sinner to his judge shall cry, “Spare me, Thou mighty God on high!” Ah, gentle Jesu, Saviour blest, grant to them all eternal rest! Amen.

GOSPEL John 6:51-55 + Sequentia sancti Evangelii secundum Joannem. R: Gloria tibi, Domine.

In illo tempore: Dixit Jesus turbis Judaeorum: Ego sum panis vivus, qui de caelo descendi. Si quis manducaverit ex hoc pane, vivet in aeternum: et panis, quem ego dabo, caro mea est pro mundi vita. Litigabant ergo Judaei ad invicem, dicentes: Quomodo potest hic nobis carnem suam dare ad manducandum? Dixit ergo eis Jesus: Amen, amen dico vobis: nisi manducaveritis carnem Filii hominis, et biberitis ejus sanguinem, non habebitis vitam in vobis. Qui manducat meam carnem, et bibit meum sanguinem, habet vitam aeternam: et ego resuscitabo eum in novissimo die.

+ The continuation of the holy Gospel according to Saint John. R: Glory be to Thee, O Lord.

At that time: Jesus said to the multitudes of the Jews: I am the living bread which came down from heaven. If any man eat of this bread, he shall live for ever; and the bread that I will give, is My flesh, for the life of the world. The Jews therefore strove among themselves, saying: How can this man give us His flesh to eat? Then Jesus said to them: Amen, amen I say unto you: Except you eat the flesh of the Son of man, and drink His blood, you shall not have life in you. He that eateth My flesh, and drinketh My blood, hath everlasting life: and I will raise him up in the last day.

OFFERTORY Oremus/Let us pray.

Domine Jesu Christe, Rex gloriae, libera animas omnium fidelium defunctorum de poenis inferni, et de profundo lacu: libera eas de ore leonis, ne absorbeat eas tartarus, ne cadant in obscurum; sed signifer sanctus Michael repraesentet eas in lucem sanctam: Quam olim Abrahae promisisti et semini ejus. V. Hostias et preces tibi, Domine, laudis offerimus: tu suscipe pro animabus illis, quarum hodie memoriam facimus: fac eas, Domine, de morte transire ad vitam. Quam olim Abrahae promisisti et semini ejus.

Lord Jesus Christ, King of glory, deliver the souls of all the faithful departed from the pains of hell

254 n sacred music colloquium 2017 appendix appendix sacred music colloquium 2017 n 255 and from the bottomless pit: deliver them from the lion’s mouth, that hell swallow them not up, that they fall not into darkness, but let the standard-bearer holy Michael lead them into that holy light; which Thou didst promise of old to Abraham and to his seed. V. We offer to Thee, O Lord, sacrifices and prayers: do Thou receive them on behalf of those souls of whom we make memorial this day. Grant them, O Lord, to pass from death to that life; which Thou didst promise of old to Abraham and to his seed.

THE SECRET PRAYER Annue nobis, quaesumus, Domine, ut animabus famulorum famularumque tuarum haec prosit oblation: quam immolando, totius mundi tribuisti relaxari delicta. Per Dominum nostrum Jesum Christum filium tuum, qui tecum vivit et regnat in unitate Spiritus Sancti, Deus, per omnia sæcula sæculorum. R. Amen

Hear us, O Lord, we beseech Thee, and let the souls of Thy servants and handmaids profit by this sacrifice, by the offering of which Thou didst grant that the sins of the whole world should be loosed. Through Our Lord Jesus Christ, Thy Son, Who liveth and reigneth with Thee in the unity of the Holy Ghost, God world without end. R. Amen.

COMMUNION Lux aeterna luceat eis, Domine: Cum Sanctis tuis in aeternum: quia pius es. V. Requiem aeternam dona eis, Domine: et lux perpetua luceat eis. Cum Sanctis tuis in aeternum: quia pius es.

May light eternal shine upon them, O Lord, with Thy Saints for evermore, for Thou art gracious. V. Eternal rest give to them, O Lord; and let perpetual light shine upon them: With Thy Saints for evermore, for Thou art gracious.

POST COMMUNION Deus, cui soli competit medicinam praestare post mortem: praesta, quaesumus; ut animae famulorum famularumque tuarum, terrenis exutae contagiis, in tuae redemptionis parte numerentur. Qui vivis et regnas cum Deo Patre in unitate Spiritus Sancti, Deus, per omnia sæcula sæculorum. R. Amen.

O God, who alone canst give a remedy after death; grant, we beseech Thee, that the souls of Thy servants and handmaids may be rid of earthly contagion and be counted amongst Thy redeemed. Thou who liveth and reigneth with God the Father, in the unity of the Holy Ghost, God, forever and ever. R. Amen.

THE LAST GOSPEL In principio erat Verbum et Verbum erat apud Deum, et Deus erat Verbum. Hoc erat in principio In Deum. Omnia per ipsum facta sunt, et sine ipso factum est nihil quod factum est; in ipso vita erat, et vita erat lux hominum; et lux in tenebris lucet, et tenebrae eam non comprehenderunt. Fuit homo missus a Deo cui nomen erat Joannes. Hic cenit in testimonium, et testimonium perhiberet de lumine, ut omnes crederent per illum. Non erat ille lux, sed ut testimonium perhiberet de lumine. Erat lux vera quae illuminat omnem hominem venientem in hunc mundum. In mundo erat, et mundus per ipsum factus est et mundus eum non cognovit. In propria venit, et sui eum non receperunt. Quotquot autem receperunt eum, dedit eis potestatem filios Dei fieri; his qui credunt in nomine eius, qui non ex sanquinibus, neque ex voluntate viri, sed ex deo nati sunt. (Genuflectit dicens) ET VERBUM CARO

254 n sacred music colloquium 2017 appendix appendix sacred music colloquium 2017 n 255 FACTUM EST, et habitavit in nobis; et vidimus gloriam ejus gloriam quasi Unigenti a Patre, plenum gratiae et veritatis.

R. Deo gratias.

In the beginning was the Word, and the Word was with God, and the Word was God. The same was in the beginning with God. All things were made by Him; and without Him was not any thing made that was made. In him was life; and the life was the light of men. And the light shineth in darkness; and the darkness comprehended it not. There was a man sent from God, whose name was John. The same came for a witness, to bear witness of the Light, that all men through him might believe. He was not that Light, but was sent to bear witness of that Light. That was the true Light, which lighteth every man that cometh into the world. He was in the world, and the world was made by Him, and the world knew Him not. He came unto his own, and his own received Him not. But as many as received Him, to them gave he power to become the sons of God, even to them that believe on his name: Which were born, not of blood, nor of the will of the flesh, nor of the will of man, but of God. (Genuflect while saying) AND THE WORD WAS MADE FLESH, and dwelt among us, and we saw His glory, the glory as of the Only begotten of the Father, full of grace and truth.

R. Thanks be to God. R.: Libera nos, Domine, de morte aeterna, in die illa tremenda: * Quando coeli movendi sunt et terra:

THE RITE OF ABSOLUTION WHEN THE BODY IS NOT PRESENT

The Absolution begins with the following responsory:

256 n sacred music colloquium 2017 appendix appendix sacred music colloquium 2017 n 257 The priest then walks twice round the bier, first sprinkling it with holy water and then incensing it. He proceeds:

256 n sacred music colloquium 2017 appendix appendix sacred music colloquium 2017 n 257 Friday, June 23, ordinary form Solemnity of the Sacred Heart of Jesus

READING I Deuteronomy 7:6-11 Moses said to the people: “You are a people sacred to the LORD, your God; he has chosen you from all the nations on the face of the earth to be a people peculiarly his own. It was not because you are the largest of all nations that the LORD set his heart on you and chose you, for you are really the smallest of all nations. It was because the LORD loved you and because of his fidelity to the oath he had sworn your fathers, that he brought you out with his strong hand from the place of slavery, and ransomed you from the hand of Pharaoh, king of Egypt. Understand, then, that the LORD, your God, is God indeed, the faithful God who keeps his merciful covenant down to the thousandth generation toward those who love him and keep his commandments, but who repays with destruction a person who hates him; he does not dally with such a one, but makes them personally pay for it. You shall therefore carefully observe the commandments, the statutes and the decrees that I enjoin on you today.”

READING II 1 John 4:7-16 Beloved, let us love one another, because love is of God; everyone who loves is begotten by God and knows God. Whoever is without love does not know God, for God is love. In this way the love of God was revealed to us: God sent his only Son into the world so that we might have life through him. In this is love: not that we have loved God, but that he loved us and sent his Son as expiation for our sins. Beloved, if God so loved us, we also must love one another. No one has ever seen God. Yet, if we love one another, God remains in us, and his love is brought to perfection in us. This is how we know that we remain in him and he in us, that he has given us of his Spirit. Moreover, we have seen and testify that the Father sent his Son as savior of the world. Whoever acknowledges that Jesus is the Son of God, God remains in him and he in God. We have come to know and to believe in the love God has for us. God is love, and whoever remains in love remains in God and God in him.

GOSPEL Matthew 11:25-30 At that time Jesus exclaimed: “I give praise to you, Father, Lord of heaven and earth, for although you have hidden these things from the wise and the learned you have revealed them to little ones. Yes, Fa- ther, such has been your gracious will. All things have been handed over to me by my Father. No one knows the Son except the Father, and no one knows the Father except the Son and anyone to whom the Son wishes to reveal him. “Come to me, all you who labor and are burdened, and I will give you rest. Take my yoke upon you and learn from me, for I am meek and humble of heart; and you will find rest for yourselves. For my yoke is easy, and my burden light.”

258 n sacred music colloquium 2017 appendix appendix sacred music colloquium 2017 n 259 Saturday, June 24, extraordinary form Solemnity of the Nativity of St. John the Baptist

READING I Isaiah 49:1-6 Hear me, O coastlands, listen, O distant peoples. The LORD called me from birth, from my mother’s womb he gave me my name. He made of me a sharp-edged sword and concealed me in the shadow of his arm. He made me a polished arrow, in his quiver he hid me. You are my servant, he said to me, Israel, through whom I show my glory. Though I thought I had toiled in vain, and for nothing, uselessly, spent my strength, yet my reward is with the LORD, my recompense is with my God. For now the LORD has spoken who formed me as his servant from the womb, that Jacob may be brought back to him and Israel gathered to him; and I am made glorious in the sight of the LORD, and my God is now my strength! It is too little, he says, for you to be my servant, to raise up the tribes of Jacob, and restore the survivors of Israel; I will make you a light to the nations, that my salvation may reach to the ends of the earth.

READING II Acts 13:22-26 In those days, Paul said: “God raised up David as king; of him God testified, I have found David, son of Jesse, a man after my own heart; he will carry out my every wish. From this man’s descendants God, according to his promise, has brought to Israel a savior, Jesus. John heralded his coming by proclaiming a baptism of repentance to all the people of Israel; and as John was completing his course, he would say, ‘What do you suppose that I am? I am not he. Behold, one is coming after me; I am not worthy to unfasten the sandals of his feet.’ “My brothers, sons of the family of Abraham, and those others among you who are God-fearing, to us this word of salvation has been sent.”

GOSPEL Luke 1:57-66, 80 When the time arrived for Elizabeth to have her child she gave birth to a son. Her neighbors and relatives heard that the Lord had shown his great mercy toward her, and they rejoiced with her. When they came on the eighth day to circumcise the child, they were going to call him Zechariah after his father, but his mother said in reply, “No. He will be called John.” But they answered her, “There is no one among your relatives who has this name.” So they made signs, asking his father what he wished him to be called. He asked for a tablet and wrote, “John is his name,” and all were amazed. Immedi- ately his mouth was opened, his tongue freed, and he spoke blessing God. Then fear came upon all their neighbors, and all these matters were discussed throughout the hill country of Judea. All who heard these things took them to heart, saying, “What, then, will this child be?” For surely the hand of the Lord was with him. The child grew and became strong in spirit, and he was in the desert until the day of his manifestation to Israel.

258 n sacred music colloquium 2017 appendix appendix sacred music colloquium 2017 n 259 260 n sacred music colloquium 2017 appendix appendix sacred music colloquium 2017 n 261 260 n sacred music colloquium 2017 appendix appendix sacred music colloquium 2017 n 261 Repertory credits

Tuesday, June 20, 2017 Missa Brevis, Theodore Marier Mass propers, 11th week of ordinary time, introit, offertory, Communion, Father Samuel F. Weber, O.S.B. Copyright 2017 Saint Meinrad Archabbey, St. Meinrad, IN 47577-1010. All rights reserved. Used with permission. Chants Between the Readings, responsorial psalm and alleluia, Richard Rice. Copyright Richard Rice 2017. All rights reserved. Used with permission. Excerpts from the English translation of The Roman Missal. Copyright 2010, International Commis- sion on English in the Liturgy Corporation (ICEL). All rights reserved. Excerpts from the English translation of Lectionary for Mass. Copyright 1969, 1981, 1997, Interna- tional Commission on English in the Liturgy Corporation (ICEL). O Lord, increase my faith, attributed to Orlando Gibbons. Edited by Brian Marble. Copyright 2003. Used with permission.

Thursday, June 22, 2017 Missa Defunctorum, Jacobus Clemens non Papa. Edited by Wilko Brouwers, engraved by Jonathan Eason, 2017. Used with permission. Ne reminiscaris Domine, Orlando di Lasso. Edited by Potharn Imre, 2013, cpdl.org. Magnificat, attributed to Dieterich Buxtehude. Engraved by Jonathan Eason, 2017. Used with permission.

Friday, June 23, 2017 Mendelssohn notes, by R. Larry Todd, Arts & Sciences Professor of Music, Duke University and author of Discovering Music, Mendelssohn: A Life in Music, and Fanny Hensel: The Other Mendelssohn, all from Oxford University Press. Used with permission. Lauda Sion, Felix Mendelssohn. Edited by Julius Rietz (1812-1877), Bartholdy Werke Serie 14A, Leipzig, Breitkopf & Härtel 1874-82, public domain, IMSLP.org Lauda Sion, No. 6, Sub diversis Speciebus, Mendelssohn. Engraved by Jonathan Eason, 2017. Used with permission.

Saturday, June 24, 2017 Ave Maria, attributed to Tomás Luis de Victoria. Transcribed and edited by Nancho Alvarez. http:// tomasluisdevictoria.org.

Appendix Ave verum corpus, Edward Elgar. Edited by Jes Wagner, 2016, cpdl.org.

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