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Narrative Representations of Gender and Genre Through Lyric, Music, Image, and Staging in Carrie Underwood’S Blown Away Tour
COUNTRY CULTURE AND CROSSOVER: Narrative Representations of Gender and Genre Through Lyric, Music, Image, and Staging in Carrie Underwood’s Blown Away Tour Krisandra Ivings A Thesis Presented In Partial Fulfillment of the Requirement for the Degree Master of Arts in Music with Specialization in Women’s Studies University of Ottawa © Krisandra Ivings, Ottawa, Canada, 2016 Abstract This thesis examines the complex and multi-dimensional narratives presented in the work of mainstream female country artist Carrie Underwood, and how her blending of musical genres (pop, rock, and country) affects the narratives pertaining to gender and sexuality that are told through her musical texts. I interrogate the relationships between and among the domains of music, lyrics, images, and staging in Underwood’s live performances (Blown Away Tour: Live DVD) and related music videos in order to identify how these gendered narratives relate to genre, and more specifically, where these performances and videos adhere to, expand on, or break from country music tropes and traditions. Adopting an interlocking theoretical approach grounded in genre theory, gender theory, narrative theory in the context of popular music, and happiness theory, I examine how, as a female artist in the country music industry, Underwood uses genre-blending to construct complex gendered narratives in her musical texts. Ultimately, I find that in her Blown Away Tour: Live DVD, Underwood uses diverse narrative strategies, sometimes drawing on country tropes, to engage techniques and stylistic influences of several pop and rock styles, and in doing so explores the gender norms of those genres. ii Acknowledgements A great number of people have supported this thesis behind the scenes, whether financially, academically, or emotionally. -
~Tate of M:Enne~~Ee
~tate of m:enne~~ee HOUSE JOINT RESOLUTION NO. 695 By Representative Shepard and Senators Crowe, Herron A RESOLUTION to honor the professional achievements of musician John Rich. WHEREAS, it is fitting that the members of this body should pause to honor those exemplary citizens who contribute significantly to the reputation of Tennessee throughout the world as the center of the music industry universe and home of the most generous and compassionate citizenry by helping to reinforce the "Volunteer State" nickname; and WHEREAS, one such citizen is John Rich who has garnered high acclaim as a singer, songwriter, record producer, and television personality over the course of his illustrious and storied career in the music and entertainment industry; and WHEREAS, Mr. Rich, born on January 7, 1974, in Amarillo, Texas, moved to middle Tennessee in the early 1990s, where he attended and graduated from Dickson County Senior High School with the class of 1992, making lifelong friends and ties with the community; and WHEREAS, after high school, Mr. Rich chose to forego college to pursue his dream of becoming a country music recording artist. In the summer of 1992, he was chosen by executives at Opryland USA to be a performer in the Nashville-based theme park's daily variety show entitled "Country Music USA," wherein Mr. Rich performed songs by country music superstars such as George Jones, Garth Brooks, George Strait, and Vince Gill; and WHEREAS, during his time at Opryland USA, Mr. Rich met fellow performer Dean Sams, who along with Mr. Rich and two other fellow Texans formed a band named Texassee. -
Ristorante and Pizzeria “Bella Vista” in Boston at 288 Hanover Street 617-367-4999 Lucia Pezzano, Proprietor
VOL. 114 - NO. 35 BOSTON, MASSACHUSETTS, AUGUST 27, 2010 $.30 A COPY Arriverderci Boston by Pamela Donnaruma Consul General of Italy, made with other ethnic have paved the way for the Boston Liborio Stellino and groups. future Italian leaders. Educational Director of Con- Another person who played On two separate occasions sul General Office of Italy, an integral part in Bos- at the Dante Alighieri Soci- Boston Carlo Cipollone have ton’s Italian community, ety in Cambridge receptions completed their professional Dr. Carlo Cipollone is also were held in honor of Liborio duties in their respective bidding farewell. Dr. Cipol- and Carlo. In conjunction roles in Boston. lone worked as the Edu- with the Italian Republic Day Consul General Liborio cational Director at the Celebration, Liborio hosted a Stellino arrived in Boston to Consulate Office in Boston. reception to say farewell to begin his role in September, He worked closely with his colleagues, friends and 2006. I had the pleasure of C.A.S.IT., (Centro Attivita representatives from various interviewing Liborio Stellino Scolastiche Italiane), a non- organizations. after ten days of being in profit education and profes- On Monday, August, 23rd, office. He talked about his sional organization formed Carlo hosted his farewell re- previous posts and outlined by the Italian Consul Gen- Representative Paul Donato ception with many friends his goals for the Italian Consul General Liborio eral which sponsors the (right) presented a Procla- and colleagues who gener- community of Boston. He dis- Stellino bids farewell to promotion of Italian lan- mation from Massachu- ously provided refreshments cussed his ideas to increase Boston. -
July 23, 2021 the Musicrow Weekly Friday, July 23, 2021
July 23, 2021 The MusicRow Weekly Friday, July 23, 2021 Taylor Swift’s Fearless (Taylor’s Version) SIGN UP HERE (FREE!) Will Not Be Submitted For Grammy, CMA Award Consideration If you were forwarded this newsletter and would like to receive it, sign up here. THIS WEEK’S HEADLINES Fearless (Taylor’s Version) Will Not Be Submitted For Grammy, CMA Awards NSAI Sets Nashville Songwriter Awards For September Big Loud Records Ups 5, Adds 2 To Promotion Team Dylan Schneider Signs With BBR Music Group Taylor Swift will not be submitting Fearless (Taylor’s Version), the re- recorded version of her 2008 studio album that released earlier this year, Dan + Shay Have Good for Grammy or CMA Awards consideration. Things In Store For August “After careful consideration, Taylor Swift will not be submitting Fearless (Taylor’s Version) in any category at this year’s upcoming Grammy and Scotty McCreery Shares CMA Awards,” says a statement provided to MusicRow from a Republic Details Of New Album Records spokesperson. “Fearless has already won four Grammys including album of the year, as well as the CMA Award for album of the Chris DeStefano Renews year in 2009/2010 and remains the most awarded country album of all With Sony Music Publishing time.” Natalie Hemby Announces The statement goes on to share that Swift’s ninth studio album, Evermore, New Album released in December of 2020, will be submitted to the Grammys for consideration in all eligible categories. Niko Moon’s Good Time Slated For August Release Evermore arrived only five months after the surprise release of Folklore, Swift’s groundbreaking eighth studio album. -
Songs by Title Karaoke Night with the Patman
Songs By Title Karaoke Night with the Patman Title Versions Title Versions 10 Years 3 Libras Wasteland SC Perfect Circle SI 10,000 Maniacs 3 Of Hearts Because The Night SC Love Is Enough SC Candy Everybody Wants DK 30 Seconds To Mars More Than This SC Kill SC These Are The Days SC 311 Trouble Me SC All Mixed Up SC 100 Proof Aged In Soul Don't Tread On Me SC Somebody's Been Sleeping SC Down SC 10CC Love Song SC I'm Not In Love DK You Wouldn't Believe SC Things We Do For Love SC 38 Special 112 Back Where You Belong SI Come See Me SC Caught Up In You SC Dance With Me SC Hold On Loosely AH It's Over Now SC If I'd Been The One SC Only You SC Rockin' Onto The Night SC Peaches And Cream SC Second Chance SC U Already Know SC Teacher, Teacher SC 12 Gauge Wild Eyed Southern Boys SC Dunkie Butt SC 3LW 1910 Fruitgum Co. No More (Baby I'm A Do Right) SC 1, 2, 3 Redlight SC 3T Simon Says DK Anything SC 1975 Tease Me SC The Sound SI 4 Non Blondes 2 Live Crew What's Up DK Doo Wah Diddy SC 4 P.M. Me So Horny SC Lay Down Your Love SC We Want Some Pussy SC Sukiyaki DK 2 Pac 4 Runner California Love (Original Version) SC Ripples SC Changes SC That Was Him SC Thugz Mansion SC 42nd Street 20 Fingers 42nd Street Song SC Short Dick Man SC We're In The Money SC 3 Doors Down 5 Seconds Of Summer Away From The Sun SC Amnesia SI Be Like That SC She Looks So Perfect SI Behind Those Eyes SC 5 Stairsteps Duck & Run SC Ooh Child SC Here By Me CB 50 Cent Here Without You CB Disco Inferno SC Kryptonite SC If I Can't SC Let Me Go SC In Da Club HT Live For Today SC P.I.M.P. -
WOMEN's AUDIO MISSION ANNOUNCES WAMCON VIRTUAL NASHVILLE RECORDING ARTS CONFERENCE APRIL 24 Panels and Interactive Demos Led B
WOMEN’S AUDIO MISSION ANNOUNCES WAMCON VIRTUAL NASHVILLE RECORDING ARTS CONFERENCE APRIL 24 Panels and interactive demos led by award-winning producers, engineers and artists that have worked with artists including Lady Gaga, Kacey Musgraves, Little Big Town, Sheryl Crow and more (San Francisco, CA – March 19, 2021) – Women’s Audio Mission (WAM), a nonprofit dedicated to the advancement of women and gender diverse individuals in music production and the recording arts, will present the third edition of WAMCon Virtual, the organization’s online immersive recording arts conference on April 24, 2021. This April’s WAMCon Virtual, Nashville will be the third online edition of the conference, building on the overwhelming success of two sold out virtual events in 2020. The conference will provide attendees with exclusive networking opportunities, giveaways, and interactive workshops with award-winning producers, audio engineers and songwriters. The conference will take place virtually on April 24th from 11am to 3pm PDT. Special guests include Grammy-nominated and double-platinum country music artist Cam; Academy of Country Music audio engineer of the year nominee Gena Johnson (Brandi Carlile, Kacey Musgraves, Lady Gaga); music producer/engineer/mixer Shani Gandhi (Kelsea Ballerini, Alison Krauss, Dierks Bentley); recording engineer Rachael Moore (Little Big Town, Trisha Yearwood, Brittany Howard) and recording engineer/producer Leslie Richter (Sheryl Crow, Wynonna Judd, Ben Folds). “We are thrilled to deliver yet another WAMCon Virtual -
A MOTION PICTURE SERIES Michael Johnathon
Troubadour A MOTION PICTURE SERIES Episode Four 45 Minute Movie EDIT March 25, 2021 An original screenplay by Michael Johnathon REG. NO. #I329069 Writers Guild of America, East ©2020 Rachel-Aubrey Music/BMI PO Box 200, Lexington, Kentucky 40588 ph: 859-255-5700 TITLE SEQUENCE ROLLS Theme song “Troubadour” plays EXT. SMALL TOWN, MIDWAY KENTUCKY, IN AUTUMN - AFTERNOON OPEN Credits roll The MUSIC plays as the CAMERA travels through a small Kentucky town. We see the colorful leaves of autumn, quaint Americana storefronts, a classic old time Antique shop, a wood carved sign that reads “Welcome To Historic Midway.” We see a music store with guitars, mandolins and banjos displayed though a window that reads “Midway Pickin’ Parlor & Fret Haus”. We pass a cafe filled with people in conversation and see townspeople walking the sidewalk. Another man stands outside a Wine Shop as if waiting for someone. A teenage store clerk shows a colorful, handmade quilt to a young couple across the counter. At exactly the same instant both heads turn. The CAMERA follows there gaze to a WRY OLD MAN, his hands rough with work and age, sitting on a park bench outside a barber shop carving on a piece of wood. CUT TO: INT/MORNING - MAYORS WAITING ROOM Nikki waits in the outer office of the Mayor of Midway. A street sign that says “Copperhead Road” a guitar and mandolin hang on the walls above the waiting couch. SECRETARY The Mayor will see you now. CUT TO: 2. INT/LATE MORNING - MAYORS OFFICE The mayor, played by songwriter STEVE EARLE, welcomes Nikki. -
Pat Paxton in PHOENIX Airplay Leaders the Interview Page 3 Page 17 Page 33
POWER Entercom’s IS FORTY 31 PAT PAXTON IN PHOENIX Airplay Leaders The Interview PAGE 3 PAGE 17 PAGE 33 SEPTEMBER 2008 Guitar Heroes: Tim Hattrick (l) and Willy D. Loon (r) don the KNIX logo suits and bookend PD Alan Sledge. KNIX IS 4 In Phoenix hen Buck Owens bought KNIX-FM in Phoenix for $75,000, few could have imagined the extent to which his station’s commitment to country and to its listeners would succeed. At its peak, the station Wwas beyond dominant and, more important, perhaps the most influential and trendsetting Country station ever on the FM dial. As KNIX celebrates its 40th anniversary, Country Aircheck contacted several current and former executives for their favorite recollections of the station Buck built. and 30 Dolly Parton look-alike contestants paraded onstage Michael Owens, KNIX GM 1978-1999: before more than 1,000 listeners who had jammed into the Sometime in early 1979 – about a year after I became General club. Unfortunately, another 500 couldn’t get in because the Manager of KNIX-AM/FM – we were struggling with ratings place was filled! We had a couple people from RCA/Nashville and revenue. We were 10th or 12th at the time, trying hard to (Dolly’s label at the time) as judges, along with local newspaper break through to become a player in this big Phoenix market. We and TV celebrities. Local TV stations covered it live and the came up with an idea for a promotion and teamed with a local Phoenix Gazette newspaper ran a front-page photo plus a two- independent gasoline company to sell gas at 10 cents per gallon. -
THE STAGING of the FEMALE BODY in University of Stavanger COUNTRY MUSIC [email protected]
MÜZİKTE TEMSİL & MÜZİKSEL TEMSİL II ‘STAND BY YOUR MAN’ Lise K. Özgen THE STAGING OF THE FEMALE BODY IN University of Stavanger COUNTRY MUSIC [email protected] I am going to look at performativity and expressions of femininity in popular music; more specifically in country music. An interesting example can be the Canadian singer d.lang, where the transition between women/man dynamic to a more ambiguous gender construction is fundamental in how lang represents herself through her songs. Performativity The connection between gender and performance has been discussed in many cultural theoretical settings, using the term ‘masquerade’. The term has become an important and nuanced theoretical aspect of femininity and its representation. Joan Riviere’s ‘Womanliness as a Masquerade’ from 1929 holds a key place in discussion of female sexuality in psychoanalysis. Riviere argued that femininity was a performance where there was no genuine femininity separate from the masquerade; there is no distinction between authentic womanliness and its masquerade. “Womanliness ... could be assumed and worn as a mask, both to hide the possession of masculinity and to avert the reprisals expected if she was found to possess it…” (Riviere 1929:213). According to this, gendered identities are produced and performed in everything one does, and there is no gendered identity separate from performance. Performance demands the idea of an act, where the performer constructs a fabricated or invented identity. In this context we can also include Judith Butler’s ideas about performativity. We as individuals create ourselves through activities. Performance is not something passive which carries in it an inherent meaning; instead we are created by active actions that confirm meaning. -
Canceled: Positionality and Authenticity in Country Music's
Graduate Theses, Dissertations, and Problem Reports 2021 #Canceled: Positionality and Authenticity in Country Music’s Cancel Culture Gabriella Saporito [email protected] Follow this and additional works at: https://researchrepository.wvu.edu/etd Part of the Ethnomusicology Commons, Lesbian, Gay, Bisexual, and Transgender Studies Commons, Musicology Commons, Other Feminist, Gender, and Sexuality Studies Commons, and the Social Media Commons Recommended Citation Saporito, Gabriella, "#Canceled: Positionality and Authenticity in Country Music’s Cancel Culture" (2021). Graduate Theses, Dissertations, and Problem Reports. 8074. https://researchrepository.wvu.edu/etd/8074 This Thesis is protected by copyright and/or related rights. It has been brought to you by the The Research Repository @ WVU with permission from the rights-holder(s). You are free to use this Thesis in any way that is permitted by the copyright and related rights legislation that applies to your use. For other uses you must obtain permission from the rights-holder(s) directly, unless additional rights are indicated by a Creative Commons license in the record and/ or on the work itself. This Thesis has been accepted for inclusion in WVU Graduate Theses, Dissertations, and Problem Reports collection by an authorized administrator of The Research Repository @ WVU. For more information, please contact [email protected]. #Canceled: Positionality and Authenticity in Country Music’s Cancel Culture Gabriella Saporito Thesis submitted to the College of Creative Arts at West Virginia University in partial fulfillment of the requirements for the degree of Master of Arts in Musicology Travis D. Stimeling, Ph.D., Chair Jennifer Walker, Ph.D. Matthew Heap, Ph.D. -
Tolono Library CD List
Tolono Library CD List CD# Title of CD Artist Category 1 MUCH AFRAID JARS OF CLAY CG CHRISTIAN/GOSPEL 2 FRESH HORSES GARTH BROOOKS CO COUNTRY 3 MI REFLEJO CHRISTINA AGUILERA PO POP 4 CONGRATULATIONS I'M SORRY GIN BLOSSOMS RO ROCK 5 PRIMARY COLORS SOUNDTRACK SO SOUNDTRACK 6 CHILDREN'S FAVORITES 3 DISNEY RECORDS CH CHILDREN 7 AUTOMATIC FOR THE PEOPLE R.E.M. AL ALTERNATIVE 8 LIVE AT THE ACROPOLIS YANNI IN INSTRUMENTAL 9 ROOTS AND WINGS JAMES BONAMY CO 10 NOTORIOUS CONFEDERATE RAILROAD CO 11 IV DIAMOND RIO CO 12 ALONE IN HIS PRESENCE CECE WINANS CG 13 BROWN SUGAR D'ANGELO RA RAP 14 WILD ANGELS MARTINA MCBRIDE CO 15 CMT PRESENTS MOST WANTED VOLUME 1 VARIOUS CO 16 LOUIS ARMSTRONG LOUIS ARMSTRONG JB JAZZ/BIG BAND 17 LOUIS ARMSTRONG & HIS HOT 5 & HOT 7 LOUIS ARMSTRONG JB 18 MARTINA MARTINA MCBRIDE CO 19 FREE AT LAST DC TALK CG 20 PLACIDO DOMINGO PLACIDO DOMINGO CL CLASSICAL 21 1979 SMASHING PUMPKINS RO ROCK 22 STEADY ON POINT OF GRACE CG 23 NEON BALLROOM SILVERCHAIR RO 24 LOVE LESSONS TRACY BYRD CO 26 YOU GOTTA LOVE THAT NEAL MCCOY CO 27 SHELTER GARY CHAPMAN CG 28 HAVE YOU FORGOTTEN WORLEY, DARRYL CO 29 A THOUSAND MEMORIES RHETT AKINS CO 30 HUNTER JENNIFER WARNES PO 31 UPFRONT DAVID SANBORN IN 32 TWO ROOMS ELTON JOHN & BERNIE TAUPIN RO 33 SEAL SEAL PO 34 FULL MOON FEVER TOM PETTY RO 35 JARS OF CLAY JARS OF CLAY CG 36 FAIRWEATHER JOHNSON HOOTIE AND THE BLOWFISH RO 37 A DAY IN THE LIFE ERIC BENET PO 38 IN THE MOOD FOR X-MAS MULTIPLE MUSICIANS HO HOLIDAY 39 GRUMPIER OLD MEN SOUNDTRACK SO 40 TO THE FAITHFUL DEPARTED CRANBERRIES PO 41 OLIVER AND COMPANY SOUNDTRACK SO 42 DOWN ON THE UPSIDE SOUND GARDEN RO 43 SONGS FOR THE ARISTOCATS DISNEY RECORDS CH 44 WHATCHA LOOKIN 4 KIRK FRANKLIN & THE FAMILY CG 45 PURE ATTRACTION KATHY TROCCOLI CG 46 Tolono Library CD List 47 BOBBY BOBBY BROWN RO 48 UNFORGETTABLE NATALIE COLE PO 49 HOMEBASE D.J. -
Ronnie Dunn and Cracker Barrel Ready to Serve New Music Offering
May 21, 2012 Ronnie Dunn and Cracker Barrel Ready to Serve New Music Offering Sales of Exclusive CD Ronnie Dunn — Special Edition will support Wounded Warrior Project LEBANON, Tenn.--(BUSINESS WIRE)-- Country music icon Ronnie Dunn's newest solo CD debuts today through the Cracker Barrel Old Country Store® exclusive music program. The CD, Ronnie Dunn — Special Edition, is a powerful collection of 12 songs that Dunn first released in 2011, and includes an additional two previously unreleased bonus tracks. And because Ronnie Dunn and Cracker Barrel support America's military personnel, a portion of the proceeds from sales of this CD will be donated to Wounded Warrior Project™. The CD is available for$11.99 exclusively at all Cracker Barrel locations and online at crackerbarrel.com. Twice named the BMI Country Songwriter of the year, Ronnie Dunn's songs are known for vividly depicting real life as well as profound love. There's a healthy helping of each on this CD with "Cost of Livin'," "Bleed Red," and "Keep on Lovin' You," while "I Love My Country" is richly laden with patriotism. "More than ever before, I feel as though this album gave me a chance to tell my own story through songs that mean a lot to me," says Dunn. "And it's particularly gratifying because, by working with Cracker Barrel, a portion of the CD retail sales will be donated to Wounded Warrior Project. To me, that truly makes this CD a special edition." "We're pleased to work with Ronnie Dunn on a collection of songs we not only think will resonate with our guests, but also will support our nation's Wounded Warriors," said Julie Craig, Cracker Barrel Marketing Manager.