School of Music 2011–2012

Total Page:16

File Type:pdf, Size:1020Kb

School of Music 2011–2012 BULLETIN OF YALE UNIVERSITY BULLETIN OF YALE UNIVERSITY Periodicals postage paid New Haven ct 06520-8227 New Haven, Connecticut School of Music 2011–2012 School of Music 2011–2012 BULLETIN OF YALE UNIVERSITY Series 107 Number 7 July 25, 2011 BULLETIN OF YALE UNIVERSITY Series 107 Number 7 July 25, 2011 (USPS 078-500) The University is committed to basing judgments concerning the admission, education, is published seventeen times a year (one time in May and October; three times in June and employment of individuals upon their qualifications and abilities and a∞rmatively and September; four times in July; five times in August) by Yale University, 2 Whitney seeks to attract to its faculty, sta≠, and student body qualified persons of diverse back- Avenue, New Haven CT 0651o. Periodicals postage paid at New Haven, Connecticut. grounds. In accordance with this policy and as delineated by federal and Connecticut law, Yale does not discriminate in admissions, educational programs, or employment against Postmaster: Send address changes to Bulletin of Yale University, any individual on account of that individual’s sex, race, color, religion, age, disability, or PO Box 208227, New Haven CT 06520-8227 national or ethnic origin; nor does Yale discriminate on the basis of sexual orientation or gender identity or expression. Managing Editor: Linda Koch Lorimer University policy is committed to a∞rmative action under law in employment of Editor: Lesley K. Baier women, minority group members, individuals with disabilities, and covered veterans. PO Box 208230, New Haven CT 06520-8230 Inquiries concerning these policies may be referred to the O∞ce for Equal Opportu- nity Programs, 221 Whitney Avenue, 203.432.0849 (voice), 203.432.9388 (TTY). The closing date for material in this bulletin was July 10, 2011. The University reserves the right to withdraw or modify the courses of instruction In accordance with both federal and state law, the University maintains information or to change the instructors at any time. concerning current security policies and procedures and prepares an annual crime report concerning crimes committed within the geographical limits of the University. In addi- ©2011 by Yale University. All rights reserved. The material in this bulletin may not tion, in accordance with federal law, the University maintains information concerning be reproduced, in whole or in part, in any form, whether in print or electronic media, current fire safety practices and prepares an annual fire safety report concerning fires without written permission from Yale University. occurring in on-campus student housing facilities. Upon request to the O∞ce of the Associate Vice President for Administration, PO Box 208322, 2 Whitney Avenue, Suite The School of Music Bulletin is primarily a digital publication, available in both html 810, New Haven CT 06520-8322, 203.432.8049, the University will provide such informa- and pdf versions at www.yale.edu/bulletin. A limited number of copies were printed on tion to any applicant for admission. 30% postconsumer recycled paper for the permanent archive of the Bulletin of Yale Uni- versity. Individual copies may also be purchased on a print-on-demand basis; please con- In accordance with federal law, the University prepares an annual report on participation tact Joseph Cinquino at Yale Printing and Publishing Services, 203.432.6560 or joseph. rates, financial support, and other information regarding men’s and women’s intercol- [email protected]. legiate athletic programs. Upon request to the Director of Athletics, PO Box 208216, New Haven CT 06520-8216, 203.432.1414, the University will provide its annual report to any student or prospective student. The Equity in Athletics Disclosure Act (EADA) report is also available online at http://ope.ed.gov/athletics/Index.aspx. For all other matters related to admission to the School of Music, please telephone the Admissions O∞ce, 203.432.4155. School of Music 2011–2012 bulletin of yale university Series 107 Number 7 July 25, 2011 Contents Welcome to the Yale School of Music 5 Calendar 6 The President and Fellows of Yale University 7 The O∞cers of Yale University 8 School of Music Faculty and Administration 9 Music at Yale 13 The School of Music 13 Norfolk 13 Yale Collection of Musical Instruments 14 The Department of Music 15 Yale Institute of Sacred Music 15 History of the School of Music 17 Facilities 20 Libraries 21 Degrees 23 Master of Music 23 Master of Musical Arts 23 Doctor of Musical Arts 24 Artist Diploma 26 Certificate in Performance 27 B.A./M.M. Program 27 Program Planning 29 Program Requirements 31 General Requirements 31 Requirements for Performance Majors 32 Requirements for Composition Majors 39 Areas of Instruction 41 Performance 41 Strings Wind and Brass Instruments Percussion Guitar and Harp Piano Chamber Music Organ Voice Orchestral Conducting Choral Conducting Composition 46 Center for Studies in Music Technology 47 Music in Schools Initiative 47 4 School of Music Courses of Instruction 48 Musicianship and Theory 48 Performance 49 Composition 52 Voice 52 History and Analysis 53 Special Studies 57 Yale Institute of Sacred Music 58 Graduate-Level Courses in the Department of Music 58 Performance Activities 60 Musical Organizations 60 Concerts and Recitals 64 Faculty Profiles 67 General Information 94 Academic Regulations 94 Credit from Other Institutions 95 Registration 96 Financial Aid 96 Student Accounts and Bills 98 Room, Board, and General Expenses 100 Absence from Classes 101 Leaves of Absence 101 Dossier/Transcript Service 105 Student Responsibilities 105 Regulations Governing Student Recitals 106 Recordings, Images, and Web Streams 107 Standards of Behavior 107 Policy on Academic Integrity and Honesty 107 A Global University 108 University Resources 109 Health Services for School of Music Students 111 Resource O∞ce on Disabilities 115 Campus Resources on Sexual Misconduct 115 Veterans Administration Benefits 117 O∞ce of International Students and Scholars 117 International Center for Yale Students and Scholars 118 Admission Procedures 119 Instructions for Application 119 Auditions/Interviews 124 Named Scholarships 125 Student Prizes 129 Degrees and Enrollment 131 Degrees Conferred May 23, 2011 131 Enrollment, 2010–2011 133 The Work of Yale University 141 Maps 144 Welcome to the Yale School of Music From its beginning in 1894, the Yale School of Music has nurtured some of America’s most successful performers, composers, and cultural leaders. In the latter half of the twentieth century, the School of Music extended its influence and invitation to the finest musicians worldwide, seeking students of extraordinary artistic and intellectual talent to pursue their advanced musical studies with its illustrious faculty. These students and fac- ulty contribute to and benefit from the international distinction of Yale University, which not only cherishes its academic heritage but also places great value on all of the fine arts. Yale is renowned for its array of libraries, art galleries, historical collections, and the- atrical presentations, and for its rich concert life. The eleven other professional schools at the University, the Graduate School, and Yale College itself contribute to the vibrant social and educational environment. The city of New Haven and its surrounding towns o≠er an abundance of cultural and recreational opportunities through their historical vil- lages, diverse neighborhoods, charming shops, fine restaurants, beaches, and orchards. While Yale has virtually inexhaustible cultural resources, its close proximity to New York and Boston broadens the possibilities for an enhanced student experience. The School of Music Bulletin is far more than a collection of policies, degree pro- grams, and faculty biographies. It reflects a community that is fully committed to the highest musical ideals. It is a blueprint for those who will assume the mantle of cultural leadership. It is a reflection of a School steeped in tradition yet shaping the future. It is a brief sampling of what you might expect from your time in this place. Whether you intend to perform, coach, teach, research, direct, compose, publish, cri- tique, edit, manage, or lead, consider the opportunities for a challenging and significant immersion in everything that Yale University has to o≠er. The faculty and sta≠ of the Yale School of Music wish you much success in your time here and in your musical pursuits. Mission Statement The Yale School of Music educates and inspires students with exceptional artistic and academic talent for service to the profession and to society. The School fosters a vibrant musical environment where graduate-level performers and composers realize their high- est artistic potential with an internationally distinguished faculty. To prepare students for roles as cultural leaders, the School engages fully with the University’s extraordinary intellectual and technological resources while collaborating with artistic centers through- out the world. Calendar fall 2011 Aug. 30 T New and returning students orientation and registration (attendance mandatory) Aug. 30–Sept. 2 T–F Placement testing, language exams, advisories, and ensemble auditions Aug. 31 W Yale College classes begin Sept. 1 TH Annual Opening Convocation and Reception (attendance mandatory) Sept. 2 F Fall-term classes begin, 8:20 a.m. Sept. 5 M Labor Day (University sta≠ holiday). Classes meet Sept. 9 F Fall-term course schedules due online by 3 p.m. Sept. 16 F Add/Drop deadline, 3 p.m. Oct. 14 F M.M.A. applications due (internal candidates) Oct. 22 SA M.M.A. examinations (internal candidates) Nov. 4 F Last day to elect Pass/Fail option, 3 p.m. Nov. 19 SA Fall recess begins Nov. 28 M Classes resume, 8:20 a.m. Dec. 1 TH Deadline for fall 2012 applications Dec. 2 F Last day to withdraw from a class, 3 p.m. Dec. 9 F M.M.A. auditions Fall-term classes end Spring-term course schedules due online by 3 p.m.
Recommended publications
  • Spring 2014 Commencement Program
    TE TA UN S E ST TH AT I F E V A O O E L F A DITAT DEUS N A E R R S I O Z T S O A N Z E I A R I T G R Y A 1912 1885 ARIZONA STATE UNIVERSITY COMMENCEMENT AND CONVOCATION PROGRAM Spring 2014 May 12 - 16, 2014 THE NATIONAL ANTHEM THE STAR SPANGLED BANNER O say can you see, by the dawn’s early light, What so proudly we hailed at the twilight’s last gleaming? Whose broad stripes and bright stars through the perilous fight O’er the ramparts we watched, were so gallantly streaming? And the rockets’ red glare, the bombs bursting in air Gave proof through the night that our flag was still there. O say does that Star-Spangled Banner yet wave O’er the land of the free and the home of the brave? ALMA MATER ARIZONA STATE UNIVERSITY Where the bold saguaros Raise their arms on high, Praying strength for brave tomorrows From the western sky; Where eternal mountains Kneel at sunset’s gate, Here we hail thee, Alma Mater, Arizona State. —Hopkins-Dresskell MAROON AND GOLD Fight, Devils down the field Fight with your might and don’t ever yield Long may our colors outshine all others Echo from the buttes, Give em’ hell Devils! Cheer, cheer for A-S-U! Fight for the old Maroon For it’s Hail! Hail! The gang’s all here And it’s onward to victory! Students whose names appear in this program have completed degree requirements.
    [Show full text]
  • View PDF Document
    Society of Composers Inc. National Student Conference 2001 Presented by The Indiana School of Music welcomes you to the 2001 Society of Composers Inc. National Student Conference Dear Composers and Friends: I am pleased to attend the Third Annual National Student Conference of the Society of Composers, Inc. This event, ably hosted by Jason Bahr with generous support from Don Freund, will give you that rare opportunity to meet and hear each other's works performed by some of the most talented performers in this country. Take advantage of this timethese are your future colleagues, for you can never predict when you will meet them again. This is the weekend we will choose the three winners of the SCI/ASCAP Student Composition Commission Competition, to be announced at the banquet on Saturday evening. You will hear three new compositions by the winners of the 2000 competition: Lansing D. McLoskey's new choral work on Saturday at 4:00 p.m.; Karim Al-Zand's Wind Ensemble work to be performed Thursday night at 8:00 p.m.; and Ching-chu Hu's chamber ensemble work on the Friday night concert. SCI is grateful to Fran Richard and ASCAP for their support with this ongoing commissioning project. Last month I was asked by the editor of the on-line journal at the American Music Center in New York to discuss the dominant musical style of today and to predict what the dominant musical style might be of tomorrow. If only I could predict future trends! And yet, today's music depends upon whom you ask.
    [Show full text]
  • Download on to Your Computer Or Device
    Underwood New Music Readings American Composers Orchestra PARTICIPATING COMPOSERS Andy Akiho Andy Akiho is a contemporary composer whose interests run from steel pan to traditional classical music. Recent engagements include commissioned premieres by the New York Philharmonic and Carnegie Hall’s Ensemble ACJW, a performance with the LA Philharmonic, and three shows at the Kennedy Center in Washington DC featuring original works. His rhythmic compositions continue to increase in recognition with recent awards including the 2014-15 Luciano Berio Rome Prize, a 2012 Chamber Music America Grant with Sybarite5, the 2011 Finale & ensemble eighth blackbird National Composition Competition Grand Prize, the 2012 Carlsbad Composer Competition Commission for Calder Quartet, the 2011 Woods Chandler Memorial Prize (Yale School of Music), a 2011 Music Alumni Award (YSM), the 2010 Horatio Parker Award (YSM), three ASCAP Plus Awards, an ASCAP Morton Gould Young Composers Award, and a 2008 Brian M. Israel Prize. His compositions have been featured on PBS’s “News Hour with Jim Lehrer” and by organizations such as Bang on a Can, American Composers Forum, and The Society for New Music. A graduate of the University of South Carolina (BM, performance), the Manhattan School of Music (MM, contemporary performance), and the Yale School of Music (MM, composition), Akiho is currently pursuing a Ph.D. at Princeton University. In addition to attending the 2013 International Heidelberger Frühling, the 2011 Aspen Summer Music Festival, and the 2008 Bang on a Can Summer Festival as a composition fellow, Akiho was the composer in residence for the 2013 Chamber Music Northwest Festival and the 2012 Silicon Valley Music Festival.
    [Show full text]
  • Theone Hundred Twenty-Eighth
    The One Hundred Twenty-Eighth COMMENCEMENT saturday, may 19 THE ALMA MATER Sons of Elon, daughters too, Bring their praise and homage true. The one hundred twenty-EIGHth commencement In thy keeping there will be Words and deeds to honor thee. Prelude Hearken to the song they’re singing, “Suite of Dances,” André Campra And the loyalty they’re bringing. Alma Mater, they will cherish thee; *Processional Alma Mater, they will cherish thee. “Pomp and Circumstance March No. 1,” Edward Elgar Proud, the oak trees on thy hill Academic Procession Offer shade and shadow still The Elon Flags The University Mace Green the fields around thee lie; The Student Marshals Blue the Carolina sky. The Candidates for Degrees Stately rise thy halls of learning, The University Gonfalons Toward their portals we are turning. The Faculty Marshals Alma Mater, we will cherish thee; The University Trustees Alma Mater, we will cherish thee. The University Faculty The Platform Party Elon, ever lead us on Invocation To a bright and happy dawn; The Reverend Janet F. Fuller Teach us still to love and pray, University Chaplain Guide us to a nobler day. Joyous music lies before us, *National Anthem Memories to swell the chorus. “The Star Spangled Banner,” Francis Scott Key Led by Grant Paylor ’18 Alma Mater, we will cherish thee; Alma Mater, we will cherish thee. Welcome Kerrii Brown Anderson ’79 Chair, Board of Trustees Tune: “Gaudeamus Igitur” Message of Appreciation Lyrics: William David Ellis Robert N. Minton President, Class of 2018 Introduction of the Speaker Connie Ledoux Book President 3 Address CANDIDATES FOR THE BACHELOR OF ARTS DEGREE “Ship’s Companions” Leo M.
    [Show full text]
  • Three World Premieres FRIDAY JANUARY 17, 2014 8:00 Triple Threat Three World Premieres
    Triple Threat Three World Premieres FRIDAY JANUARY 17, 2014 8:00 Triple Threat Three World Premieres FRIDAY JANUARY 17, 2014 8:00 JORDAN HALL AT NEW ENGLAND CONSERVATORY Pre-concert talk with the composers – 7:00 ELENA RUEHR Summer Days (2013) KEN UENO Hapax Legomenon, a concerto for two-bow cello and orchestra (2013) Frances-Marie Uitti, cello INTERMISSION DAVID RAKOWSKI Piano Concerto No. 2 (2011) Amy Briggs, piano GIL ROSE, Conductor Summer Days and Piano Concerto No. 2 were made possible by a grant from the Jebediah Foundation New Music Commissions. Hapax Legomenon was commissioned by the Harvard Musical Association and composed at Civitella Rainieri. PROGRAM NOTES 5 By Robert Kirzinger A true representative microcosm of the stylistic range of BMOP’s repertory history would be absurd, albeit maybe entertaining: forty-seven two-minute pieces for thirty-one different ensemble types? Something of that ilk might come close. The present program, though, TINA TALLON is at least an indicator of the range of the orchestra’s repertoire: all three composers of tonight’s world premieres have collaborated with BMOP before, but their individual compositional voices are highly distinctive. All three works were commissioned for and TONIGHT’S PERFORMERS written for the Boston Modern Orchestra Project. There are some broad connections, though: David Rakowski’s and Ken Ueno’s pieces are both concertos, and both Ueno’s FLUTE TROMBONE VIOLA and Elena Ruehr’s pieces were partly inspired by visual art. Sarah Brady Hans Bohn Noriko Herndon Rachel Braude Martin Wittenberg Emily Rideout Dimitar Petkov ELENA RUEHR (b. 1963) OBOE PERCUSSION Lilit Muradyan Summer Days (2013) Jennifer Slowik Nick Tolle Willine Thoe Laura Pardee Aaron Trant Kim Lehmann Mike Williams Elena Ruehr was BMOP’s first composer in residence from 2000 until 2005.
    [Show full text]
  • Joan Tower Celebration FRIDAY FEBRUARY 9, 2018 8:00 Joan Tower Celebration
    Joan Tower Celebration FRIDAY FEBRUARY 9, 2018 8:00 Joan Tower Celebration FRIDAY FEBRUARY 9, 2018 8:00 JORDAN HALL AT NEW ENGLAND CONSERVATORY Pre-concert talk by Robert Kirzinger and Joan Tower at 7:00 TIANYI WANG Under the Dome (2017) JOAN TOWER Rising, for Flute and Orchestra (2009) Carol Wincenc, flute JOAN TOWER Chamber Dance (2006) INTERMISSION JOAN TOWER Red Maple (2013) Adrian Morejon, bassoon JOAN TOWER Concerto for Flute (1989) Carol Wincenc, flute JOAN TOWER Made in America (2004) GIL ROSE, conductor PROGRAM NOTES 5 By Robert Kirzinger This year’s New England Conservatory-focused concert by the Boston Modern Orchestra Project delves into the work of the remarkable American composer Joan Tower in celebra- tion of her 80th birthday year. This concert is the culmination of Tower’s residency at NEC, during with she has coached performances of her work and participated in seminars and talks about music and its role in society. Joining Tower on the program is the winner of this year’s BMOP/NEC Composition Competition, Tianyi Wang. TIANYI WANG (b.1992) Under the Dome Tianyi Wang is a composition student of John Mallia and Stratis CLIVE GRAINGER CLIVE Minakakis here at the New England Conservatory. Born in the large city of Changchun in northeast China, he was encouraged TONIGHT’S PERFORMERS by his parents—his father is a filmmaker and his mother a musi- cian, and both are educators—to study piano from an early age. FLUTE BASS TROMBONE Sonia Deng He began writing music early in his high school years, and like Rachel Braude Chris Beaudry Judith Lee many kids, was under the influence of film scores, such as those Jessica Lizak PERCUSSION Micah Ringham by Joe Hisaishi for Hayao Miyazaki’s animated masterpieces (e.g., Princess Mononoke Sasha Callahan OBOE Robert Schulz and Spirited Away).
    [Show full text]
  • An Annotated Bibliography and Performance Commentary of The
    The University of Southern Mississippi The Aquila Digital Community Dissertations Spring 5-1-2016 An Annotated Bibliography and Performance Commentary of the Works for Concert Band and Wind Orchestra by Composers Awarded the Pulitzer Prize in Music 1993-2015, and a List of Their Works for Chamber Wind Ensemble Stephen Andrew Hunter University of Southern Mississippi Follow this and additional works at: https://aquila.usm.edu/dissertations Part of the Composition Commons, Fine Arts Commons, Music Education Commons, Music Performance Commons, and the Other Music Commons Recommended Citation Hunter, Stephen Andrew, "An Annotated Bibliography and Performance Commentary of the Works for Concert Band and Wind Orchestra by Composers Awarded the Pulitzer Prize in Music 1993-2015, and a List of Their Works for Chamber Wind Ensemble" (2016). Dissertations. 333. https://aquila.usm.edu/dissertations/333 This Dissertation is brought to you for free and open access by The Aquila Digital Community. It has been accepted for inclusion in Dissertations by an authorized administrator of The Aquila Digital Community. For more information, please contact [email protected]. AN ANNOTATED BIBLIOGRAPHY AND PERFORMANCE COMMENTARY OF THE WORKS FOR CONCERT BAND AND WIND ORCHESTRA BY COMPOSERS AWARDED THE PULITZER PRIZE IN MUSIC 1993-2015, AND A LIST OF THEIR WORKS FOR CHAMBER WIND ENSEMBLE by Stephen Andrew Hunter A Dissertation Submitted to the Graduate School and the School of Music at The University of Southern Mississippi in Partial Fulfillment of the Requirements for the Degree of Doctor of Musical Arts Approved: ________________________________________________ Dr. Catherine A. Rand, Committee Chair Associate Professor, School of Music ________________________________________________ Dr.
    [Show full text]
  • School of Music 2010–2011
    BULLETIN OF YALE UNIVERSITY BULLETIN OF YALE UNIVERSITY Periodicals postage paid New Haven ct 06520-8227 New Haven, Connecticut School of Music 2010–2011 School of Music 2010–2011 BULLETIN OF YALE UNIVERSITY Series 106 Number 7 July 25, 2010 BULLETIN OF YALE UNIVERSITY Series 106 Number 7 July 25, 2010 (USPS 078-500) The University is committed to basing judgments concerning the admission, education, is published seventeen times a year (one time in May and October; three times in June and employment of individuals upon their qualifications and abilities and a∞rmatively and September; four times in July; five times in August) by Yale University, 2 Whitney seeks to attract to its faculty, sta≠, and student body qualified persons of diverse back- Avenue, New Haven CT 0651o. Periodicals postage paid at New Haven, Connecticut. grounds. In accordance with this policy and as delineated by federal and Connecticut law, Yale does not discriminate in admissions, educational programs, or employment against Postmaster: Send address changes to Bulletin of Yale University, any individual on account of that individual’s sex, race, color, religion, age, disability, PO Box 208227, New Haven CT 06520-8227 status as a special disabled veteran, veteran of the Vietnam era, or other covered veteran, or national or ethnic origin; nor does Yale discriminate on the basis of sexual orientation Managing Editor: Linda Koch Lorimer or gender identity or expression. Editor: Lesley K. Baier University policy is committed to a∞rmative action under law in employment of PO Box 208230, New Haven CT 06520-8230 women, minority group members, individuals with disabilities, special disabled veterans, veterans of the Vietnam era, and other covered veterans.
    [Show full text]
  • 2015-11-14 Concert Program.Indd
    November 14, 2015 Toshiyuki Shimada Music Director program This Old Place (World Premiere) Eric Nathan Dedicated to Toshiyuki Shimada on his 10th Anniversary as Music Director of the Yale Symphony Orchestra Symphony No. 6 in A minor, “Tragic” Gustav Mahler Allegro energico, ma non troppo. Heft ig, aber markig. Scherzo: Wuchtig Andante moderato Finale: Sostenuto – Allegro moderato – Allegro energico {Please silence all portable electronic devices} about the artists Toshiyuki Shimada, Music Director Toshiyuki Shimada is Music Director and Conductor of the Eastern Connecticut Symphony Orchestra in New London; Music Director and Conductor of the Orchestra of the Southern Finger Lakes; and has been Music Director of the Yale Symphony Orchestra of Yale University since 2005. He is also Music Direc- tor Laureate of the Portland Symphony Orchestra in Portland, Maine, for which he served as Music Director from 1986 to 2006. Prior to his Portland engagement he was Associate Conductor of the Houston Symphony Orchestra for six years. Since 1998, he has also served as Principal Conductor of the Vienna Modern Masters record label in Austria. Photo by Harold Shapiro Maestro Shimada continues to be active with his three orchestras, as well as his teaching duties at Yale University. He will also be guest conducting for the Bilkent Symphony Orchestra in Ankara, Turkey; the Izmir State Orchestra in Izmir, Turkey; and the Knoxville Sym- phony Orchestra in Tennessee. In May and June of 2010, the Yale Symphony Orchestra and Maestro Shimada made a highly successful tour to the Republic of Turkey, perform- ing in Istanbul, Ankara, and Izmir. The trip garnered extensive media cov- erage, including CNN and Turkish National Television.
    [Show full text]
  • News Release
    FOR IMMEDIATE RELEASE Press contacts: Christina Jensen PR, ACO/EarShot (646) 536-7864 | [email protected] Katherine E. Johnson, New York Philharmonic Director, Public & Media Relations (212) 875-5718 | [email protected] THIRTEEN EMERGING COMPOSERS SELECTED TO HAVE THEIR SCORES READ AND PERFORMED BY AMERICAN COMPOSERS ORCHESTRA AND NEW YORK PHILHARMONIC As Part of the NY PHIL BIENNIAL A Collaboration with AMERICAN COMPOSERS ORCHESTRA’S EARSHOT: THE NATIONAL ORCHESTRA COMPOSITION DISCOVERY NETWORK Three Selected Works to be Given Premieres by the New York Philharmonic in Concerts Conducted by Alan Gilbert and Matthias Pintscher June 5, 6, and 7 at Avery Fisher Hall American Composers Orchestra led by George Manahan 23rd Annual Underwood New Music Readings June 6 and 7, 2014 at The DiMenna Center for Classical Music One Composer to Win $15,000 Commission, Another to Win Audience Choice Award April 24, 2014, New York, NY – The New York Philharmonic and American Composers Orchestra (ACO), in collaboration with ACO’s EarShot: the National Orchestra Composition Discovery Network, announce the selection of 13 emerging composers from an international pool of more than 400 applicants from seven countries and 37 states ranging in age from 9 to 84, whose original scores for orchestra have been chosen for readings and performances by the Philharmonic and ACO as part of the inaugural NY PHIL BIENNIAL. Three works will be selected to receive premieres on public concerts with the New York Philharmonic as part of the NY PHIL BIENNIAL: one work on June 5 and the second on June 7 will be conducted by Music Director Alan Gilbert, and the third work will be featured on the June 6 program conducted by Matthias Pintscher.
    [Show full text]
  • November 14-17, 2018 Indianapolis, Indiana
    Percussive Arts Society International Convention INDIANAPOLIS, INDIANA NOVEMBER 14-17, 2018 EXPAND YOUR PASIC EXPERIENCE! RUDIMENT TRAINING, BOSTON CRUSADERS AUDITIONS SUNDAY DRUM CIRCLE FACILITATION WORKSHOP, CLOSING DRUM CIRCLE EVENING CONCERTS AND EVENTS EXPERIENCES FULL CASH BAR NOW AVAILABLE WORLDS FASTEST DRUMMER, LATE NIGHT HANGS TABLE OF CONTENTS 6 PAS President’s Welcome 8 Special Thanks 14 Area Map and Restaurant Guide 16 Convention Center Map 20 Exhibitors by Name 21 Exhibit Hall Map 22 Exhibitors by Category 24 Exhibitor Company Descriptions 36 Artist Sponsors 40 11.14.18 Schedule of Events 41 Focus Day Schedule of Events 42 11.15.18 Schedule at a Glance 44 11.15.18 Schedule of Events 50 11.16.18 Schedule at a Glance 52 11.16.18 Schedule of Events 56 11.17.18 Schedule at a Glance 58 11.17.18 Schedule of Events 62 About the Artists 84 PAS History 86 PAS 2018 Awards 89 PAS Hall of Fame 90 PASIC 2018 Advertisers PASIC is a program of the Percussive Arts Society, whose mission is to inspire, educate, and support percussionists and drummers throughout the world. Learn more at PAS.org CSM14657 PASIC Program 2018 Spread.qxp_Layout 1 10/19/18 2:44 PM Page 1 Sound is the Priority Yamaha Corporation is recognized around the world as the leader in musical instruments and sound reinforcement products. On the stage, in the studio and on the field, players choose Yamaha products to achieve peak performance. Yamaha brings an unparalleled ability to blend YX-230 9300 Series 3300 Series the best of the acoustic and digital worlds.
    [Show full text]
  • FY 2016 Fall Grant Announcement December 8, 2015
    FY 2016 Fall Grant Announcement December 8, 2015 State and Jurisdiction List Project details are current as of December 1, 2015. For the most up to date project information, please use the NEA's online grant search system. Included in this document are Art Works and Challenge America grants. All are organized by state/jurisdiction and then by city and then by name of organization. Click the state or jurisdiction below to jump to that area of the document. Alaska Kansas Minnesota Alabama Kentucky Ohio American Samoa Louisiana Oklahoma Arizona Maryland Oregon Arkansas Massachusetts Pennsylvania California Michigan Rhode Island Colorado Minnesota South Carolina Connecticut Mississippi South Dakota Delaware Missouri Tennessee District of Columbia Montana Texas Florida Nebraska Utah Georgia New Hampshire Vermont Guam New Jersey Virginia Hawaii New Mexico Washington Idaho New York West Virginia Illinois North Carolina Wisconsin Indiana North Dakota Wyoming Iowa Michigan Some details of the projects listed are subject to change, contingent upon prior Arts Endowment approval. Information is current as of December 1, 2015. Page 1 of 243 Alaska Number of Grants: 5 Total Dollar Amount: $82,500 Anchorage Concert Association, Inc. (aka ACA) $25,000 Anchorage, AK FIELD/DISCIPLINE: Presenting & Multidisciplinary Works To support a multidisciplinary presenting series and related activities. ACA will work with community partners to arrange workshops, residencies, house concerts, and other outreach activities. Proposed artists include Dublin Guitar Quartet (Ireland), Afiara Quartet (Canada), and Bela Fleck with Abigail Washburn. Perseverance Theatre, Inc. (aka Perseverance Theatre) $10,000 Douglas, AK FIELD/DISCIPLINE: Theater & Musical Theater To support the production of "Into the Wild," a new rock musical with book by Janet Allard and music and lyrics by Niko Tsakalakos.
    [Show full text]