Flrtsmem VOTE OVER-SPLIT Budapest
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Arts Council OF GREAT BRITAI N Value fir Money ;ES;VHH AND IN,'-ORMATiON L13PARY DO NOT REMOVE FROM OM THIS ROOM Thirty-second annual report and accounts year ended 31 March 1977 Thirty-second Annual Report and Accounts 197 7 ISBN 07287 0143 X Published by the Arts Council of Great Britai n 105 Piccadilly, London W 1 V OA U Designed by Paul Sharp Printed in England by Shenval Pres s The montage on the cover illustrates the work of the Art s Council's specialist departments : Music : Page of vocal score of Sir William Walton 's Troilus and Cressida, showing revisions made by the composer for the 1976 production by the Royal Opera Art : Foy Nissen's Bombay by Howard Hodgkin Drama : The Olivier auditorium at the National Theatr e Literature : Some books and magazines published or subsidise d by the Council Contents Chairman 's Introduction 5 Secretary-General's Report 7 Regional Activities 15 Drama 1 6 Drama 1948-1977 (a personal commen t by N. V. Linklater) 20 Music 23 Visual Arts 26 Literature 30 Touring 3 1 Community Arts 32 Festivals 34 Housing the Arts 34 Training 35 Research and Information 36 Marketing 36 Scotland 37 Wales 41 Membership of Council and Staff 44 Council, Committees and Panels 45 Annual Accounts 53 The objects for which the Arts Council of Great Britai n is established by Royal Charter are : 1 To develop and .Improve the knowledge, understanding and practice of the arts ; 2 To increase the accessibility of the arts to the publi c throughout Great Britain ; and 3 To co-operate with government departments, local authorities and other bodies to achieve these objects. -
Home International: the Compass of Scottish Theatre Criticism
Home International: the Compass of Scottish Theatre Criticism Randall Stevenson An International Journal of Scottish Theatre, eh? Might not there be something faintly contradictory, even self-congratulatory, in that title, presuming an international interest in something of concern mostly locally? Any small nation might ask itself questions of this kind. For Scottish theatre, the answers have been reassuring recently, as the first numbers of IJOST helped confirm. Articles were sometimes international in subject – including analyses of theatrical translations into Scots – and also in origin, with studies of Scottish theatre by a number of critics working outside the country. With a growing number of Centres of Scottish Studies in France, Canada, the USA, Germany, Russia, Romania, and elsewhere around the globe – no doubt all happily accessing IJOST on the web – criticism of Scottish literature is now conducted thoroughly internationally, with drama, alongside poetry and the novel, increasingly taking its due share of this attention. Further evidence of this appeared in Scottish Theatre since the Seventies (1996), its contributors including critics of German, Greek, Nigerian and Irish origin, alongside, more predictably, commentators from England and from Scotland itself. Significantly, too, the most recent substantial study of Scottish theatre was edited and published in Italy. 1 So if Scottish drama is now regularly admired, studied, criticised – as well as often performed – beyond Scotland as well as within it, and now has its own International Journal, what more could we ask? Perhaps that this expanding critical readership should be more ready to locate drama genuinely internationally: to read Scottish plays more regularly within the wider context of world drama; of movements in the European theatre; of international models and influences. -
Rig Allegations Denied
TRLBOl RICE' GRLLERY Old College MODERN PRIMmVES 26 Oct-23 Nov An exhibition of paintings arid sculpture of a highly personal nature by self.taught artists. Mon-Sat IO am-5 pm Keep Gartcosh open says poll Edinburgh University Scottish Nationalist Association this week carried out an opinion poll of Scot-· tish Office staff which revealed strong support for keeping the Gartcosh steel finishing plant open. Two ques9ons were asked of staff entering the building. 98% said "No" when asked "Do you think the future of the Scottish steel industry should be made a resigna tion issue by George Younger?" 70% of those polled said "Yes". The remai~ing 30% included people who were worried about whom his successor might be. On a t the Lyceum until 2nd November, this play by Andy EUSNA secretary Don MacCor Arnold and Jimmy Boyle highlights quodale, a candidate for Societies the need fo~ reform of the penal convener in today's EUSA bye system. Not to be missed. elections. told Student that about· 400 Scottish Office staff had been -page7 interv.iewed out of a total work force of I ,000. Archie talks In his first major interview for Sill Don MacCorquodale explained dent since bis election as Rector that this poll is part of a wider cam last March. Archie MacPherson talks to lain Cameron about Edu paign which is being organised by cation. Politics. the Universitv - EUSNA to publi cise the issues of and even a little about sport. • Gartcosh and Ravenscraig within the Unive rsity. -page 16 Explaining the issue itself, the EUSNA secretary said that up to 8,000 jobs were at stake and , he Desperately feels, "if Gartcosh closes, then seeking Ravenscraig will inevitably fllow after the next election". -
International Journal of Scottish Theatre and Screen Volume 6 Number 1, 2013
International Journal of Scottish Theatre and Screen Volume 6 Number 1, 2013 Telling Stories: Fifty Years of New Playwriting in Scotland KS Morgan McKean, University of Hull Guest Editor ‘Now, has anyone else got a good story?’ This was the provocation with which David Greig concluded his keynote at the ‘Haggis Hunting’ conference held in April 2013, at which the ideas in the articles in this and the next issue of The International Journal of Scottish Theatre and Screen were first presented. The title of the conference was taken from Jan McDonald’s 1984 essay ‘What is a citizens’ theatre?’ in which she describes ‘the haggis hunt for the great new Scottish play’ as ‘the bugbear of development of the theatre in Scotland’ (p. 2). Contributors to the conference were invited to think about what constitutes a ‘Scottish’ play. What is apparent in the articles that appear in these issues of the journal, and in the keynote speeches and panel discussions that took place at both the Haggis Hunting conference, and the Four Decades events hosted by the Scottish Society of Playwrights held in the following week, was that the question and the definition has moved on in a way that McDonald anticipates in her essay. Writing in response to criticism of the programming decisions made by Giles Havergal and his designer Philip Prowse at Glasgow’s Citizens’ Theatre, McDonald argues ‘[a]ll the plays are about Scottish life because they are about some aspect of our existence’ (1984, p.15). In Theatre and Scotland, Trish Reid similarly argues that this ‘theatre of high esoteric camp’ (one of many descriptions McDonald lists [p. -
A Comparative History of Youth Culture and Popular Music in Liverpool and Newcastle Upon Tyne, 1956-1965 Jona
View metadata, citation and similar papers at core.ac.uk brought to you by CORE provided by Northumbria Research Link ‘Beats Apart’: A Comparative History of Youth Culture and Popular Music in Liverpool and Newcastle upon Tyne, 1956-1965 Jonathan Paul Watson PhD 2009 1 ‘Beats Apart’: A Comparative History of Youth Culture and Popular Music in Liverpool and Newcastle upon Tyne, 1956-1965 Jonathan Paul Watson A thesis submitted in partial fulfilment of the requirements of the University of Northumbria at Newcastle for the degree of Doctor of Philosophy Research undertaken in the School of Arts and Social Sciences December 2009 2 Abstract This study explores the themes of continuity and change in twentieth-century British cultural history, particularities of place and regional identity in the North of England, and the cultural transfer of North American popular music in Britain between 1956 and 1965. By means of a comparative historical investigation of youth culture and popular music in Liverpool and Newcastle upon Tyne, the work engages with existing debate among historians surrounding the nature and extent of cultural change for the period usually referred to as „The Sixties‟, and whether or not it is possible to speak of a „Cultural Revolution‟. Spanning the years between the initial impact of rock „n‟ roll and the immediate aftermath of the Beat Boom of 1963-64, a phenomenon described by one commentator as representing „perhaps the North‟s greatest single cultural „putsch‟‟, the thesis examines the role of urban and regional identity in the process of cultural production, reproduction, and consumption. Theoretical insights derived from the associated disciplines of sociology and cultural studies are employed which offer an opportunity for a novel and dynamic analysis and interpretation of the empirical historical evidence. -
Edit Magazine Winter 2010
WINTER 2010 THE ALUMNI MAGAZINE INCLUDING BILLET & GENERAL COUNCIL PAPERS Absolute Bedlam! An Edinburgh icon celebrates 30 years ALSO INSIDE Helping students follow their dreams The Talbot Rice Gallery unveiled An alumnus for life Your links with Edinburgh don’t end when you leave the University – you’re an Edinburgh alumnus for life – so stay in touch and reap the benefits! The Alumni Benefits Card What will it do for you? Have you got your Alumni Benefits • Receive 15% off hire of University • Enjoy free access to the University’s Card yet? All alumni are eligible for venues, accommodation and catering many libraries and their printed the card, which allows discounted for weddings, parties, meetings and, collections – as well as 50% off access to many of the University’s of course, reunions! borrowing rights. outstanding facilities, and entitles • Enjoy discounted membership at • Receive a 20% discount on all you to a new range of discounts the University’s Centre for Sports Edinburgh University Press books. with partner organisations worldwide. and Exercise – one of the Scotsman’s • Receive a 10% discount at Blackwell’s Sign up at www.ed.ac.uk/alumni. top five gyms in Scotland – which bookshop across the UK and online. offers you a wealth of fitness classes, • Get discounted rates with our partners training, gym support, climbing in the hotel and leisure industry all over facilities, a circuit gym, playing fields, the world. We regularly add to our list of an outdoor activity centre on Loch Tay partners, so visit www.ed.ac.uk/alumni and much more! for the latest offers.