Facing History at 40. and Ourselves
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President's Welcome
PRESIDENT’S WELCOME Friends, Colleagues, and Students, Welcome to the 82nd Annual Mississippi Bandmasters Association State Band Clinic in Natchez. The other members of the MBA Executive Board and I hope that you will experience growth, new perspectives, and renewed aspirations for teaching and learning music in your community during this year’s clinic. I would like to wish all of the students in attendance a heartfelt congratulations on participating in this esteemed event. You represent the very best of the students from your band programs – I encourage you to take that sentiment to heart. Thousands of students have shared in this honor for the last 82 years. Many of you will meet friends this weekend that you will have throughout your life. Lastly, I encourage you to take this opportunity to enjoy making music with others and learning from some of the most outstanding teachers in our country. For members of our association, take the time to visit with the exhibitors and clinicians throughout the weekend. Take advantage of the clinics and presentations that are offered so that you may leave Natchez with new insights and perspectives that you can use with your students at home. Clinic is also a time to renew old friendships and foster new ones. I hope that veteran teachers will take the time to get to know those that are new to our profession and new teachers will seek out the guidance of those with more experience. To our guest clinicians, exhibitors, featured ensembles, and conductors we welcome you and hope that you will enjoy your time with us. -
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mow!,'mum INN nn %AUNE 20, 1981 $2.75 R1-047-8, a.cec-s_ Q.41.001, 414 i47,>0Z tet`44S;I:47q <r, 4.. SINGLES SLEEPERS ALBUMS COMMODORES.. -LADY (YOU BRING TUBES, -DON'T WANT TO WAIT ANY- POINTER SISTERS, "BLACK & ME UP)" (prod. by Carmichael - eMORE" (prod. by Foster) (writers: WHITE." Once again,thesisters group) (writers: King -Hudson - Tubes -Foster) .Pseudo/ rving multiple lead vocals combine witt- King)(Jobete/Commodores, Foster F-ees/Boone's Tunes, Richard Perry's extra -sensory sonc ASCAP) (3:54). Shimmering BMI) (3 50Fee Waybill and the selection and snappy production :c strings and a drying rhythm sec- ganc harness their craziness long create an LP that's several singles tionbackLionelRichie,Jr.'s enoughtocreate epic drama. deep for many formats. An instant vocal soul. From the upcoming An attrEcti.e piece for AOR-pop. favoriteforsummer'31. Plane' "In the Pocket" LP. Motown 1514. Capitol 5007. P-18 (E!A) (8.98). RONNIE MILSAI3, "(There's) NO GETTIN' SPLIT ENZ, "ONE STEP AHEAD" (prod. YOKO ONO, "SEASON OF GLASS." OVER ME"(prod.byMilsap- byTickle) \rvriter:Finn)(Enz. Released to radio on tape prior to Collins)(writers:Brasfield -Ald- BMI) (2 52. Thick keyboard tex- appearing on disc, Cno's extremel ridge) {Rick Hall, ASCAP) (3:15). turesbuttressNeilFinn'slight persona and specific references tc Milsap is in a pop groove with this tenor or tit's melodic track from her late husband John Lennon have 0irresistible uptempo ballad from the new "Vlaiata- LP. An air of alreadysparkedcontroversyanci hisforthcoming LP.Hissexy, mystery acids to the appeal for discussion that's bound to escaate confident vocal steals the show. -
John Lennon from ‘Imagine’ to Martyrdom Paul Mccartney Wings – Band on the Run George Harrison All Things Must Pass Ringo Starr the Boogaloo Beatle
THE YEARS 1970 -19 8 0 John Lennon From ‘Imagine’ to martyrdom Paul McCartney Wings – band on the run George Harrison All things must pass Ringo Starr The boogaloo Beatle The genuine article VOLUME 2 ISSUE 3 UK £5.99 Packed with classic interviews, reviews and photos from the archives of NME and Melody Maker www.jackdaniels.com ©2005 Jack Daniel’s. All Rights Reserved. JACK DANIEL’S and OLD NO. 7 are registered trademarks. A fine sippin’ whiskey is best enjoyed responsibly. by Billy Preston t’s hard to believe it’s been over sent word for me to come by, we got to – all I remember was we had a groove going and 40 years since I fi rst met The jamming and one thing led to another and someone said “take a solo”, then when the album Beatles in Hamburg in 1962. I ended up recording in the studio with came out my name was there on the song. Plenty I arrived to do a two-week them. The press called me the Fifth Beatle of other musicians worked with them at that time, residency at the Star Club with but I was just really happy to be there. people like Eric Clapton, but they chose to give me Little Richard. He was a hero of theirs Things were hard for them then, Brian a credit for which I’m very grateful. so they were in awe and I think they had died and there was a lot of politics I ended up signing to Apple and making were impressed with me too because and money hassles with Apple, but we a couple of albums with them and in turn had I was only 16 and holding down a job got on personality-wise and they grew to the opportunity to work on their solo albums. -
Voters in CA, WA and ID Reject Efforts to Gut Local Zoning and Environmental Protections
FOR IMMEDIATE RELEASE: November 8, 2006 Voters in CA, WA and ID Reject Efforts to Gut Local Zoning and Environmental Protections Using eminent domain as Trojan Horse fails to fool most voters CONTACT: Alex Goldschmidt, Smart Growth America, (202) 207-3355 x112, [email protected] Washington, DC – Voters in three key Western states Tuesday resoundingly rejected anti-taxpayer measures that sought to hamstring communities’ efforts to manage growth and protect property values and the environment. Foisted onto the ballots with millions from New York real estate mogul Howard Rich and his allied groups, the measures in California, Washington and Idaho would have mimicked a 2004 measure from Oregon, requiring taxpayers to pay landowners when a zoning or environmental protection reduced their speculative profits. If taxpayers couldn’t pay they would have to waive the rules, solely for those landowners. “Voters know their communities need to be able to make sound, local decisions in order to protect our neighborhoods, clean water and quality of life,” said Don Chen, executive director of Smart Growth America. “While our coalition doggedly defends the rights of individual property owners, these measures were really about crippling community planning and creating windfalls for certain speculators.” Only one of the four pay-or-waive measures, Arizona’s Proposition 207, was approved. There, Rich and company deceptively claimed the initiative was limited to restricting the use of eminent domain, and under-funded opponents lacked the resources to unmask the ruse amid 18 other ballot initiatives. Rich poured $1.5 million into the effort to undermine Arizona’s capacity to deal with its rapid growth and protect the state’s military bases from encroaching development. -
2006 Ballot Measure Overview
2006 BALLOT MEASURE OVERVIEW AN A NALYSIS O F TH E MON EY RAISED A RO UND MEASU RES O N STA TE BA LLO TS I N 2006 By THE N ATIO NA L IN STI TU TE O N MON EY IN STA TE PO LI TI CS NOVEMBER 5, 2007 833 NORTH LAST CHANCE GULCH, SECOND FLOOR • HELENA, MT • 59601 PHONE 406-449-2480 • FAX 406-457-2091 • E-MAIL [email protected] www.followthemoney.org The National Institute on Money in State Politics is the only nonpartisan, nonprofit organization revealing the influence of campaign money on state-level elections and public policy in all 50 states. Our comprehensive and verifiable campaign-finance database and relevant issue analyses are available for free through our Web site FollowTheMoney.org. We encourage transparency and promote independent investigation of state-level campaign contributions by journalists, academic researchers, public-interest groups, government agencies, policymakers, students and the public at large. 833 North Last Chance Gulch, Second Floor • Helena, MT 59601 Phone: 406-449-2480 • Fax: 406-457-2091 E-mail: [email protected] www.FollowTheMoney.org This publication was made possible by grants from: JEHT Foundation, Fair and Participatory Elections Carnegie Corporation of New York, Strengthening U.S. Democracy Ford Foundation, Program on Governance and Civil Society The Pew Charitable Trusts, State Policy Initiatives Rockefeller Brothers Fund, Program on Democratic Practice The statements made and the views expressed are solely the responsibility of the Institute. National Institute on Money in State Politics -
Dec. 22, 2015 Snd. Tech. Album Arch
SOUND TECHNIQUES RECORDING ARCHIVE (Albums recorded and mixed complete as well as partial mixes and overdubs where noted) Affinity-Affinity S=Trident Studio SOHO, London. (TRACKED AND MIXED: SOUND TECHNIQUES A-RANGE) R=1970 (Vertigo) E=Frank Owen, Robin Geoffrey Cable P=John Anthony SOURCE=Ken Scott, Discogs, Original Album Liner Notes Albion Country Band-Battle of The Field S=Sound Techniques Studio Chelsea, London. (TRACKED AND MIXED: SOUND TECHNIQUES A-RANGE) S=Island Studio, St. Peter’s Square, London (PARTIAL TRACKING) R=1973 (Carthage) E=John Wood P=John Wood SOURCE: Original Album liner notes/Discogs Albion Dance Band-The Prospect Before Us S=Sound Techniques Studio Chelsea, London. (PARTIALLY TRACKED. MIXED: SOUND TECHNIQUES A-RANGE) S=Olympic Studio #1 Studio, Barnes, London (PARTIAL TRACKING) R=Mar.1976 Rel. (Harvest) @ Sound Techniques, Olympic: Tracks 2,5,8,9 and 14 E= Victor Gamm !1 SOUND TECHNIQUES RECORDING ARCHIVE (Albums recorded and mixed complete as well as partial mixes and overdubs where noted) P=Ashley Hutchings and Simon Nicol SOURCE: Original Album liner notes/Discogs Alice Cooper-Muscle of Love S=Sunset Sound Recorders Hollywood, CA. Studio #2. (TRACKED: SOUND TECHNIQUES A-RANGE) S=Record Plant, NYC, A&R Studio NY (OVERDUBS AND MIX) R=1973 (Warner Bros) E=Jack Douglas P=Jack Douglas and Jack Richardson SOURCE: Original Album liner notes, Discogs Alquin-The Mountain Queen S= De Lane Lea Studio Wembley, London (TRACKED AND MIXED: SOUND TECHNIQUES A-RANGE) R= 1973 (Polydor) E= Dick Plant P= Derek Lawrence SOURCE: Original Album Liner Notes, Discogs Al Stewart-Zero She Flies S=Sound Techniques Studio Chelsea, London. -
How and Why Idaho Terminated Term Limits Scott .W Reed
Idaho Law Review Volume 50 | Number 3 Article 1 October 2014 How and Why Idaho Terminated Term Limits Scott .W Reed Follow this and additional works at: https://digitalcommons.law.uidaho.edu/idaho-law-review Recommended Citation Scott .W Reed, How and Why Idaho Terminated Term Limits, 50 Idaho L. Rev. 1 (2014). Available at: https://digitalcommons.law.uidaho.edu/idaho-law-review/vol50/iss3/1 This Article is brought to you for free and open access by Digital Commons @ UIdaho Law. It has been accepted for inclusion in Idaho Law Review by an authorized editor of Digital Commons @ UIdaho Law. For more information, please contact [email protected]. HOW AND WHY IDAHO TERMINATED TERM LIMITS SCOTT W. REED1 TABLE OF CONTENTS I. INTRODUCTION ................................................................................. 1 II. THE 1994 INITIATIVE ...................................................................... 2 A. Origin of Initiatives for Term Limits ......................................... 3 III. THE TERM LIMITS HAVE POPULAR APPEAL ........................... 5 A. Term Limits are a Conservative Movement ............................. 6 IV. TERM LIMITS VIOLATE FOUR STATE CONSTITUTIONS ....... 7 A. Massachusetts ............................................................................. 8 B. Washington ................................................................................. 9 C. Wyoming ...................................................................................... 9 D. Oregon ...................................................................................... -
Burton Cummings Mccallum Theatre Monday – February 24 – 7:00Pm
FOR IMMEDIATE RELEASE January 29, 2020 CONTACT: DeAnn Lubell-Ames – (760) 831-3090 Note: Photos available at http://mccallumtheatre.com/index.php/media Burton Cummings McCallum Theatre Monday – February 24 – 7:00pm Palm Desert, CA – Burton Cummings, one of the most successful music artists in Canadian history, will head down south to the McCallum Theatre for a special performance at 7:00pm, Monday, Feb. 24. Cummings is best known as the former lead singer of and songwriter for The Guess Who. He is a member of the Canadian Music Hall of Fame, Canadian Songwriters Hall of Fame, Canadian Music Industry Hall of Fame, Canadian Walk of Fame, Canadian Music Industry Hall of Fame and the Prairie Music Hall of Fame. He’s won multiple Juno Awards, and is a recipient of the Order of Canada, the Order of Manitoba, the Governor- General’s Performance Arts Award, and several BMI (Broadcast Music Industry) awards for more than 1 million airplays of his songs. With Canada’s original rock ’n’ roll superstars The Guess Who, Burton scored an unprecedented string of international hit singles, including “These Eyes,” “Laughing,” “No Time,” “American Woman,” “Share the Land,” “Hang on to Your Life,” “Albert Flasher,” “Sour Suite,” “Glamour Boy,” “Star Baby,” “Clap for the Wolfman” and “Dancin’ Fool”—all written or co-written by Burton. By 1970, The Guess Who had sold more records than the entire Canadian music industry combined to that point, and the band’s achievements remain unparalleled. The group notched up a long list of firsts, including being the first Canadian group to reach No. -
Annual Report, 2018-19
ANNUAL REPORT 2018-19 FISCAL YEAR ENDING JUNE 30, 2019 “We are embarking on a forward trajectory that positions Howard University as a model of excellence, in a contemporary context, across everything we do, from academics to operations to fulfilling our legacy and mission of truth and service. This plan outlines our bold strategy to provide a quality educational experience while also doubling down on our commitment to produce distinguished global leaders.” PRESIDENT WAYNE A. I. FREDERICK, M.D., MBA 1 HISTORY OF HOWARD UNIVERSITY 2 LETTER FROM THE CHAIRMAN 3 LETTER FROM THE PRESIDENT 5 THE YEAR IN REVIEW 13 STUDENT ACCOLADES 21 HIGH-PROFILE VISITORS 29 ACADEMIC AND RESEARCH HIGHLIGHTS 35 NEW APPOINTMENTS 39 STUDENT ENROLLMENT 41 FINANCIALS 47 BOARD OF TRUSTEES 48 ADMINISTRATION b HOWARD UNIVERSITY 2018-2019 ANNUAL REPORT HISTORY OF HOWARD UNIVERSITY Since 1867, Howard has awarded more than 100,000 acre facility in northwest Washington and a 108-acre tract of degrees in the professions, arts, sciences and humanities. land in Beltsville, MD. Howard ranks among the highest producers of the nation’s Black professionals in medicine, dentistry, pharmacy, Howard prepares men and women to advance social justice engineering, nursing, architecture, religion, law, music, social and the preservation of human liberty. In each of its 13 schools work and education. and colleges, Howard University seeks to develop technically competent and morally committed individuals. The University’s The University has long held a commitment to the study of library system contains more than 1.8 million volumes, disadvantaged persons in American society and throughout including the Channing Pollock Collection. -
The Composer's Guide to the Tuba
THE COMPOSER’S GUIDE TO THE TUBA: CREATING A NEW RESOURCE ON THE CAPABILITIES OF THE TUBA FAMILY Aaron Michael Hynds A Dissertation Submitted to the Graduate College of Bowling Green State University in partial fulfillment of the requirements for the degree of DOCTOR OF MUSICAL ARTS August 2019 Committee: David Saltzman, Advisor Marco Nardone Graduate Faculty Representative Mikel Kuehn Andrew Pelletier © 2019 Aaron Michael Hynds All Rights Reserved iii ABSTRACT David Saltzman, Advisor The solo repertoire of the tuba and euphonium has grown exponentially since the middle of the 20th century, due in large part to the pioneering work of several artist-performers on those instruments. These performers sought out and collaborated directly with composers, helping to produce works that sensibly and musically used the tuba and euphonium. However, not every composer who wishes to write for the tuba and euphonium has access to world-class tubists and euphonists, and the body of available literature concerning the capabilities of the tuba family is both small in number and lacking in comprehensiveness. This document seeks to remedy this situation by producing a comprehensive and accessible guide on the capabilities of the tuba family. An analysis of the currently-available materials concerning the tuba family will give direction on the structure and content of this new guide, as will the dissemination of a survey to the North American composition community. The end result, the Composer’s Guide to the Tuba, is a practical, accessible, and composer-centric guide to the modern capabilities of the tuba family of instruments. iv To Sara and Dad, who both kept me going with their never-ending love. -
© Copyright 2020 Yunkang Yang
© Copyright 2020 Yunkang Yang The Political Logic of the Radical Right Media Sphere in the United States Yunkang Yang A dissertation submitted in partial fulfilment of the requirements for the degree of Doctor of Philosophy University of Washington 2020 Reading Committee: W. Lance Bennett, Chair Matthew J. Powers Kirsten A. Foot Adrienne Russell Program Authorized to Offer Degree: Communication University of Washington Abstract The Political Logic of the Radical Right Media Sphere in the United States Yunkang Yang Chair of the Supervisory Committee: W. Lance Bennett Department of Communication Democracy in America is threatened by an increased level of false information circulating through online media networks. Previous research has found that radical right media such as Fox News and Breitbart are the principal incubators and distributors of online disinformation. In this dissertation, I draw attention to their political mobilizing logic and propose a new theoretical framework to analyze major radical right media in the U.S. Contrasted with the old partisan media literature that regarded radical right media as partisan news organizations, I argue that media outlets such as Fox News and Breitbart are better understood as hybrid network organizations. This means that many radical right media can function as partisan journalism producers, disinformation distributors, and in many cases political organizations at the same time. They not only provide partisan news reporting but also engage in a variety of political activities such as spreading disinformation, conducting opposition research, contacting voters, and campaigning and fundraising for politicians. In addition, many radical right media are also capable of forming emerging political organization networks that can mobilize resources, coordinate actions, and pursue tangible political goals at strategic moments in response to the changing political environment. -
Sources/ Credits
SNAKE, THE PLAIN AND ITS PEOPLE SOURCES/CRED ITS SOURCES/ CREDITS SE LECTIVE BI BLI OG RAP HY AN D SOU RCES OF TH E QUOTATIONS C H. 1: SEE I N G THE LA N D in Idaho," U.S. Geological Survey BlI lletin, I Park," U.S. Geological Survey Profess ional no. 199 (1902); State of Idaho, Dept. of Paper, no. 729-B (1972); CreIghton, D.N;; Alt, David D.,and Donald W. Hynd Agri culture, 1989 Agriculture Statistics "Menan Buttes, Southeas tern IdahD, man, Roadside GeologJ) of Idaho (1989) ; (1989); Stearns, Harold T., "Origins of the Rocky Mounta lJ1 SectIon of the Geologica I Arrington, Leonard L "Irrigation SOCiety of America, Centen11lal Field In the Snake River Valley: An H is- Guide, 2 (1 987):109-] 1; Doh erty, D.J., torical Overview," idaho Yesterdays L.A McBroome, and M.A Kuntz, 30 (Summer /Sp ring 1986):3-11 "Preliminary Geologic Interpreta ["They thought I was crazy" quote ti on and Lithologic Log of the Ex from p . 8]; Bartlett, Ri chard, Great ploratoryTest Well (1 EL-1 ), Idaho Surveys of the AlI1ericall West (1962); National Engineering Laboratory, Buwulda, John P., "A Preliminary Eastern Snake River Plain, Idaho," Reconnaissance of the Gas and Oil U.S. Geological Survey Open File Re Possibilities of Southwestern and port, no. 79-1248 (1979); Hackett, South-Central Idaho," Idaho Bureau W.R , and L.A.Morgan, "Explosive of Mines al1d Geology, pamphlet 5 Basaltic and Rhyolitic Volcanism of (July 1923) ["unfavorable" quote the Eastern Sna ke River Plain," from p. 10]; Gazin, C.