DOCSLIB.ORG

Secrets Music Credits

Total Page：16

File Type：pdf, Size：1020Kb

Download full-text PDF Read full-text
Secrets Music Credits Original Music Dave Dobbyn Instrumental Beatles' arrangements Dave Dobbyn Music performed by THE BEATLES "Love Me Do" Written by Paul McCartney/John Lennon Used by permission of MPL Communications Ltd "I Saw Her Standing There" Written by John Lennon/Paul MCartney Used by permission of EMI Blackwood Music Inc under license from ATV Music (Maclen) "Twist and Shout" Written by Phil Medley/Bert Russell Used by permission of Warner/Chappell Music Australia "Do You Want To Know A Secret" Written by John Lennon/Paul McCartney Used by permission of EMI Unart Catalogue Inc. "Love Me Do" "Twist and Shout" "I Saw Her Standing There" "Do You Want To Know Secret" Performed by The Beatles courtesy of EMI Records Limited Instrumental Beatles' arrangements "It Won't Be Long" "I Wanna Be Your Man" "Helter Skelter" "She Came In Through the Bathroom Window" "Can't Buy Me Love" "All My Loving" "She Loves You" "Revolution" "I Feel Fine" "Lucy in the Sky With Diamonds" "Dear Prudence" "Eight Days A Week" "She's Leaving Home" "Hold Me Tight" "With a Little Help From My Friends" "This Boy" "A Hard Day's Night" Written by John Lennon and Paul McCartney Used by permission of EMI Blackwood Music under license from ATV Music (Maclen) Arranged and produced by Dave Dobbyn Performed by: Dave Dobbyn Ian Belton Michael Barclay John Barrett Recorded at: Platinum Studios Melbourne engineered by Mark Forrester Trafalgar Studios Sydney engineered by John Bee Music & Effects Melbourne engineered by Mark Ingram Instrumental music co-ordinated by Chris Gough, Mana Music Beatles’ music and lyrics: As can be seen from the tail credits, the production only acquired the rights to four Beatles’ songs (performed by the group) to use in the film, and filled up the soundtrack with a number of Beatles’ songs arranged by underscore composer Dave Dobbyn. Some of these songs were composed well past the 1964 Beatles’ tour featured in the film’s plot, including but not limited to Helter Skelter (1968), She Came In Through the Bathroom Window (1969), Revolution (1968), Lucy in the Sky with Diamonds (1967), Dear Prudence (1968), She’s Leaving Home (1967), and With a Little Help From My Friends (1967). Danny, an ardent Elvis fan, also suggests that the King and the Beatles were antithetical, though the Beatles made it clear that they were devoted fans of Presley’s rock and roll music (though in their only meeting with Presley in 1965 they made it clear that they didn’t think much of his limited 1960s music-making or his decision to appear mainly in matinee fodder feature films - The Guardian had a story about that meeting here). Unfortunately, even these controversies amongst musical cultists didn’t help the film at the box office, and neither did the Beatles’ music. Head credits song: The 1962 Beatles’ song Love Me Do starts after key cast credits around the main title appearing. It runs over shots of the key cast singing along, and the key cast rushing to answer questions about the Beatles’ put to air by the DJ. Lyrics as heard in the film ... Love, love me do You know I love you I'll always be true So please, love me do Whoa, love me do Love, love me do You know I love you I'll always be true So please, love me do Whoa, love me do Someone to love Somebody new Someone to love Someone like you Love, love me do You know I love you I'll always be true So please, love me do Whoa, love me do … (the song fades out at this point) Tail Credits Song: A musical version of Hard Day’s Night runs over Beth Champion’s Emily seeing her dad, then rushing to catch a taxi with the others. It dissolves into the key cast (identified by title) screaming along with Beatles’ fans as the Beatles’ 1963 version of the song Twist and Shout plays. The song then continues over end credits. Lyrics as heard in the film: Well, shake it up, baby, now (Shake it up, baby) Twist and shout (Twist and shout) C'mon C'mon, C'mon, C'mon, baby, now (Come on baby) Come on and work it on out (Work it on out) Well, work it on out, honey (Work it on out) You know you look so good (Look so good) You know you got me goin', now (Got me goin') Just like you knew you would (Like I knew you would) Well, shake it up, baby, now (Shake it up, baby) Twist and shout (Twist and shout) C'mon C'mon, C'mon, C'mon, baby, now (Come on baby) Come on and work it on out (Work it on out) You know you twist your little girl (Twist, little girl) You know you twist so fine (Twist so fine) Come on and twist a little closer, now (Twist a little closer) And let me know that you're mine (Let me know you're mine) Oooh … (brief guitar interlude) Aaah, aaah, aaah, aaah Wow ... Well, shake it up, baby, now (Shake it up, baby) Twist and shout (Twist and shout) C'mon C'mon, C'mon, C'mon, baby, now (Come on baby) Come on and work it on out (Work it on out) You know you twist your little girl (Twist, little girl) You know you twist so fine (Twist so fine) Come on and twist a little closer, now (Twist a little closer) And let me know that you're mine (Let me know you're mine) Well, shake it, shake it, shake it, baby, now (Shake it up baby) [x3] Aaah, aaah, aaah, aaah … The song finishes before the end credits do and an instrumental version of the 1964 song Eight Days a Week takes over until end credits finish, then holds for about five seconds over black, before fading out (VHS version). Dave Dobbyn: Davie Dobbyn is a New Zealand songwriter, singer and record producer, presumably one of the elements required for an official co-production between Australia and New Zealand (though the film’s credits don’t state it was official as the treaty required). Dobbyn has an eponymous site here, http://www.davedobbyn.co.nz/, which should be locatable on the Wayback Machine if the link fails, as well as a detailed wiki here (though it fails to mention his work for the film). Dobyn’s site provided this brief biography (at one point his song Slice of Heaven was inescapable on the radio in Australia and New Zealand): Dave Dobbyn says that since day one, he has had a tune in his head. He’d be twiddling the dial on the radiogram, “travelling the world in music”. Across the road was a church, full of songs in which to hide. A shy schoolboy, he blossomed into a peroxided popstar in his first band Th’ Dudes, formed with his schoolfriends in the late ‘70s. Taking centre-stage with his next band DD Smash, Dobbyn made history when the debut album rocketed to No 1 in the first week of its release. As a solo artist his ‘Slice of Heaven’ spent eight weeks at No 1 in New Zealand, and four in Australia where he lived for 10 years until the early ‘90s. Dobbyn has written the soundtrack to kiwi lives, with a string of hits including ‘Beside You’, ‘Be Mine Tonight’ ‘Language’, ‘Outlook for Thursday’, ‘Loyal’, ‘Whaling’, ‘Kingdom Come’, ‘It Dawned On Me’, ‘Guilty’, ‘Devil You Know’, ‘Slice of Heaven’, ‘Magic What She Do’, ‘Oughta Be in Love’ , ‘Welcome Home’.… His enduring popularity is reinforced with polls of Top 100 songs returning ‘Loyal’ at No 1 year on year, and he holds the most Silver Scroll Awards for song-writing. In 2001, Dobbyn was given a lifetime achievement award by the New Zealand recording industry. After a six-year gap, his 2006 album won him Male Artist of the Year and included the anthemic ‘Welcome Home’ , 2005’s Single of the Year. The song is well-travelled, including a performance for Kiwi War veterans and the Queen and Royal Family at the London dedication of the War Memorial. ‘Anotherland’, his 2008 release, was produced by legendary UK dub-reggae maestro Adrian Sherwood and Skip ‘Little Axe’ McDonald and recorded in London. To mark his 30 years as a recording artist, Dave Dobbyn has compiled two CDs of his best-loved songs, together with a companion songbook. In the world of pop music, longevity is rarely achieved but Dobbyn’s talents have consistently charmed their way into the consciousness of New Zealanders. There doesn’t seem to have been a CD film tie-in release of the Secrets’ soundtrack - cost and rights issues, versus possible returns, probably made such a release unlikely. (Below: Dave Dobbyn early in his career and later in his career) .
Load more

Recommended publications
  • Canadian Beatles Albums Identification Guide Updated: 22 De 16
    Canadian Beatles Albums Identification Guide Updated: 22 De 16 Type 1 Rainbow Label Capitol Capitol Records of Canada contracted Beatlemania long before their larger and better-known counterpart to the south. Canadian Capitol's superior decision-making brought Beatles records to Canada in early 1963. After experimenting with the release of a few singles, Capitol was eager to release the Beatles' second British album in Canada. Sources differ as to the release date of the LP, but surely by December 2, 1963, Canada's version of With the Beatles became the first North American Beatles album. Capitol-USA and Capitol-Canada were negotiating the consolidation of their releases, but the US release of The Beatles' Second Album had a title and contained songs that were inappropriate for Canadian release. After a third unique Canadian album, album and single releases were unified. From Something New on, releases in the two countries were nearly identical, although Capitol-Canada continued to issue albums in mono only. At the time when Beatlemania With the Beatles came out, most Canadian pop albums were released in the "6000 Series." The label style in 1963 was a rainbow label, similar to the label used in the United States but with print around the rim of the label that read, "Mfd. in Canada by Capitol Records of Canada, Ltd. Registered User. Copyrighted." Those albums which were originally issued on this label style are: Title Catalog Number Beatlemania With the Beatles T-6051 (mono) Twist and Shout T-6054 (mono) Long Tall Sally T-6063 (mono) Something New T-2108 (mono) Beatles' Story TBO-2222 (mono) Beatles '65 T-2228 (mono) Beatles '65 ST-2228 (stereo) Beatles VI (mono) T-2358 Beatles VI (stereo) ST-2358 NOTE: In 1965, shortly before the release of Beatles VI, Capitol-Canada began to release albums in both mono and stereo.
    [Show full text]
  • The Nudge, Ahoribuzz and @Peace
    GROOVe gUiDe . FamilY owneD and operateD since jUlY 2011 SHIT WORTH DOING tthhee nnuuddggee pie-eyed anika moa cut off your hands adds to our swear jar no longer on shaky ground 7 - 13 sept 2011 . NZ’s origiNal FREE WEEKlY STREET PRESS . ISSUe 380 . GROOVEGUiDe.Co.NZ Untitled-1 1 26/08/11 8:35 AM Going Global GG Full Page_Layout 1 23/08/11 4:00 PM Page 1 INDEPENDENT MUSIC NEW ZEALAND, THE NEW ZEALAND MUSIC COMMISSION AND MUSIC MANAGERS FORUM NZ PRESENT GOING MUSIC GLOBAL SUMMIT WHAT YOU NEED TO KNOW BEFORE YOU GO If you are looking to take your music overseas, come and hear from people who are working with both new and established artists on the global stage. DELEGATES APPEARING: Natalie Judge (UK) - Matador Records UK Adam Lewis (USA) - The Planetary Group, Boston Jen Long (UK) - BBC6 New Music DJ/Programmer Graham Ashton (AUS) - Footstomp /BigSound Paul Hanly (USA) - Frenchkiss Records USA Will Larnach-Jones (AUS) - Parallel Management Dick Huey (USA) - Toolshed AUCKLAND: MONDAY 12th SEPTEMBER FREE ENTRY SEMINARS, NOON-4PM: BUSINESS LOUNGE, THE CLOUD, QUEENS WHARF RSVP ESSENTIAL TO [email protected] LIVE MUSIC SHOWCASE, 6PM-10:30PM: SHED10, QUEENS WHARF FEATURING: COLLAPSING CITIES / THE SAMI SISTERS / ZOWIE / THE VIETNAM WAR / GHOST WAVE / BANG BANG ECHE! / THE STEREO BUS / SETH HAAPU / THE TRANSISTORS / COMPUTERS WANT ME DEAD WELLINGTON: WEDNESDAY 14th SEPTEMBER FREE ENTRY SEMINARS, NOON-5PM: WHAREWAKA, WELLINGTON WATERFRONT RSVP ESSENTIAL TO [email protected] LIVE MUSIC SHOWCASE, 6PM-10:30PM: SAN FRANCISCO BATH HOUSE FEATURING: BEASTWARS / CAIRO KNIFE FIGHT / GLASS VAULTS / IVA LAMKUM / THE EVERSONS / FAMILY CACTUS PART OF THE REAL NEW ZEALAND FESTIVAL www.realnzfestival.com shit Worth announciNg Breaking news Announcements Hello Sailor will be inducted into the New Zealand Music Hall of Fame at the APRA Silver Scroll golDie locks iN NZ Awards, which are taking place at the Auckland Town Hall on the 13th Dates September 2011.
    [Show full text]
  • Twist and Shout (PDF)
    Twist and Shout Phil Medley and Bert Berns 1961 (as recorded by The Beatles) and INTRO: / 1 2 3 4 / 1 2 3 [A7] / [D][G] / [A][A7] / [D][G] / [A] Well [A7] shake it up [D] baby now ([G] shake it up [A] baby) [A7] Twist and [D] shout ([G] twist and [A] shout) C’mon [A7] c’mon, c’mon, c’mon [D] baby now ([G] c’mon [A] baby) C’mon and [A7] work it on [D] out ([G] work it on [A] out) Well [A7] work it on [D] out ([G] work it on [A] out) You know you [A7] look so [D] good ([G] look so [A] good) You know you [A7] got me [D] goin’ now ([G] got me [A] goin’) Just like you [A7] knew you [D] would (like I [G] knew you [A] would) Well [A7] shake it up [D] baby now ([G] shake it up [A] baby) [A7] Twist and [D] shout ([G] twist and [A] shout) C’mon [A7] c’mon, c’mon, c’mon [D] baby now ([G] c’mon [A] baby) C’mon and [A7] work it on [D] out ([G] work it on [A] out) You know you [A7] twist it little [D] girl ([G] twist little [A] girl) You know you [A7] twist so [D] fine ([G] twist so [A] fine) C’mon and [A7] twist a little [D] closer now ([G] twist a little [A] closer) And let me [A7] know that you’re [D] mine (let me [G] know you’re [A] mine–oooo) < PLAY THE CHORDS OR PLAY THE RIFF > |[D] [G] |[A] [A7] | A|-------------2--5-------|-4-----------2-----0----| E|-2--------2-------------|----------3-------------| C|------------------------|------------------------| G|------------------------|------------------------| <timing>| 1 + 2 + 3 + 4 + | 1 + 2 + 3 + 4 + | |[D] [G] |[A] [A7] | A|-------------2--5-------|-4-----------2-----0----| E|-2--------2-------------|----------3-------------|
    [Show full text]
  • Let's Face It, the 1980'S Were Responsible for Some Truly Horrific
    80sX Let’s face it, the 1980’s were responsible for some truly horrific crimes against fashion: shoulder-pads, leg-warmers, the unforgivable mullet ! What’s evident though, now more than ever, is that the 80’s provided us with some of the best music ever made. It doesn’t seem to matter if you were alive in the 80’s or not, those songs still resonate with people and trigger a joyous reaction for anyone that hears them. Auckland band 80sX take the greatest new wave, new romantic and synth pop hits and recreate the magic and sounds of the 80’s with brilliant musicianship and high energy vocals. Drummer and programmer Andrew Maclaren is the founding member of multi platinum selling band stellar* co-writing mega hits 'Violent', 'All It Takes' and 'Taken' amongst others. During those years he teamed up with Tom Bailey from iconic 80’s band The Thompson Twins to produce three albums, winning 11 x NZ music awards, selling over 100,000 albums and touring the world. Andrew Thorne plays lead guitar and brings a wealth of experience to 80’sX having played all the guitars on Bic Runga’s 11 x platinum debut album ‘Drive’. He has toured the world with many of New Zealand’s leading singer songwriter’s including Bic, Dave Dobbyn, Jan Hellriegel, Tim Finn and played support for international acts including Radiohead, Bryan Adams and Jeff Buckley. Bass player Brett Wells is a Chartered Director and Executive Management Professional with over 25 years operations experience in Webb Group (incorporating the Rockshop; KBB Music; wholesale; service and logistics) and foundation member of the Board.
    [Show full text]
  • Slate.Com Table of Contents Faith-Based a Skeptic's Guide to Passover
    Slate.com Table of Contents faith-based A Skeptic's Guide to Passover fighting words ad report card Telling the Truth About the Armenian Genocide Credit Crunch foreigners Advanced Search Why Israel Will Bomb Iran books foreigners Why Write While Israel Burns? Too Busy To Save Darfur change-o-meter foreigners Supplemental Diet No Nukes? No Thanks. change-o-meter gabfest Unclenched Fists The Velvet Snuggie Gabfest change-o-meter grieving Dogfights Ahead The Long Goodbye change-o-meter human guinea pig Big Crowds, Few Promises Where There's E-Smoke … chatterbox human nature A Beat-Sweetener Sampler Sweet Surrender corrections human nature Corrections Deeper Digital Penetration culture gabfest jurisprudence The Culture Gabfest, Empty Calories Edition Czar Obama dear prudence jurisprudence It's a Jungle Down There Noah Webster Gives His Blessing drink jurisprudence Not Such a G'Day Spain's Most Wanted: Gonzales in the Dock dvd extras moneybox Wauaugh! And It Can't Count on a Bailout explainer movies Getting High by Going Down Observe and Report explainer music box Heated Controversy When Rock Stars Read Edmund Spenser explainer music box Why Is Gmail Still in Beta? Kings of Rock explainer my goodness It's 11:48 a.m. Do You Know Where Your Missile Is? Push a Button, Change the World faith-based other magazines Passionate Plays In Facebook We Trust faith-based poem Why Was Jesus Crucified? "Bombs Rock Cairo" Copyright 2007 Washingtonpost.Newsweek Interactive Co. LLC 1/125 politics today's papers U.S. Department of Blogging Daring To Dream It's
    [Show full text]
  • Jerry Garcia Song Book – Ver
    JERRY GARCIA SONG BOOK – VER. 9 1. After Midnight 46. Chimes of Freedom 92. Freight Train 137. It Must Have Been The 2. Aiko-Aiko 47. blank page 93. Friend of the Devil Roses 3. Alabama Getaway 48. China Cat Sunflower 94. Georgia on My Mind 138. It Takes a lot to Laugh, It 4. All Along the 49. I Know You Rider 95. Get Back Takes a Train to Cry Watchtower 50. China Doll 96. Get Out of My Life 139. It's a Long, Long Way to 5. Alligator 51. Cold Rain and Snow 97. Gimme Some Lovin' the Top of the World 6. Althea 52. Comes A Time 98. Gloria 140. It's All Over Now 7. Amazing Grace 53. Corina 99. Goin' Down the Road 141. It's All Over Now Baby 8. And It Stoned Me 54. Cosmic Charlie Feelin' Bad Blue 9. Arkansas Traveler 55. Crazy Fingers 100. Golden Road 142. It's No Use 10. Around and Around 56. Crazy Love 101. Gomorrah 143. It's Too Late 11. Attics of My Life 57. Cumberland Blues 102. Gone Home 144. I've Been All Around This 12. Baba O’Riley --> 58. Dancing in the Streets 103. Good Lovin' World Tomorrow Never Knows 59. Dark Hollow 104. Good Morning Little 145. Jack-A-Roe 13. Ballad of a Thin Man 60. Dark Star Schoolgirl 146. Jack Straw 14. Beat it on Down The Line 61. Dawg’s Waltz 105. Good Time Blues 147. Jenny Jenkins 15. Believe It Or Not 62. Day Job 106.
    [Show full text]
  • Beatles Cover Albums During the Beatle Period
    Beatles Cover Albums during the Beatle Period As a companion to the Hollyridge Strings page, this page proposes to be a listing of (and commentary on) certain albums that were released in the United States between 1964 and April 1970. Every album in this listing has a title that indicates Beatles-related content and/or a cover that is a parody of a Beatles cover. In addition, the content of every album listed here is at least 50% Beatles-related (or, in the case of albums from 1964, "British"). Albums that are not included here include, for example, records named after a single Beatles song but which contain only a few Beatles songs: for example, Hey Jude, Hey Bing!, by Bing Crosby. 1964: Nineteen-sixty-four saw the first wave of Beatles cover albums. The earliest of these were released before the release of "Can't Buy Me Love." They tended to be quickly-recorded records designed to capitalize rapidly on the group's expanding success. Therefore, most of these albums are on small record labels, and the records themselves tended to be loaded with "filler." Possibly, the companies were not aware of the majority of Beatle product. Beattle Mash The Liverpool Kids Palace M-777 Side One Side Two 1. She Loves You 1. Thrill Me Baby 2. Why Don't You Set Me Free 2. I'm Lost Without You 3. Let Me Tell You 3. You Are the One 4. Take a Chance 4. Pea Jacket Hop 5. Swinging Papa 5. Japanese Beatles 6. Lookout for Charlie The label not only spells "Beatle" correctly but also lists the artist as "The Schoolboys." The liner notes show that this album was released before the Beatles' trip to America in February, 1964.
    [Show full text]
  • « Hello Goodbye » the Beatles
    « Hello goodbye » The beatles You say yes, I say no. You say stop and I say go go go, oh no. You say goodbye and I say hello Hello hello I don't know why you say goodbye, I say hello Hello hello I don't know why you say goodbye, I say hello. I say high, you say low. The Beatles est un groupe de rock britannique des années 60, composé de John Lennon, You say why and I say I don't know, oh no. Paul McCartney, George Harrison et Ringo Starr. You say goodbye and I say hello Le groupe s’est séparé en 1970. hello hello I don't know why you say goodbye, I say hello D’autres chansons que tu peux écouter : - Twist and shout hello hello - Hey Jude - Let it be I don't know why you say goodbye, I say hello. - Love me do - Yellow submarine - Help ... « Hello goodbye » « Hello goodbye » The beatles The beatles You say yes, I say no. You say yes, I say no. You say stop and I say go go go, oh no. You say stop and I say go go go, oh no. You say goodbye and I say hello You say goodbye and I say hello Hello hello Hello hello I don't know why you say goodbye, I say hello I don't know why you say goodbye, I say hello Hello hello Hello hello I don't know why you say goodbye, I say hello. I don't know why you say goodbye, I say hello.
    [Show full text]
  • Covid 19 Support and Information for Parents Kia Ora Koutou
    Covid 19 Support and Information for Parents Kia ora koutou I have provided some information to support our parents at this time. Please see the information below which may be of help to you. 1. Helping students stay safer online from home As you know, children's online safety is important. At school, Network for Learning (N4L) helps keep your students safe from the bad side of the internet. During lockdown, the students' place of learning shifts to their home. So N4L has worked out a way to help parents keep their children safely connected at home. FREE N4L safety filter for all students We've set up a safety filter that parents can set up on their child's learning devices from home. Just go to switchonsafety.co.nz to find clear instructions on how to do this. The free N4L safety filter (by global cyber-security leader, Akamai) blocks websites containing known cyber threats like phishing scams, malicious content and viruses, while also protecting children from content deemed the worst of the web (like adult sites). It is an extension of one of the many safety and security services we have in place at schools and is a valuable layer of protection to help keep children safe online. How does it work? Once a child's device is set up, all internet search requests will go through the safety filter which checks if the website they are trying to visit is safe before allowing access. If it's a website that's known to be unsafe, then it will be blocked.
    [Show full text]
  • You Are Known by the Company You Keep
    You Are Known By The Company You Keep , “ A friend through business is a friend indeed” Sir Len Southward May I introduce you to some of my friends…. I am delighted to introduce you to some of the many wonderful people I have had the Honour of working with over the years, people who have made music their livelihood and delighted the hearts of millions around the world. You too have joined the famous and those with prestige by employing the services of Allen Birchler, Piano Tuner to the Regent on Broadway. You are welcome to make my friends, yours. Allen C Birchler. A graduate of the famous Julliard School, Nina Tichman (piano) has won many prestigious competitions and appears as a soloist with orchestras and recital the world over. Xyrion Trio "At the risk of running out of superlatives, it was complex, vibrant dangerously inspired and just plain, absolutely brilliant" Otago Daily Times Bringing together three of Germany’s finest musicians - Nina Tichman, Ida Bieler and Maria Kliegel - the Xyrion Trio (pronounced ‘Ziri-on’, like ‘Xena, Warrior Princess’) tour for Chamber Music New Zealand in October. A graduate of the famous Julliard School, Nina Tichman (piano) has won many prestigious competitions and appears as a soloist with orchestras and recital the world over. In 2004 Nina was invited to perform for the President of Germany. Ida Bieler (violin), for many years a member of the Melos Quartet, is in demand as a teacher and a judge at international masterclasses and competitions. Maria Kliegel is one of the leading cellists of the 21st Century.
    [Show full text]
  • The Continuing Story of Bungallo Bill
    The Continuing Story of Bungalow Bill Hey Jude, I Want To Tell You, In My Life, it seems like only Yesterday I had a Ticket To Ride, to go on a Magical Mystery Tour to find out what Your Mother Should Know about the restaurant business. I’m Down, I said, There’s A Place, Don’t Pass Me By, and thought Ob-La-Di, Ob-La-Da, Why Don’t We Do It In The Road? Abbey Road, on Blue Jay Way? I Will, I said, knowing I’d be Fixing A Hole (actually many holes) with Maxwell’s Silver Hammer. For No One gave me The Word or would Tell Me Why, or Ask Me Why, I got No Reply. I Should Have Known Better. In the beginning, it was Misery and A Hard Day’s Night, and I had Yer Blues. Bankers said Don’t Bother Me for Money (That’s What I Want) to pay the Taxman. Not A Second Time or Any Time At All! I wanted to Cry Baby Cry, Because, they said, Honey Don’t, Slow Down, You Can’t Do That, and don’t Get Back to us! But Tomorrow Never Knows. I said Think For Yourself, Act Naturally and We Can Work It Out if we just Come Together. I’ve Got a Feeling about the Revolution and I just can’t Let It Be. Because, Across the Universe, people would want to know Something about What You’re Doing at Abbey Road, where Rock And Roll Music plays Eight Days a Week, people Twist and Shout, do the Savoy Truffle, and are Here, There, And Everywhere.
    [Show full text]
  • Hello Good-Bye Love Me Do
    HELLO GOOD-BYE __________________ yes, _________________ no _____________________ and _________________ Oh no, _________________ goodbye _________________ hello Hello, hello __________________________________________ goodbye _____________________hello Hello, hello ________________________________________goodbye _____________________hello _______________________, _____________________ ___________________________________________ Refrain (x2) ___________________ yes, ___________________ no ________________________and ____________________ LOVE ME DO Love, love me do _____________________________ _____________________________ ___________________love me do Wo ho love me do (Refrain x2) Someone _______________________ ________________________________ Someone _____________________ Someone ______________________ Refrain (x2) « Yesterday » suddenly / be / go / need/ something/ play / far away /she / stay / yesterday / me / why / believe / _____________________, all my troubles seemed so _________________________ Now it looks as though they're here to _____________________ Oh, I _____________________ in _____________________ _____________________ I'm not half the man I used to _____________________ There's a shadow hanging over _____________________ Oh, yesterday came _____________________ _____________________ she had to go I don't know, _____________________ wouldn't say I said _____________________ wrong Now I long for _____________________ _____________________love was such an easy game to_____________________ Now I _____________________a place
    [Show full text]