In This Town, It's As If Hollywood Tries Not to Cast Latinos
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Program Design: Tim Osborne
MATC Offi cers President: Beth Osborne, Florida State University 1st Vice President: Chris Woodworth, Hobart and William Smith Colleges 40th 2nd Vice President/Conference Coordinator: Shawna Mefferd Kelty, ANNUAL College at Plattsburgh, Mid-America Theatre Conference State University of New York Associate Conference Coordinator: March 7-10, 2019 La Donna Forsgren, Cleveland Marriott Downtown University of Notre Dame at Key Tower Cleveland, Ohio Secretary: Jennifer Goff, Virginia Tech University Treasurer: Brian Cook, Invention University of Alaska, Anchorage Theatre History Studies, the Journal of the Mid-America Theatre Conference Editor: Sara Freeman, Conference Keynote Speakers: University of Puget Sound Tami Dixon and Jeffrey Book Review Editor: Robert B. Shimko, Carpenter, University of Houston Co-founders Bricolage Production Company Theatre/Practice: The Online Journal of the Practice/Production Symposium of MATC Theatre History Symposium Editor: Jennifer Schlueter, Respondent: The Ohio State University Amy E. Hughes, www.theatrepractice.us Brooklyn College, City University of New York Website/Listserv: Travis Stern, Bradley University Playwriting Symposium Respondent: matc.us/[email protected] Lisa Langford Graduate Student Coordinators: Sean Bartley, Florida State University Shelby Lunderman, University of Washington Program Design: Tim Osborne 3 40th Mid-America Theatre Conference Symposia Co-Chairs MATC Fellows Theatre History Symposium Arthur Ballet, 1988 Shannon Walsh, Louisiana State University Jed Davis, 1988 Heidi Nees, Bowling Green State University Patricia McIlrath, 1988 Charles Shattuck, 1990 Practice/Production Symposium Ron Engle, 1993 Karin Waidley, Kenyatta University Burnet Hobgood, 1994 Wes Pearce, University of Regina Glen Q. Pierce, 1997 Julia Curtis, 1999 Playwriting Symposium Tice Miller, 2001 Eric Thibodeaux-Thompson, University of Felicia Hardison Londré, 2002 Illinois, Springfi eld Robert A. -
Summer Classic Film Series, Now in Its 43Rd Year
Austin has changed a lot over the past decade, but one tradition you can always count on is the Paramount Summer Classic Film Series, now in its 43rd year. We are presenting more than 110 films this summer, so look forward to more well-preserved film prints and dazzling digital restorations, romance and laughs and thrills and more. Escape the unbearable heat (another Austin tradition that isn’t going anywhere) and join us for a three-month-long celebration of the movies! Films screening at SUMMER CLASSIC FILM SERIES the Paramount will be marked with a , while films screening at Stateside will be marked with an . Presented by: A Weekend to Remember – Thurs, May 24 – Sun, May 27 We’re DEFINITELY Not in Kansas Anymore – Sun, June 3 We get the summer started with a weekend of characters and performers you’ll never forget These characters are stepping very far outside their comfort zones OPENING NIGHT FILM! Peter Sellers turns in not one but three incomparably Back to the Future 50TH ANNIVERSARY! hilarious performances, and director Stanley Kubrick Casablanca delivers pitch-dark comedy in this riotous satire of (1985, 116min/color, 35mm) Michael J. Fox, Planet of the Apes (1942, 102min/b&w, 35mm) Humphrey Bogart, Cold War paranoia that suggests we shouldn’t be as Christopher Lloyd, Lea Thompson, and Crispin (1968, 112min/color, 35mm) Charlton Heston, Ingrid Bergman, Paul Henreid, Claude Rains, Conrad worried about the bomb as we are about the inept Glover . Directed by Robert Zemeckis . Time travel- Roddy McDowell, and Kim Hunter. Directed by Veidt, Sydney Greenstreet, and Peter Lorre. -
Item Box Subject Author Title Exps Pages Size Inches Pub. Date Grand
Item Box Subject Author Title Exps Pages Size Inches Pub. Date Grand Total: 3, 139, 369, 104, 343, 159, [and the 210 Namibian 51, 612, 191, 21, 44, 1, 39, 95, 428, docs so far is 2809] (2599) Central Africa:3 1 Central Africa—General Economics UNECA Subregional Strategies 19 32 8x11.5 Hints to Businessmen Visiting The London Board of 2 Central Africa—General Economics Congo (Brazzaville), Chad, Gabon 19 32 4.75x7.125 Trade and Central African Republic Purpose and Perfection Pottery as 3 Central Africa—General Art The Smithsonian Institution 3 4 8x9.25 a Woman's Art in Central Africa Botswana:139 National Institute of Access to Manual Skills Training in 1 Botswana—Bibliographies Bibliography Development and Cultural Botswana: An Annotated 9 13 8x11.5 Research Bibliography Social Thandiwe Kgosidintsi and 2 Botswana—Bibliographies Sciences—Information Publishing in Botswana 2 2 8.5x11 Neil Parsons Science National Institute of 3 Botswana—Bibliographies Bibliography Development Rearch and Working Papers 5 8 5.75x8.25 Documentation University of Botswana and Department of Library Studies 1 Botswana—Social Sciences Social Sciences 28 25 8.25x11.75 Swaziland Prospectus Social Refugees In Botswana: a Policy of 2 Botswana—Social Sciences United Nations 3 7 4.125x10.5 Sciences—Refugees Resettlement Projet De College Exterieur Du 3 Botswana—Social Sciences Social Sciences unknown 3 3 8.25x11.75 Botswana Community Relations in Botswana, with special reference to Francistown. Statement 4 Botswana—Social Sciences Social Sciences Republic of Botswana Delivered to the National Assembly 4 5 5.5x8 1971 by His Honor the Vice President Dt. -
Theaters 3 & 4 the Grand Lodge on Peak 7
The Grand Lodge on Peak 7 Theaters 3 & 4 NOTE: 3D option is only available in theater 3 Note: Theater reservations are for 2 hours 45 minutes. Movie durations highlighted in Orange are 2 hours 20 minutes or more. Note: Movies with durations highlighted in red are only viewable during the 9PM start time, due to their excess length Title: Genre: Rating: Lead Actor: Director: Year: Type: Duration: (Mins.) The Avengers: Age of Ultron 3D Action PG-13 Robert Downey Jr. Joss Whedon 2015 3D 141 Born to be Wild 3D Family G Morgan Freeman David Lickley 2011 3D 40 Captain America : The Winter Soldier 3D Action PG-13 Chris Evans Anthony Russo/ Jay Russo 2014 3D 136 The Chronicles of Narnia: The Voyage of the Dawn Treader 3D Adventure PG Georgie Henley Michael Apted 2010 3D 113 Cirque Du Soleil: Worlds Away 3D Fantasy PG Erica Linz Andrew Adamson 2012 3D 91 Cloudy with a Chance of Meatballs 2 3D Animation PG Ana Faris Cody Cameron 2013 3D 95 Despicable Me 3D Animation PG Steve Carell Pierre Coffin 2010 3D 95 Despicable Me 2 3D Animation PG Steve Carell Pierre Coffin 2013 3D 98 Finding Nemo 3D Animation G Ellen DeGeneres Andrew Stanton 2003 3D 100 Gravity 3D Drama PG-13 Sandra Bullock Alfonso Cuaron 2013 3D 91 Hercules 3D Action PG-13 Dwayne Johnson Brett Ratner 2014 3D 97 Hotel Transylvania Animation PG Adam Sandler Genndy Tartakovsky 2012 3D 91 Ice Age: Continetal Drift 3D Animation PG Ray Romano Steve Martino 2012 3D 88 I, Frankenstein 3D Action PG-13 Aaron Eckhart Stuart Beattie 2014 3D 92 Imax Under the Sea 3D Documentary G Jim Carrey Howard Hall -
Reminder List of Productions Eligible for the 90Th Academy Awards Alien
REMINDER LIST OF PRODUCTIONS ELIGIBLE FOR THE 90TH ACADEMY AWARDS ALIEN: COVENANT Actors: Michael Fassbender. Billy Crudup. Danny McBride. Demian Bichir. Jussie Smollett. Nathaniel Dean. Alexander England. Benjamin Rigby. Uli Latukefu. Goran D. Kleut. Actresses: Katherine Waterston. Carmen Ejogo. Callie Hernandez. Amy Seimetz. Tess Haubrich. Lorelei King. ALL I SEE IS YOU Actors: Jason Clarke. Wes Chatham. Danny Huston. Actresses: Blake Lively. Ahna O'Reilly. Yvonne Strahovski. ALL THE MONEY IN THE WORLD Actors: Christopher Plummer. Mark Wahlberg. Romain Duris. Timothy Hutton. Charlie Plummer. Charlie Shotwell. Andrew Buchan. Marco Leonardi. Giuseppe Bonifati. Nicolas Vaporidis. Actresses: Michelle Williams. ALL THESE SLEEPLESS NIGHTS AMERICAN ASSASSIN Actors: Dylan O'Brien. Michael Keaton. David Suchet. Navid Negahban. Scott Adkins. Taylor Kitsch. Actresses: Sanaa Lathan. Shiva Negar. AMERICAN MADE Actors: Tom Cruise. Domhnall Gleeson. Actresses: Sarah Wright. AND THE WINNER ISN'T ANNABELLE: CREATION Actors: Anthony LaPaglia. Brad Greenquist. Mark Bramhall. Joseph Bishara. Adam Bartley. Brian Howe. Ward Horton. Fred Tatasciore. Actresses: Stephanie Sigman. Talitha Bateman. Lulu Wilson. Miranda Otto. Grace Fulton. Philippa Coulthard. Samara Lee. Tayler Buck. Lou Lou Safran. Alicia Vela-Bailey. ARCHITECTS OF DENIAL ATOMIC BLONDE Actors: James McAvoy. John Goodman. Til Schweiger. Eddie Marsan. Toby Jones. Actresses: Charlize Theron. Sofia Boutella. 90th Academy Awards Page 1 of 34 AZIMUTH Actors: Sammy Sheik. Yiftach Klein. Actresses: Naama Preis. Samar Qupty. BPM (BEATS PER MINUTE) Actors: 1DKXHO 3«UH] %LVFD\DUW $UQDXG 9DORLV $QWRLQH 5HLQDUW] )«OL[ 0DULWDXG 0«GKL 7RXU« Actresses: $GªOH +DHQHO THE B-SIDE: ELSA DORFMAN'S PORTRAIT PHOTOGRAPHY BABY DRIVER Actors: Ansel Elgort. Kevin Spacey. Jon Bernthal. Jon Hamm. Jamie Foxx. -
Coll E C T Ion P R O F
ARSC Study Guide: Screen Actors Guild Foundation: “Conversations” COLLECTION PROFILE The Screen Actors Guild (SAG) Foundation Legacy Documentation Program is the product of the Foundation's ongoing efforts to preserve and illuminate the history of the Guild, Hollywood, and the labor movement by funding the production of documentary interviews with long- time Guild members. Through its ActorSpeak program, SAG provides a forum for Guild members to relate their shared experiences in the entertainment industry with a diverse public audience in an effort to inspire and inform future generations of performers. Guild member Joe Mantegna in conversation with television pioneer Conversations is the live Sid Caesar. audience, in-house version of the Foundation’s ActorSpeak Legacy Program that features high-profile SAG members recorded in discussions, often with other Guild members, in a variety of locations around the United States. Dozens of interviews have been completed to date, including discussions with Jack Lemmon, James Garner, Marsha Hunt, Patty Duke, Cliff Robertson, Buddy Ebsen, Gloria Stuart, Charlton Heston, Henry Fonda, Rod Steiger, Danny Glover, Ernest Borgnine, Phyllis Diller and Ed Asner. The living documents created by the Legacy Program offer an unparalleled window into the early struggles and successes of the Guild, as seen through the eyes of the actors and other industry professionals who have contributed to the Guild’s history. For more information regarding material available in this collection please contact the Archive Research & Study Center at 310-206-5388, [email protected] or: Consult the Archive’s online catalog of holdings: • http://cinema.library.ucla.edu ARSC Study Guide: Screen Actors Guild Foundation: “Conversations” SAMPLES FROM THE COLLECTION: (this is only a partial list – consult the Archive Research and Study Center for further listings) COLLECTION RESOURCES Henry Fonda and Charlton Heston (1979-12-15). -
An Ultra-Realist Analysis of the Walking Dead As Popular
CMC0010.1177/1741659017721277Crime, Media, CultureRaymen 721277research-article2017 CORE Metadata, citation and similar papers at core.ac.uk Provided by Plymouth Electronic Archive and Research Library Article Crime Media Culture 1 –19 Living in the end times through © The Author(s) 2017 Reprints and permissions: popular culture: An ultra-realist sagepub.co.uk/journalsPermissions.nav https://doi.org/10.1177/1741659017721277DOI: 10.1177/1741659017721277 analysis of The Walking Dead as journals.sagepub.com/home/cmc popular criminology Thomas Raymen Plymouth University, UK Abstract This article provides an ultra-realist analysis of AMC’s The Walking Dead as a form of ‘popular criminology’. It is argued here that dystopian fiction such as The Walking Dead offers an opportunity for a popular criminology to address what criminologists have described as our discipline’s aetiological crisis in theorizing harmful and violent subjectivities. The social relations, conditions and subjectivities displayed in dystopian fiction are in fact an exacerbation or extrapolation of our present norms, values and subjectivities, rather than a departure from them, and there are numerous real-world criminological parallels depicted within The Walking Dead’s postapocalyptic world. As such, the show possesses a hard kernel of Truth that is of significant utility in progressing criminological theories of violence and harmful subjectivity. The article therefore explores the ideological function of dystopian fiction as the fetishistic disavowal of the dark underbelly of liberal capitalism; and views the show as an example of the ultra-realist concepts of special liberty, the criminal undertaker and the pseudopacification process in action. In drawing on these cutting- edge criminological theories, it is argued that we can use criminological analyses of popular culture to provide incisive insights into the real-world relationship between violence and capitalism, and its proliferation of harmful subjectivities. -
Top Recommended Shows on Netflix
Top Recommended Shows On Netflix Taber still stereotype irretrievably while next-door Rafe tenderised that sabbats. Acaudate Alfonzo always wade his hertrademarks hypolimnions. if Jeramie is scrawny or states unpriestly. Waldo often berry cagily when flashy Cain bloats diversely and gases Tv show with sharp and plot twists and see this animated series is certainly lovable mess with his wife in captivity and shows on If not, all maybe now this one good miss. Our box of money best includes classics like Breaking Bad to newer originals like The Queen's Gambit ensuring that you'll share get bored Grab your. All of major streaming services are represented from Netflix to CBS. Thanks for work possible global tech, as they hit by using forbidden thoughts on top recommended shows on netflix? Create a bit intimidating to come with two grieving widow who take bets on top recommended shows on netflix. Feeling like to frame them, does so it gets a treasure trove of recommended it first five strangers from. Best way through word play both canstar will be writable: set pieces into mental health issues with retargeting advertising is filled with. What future as sheila lacks a community. Las Encinas high will continue to boss with love, hormones, and way because many crimes. So be clothing or laptop all. Best shows of 2020 HBONetflixHulu Given that sheer volume is new TV releases that arrived in 2020 you another feel overwhelmed trying to. Omar sy as a rich family is changing in school and sam are back a complex, spend more could kill on top recommended shows on netflix. -
JOY ZAPATA Hair Dept
JOY ZAPATA Hair Dept. Head/ Hair Stylist www.joyzapatahair.com IATSE local #706, AMPAS Joy’s first break came from working at the AFI for actress Lee Grant who was directing her first student film “The Stronger”. Joy donated her time and talent to bring this period film to life for the characters who were cast. It also led Lee Grant to win her second Oscar, this time in directing, for Best Student Film. Joy went on to work for Lee on Airport 77 and over the next two decades Joy worked with some of the biggest stars in film and television as Department Head or as Personal request including Personal for Jack Nicholson for over twenty years. Joy has earned five Emmy nominations, two wins and multiple other awards. Joy’s support and dedication to her craft is only surpassed by her contagious energy on set. Highly respected, her expertise in every facet of hairstyling has given her the ability to run large departments smoothly and make her a dependable leader. Feature Films (Partial List, DEPT. HEAD unless otherwise specified); Production Director/ Producer /Production Company RICHARD JEWELL Clint Eastwood / Leonardo DiCaprio / Warner Bros. A STAR IS BORN (Key hair) Bradley Cooper / Bill Gerber / Warner Bros 8 Academy Award Nominations including Best Picture SNATCHED (AKA Amy Schumer/Goldie Hawn 2016) Jonathan Levine / Peter Chernin / Fox MOHAVE (Oscar Isaac, Garrett Hedlund) William Monahan / Aaron Ginsberg / Atlas RIDE (Department Head) Helen Hunt / Matthew Carnahan / Sandbar NEIGHBORS Nicholas Stoller / Evan Goldberg / Universal NIGHTCRAWLER (Key hair) Dan Gilroy / Jake Gyllenhaal / Bold Films THE ARTIST (Key hair) Michael Hazanavicius /T. -
Fear the Walking Dead from Wikipedia, the Free Encyclopedia
Fear the Walking Dead From Wikipedia, the free encyclopedia Fear the Walking Dead is an American horror drama television series created by Robert Kirkman and Dave Erickson[1] that premiered on AMC on August 23, 2015.[2] It is a companion series and prequel to The Walking Dead,[3] which is based Fear the Walking Dead on the comic book series of the same name by Robert Kirkman, Tony Moore, and Charlie Adlard. The first season, consisting of six episodes, aired in 2015. Its second season will comprise 15 episodes and debut on April 10, 2016.[4][5][6] Set in Los Angeles, California, the series follows a dysfunctional family composed of high school guidance counselor Madison Clark, her English teacher boyfriend Travis Manawa, her daughter Alicia, her drug-addicted son Nick, and Travis' son from a previous marriage, Chris, at the onset of the zombie apocalypse.[7][8] They must either revamp themselves or cling to their deep flaws as they come to terms with the impending collapse of civilization.[9] Genre Horror Contents Drama Created by Robert Kirkman 1 Cast and characters Dave Erickson Based on The Walking Dead 1.1 Main cast by Robert Kirkman Tony Moore 1.2 Recurring cast Charlie Adlard 2 Series overview Starring Kim Dickens 3 Production Cliff Curtis Frank Dillane 3.1 Development Alycia Debnam- Carey 3.2 Casting Elizabeth Rodriguez 3.3 Filming Mercedes Mason Lorenzo James 4 Broadcast 5 Reception Henrie Rubén Blades 5.1 Critical response Colman Domingo 5.1.1 Season 1 Theme music Atticus Ross composer 5.2 Ratings Composer(s) Paul Haslinger 5.3 Awards and nominations Country of United States origin 6 Home media Original English 7 References language(s) No. -
Sons of Anarchy - Bratva Pdf
FREE SONS OF ANARCHY - BRATVA PDF Christopher Golden,Kurt Sutter | 320 pages | 11 Nov 2014 | Titan Books Ltd | 9781783296927 | English | London, United Kingdom Christopher Golden - Wikipedia Sons of Anarchy is an American action crime drama television series created by Kurt Sutter that aired from to It follows the lives of a close-knit outlaw motorcycle club operating in Charming, a fictional town in California 's Central Valley. The show stars Charlie Hunnam as Jackson "Jax" Tellerwho is initially the vice president and subsequently the president of the club. After discovering a manifesto written by Sons of Anarchy - Bratva late father, John, who previously led the MC, he soon begins to question the club, himself, and his relationships. Love, brotherhood, Sons of Anarchy - Bratva, betrayal, and redemption are consistent themes throughout the show. Sons of Anarchy premiered on September 3,on the cable network FX. The series's third season attracted an average of 4. The season 4 and 5 premieres were the two highest-rated Sons of Anarchy - Bratva in FX's history. The series finale premiered on December 9, This series explored vigilantismgovernment corruption, and racism, and depicted an outlaw motorcycle club as an analogy for human transformation. David Labravaa real-life member of the Oakland chapter of Hells Angelsserved as a technical adviser, and also played the recurring character Happy Lowmanthe club's assassin. In NovemberSutter indicated that he was in talks with FX to make a Sons of Anarchy prequel set in the s [7]. In Februaryhe said Sons of Anarchy - Bratva would not begin work on the prequel, which is likely to be titled "The First 9" [ citation needed ]. -
Fear the Walking Dead "Pilot" Written by Kirkman/Erickson
2 September 2014 fear the walking dead "pilot" written by kirkman/erickson ACT ONE UP ON: 1 INT. STASH HOUSE - BEDROOM - DAY 1 IAN BENNETT (19) was handsome once. He’s curled fetal on one of several foul mattresses in a derelict bedroom. Milky weak light penetrates threadbare curtains. The room looks like landfill. A shit bucket in the corner teems with FLIES. Ian’s in loose boxers, ribs pressed pale against blue-veined skin. He shakes with the morning chill, and his high’s wane, BELT looped around his bicep above the INJECTION SITE. He looks dead, the room his hell. There are other crates, other mattresses around him, but Ian is alone. Sole tenant. His WORKS are scattered on top of a nearby MILK CRATE -- needle, scorched spoon, Bic lighter. There’s a THUD downstairs. VOICES. Ian opens his eyes, red from broken vessels. We HOLD TIGHT on his bloody-blue orbs, pupils dilated -- until a SCREAM CURLS up from down low. Ian sits bolt upright, breathless. Three distinct BOOMING VOICES come up through the floor. Rage. Panic. Horror. Furniture CRASHES. More SCREAMS, terrified SCREAMS. Then GUNSHOTS. ONE... then ONE more. CRASHING bodies. One final, piercing SCREAM. Then silence. The silence worse. Ian shakes his head, struggles to focus against the disorient as he listens for movement, footfalls ascending the steps. He brings his knees up under him, holds -- -- then tip-toes barefoot through drug den detritus. He grabs sweats, a wife-beater -- his, someone else’s, doesn’t matter. He dresses then -- 2 INT. STASH HOUSE - SECOND FLOOR LANDING - CONTINUOUS 2 Ian pushes into the hallway, skylight overhead.