CHANDLER LIMITED® TG MICROPHONE CASSETTE USER MANUAL
+40 0 TREBLE 0 +35 +45 OPTO -5 6 -2 +2 -2 +2 -6 -4 5 7 +30 +50 -4 +4 -4 +4 -7 -3 4 8
+25 +56 -8 -2 3 9 -6 +6 -6 +6 5 -9 -1 2 10 4 6 +20 +60 KNEE -8 +8 -8 +8 +16 SHARP BYPASS -10 0 1 11 3 -10 +10 -10 +10 7 HOLD OUTPUT ® +12 Gain COARSE GAIN PRESENCE 2 8 Reduction 0 500 1.2 +8 -2 +2 47 0 6 6 1 9 MICROPHONE CASSETTE 41 65 -2 +2 5 7 ROUNDED 5 7 IN 300 3.6 -4 +4 EQ IN 33 82 -4 +4 +4 4 8 4 8 OUT 6.5 0 10 DI LINE 0 OUT 110 -6 +6 3 9 3 9 -6 +6
-8 +8 2 10 2 10 OUTPUT -8 +8 -10 +10 1 11 1 11 -10 +10 RUMBLE FILTER 48v PHASE FINE GAIN ATTACK RELEASE BASS
OFFICIAL
EQUIPMENT
For more information, visit www.chandlerlimited.com. © 2017 Chandler Limited, Inc. All Rights Reserved. UM TGMC-120117 Abbey Road Studios, EMI, TG, Curve Bender and their associated logos are trademarks of EMI (IP) Limited. TG MICROPHONE CASSETTE
INTRODUCTION------3 TG Microphone Cassette------3 History------3
SHIPMENT AND STORAGE------4 Packaging------4
INSTALLATION------5 Power------5 Audio Input & Output Connections ------5 Link ------5
TG2 ------6 Coarse Gain------6 Fine Gain------6 Rumble Filter------6 Utility Cluster------7
CURVE BENDER------8 Treble------8 Bass ------8 Presence------8 EQ In ------8 Output ------8
TG1 OPTO------9 Important Notes on Use ------9 Hold------10 Output ------10 Attack------10 Release------10 Knee ------11 Bypass------11 Link Operation------11
SERVICE------12 United States------12 International ------12
CE CERTIFICATION------12
UM TGMC-120117 2 History Conceived from meetings in 1967 between Abbey Road and EMI’s Central Research Laboratories teams, the EMI TG12345 Mark I desk ushered in a sea of change in sound and flexibility at Abbey Road Studios.
Installed in Abbey Road’s Studio Two in November 1968 and INTRODUCTION making its debut on an 8-track recording by the Shadows, the transistorized desk marked a departure from the earlier REDD valve consoles. TG Microphone Cassette The new EMI TG12345 console was modular in design, with Thank you for purchasing the Chandler Limited TG Micro- twelve dual-channel “microphone cassettes.” Compared to phone Cassette, you now own a piece of EMI/Abbey Road their REDD predecessors, the TG desks featured expanded Studios official equipment. EQ, and for the first time ever, a compressor/limiter on ev- ery microphone and group cassette channel. Chandler Limited’s TG Microphone Cassette is a fully fea- tured mono mixing console channel strip, incorporating el- The EMI TG12345 desk helped shape the sound of the Bea- ements of the historic EMI/Abbey Road Studios TG12345 tles’ final album, “Abbey Road,” which was markedly richer recording and mastering desks of the late ‘60s and ‘70s. sounding to that of the band’s earlier work. The sonic quali- ties of classics like “Here Comes the Sun,” “Come Together” The TG Microphone Cassette is comprised of Chandler Lim- and “Something” would have been very different without the ited’s TG2 pre-amplifier coupled to a Curve Bender EQ sec- EMI TG12345. tion, and a fully independent TG1 Opto compressor, deliver- ing, the historic TG sound with modern conveniences and The desk encountered many revisions throughout the ‘70s flexibility. and became the main recording console used throughout the studios until 1983. The EMI TG12345 console Marks I–IV Your Chandler Limited TG Microphone Cassette has been were used on everything from Pink Floyd’s "The Dark Side carefully crafted and built by hand at Chandler Limited’s fac- of the Moon" and "Wish You Were Here" to John Lennon’s tory in Shell Rock IA, U.S.A., using through-hole components "Plastic Ono Band," George Harrison’s "All Things Must Pass," for, the ultimate analog experience. to epic film scores including Raiders of the Lost Ark. At Chandler Limited we are proud of our American made products and we hope you like them!
Please feel free to call our shop anytime for help or ques- tions.
Phone: (319) 885-4200.
OFFICIAL
EQUIPMENT
UM TGMC-120117 3 SHIPMENT AND STORAGE
Packaging This packaging has been designed specifically for Chandler Limited equipment. The cardboard carton and rigid foam sur- rounds provide protection for shipment and storage. Please retain the container and associated materials for future use.
SHEET OF FOAM* PSU RIGID FOAM SURROUND*
PSU FRONT EQUIPMENT SHEET OF RIGID FOAM FOAM* SURROUND
FACEPLATE CUTOUT
CARDBOARD CARTON
*Note: PSU rigid foam surrounds and sheets are not included for equipment shipped without a power supply unit inside the equipment container.
UM TGMC-120117 4 INSTALLATION
PRE AMP/EQ DC POWER LINK COMPRESSOR PRE AMP/EQ TG MICROPHONE CASSETTE Chandler Limited 000001 PIN 1) 0v PIN 2) 48v PIN 3) +28v MICROPHONE CASSETTE PIN 4) -28v TIP- CV SLEEVE- 0v OUTPUT OUTPUT INPUT INPUT
Power Audio Input & Output Connections The TG Microphone Cassette is powered remotely by the On the rear panel of the TG Microphone Cassette exists, Chandler Limited PSU-1 power supply, and connected at the, two sets of male and female XLR connectors, one pair for four pin, DC POWER connector. The PSU-1 is an external the Pre Amp/EQ section and the other for independent ac- power supply capable of powering two units; the PSU-1 is cess of the Compressor. All audio XLR connectors are wired purchased separately. pin 2 hot.
PSU-1 POWER SUPPLY Note: To include the TG1 Opto in the audio path, a short XLR cable must be patched from the Pre Amp/EQ output XLR to the Compressor input XLR connector.
FUSE Link FUSE 1.5 AMPS 250 V Provision has been made for stereo linking of two TG1 Opto compressors, by means of the female ¼” LINK connector lo- DC POWER TO EQUIPMENT AC POWER cated on the rear of the unit, and using a standard ¼” cable. For further notes on operation under linked conditions, re- view the “Link Operation” section within the “TG1 Opto” portion of this manual.
LINK - USE STANDARD 1/4” TIP - SLEEVE CABLE CV
PIN 4) -28v PIN 1) 0v 0v PIN 3) +28v PIN 2) 48v Note: Link cable purchased separately.
DC POWER CABLE - 4 PIN XLR
Note: Legacy PSU-1 power supplies featured external grounding studs. As of mid 2015, grounding studs have been removed and resistance applied internally.
UM TGMC-120117 5 +40 +35 +45
+30 +50
+25 +56
+20 proximate gain+60 required. With Coarse Gain set, then adjust the Fine Gain control to trim the overall input +/-10 dB as
® needed. TG2 COARSE GAIN
47 0 41 65 -2 +2 +40 +35 33 +45 82 -4 +4 +30 +50 DI OUT 110 LINE -6 +6 +25 +56 -8 +8 +20 +60 -10 +10
® COARSE GAINRUMBLE FILTER 48v PHASE FINE GAIN 47 0 41 65 -2 +2 33 82 -4 +4 DI OUT 110 LINE -6 +6 Tip: Fine Gain can be used as a great way to dial-in pre-am-
-8 +8 plifier coloration; experiment by sweeping across the control -10 +10 range while listening to the results. RUMBLE FILTER 48v PHASE FINE GAIN Historical note: The separate switched Coarse Gain and continuous Fine Gain control-set was how gain staging was achieved on historic TG console Microphone Cassettes. The TG2 section of the TG Microphone Cassette is adapted from Chandler Limited’s TG2 Pre Amp/DI, an historic rec- reation of the rare EMI TG12428 amplifier employed in the Rumble Filter EMI mixing and mastering consoles of the late ‘60s and ‘70s. The Rumble Filter is a low cut facility, providing an Out position and six frequency settings as follows: 33, 41, 47, 65, 82 and Coarse Gain 110 Hz. The Rumble Filter may be fully disengaged from the pre-amplifier by setting its switch to the Out position. When This rotary switch provides 9 steps of input gain of, 5 dB active, this filter affects source present at thePre Amp/EQ each, offering a selectable range between+20 dB and +60 input XLR connector. This filter is useful for removing un- dB. Use the Coarse Gain control to set the initial input gain of wanted low frequency information from the source. the pre-amplifier section. ® COARSE GAIN
47 41 65 +40 +35 +45 33 82 DI LINE +30 +50 OUT 110
+25 +56
+20 +60 RUMBLE FILTER 48v PHASE
® Tip: More than simply a low cut or high pass, the Rumble COARSE GAIN Filter has an effect on the overall signal and can be used as a powerful tone control. 47 0 41 65 -2 +2 Historical note: The original Rumble Filter was available 33 82 -4 +4 Fine Gain on historic REDD.51 valve consoles, and activated via a plug- DI OUT 110 LINE -6 in jumper.+6 The Rumble Filter was fixed at 30 Hz, and was This control provides continuous gain trim of +/-10 dB; used unique in its circuit design. in conjunction with Coarse Gain, a maximum of +70-8 dB gain +8
may be achieved. -10 +10 RUMBLEWhen FILTER gain staging,48v begin with the FinePHASE Gain controlFINE set GAINto middle (0), and adjust the Coarse Gain control to the ap- UM TGMC-120117 6 +40 +35 +45
+30 +50
Utility Cluster Tip: Sending line level source into the Pre Amp/EQ section +25 +56 is a great way to further process material by adding the rich Within the TG2 section, exists a cluster of utility push-button harmonic texture available from this historic circuit; use a pair switches labeled+20 as follows: DI, LINE, 48v, and+60 PHASE. of TG Microphone Cassettes on the mix bus! DI 48v
Provision is made for accommodation of instrument level sig- Provision is made for 48 volts phantom powering of con- ® COARSE GAIN denser microphones, should they require it. Phantom power may be enabled by setting the push-button switch labeled 48v to the inward position, use only for microphones that require 47 it. 0 41 65 -2 +2 33 82 -4 Warning: Only+4 engage or disengage phantom power while a microphone is connected to the Pre Amp/EQ section of the DI cassette. Disconnecting a microphone while phantom power OUT 110 LINE -6 +6 is on may cause damage to equipment downstream. Never use phantom power with ribbon microphones. Do not en- -8 able phantom +8power when a line level device is connected at -10 the Pre Amp/EQ+10 input XLR connector. Phase RUMBLE FILTER 48v PHASE FINE GAIN The push-button switch labeled Phase, when set to the in- ward position, transposes the Pre Amp/EQ section input XLR leads, therefore reversing polarity of the incoming signal nals by means of a direct injection facility or DI. by 180º. This facility may be useful in multi-microphone sce- Engaging the DI facility is achieved by setting the push-button narios, when a microphone is not ideally placed, a cable is switch labeled DI to the inward position, this allows the Pre wired incorrectly, or source material is out of phase. Amp/EQ section to accept instrument level signal via the ¼” input connector, which is located on the front panel.
When using the DI facility, the output signal will be available from the Pre Amp/EQ section output XLR connector, which is located on the rear of the unit.
Note: Instrument level is not the same as line level signal.
Tip: Enabling the DI facility decouples the Pre Amp/EQ sec- tion’s input XLR, therefore creating a handy mute feature.
Line
The Pre Amp/EQ section is capable of accepting line level signal.
To accommodate line level signal into the Pre Amp/EQ sec- tion, first set the push-button switch labeledLine to the in- ward position, then apply line level source to the Pre Amp/EQ input XLR connector, which is located on the rear of the unit.
UM TGMC-120117 7 Presence The Presence or mid band is a bell type EQ, and has two con- CURVE BENDER trols: boost or cut and frequency selection. The upper con- trol is continuous, allowing for +/-10 dB boost or cut at the frequency selected by lower switch. The available presence 0 0 -2 +2 TREBLE -2 +2 frequencies are as follows: 300, 500, 1.2, 3.6 and 6.5 kHz. -4 +4 -4 +4 The Presence or mid band can be bypassed independently -6 +6 -6 +6 5 4 6 apart from the Treble and Bass controls by means of setting -8 +8 -8 +8 3 -10 +10 -10 +10 7 the frequency selection switch to the Out position.
PRESENCE 2 8 0 500 1.2 -2 +2 Historical note: 500, 1.2 and 6.5 kHz were frequencies 300 3.6 1 9 -4 +4 EQ IN originally available on the Microphone, Group and Main Cas- OUT 6.5 0 10 -6 +6 settes of the historic EMI TG12345 desks; the boost or cut OUTPUT -8 +8 control was a rotary switch. -10 +10 BASS EQ In
The Curve Bender section of the TG Microphone Cassette is The toggle switch labeled EQ IN, when positioned downward, an adaption of Chandler Limited’s acclaimed EMI TG12345 inserts the Curve Bender into the audio path; conversely, in Curve Bender EQ, itself a greatly expanded recreation of the the upward position, the equalizer section is bypassed. EMI TG12345 mixing console’s channel equalizers of the late ‘60s and ‘70s. Output The Output control is continuous, acting as a fader would on 0 0 -2 +2 TREBLE -2 +2 a mixing console. Use this control to trim the overall output -4 +4 -4 +4 level of the Pre Amp/EQ section to a recording device, con- verter or interface, external equipment, or to regulate level -6 +6 -6 +6 sent into the TG1 Opto compressor when patched as part 5 of4 the cassette6 chain. -8 +8 -8 +8 3 -10 +10 -10 +10 0 7 -2 +2 PRESENCE 2 -4 +4 8 0 500 1.2 -2 +2 300 3.6 -61 9+6 -4 +4 EQ IN 5 4 6 OUT 6.5 -8 0 10 +8 3 -6 +6 -10 +10 7 OUTPUT PRESENCE 2 8 -8 +8 500 1.2 1 9 -10 +10 BASS 300 3.6 OUT 6.5 0 10
OUTPUT Treble This shelving type EQ control is continuous, allowing for Note: When setting Pre Amp/EQ section input gain, begin boost or cut of up to +/-10 dB, at a fixed frequency of 8.1 with the Output control set fully clockwise (10) for unity level, kHz. adjust anticlockwise as needed so as not to clip the targeted device’s input.
Bass Tip: If extra coloration or harmonic distortion is desired, this may be achieved by means of overdriving the Pre Amp/ This shelving type EQ control is continuous, allowing for EQ input stage as follows- begin with the Output control low- boost or cut of up to +/-10 dB, at a fixed frequency of 91 er, adjust Coarse Gain considerably higher, and tune Fine Gain Hz. to satisfaction.
UM TGMC-120117 8 The meter scale range begins below 0 and extends to +20 at the end of the red region. TG1 OPTO The degree of compression available is relative to the posi- tion of the meter needle from the top of the scale and cal- culated as the difference thereof: +20 - X needle position = Y
OPTO -5 6 -6 -4 5 7 compression. -7 -3 4 8 -8 -2 3 9 For example, with the compressor in bypass, positioning the -9 -1 2 10 KNEE +16 -10 0 SHARP 1 11 BYPASS meter needle by means of the Hold control to +16 on the HOLD OUTPUT +12 Gain scale, will provide up to +4 dB of compression. Reduction +8 6 6 5 7 ROUNDED 5 7 IN +4 4 8 4 8 0 3 9 3 9 UP TO +4 dB 2 10 2 10 OPTO -5 -6 -4 1 11 1 11 COMPRESSION -7 -3 ATTACK RELEASE -8 -2
HOLD PLACED AT -9 -1 KNEE +16 METER +16 -10 0 SHARP HOLD +12 Gain It is little known that EMI technical engineers experimented Reduction +8 6 with opto detection in their compression circuits. The TG1 5 7 ROUNDED +4 4 8 Opto is an opto adaptation of Chandler Limited’s TG1 Lim- 0 3 9 iter, a recreation of the limiters found in the historic EMI 2 10 TG12345 recording consoles and TG12410 transfer desks of 1 11 the late ‘60s and ‘70s. ATTACK
Historically referred to as a level back-off system, in a modern context, the TG1 Opto compressor should be considered a Adjusting the Hold control anticlockwise, and placing the me- dynamic range reducer, that is- it attenuates transient peaks ter needle at 0 on the scale will provide up to +20 dB of while simultaneously amplifying quieter signals. available compression.
Important Notes on Use OPTO -5 -6 -4 A unique feature of this compressor is the inactive state gain -7 -3 -8 -2 level - when at rest between compression cycles – as indi- -9 -1 KNEE +16 cated on the Gain Reduction meter when in bypass, can be -10 0 SHARP HOLD UP TO +20 dB +12 Gain preset by means of the Hold control. An important benefit Reduction COMPRESSION +8 6 of this moveable resting state is, a better signal/noise ratio 5 7 ROUNDED +4 can be realized. 4 8 0 3 9 The key towards optimal employment of the TG1 Opto 2 10 1 11 compressor is, understanding the Gain Reduction meter and HOLD PLACED ATTACK Hold control, without signal present. AT METER 0
OPTO -5 -6 -4 Note: Placing the needle below meter 0 will allow maximum -7 -3 possible reduction and set the inactive state gain to its high- -8 -2 est level. -9 -1 KNEE +16 -10 0 SHARP HOLD Tip: Positioning of the needle between +8 and +12 on the MOVEABLE +12 Gain Reduction meter scale, can be a great starting point for most sources. RESTING STATE +8 6 5 7 ROUNDED +4 4 8 0 3 9
2 10
1 11 ATTACK
UM TGMC-120117 9 Hold +16 Attack The Hold control is continuous and used to set the desired This is a continuous control and is used to set the speed at degree of compression, a setting+12 of 0 is leastGain and -10 is maxi- which compression is onset. mum potential reduction. Reduction +8 6 5 7 ROUNDED OPTO -5 +4 -6 -4 4 8 0 -7 -3 3 9
-8 -2 2 10
-9 -1 11 KNEE 1 +16 -10 0 SHARP ATTACK +12 HOLD Gain Historical note: EMI limiters including the: RS114 tube lim- Reduction iter, RS124 Compressor, RS168 Zener prototype, TG12345 +8 Note: The Hold control works6 independently of level ap- recording console limiters, and TG12410 transfer desk limit- plied to the compressor,5 i.e. regardless7 of whereROUNDED the meter ers had fixed attack times. +4 needle is placed, the4 hotter the input 8signal into the TG1 Opto is, the greater the rate of compression be. 0 3 9 Release Tip: To cope with inconsistent peak level programme, set KNEE the Hold control fully2 anticlockwise (-10),10 and send lower lev- This is a continuousSHARP control1 and is 11used to setBYPASS the recovery el signal into the compressor, gradually increase the source time from compressed conditions to the inactive state gain until the desired amount1 of compression11 is achieved; adjust level. the TG1 Opto Output controlATTACK — described in the next sec- tion — to make up any gain lost. 6 ROUNDED 5 7 IN Output 4 8
Provision is made for makeup gain by means of the compres- 3 9 sor’s Output control. This control is continuous and used to return compressed programme to level; anticlockwise rota- 2 10 tion is less makeup gain. 1 11
6 RELEASE 5 7
4 8 Historical note: EMI limiters including the: RS114 tube lim- 3 9 iter, RS124 Compressor, RS168 Zener prototype, TG12345 recording console limiters, and TG12410 transfer desk limit- 2 10 ers had six fixed recovery (release) times. KNEE SHARP 1 11 BYPASS OUTPUT
Note: The more compressed programme is, the louder the processedROUNDED material may appear, thus necessitatingIN reduction of the compressor’s Output control.
UM TGMC-120117 10 OPTO Knee Bypass OPTO -5 -5 6 6 -6 -4 -6 -4 5 7 5 7 The TG1 Opto provides two compression knee types: Sharp When the TG1 Opto’s Bypass switch is set downward to IN, -7and Rounded. -3 -7 4 -3 8 4the compressor is active,8 conversely, when positioned up- ward, it is removed from the audio path. -8 -8-2 3 -2 39 9
-9 -1 -9 2 -1 10 2 10 KNEE KNEE +16 +16 SHARP BYPASS -10 0 -10 0 1 SHARP11 1 11 BYPASS +12 HOLD HOLD OUTPUT OUTPUT Gain +12 Gain Reduction Reduction +8 6 6 +8 5 7 6 5 7 6 ROUNDED5 7 ROUNDED 5IN 7 IN +4 +4 4 8 4 4 8 8 4 8 0 0 3 Sharp knee 39 3 9 39 Note: For the TG1 Opto9 to be active in the TG Microphone Cassette signal chain, it must be physically patched at the rear 2Sharp is equivalent to10 limit2 mode on the2 TG1 10and Zener Lim10- 2of the unit, using a short10 female to male XLR cable (wired pin iters, and is considered hard. When the Knee switch is set to 2 hot), and connected from the Pre Amp/EQ output XLR to Sharp1 , compression11 will be full1 ratio. 11 1 11 the Compressor1 input11 XLR connector. ATTACK RELEASE Tip: Sharp knees are often employedATTACK to control transient RELEASE peaks, while increasing overall programme level. Link Operation Historical note: On historic EMI TG limiters, Limit mode When linked to a second TG1 Opto compressor using a was intended to mimic the curve of the studio’s Fairchild 660 standard ¼” cable via the ¼” Link connector at the rear of units. the unit, the linked units are controlled by whichever of the two control voltages is instantaneously the greater. Rounded knee Under linked conditions, each compressor’s control set will Rounded is a soft type knee. The traditional soft knee is one be managed independently. in which when triggered, onset of the compression ratio is gradual; however, the soft knee implementation on the TG1 Link connector is wired: Tip – CV, Sleeve – 0v. Opto functions independently from ratio.
Tip: Rounded or softPRE knees AMP/EQ are great in scenarios DCwhere POWER LINK COMPRESSOR PRE AMP/EQ compression is required to be less obvious, such as vocals TG MICROPHONE CASSETTE
and other melodic source. Chandler Limited 000001 PIN 1) 0v PIN 2) 48v PIN 3) +28v MICROPHONE CASSETTE PIN 4) -28v TIP- CV SLEEVE- 0v OUTPUT OUTPUT INPUT INPUT Note: When using the TG1 Opto independently of a sec- ond unit or in mono, be sure to remove any link cable as to not cause undesired influence of one another.
UM TGMC-120117 11 SERVICE CE CERTIFICATION Chandler Limited declares under its sole responsibility that all United States products manufactured by them are in compliance with Elec- tromagnetic Compatibility (EMC) Directive 2014/30/EU; Prior to sending in equipment for repair, please contact our Standards: EN55103-1:2009+A1:2012; EN55103-2:2009; shop at the number below. We will assist you in trouble- EN55013:2013 and Low Voltage Directive (LVD) 2014/35/ shooting, and if needed, we will issue an RMA# to return the EU; Standards: EN60065:2002+A1:2006+A11:2008+A2:20 equipment for service. 10+A12:2011.
Send Repairs To:
Chandler Limited, Inc.
Attention: Repairs
222 S. Cherry St.
PO Box 38 (if sending via the postal service)
Shell Rock IA 50670
Phone: (319) 885-4200
Email: [email protected]
International Repair of Chandler Limited products purchased, outside of the United States, is provided by local or regional authorized Chandler Limited distributors. To obtain service or repairs, please contact your local dealer or regional distributor for further instruction.
Visit chandlerlimited.com for a list of authorized International Distributors.
UM TGMC-120117 12 PRODUCT LIMITED WARRANTY During the first year from the date of the original purchase, this product is warranted to be free from defects in materials and workmanship under normal use, service and maintenance. This warranty applies to the original purchaser and is subject to the following terms and conditions:
What Is Covered: The product’s components as originally installed by the manufacturer that are defective in materials or workmanship under normal use, service and maintenance.
What Is Not Covered By This Warranty: This warranty does not extend to or cover:
1. Any defect due to the negligence of others; failure to install, operate or maintain the product properly; unreasonable use; accidents; alteration; use of unauthorized or non-standardized parts; acts of God; theft; vandalism; electrical malfunctions (i.e., resulting from power surges, shorted or overloaded circuits, etc.), use of any power source other than supplied by manufacturer; repair by anyone other than an authorized Chandler Limited representative; or damage resulting from improper packing or mishandling by a shipper. 2. Normal wear and tear of parts. 3. Shipping, handling, packaging and delivery costs of the product.
Who Is Covered: The original purchaser.
Repair During The First Year: During the first year, all defective product components that are covered by this Limited Warranty will be repaired free of charge including parts and labor. The purchaser will pay shipping costs AND a $35 handling fee per unit.
What You Must Do for Warranty Service (in the United States): If you live in the United States and your product was purchased through a U.S. Dealer, please contact your dealer OR call 319-885-4200 or e-mail support@chandlerlimited. com.
What You Must Do for Warranty Service (outside of the United States): For warranty service if you live outside of the United States, please contact the dealer where you purchased the product.
Any products returned to Chandler Limited for repair should include: (1) complete description of the problem; (2) name, address, phone number, fax number, and/or e-mail address; (3) receipt of original purchase; (4) power supply and all acces- sories and cables. The purchaser is responsible for the shipping costs to and from Chandler Limited. Chandler Limited is not responsible for damage resulting from improper packing and/or mishandling by a shipper.
If sent by UPS or Federal Express, ship to: Chandler Limited, 222 South Cherry Street, Shell Rock IA 50670
If sent by Postal Service, ship to: Chandler Limited, PO Box 38, Shell Rock IA 50670
The foregoing expresses Chandler Limited’s obligations and liabilities with respect to the quality of the product, its compo- nents and accessories. All other warranties, express or implied, including the warranties of merchantability or fitness for a particular purpose are disclaimed. Chandler Limited shall not be liable for the loss or use of the product, its components and accessories, inconvenience, loss or any other damages, direct or consequences arising out of the use of, or inability to use the product or its components or damages resulting from or attributable to defects in the products or its components. No one other than Chandler Limited has authority to extend or modify the terms of this limited warranty in any manner whatsoever.
UM TGMC-120117 13 DISCLAIMER OF WARRANTY
EXCEPT FOR THE FOREGOING WARRANTIES, CHANDLER LIMITED HEREBY DISCLAIMS AND EXCLUDES ALL OTHER WARRANTIES, EXPRESS OR IMPLIED, INCLUDING, BUT NOT LIMITED TO ANY AND/OR ALL IMPLIED WARRANTIES OF MERCHANTABILITY, FITNESS FOR A PARTICULAR PURPOSE AND/OR ANY WARRANTY WITH REGARD TO ANY CLAIM OF INFRINGEMENT THAT MAY BE PROVIDED IN SECTION 2-312(3) OF THE UNIFORM COMMERCIAL CODE AND/OR IN ANY OTHER COMPARABLE STATE STATUTE.
LIMITATION OF LIABILITY
THE LIABILITY OF CHANDLER LIMITED, IF ANY, AND PURCHASER’S SOLE AND EXCLUSIVE REMEDY FOR DAM- AGES FOR ANY CLAIM OF ANY KIND WHATSOEVER, REGARDLESS OF THE LEGAL THEORY AND WHETHER ARISING IN TORT OR CONTRACT, SHALL NOT BE GREATER THAN THE ACTUAL PURCHASE PRICE OF THE PRODUCT WITH RESPECT TO WHICH SUCH CLAIM IS MADE. IN NO EVENT SHALL CHANDLER LIMITED BE LIABLE TO PURCHASER FOR ANY SPECIAL, INDIRECT, INCIDENTAL, OR CONSEQUENTIAL DAMAGES OF ANY KIND INCLUDING, BUT NOT LIMITED TO, COMPENSATION, REIMBURSEMENT OR DAMAGES ON ACCOUNT OF THE LOSS OF PRESENT OR PROSPECTIVE PROFITS OR FOR ANY OTHER REASON WHATSOEVER.
UM TGMC-120117 14