Read Ebook {PDF EPUB} Walt Disney's Three Little Pigs (A Little
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Edition 3 | 2018-2019
EASTMAN • THE ATRE 2018-2019 SEASON EXPERIENCE EASTMAN EXCELLENCE KILBOURN EASTMAN FERNANDO BARBARA B. SMITH CONCERT RANLET LAIRES PIANO WORLD MUSIC SERIES SERIES SERIES SERIES MARCH 2019 – APRIL 2019 insidewhat’s Welcome From the Director | 5 Ying Quartet with PUSH Physical Theatre | 28 The Historian’s Corner | 8 Roby Lakatos Ensemble | 32 Beatrice Rana | 10 Ying Quartet | 36 Joshua Roman | 13 Joshua Bell & David Zinman | 39 Disney in Concert: Afro-Cuban All Stars | 44 A Silly Symphony Celebration | 17 Gamelan Lila Muni & Elias String Quartet | 25 Gamelan Sanjiwani | 48 CONTACT US: Location: Eastman School of Music – ESM 101 EASTMAN THEATRE BOX OFFICE Phone: (585) 274-1109 Mailing Address E-mail: [email protected] Eastman School of Music Concert Office 26 Gibbs Street Mike Stefiuk, Director of Concert Operations Rochester, NY 14604 Julia Ng, Assistant Director of Concert Operations Eastman Theatre Box Office Greg Machin, Ticketing and Box Office Manager 433 East Main Street Joseph Broadus, Box Office Supervisor Rochester, NY 14604 Christine Benincasa, Secretary Ron Stackman, Director of Stage Operations, Phone Eastman Theatre Eastman Theatre Box Office: (585) 274-3000 Jules Corcimiglia, Assistant Director of Stage Lost & Found: (585) 274-3000 Operations (Kodak Hall) Eastman Concert Office: (585) 274-1109 Daniel Mason, Assistant Director of Stage Hall Rentals: (585) 274-1109 Operations (Kilbourn Hall) Michael Dziakonas, Assistant Director of Stage Operations (Hatch Recital Hall) ADVERTISING This program is published in association with Onstage Publications, Onstage Publications 1612 Prosser Avenue, Kettering, OH 45409. This program may not be reproduced in whole or in part without written permission from the 937-424-0529 | 866-503-1966 publisher. -
The Three Little Pigs RECORD CHECKLIST
The Three Little Pigs RECORD CHECKLIST Walt Disney Presenta Los Tres Cochinitos 0008014 | Disney Cast | 12" Gatefold Story Teller LP | Disneyland | Argentina | 33 1/3 RPM | Walt Disney 3 Abenteuer Der 3 Kleinen Schweinchen 0056.515 | Disne Cast | 12" Gatefold Story Teller LP | Disneyland | Germany | 33 1/3 RPM | Stereo Who's Afraid Of The Big Bad Wolf 10077 | Korn Kobblers | 7" Standard Single | MGM Records | United States | 45 RPM | Mono Who's Afraid Of The Big Bad Wolf? 1067 | Anne Lloyd, The Sandpipers, Mitch Miller and Orchestra | 6" Standard Yellow Vinyl Single | Little Golden Records | United States | 78 RPM | Mono Fred Waring Children's Set 1-176 | Fred Waring and The Pennsyvanians | 7" Standard EP | DECCA Records | United States | 45 RPM | Mono Story And Songs About Walt Disney's 3 Little Pigs 1310 | Narrator -- Sterling Holloway 1966 | 12" Standard LP | Disneyland (Yellow Plain) | United States | 33 1/3 RPM | Mono View More Info Who's Afraid Of The Big Bad Wolf 15 | Annie Lloyd, The Sandpipers, Mitchell Miller and Orchestra | 6" Standard Yellow Vinyl Single | Little Golden Records | United States | 78 RPM | Mono Who's Afraid Of The Big Bad Wolf 15/FF15 | Annie Lloyd, The Sandpipers, Mitchell Miller and Orchestra | 7" Standard Single | Little Golden Records | United States | 45 RPM | Mono Who's Afraid Of The Big Bad Wolf 15/FF15 | Annie Lloyd, The Sandpipers, Mitchell Miller and Orchestra | 7" Standard Single | Little Golden Records | United States | 45 RPM | Mono Who's Afraid Of The Big Bad Wolf 2045 | Disney Cast | 7" Standard -
The Music of Great Depression Tuesday, May 19Th at 10 Am
John Clark and his Great American Music Experience presents The Music of Great Depression Tuesday, May 19 th at 10 am Through the Miracle of Zoom The Stock Market Crash of 1929 plunged this country into an economic depression that lasted about ten years. During that time popular songwriters and singers responded in many different ways. Happy Days Are Here Again was the first of many attempts to cheer up a devastated citizenry, followed by Life is Just a Bowl of Cherries, Let’s Have Another Cup of Coffee and a string of overly optimistic hits by Ted Lewis. Woody Guthrie’s Dust Bowl Ballads and A Shanty in Old Shanty Town offered commiseration to the thousands of Americans who were forced to give up their homes from the big cities to the Great Plains. Brother Can You Spare a Dime and My Forgotten Man went so far as to chide our government for its lack of response. In the spirit of what he would call the New Deal, Franklin Roosevelt’s first presidential campaign slogan/song was Happy Days Are Here Again . Even the lyrics of Disney cartoon song Who’s Afraid of the Big Bad Wolf and Harold Arlen’s Stormy Weather became symbolic commentaries on the circumstances of this national calamity. Also featuring songs by Al Jolson, Bing Crosby and Rudy Vallee. GREAT DEPRESSION LYRICS 1929 HAPPY DAYS ARE HERE AGAIN (Milton Ager (music) and Jack Yellen (lyrics) Recorded by Leo Reisman & His Orchestra So long sad times Go long bad times We are rid of you at last Howdy gay times Cloudy gray times You are now a thing of the past Happy days are here again -
El Departamento Musical Disney: Las Silly Symphonies Y Carl Stalling
FACULTAD DE COMUNICACIÓN Trabajo Fin de Grado El Departamento La historia de la animación tiene un nombre propio: Walt Disney. Gracias a su Musical Disney: experimentación en diversos campos de esta materia, con la ayuda de genios como Carl Stalling, consigue desarrollar la Las Silly animación y su universo de una forma perseverante y continua, adaptándose a los Symphonies diversos cambios producidos desde el nacimiento de ésta, reinventando una y otra vez el sector y añadiendo su toque y Carl Stalling mágico a la personalidad cada obra. Tutor: Colón Perales, Carlos Alumnos: Duarte del Moral, Marina Ruiz Espinosa, Pablo 4º GRADO CAV 1 Marina Duarte del Moral y Pablo Ruiz Espinosa ÍNDICE 1. RESUMEN .............................................................................................................................. 3 2. PALABRAS-CLAVE .............................................................................................................. 3 3. INTRODUCCIÓN................................................................................................................... 3 4. OBJETIVOS ............................................................................................................................ 7 5. METODOLOGÍA ................................................................................................................... 8 5.1 CONTEXTO MUSICAL ......................................................................................................................... 8 5.3 EL SONIDO ÓPTICO Y LA APARICIÓN DEL CINE -
Disney and the National Film Board of Canada: Five for Four by David Bossert
Disney and The National Film Board of Canada: Five for Four By David Bossert (A still frame of a Canadian War Bond “brick” that Practical Pig uses to build his house in The Thrifty Pig, one of the four films commissioned by the National Film Board of Canada for the war effort.) World War II (WWII) started in September 1939 when Nazi Germany invaded Poland. The United States did not enter the war until December 7, 1941, when the Japanese bombed the Pearl Harbor Naval Base in Hawaii. The war was the largest armed conflict in world history and raged over six continents inflicting more than fifty million military and civilian deaths including six million Jews. It had a profound effect on the world order ushering in the nuclear era, the Cold War, and the creation of the United Nations. Before the U.S. involvement in WWII, the Disney Studios felt the immediate effects of the conflict by losing nearly a third of its film revenues from Europe as Nazi aggression spread. This put serious financial pressures on the studio and its founding partners Walt and Roy Disney. The Disney Studios were still reaping the successes of their first animated feature film, Snow White and the Seven Dwarfs, and were in the midst of completing the second feature, Pinocchio, while also building a new studio complex in Burbank, California in 1939. The company had borrowed to expand before the war broke out in Europe and with the loss of revenues from each country invaded by the Nazis, the studio began to feel the effects of the war in the diminishing foreign box-office receipts.