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An Internship Report on the Ogden Museum of Southern Art
University of New Orleans ScholarWorks@UNO Arts Administration Master's Reports Arts Administration Program 12-2015 An Internship Report on the Ogden Museum of Southern Art Grace Rennie University of New Orleans Follow this and additional works at: https://scholarworks.uno.edu/aa_rpts Part of the Arts Management Commons Recommended Citation Rennie, Grace, "An Internship Report on the Ogden Museum of Southern Art" (2015). Arts Administration Master's Reports. 185. https://scholarworks.uno.edu/aa_rpts/185 This Master's Report is protected by copyright and/or related rights. It has been brought to you by ScholarWorks@UNO with permission from the rights-holder(s). You are free to use this Master's Report in any way that is permitted by the copyright and related rights legislation that applies to your use. For other uses you need to obtain permission from the rights-holder(s) directly, unless additional rights are indicated by a Creative Commons license in the record and/or on the work itself. This Master's Report has been accepted for inclusion in Arts Administration Master's Reports by an authorized administrator of ScholarWorks@UNO. For more information, please contact [email protected]. An Internship Report on the Ogden Museum of Southern Art An Internship Academic Report Submitted to the Graduate Faculty of the University of New Orleans in partial fulfillment of the requirements for the degree of Master of Arts in Arts Administration by Grace Rennie B.F.A. School of the Art Institute of Chicago, 2011 December 2015 Table of Contents -
Download Lot Listing
IMPRESSIONIST & MODERN ART POST-WAR & CONTEMPORARY ART Wednesday, May 10, 2017 NEW YORK IMPRESSIONIST & MODERN ART EUROPEAN & AMERICAN ART POST-WAR & CONTEMPORARY ART AUCTION Wednesday, May 10, 2017 at 11am EXHIBITION Saturday, May 6, 10am – 5pm Sunday, May 7, Noon – 5pm Monday, May 8, 10am – 6pm Tuesday, May 9, 9am – Noon LOCATION Doyle New York 175 East 87th Street New York City 212-427-2730 www.Doyle.com Catalogue: $40 INCLUDING PROPERTY CONTENTS FROM THE ESTATES OF IMPRESSIONIST & MODERN ART 1-118 Elsie Adler European 1-66 The Eileen & Herbert C. Bernard Collection American 67-118 Charles Austin Buck Roberta K. Cohn & Richard A. Cohn, Ltd. POST-WAR & CONTEMPORARY ART 119-235 A Connecticut Collector Post-War 119-199 Claudia Cosla, New York Contemporary 200-235 Ronnie Cutrone EUROPEAN ART Mildred and Jack Feinblatt Glossary I Dr. Paul Hershenson Conditions of Sale II Myrtle Barnes Jones Terms of Guarantee IV Mary Kettaneh Information on Sales & Use Tax V The Collection of Willa Kim and William Pène du Bois Buying at Doyle VI Carol Mercer Selling at Doyle VIII A New Jersey Estate Auction Schedule IX A New York and Connecticut Estate Company Directory X A New York Estate Absentee Bid Form XII Miriam and Howard Rand, Beverly Hills, California Dorothy Wassyng INCLUDING PROPERTY FROM A Private Beverly Hills Collector The Collection of Mr. and Mrs. Raymond J. Horowitz sold for the benefit of the Bard Graduate Center A New England Collection A New York Collector The Jessye Norman ‘White Gates’ Collection A Pennsylvania Collection A Private -
Women Work It at W.T.C
downtownCOLLABORATIVE ART SHOWS, P. 23 ® express VOLUME 22, NUMBER 11 THE NEWSPAPER OF LOWER MANHATTAN JULY 24 - 30, 2009 25 Broadway makes the grade for private school’s expansion BY JULIE SHAPIRO “You walk right out our Claremont Prep’s $30 door, cross Bowling Green, million expansion is back on and there you are,” Koffl er track after the school fi nal- said. “It’s a wonderful build- ized a lease this week for ing, it’s close by, and the 200,000 square feet at 25 staff is really thrilled.” Broadway. Claremont was able to Claremont will use the back out of the 100 Church space for middle and high St. lease because owner The school classes starting in the Sapir Organization took a fall of 2010, said Michael long time to get their bank Koffl er, C.E.O. of Met Schools, to sign off on the deal, Claremont’s parent company. Koffl er said. Koffl er made a similar The asking rent at 25 announcement in March, Broadway was $39 per square saying the school had leased foot, compared to $40 at space for its expansion at 100 100 Church. Koffl er said he Church St., but Claremont paid very close to the asking opted out of that deal rent at 25 Broadway, which because the 25 Broadway is owned by the Wolfson space was better, Koffl er Group. Wolfson and Sapir said. A major tipping point could not immediately be was 25 Broadway’s location, reached for comment. just steps from Claremont’s Claremont had detailed Broad St. -
Places to Visit Empire State Building
Places to visit Empire State Building – 103 story landmark with observation Statue of Liberty – American iconic in New York Harbour Central Park – Children’s attractions in the park Metropolitan Museum of Art – World class art collection Museum of Modern Art – World class sculpture, art & design Rockefeller Center – Iconic Midtown business complex National September 11 Memorial & Museum Grand Central Terminal – Architectural landmark & transit hub High Line – Park built into old elevated rail line Solomon R. Guggenheim Museum – Modern art museum with notable design Ellis Island – Museum, history, monument Chinatown – Dim sun food, walking, shopping, history, culture Radio City Music Hall – Legendary theatre, hone of the Rockettes Brooklyn Bridge – Landmark 19th century bridge Coney Island – Amusement park, beach Madison Square Garden – Iconic venue for sports, concerts & more Intrepid Sea, Air & Space Museum – Flight museum on an aircraft carrier The Cloisters – Medieval air in the a rebuilt monastery New York Harbour – Harbour, sailing, oysters, rivers & whales Little Italy – Walking, history, art Lincoln Center for the Performing arts – Premier New York City arts complex Time Square – Bright lights & Broadway shows Bryant Park – 4 acre urban oasis Staten Island Ferry – Beer, history, rivers, harbours & walking Yankee Stadium – Newest home of the baseball’s Yankees St Patrick’s Cathedral – Iconic church with storied history Whitney Museum of American Art – Museum with 20th & 21st century art Carnegie Hall – World-renowned classical music -
Southeastern Reciprocal Membership Program
SOUTHEASTERN RECIPROCAL MEMBERSHIP PROGRAM Upon presentation of your membership card you will receive: Free admission at all times during museum hours. The same discount in the gift shop and café as those offered to members of that museum. The same discount on purchases made on the premises for concert and lecture tickets, as those offered to members of that museum. Reciprocal privileges do not include receiving mailings from any of the participating museums except for the museum with which the member is affiliated. Note: List subject to change without notice. Museums may temporarily suspend reciprocal program during special exhibitions. Some museums do not accept SERM from other local museums. Call before you go. ALABAMA Augusta Museum of History – Augusta Greensboro Birmingham Museum of Art -- Birmingham Bartow History Museum – Cartersville Greenville Museum of Art – Greenville Carnegie Visual Arts Center -- Decatur Columbus Museum – Columbus Hickory Museum of Art -- Hickory Huntsville Museum of Art – Huntsville Georgia Museum of Art – Athens Mint Museum, Randolph -- Charlotte Jule Collins Smith Museum of Fine Art at Auburn -- Marietta Museum of History – Marietta Mint Museum Uptown – Charlotte Auburn Morris Museum of Art – Augusta Waterworks Visual Art Center – Salisbury Mobile Museum of Art – Mobile Museum of Arts & Sciences – Macon Weatherspoon Art Museum – Greensboro Montgomery Museum of Fine Arts – Montgomery Museum of Design Atlanta – Atlanta Reynolda House Museum of American Art – Winston Wiregrass Museum of Art – Dothan -
John Alexander
John Alexander 1945 Born in Beaumont, Texas EDUCATION 1970 M.F.A. from Southern Methodist University, Dallas, Texas 1968 B.F.A. from Lamar University, Beaumont, Texas SOLO EXHIBITIONS 2011 John Alexander: One World: Two Artists, Ogden Museum of Southern Art, New Orleans, LA John Alexander: Paintings, J. Johnson Gallery, Jacksonville, FL John Alexander: John Alexander and Walter Anderson, One World: Two Artists, The University of Mississippi Museum, Oxford, MS 2010 John Alexander, McClain Gallery, Houston, TX 2009 John Alexander, Arthur Roger Gallery, New Orleans, LA 2008 John Alexander: Drawings. Hemphill Fine Art, Washington DC John Alexander: A Retrospective. Museum of Fine Arts, Houston, TX John Alexander: New Paintings, McClain Gallery, Houston, TX John Alexander. Drawing Room, East Hampton, NY John Alexander: New Drawings, McClain Gallery, Houston, TX John Alexander: Recent Paintings, Imago Galleries, Palm Desert, CA 2007 John Alexander: New Works on Paper. Eaton Fine Art, West Palm Beach, FL John Alexander: A Retrospective. Smithsonian American Art Museum, Washington DC 2006 John Alexander, Arthur Roger Gallery, New Orleans, LA 2005 John Alexander: The Sea! The Sea!, Eaton Fine Art, West Palm Beach, FL John Alexander: Recent Observations, The Butler Institute of American Art. Youngstown, OH 2004 John Alexander, J. Johnson Gallery, Jacksonville Beach, FL John Alexander, Bentley, Gallery, Scottsdale, AZ 2003 Dishman Gallery of Art, Lamar University, Beaumont, TX JA: 35 Years of Works on Paper. Art Museum of Southeast Texas, Beaumont, -
July 1, 2012–June 30, 2013 FY13: a LOOK BACK
Georgia Museum of Art Annual Report July 1, 2012–June 30, 2013 FY13: A LOOK BACK One of the brightest spots of FY13 was the On October 22, the museum celebrated inaugural UGA Spotlight on the Arts, a nine-day its official reaccreditation by the American festival held November 3–11, highlighting visual, Alliance of Museums (formerly the American performing, and literary arts all over campus, Association of Museums). Although the in which the museum participated eagerly. The museum is usually closed on Mondays, it was vision of vice-provost Libby Morris, the festival open to the public for the day. AAM director was planned by the UGA Arts Council, of which Ford Bell attended the event and spoke about museum director William U. Eiland is a member, the museum, followed by an ice cream social. and its subsidiary public relations arm (at Less than 5 percent of American museums are which Michael Lachowski and Hillary Brown accredited, and the process is not a simple one. represented the museum). The festival attracted Reaccreditation is a lengthy process, involving great attendance, especially from students, and a self-study that the museum worked on for demonstrated the administration’s commitment several years and a site visit lasting several days, to making the arts an essential part of the during which AAM representatives toured the university experience. Later in the fiscal year, the facility from top to bottom, met with university Arts Council began working on a strategic plan, upper administration, and interviewed staff with brainstorming meetings held by both the members, volunteers, students, and patrons of executive and PR committees in the museum’s the museum. -
HETAG: the Houston Earlier Texas Art Group
HETAG: The Houston Earlier Texas Art Group HETAG Newsletter No. 31, March 2019 Center for the Advancement and Study of Early Texas Art Friday-Sunday, March 29-30, 2019 The 2019 CASETA Symposium and Texas Art Fair at the TCEA Conference Center in Austin, TX. Registration, program and hotel info now available on the CASETA website. Thanks to all who helped make HETAG a Gold sponsor again this year, and to all Houston individual and organization symposium sponsors, including The Menil Collection and the Museum of Fine Arts, Houston. See you all in Austin in just two weeks! Symposium speakers for 2019: Katherine Brimberry Bradley Sumrall Co-founder and Director Curator of the Collection Flatbed Press and Gallery, Austin, TX Ogden Museum of Southern Art, New Orleans, Topic: Early Texas Artists in the History LA of the Flatbed Press Topic: The Ogden Museum and Roger Ogden Collections Michael R. Grauer McCasland Chair of Cowboy Culture/ Ron Tyler, Ph.D. Curator of Cowboy Collections and Western Art Former Director, Amon Carter Museum of National Cowboy & Western Heritage Museum, American Art, Fort Worth, TX Oklahoma City, OK The Art of Texas: 250 Years Porfirio Salinas: Serious Artist or Potboiler Painter Panel – So Much Art, Too Little Space: What can Susie Kalil Collectors Do with Their Artwork? Author/ Independent Curator, Houston, TX and Sue Canterbury Roger Winter The Pauline Gill Sullivan Associate Curator of Artist, New York, NY American Art, Dallas Museum of Art, Dallas, TX Fire and Ice: A conversation with artist Roger Winter Ted Lusher Early Texas Art Collector, Austin, TX Liz Kim, Ph.D. -
John Alexander
JOHN ALEXANDER 1945 Born in Beaumont, Texas Lives in New York City EDUCATION 1968 BFA, Lamar University, Beaumont, Texas 1970 MFA, Southern Methodist University, Dallas, Texas SOLO EXHIBITIONS 2021 John Alexander: New Paintings and Drawings, Berggruen Gallery, East Hampton, New York 2020 John Alexander: Landscape and Memory, Berggruen Gallery, San Francisco 2018 John Alexander: Recent Drawings & Paintings, Arthur Roger Gallery, New Orleans 2016 John Alexander: Recent Drawings & Paintings, John Berggruen Gallery, San Francisco 2015 Human/Nature. The Ridiculous & Sublime: Recent Works by John Alexander, Meadows Museum, Southern Methodist University, Dallas, Texas John Alexander and Francisco Goya (forthcoming), Meadows Museum, SMU, Dallas, Texas 2014 John Alexander: Unique Observations of the Natural World, Arthur Rogers Gallery, New Orleans, Louisiana 2013 John Alexander, Guild Hall Museum, East Hampton, New York John Alexander, Pace Editions, Southampton Art Fair Southampton, New York 2012 Recent Observations, Arthur Roger Gallery, New Orleans, Louisiana John Alexander, Pace Editions, Dallas Art Fair, Dallas, Texas One World, Two Artists, John Alexander & Walter Anderson, Walter Anderson Museum, Ocean Springs, Mississippi 2011 In My Garden, McClain Gallery, Houston, Texas One World, Two Artists: John Alexander & Walter Anderson, Ogden Museum of Southern Art, New Orleans University, New Orleans, Louisiana; travelled to University of Mississippi Museum, Oxford, Mississippi John Alexander: Paintings, J. Johnson Gallery, Jacksonville, Florida 2010 Life on a Merry-Go-Round, McClain Gallery, Houston, Texas 2009 Arthur Roger Gallery, New Orleans, Louisiana 2008 Drawings, Hemphill Fine Art, Washington, D.C. John Alexander: A Retrospective, Museum of Fine Arts, Houston, Texas New Paintings, McClain Gallery, Houston, Texas Drawing Room, East Hampton, New York Recent Paintings, Imago Galleries, Palm Desert, California New Drawings, McClain Gallery, Houston, Texas 2007 John Alexander, A Retrospective, Smithsonian American Art Museum, Washington, D.C. -
Off* for Visitors
Welcome to The best brands, the biggest selection, plus 1O% off* for visitors. Stop by Macy’s Herald Square and ask for your Macy’s Visitor Savings Pass*, good for 10% off* thousands of items throughout the store! Plus, we now ship to over 100 countries around the world, so you can enjoy international shipping online. For details, log on to macys.com/international Macy’s Herald Square Visitor Center, Lower Level (212) 494-3827 *Restrictions apply. Valid I.D. required. Details in store. NYC Official Visitor Guide A Letter from the Mayor Dear Friends: As temperatures dip, autumn turns the City’s abundant foliage to brilliant colors, providing a beautiful backdrop to the five boroughs. Neighborhoods like Fort Greene in Brooklyn, Snug Harbor on Staten Island, Long Island City in Queens and Arthur Avenue in the Bronx are rich in the cultural diversity for which the City is famous. Enjoy strolling through these communities as well as among the more than 700 acres of new parkland added in the past decade. Fall also means it is time for favorite holidays. Every October, NYC streets come alive with ghosts, goblins and revelry along Sixth Avenue during Manhattan’s Village Halloween Parade. The pomp and pageantry of Macy’s Thanksgiving Day Parade in November make for a high-energy holiday spectacle. And in early December, Rockefeller Center’s signature tree lights up and beckons to the area’s shoppers and ice-skaters. The season also offers plenty of relaxing options for anyone seeking a break from the holiday hustle and bustle. -
A Resource Guide to New York City's Many Cultures
D iv e r C it y : A Resource Guide to New York City’s Many Cultures New York City 2012 DiverCity: A Resource Guide to New York City’s Many Cultures Table of Contents I. Museums and Cultural Institutions A. Art Museums Page 1 B. Historical and Cultural Museums Page 7 C. Landmarks and Memorials Page 12 D. Additional Cultural Institutions Page 15 II. Cultural/Community Organizations and Associations Page 18 III. Performing Arts Centers and Organizations Page 22 IV. College/University Cultural Departments and Potential Speakers Page 25 Mu s eu m s a nd Cu l t u r a l In s ti t u ti o n s “We have become not a melting pot but a beautiful mosaic. Different people, different beliefs, different yearnings, different hopes, different dreams." - Jimmy Carter, 39th President of the United States 1 A) ART MUSEUMS Name Address Phone/ Website Admission Information Description American 2 Lincoln (212) 595-9533 FREE at all times The American Folk Art Museum is the Folk Art Square at leading center for the study and Museum 66th St. Folkartmuseum.org Hours: Tues-Sat enjoyment of American folk art, as well 12:00PM-7:30PM; Sun as the work of international self- taught 12:00PM- 6:00PM artists. Diversity in programming has become a growing emphasis for the museum since the 1990s. Major presentations of African- American and Latino artworks have become a regular feature of the museum's exhibition schedule and permanent collection. Asia Society 725 Park Avenue at (212) 288-6400 FREE Fridays 6-9PM The Asia Society is America's leading 70th Street institution dedicated to fostering Asiasociety.org Price: $10 Adults; $7 understanding of Asia and Seniors; $5 Student ID communication between Americans FREE children under 16 and the peoples of Asia and the Pacific. -
Manolis Projects Gallery HUNT SLONEM
HUNT SLONEM - Biography Hunt Slonem was born on July 18, 1951 in Kittery, Maine, and his father’s position as a Navy officer meant the family moved often during Hunt’s formative years, including extended stays in Hawaii, California and Connecticut. He would continue to seek out travel opportunities throughout his young-adult years, studying abroad in Nicaragua and Mexico; these eye-opening experiences imbued him with an appreciation for tropical landscapes that would influence his unique style. After graduating with a degree in painting and art history from Tulane University in New Orleans, Slonem spent several years in the early 1970s living in Manhattan. It wasn’t until Janet Fish offered him her studio for the summer of 1975 that Slonem was able to fully immerse himself in his work. His pieces began getting exhibited around New York, propelling his reputation and thrusting him into the city’s explosive contemporary arts scene. He received several prestigious grants, including from Montreal’s Elizabeth Greenshields Foundation, the National Endowment for the Arts, and the Cultural Counsel Foundation’s Artist Project, for which he painted an 80-foot mural of the World Trade Center in the late 1970s. He also received an introduction to the Marlborough Gallery, which would represent him for 18 years. As Slonem honed his aesthetic, his work began appearing in unique, contextual spaces. By 1995 he finished a massive six-by-86-foot mural of birds, which shoots across the walls of the Bryant Park Grill Restaurant in New York City. His charity work has resulted dozens of partnerships, including a wallpaper of his famous bunnies designed specifically with Lee Jofa for the Ronald McDonald House in Long Island.