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With LOWELL's Real Cre a 'Blueberrybb Naatural And•N T Flavored ISSUES I I I I , I I · , I I· W*E N Ee*
I I with LOWELL'S real cre a 'BlueberryBB NaAtural and•n t Flavored ISSUES I I I I , I I · , I I· _ W*e n ee* By Norman Solomon * This daily satellite-TV feed has a captive audi- * While they're about 25 percent of the U.S. pop- To celebrate the arrival of summer, here's an all- ence of more than 8 million kids in classrooms. ulation, a 1997 survey by the American Society of new episode of "Media Jeopardy!" While it's touted as "a tool to educate and engage Newspaper Editors found that they comprise You probably remember the rules: First, listen young adults in world happenings," the broad- only 11.35 percent of the journalists in the news- carefully to the answer. Then, try to come up with cast service sells commercials that go for nearly rooms of this country's daily papers. the correct question. $200,000 per half-minute -- pitched to advertisers What are racial minorities? as a way of gaining access to "the hardest to reach The first category is "Broadcast News." teen viewers." We're moving into Media Double Jeopardy with What is Channel One? our next category, "Fear and Favor." * On ABC, CBS and NBC, the amount of TV net- work time devoted to this coverage has fallen to * During the 1995-96 election cycle, these corpo- * While this California newspaper was co-spon- half of what it was during the late 1980s. rate parents of major networks gave a total of $3.2 soring a local amateur sporting event with Nike What is internationalnews? million in "soft money" to the national last spring, top editors at the paper killed a staff Democratic and Republican parties. -
Unobtainium-Vol-1.Pdf
Unobtainium [noun] - that which cannot be obtained through the usual channels of commerce Boo-Hooray is proud to present Unobtainium, Vol. 1. For over a decade, we have been committed to the organization, stabilization, and preservation of cultural narratives through archival placement. Today, we continue and expand our mission through the sale of individual items and smaller collections. We invite you to our space in Manhattan’s Chinatown, where we encourage visitors to browse our extensive inventory of rare books, ephemera, archives and collections by appointment or chance. Please direct all inquiries to Daylon ([email protected]). Terms: Usual. Not onerous. All items subject to prior sale. Payment may be made via check, credit card, wire transfer or PayPal. Institutions may be billed accordingly. Shipping is additional and will be billed at cost. Returns will be accepted for any reason within a week of receipt. Please provide advance notice of the return. Please contact us for complete inventories for any and all collections. The Flash, 5 Issues Charles Gatewood, ed. New York and Woodstock: The Flash, 1976-1979. Sizes vary slightly, all at or under 11 ¼ x 16 in. folio. Unpaginated. Each issue in very good condition, minor edgewear. Issues include Vol. 1 no. 1 [not numbered], Vol. 1 no. 4 [not numbered], Vol. 1 Issue 5, Vol. 2 no. 1. and Vol. 2 no. 2. Five issues of underground photographer and artist Charles Gatewood’s irregularly published photography paper. Issues feature work by the Lower East Side counterculture crowd Gatewood associated with, including George W. Gardner, Elaine Mayes, Ramon Muxter, Marcia Resnick, Toby Old, tattooist Spider Webb, author Marco Vassi, and more. -
Freewaves: KUCI 88.9 FM Winter Program Guide 1984
FREEWAVES-KUCI88.9fm WINTER PROGRAM GUIDE 1984 ORANGE COUN-TY'S FINEST ALTERNATIVE ,, .lt ,I / ~ ~, ~ 4Ia \ , '~" ~ Different Programs Make Station Unique by Warren Bobrow KUCI Program Director ing both campus and off-campus happenings. From 3 pm until midnight is when KUCl's s you know, KUCI is Orange County's We put them on at a reasonable hour so that programming really shines for those of you Afìnest alternative. We have to be an al you can fìnd out what's going on in the Irvine who like trulyaltemative rock music. This is ' ternative for as many people and as many community without staying up until 4 in the where 'Ne spodight the new forms of rock and genres of music as possible. This is by no means morning. the new artists that are bringing it to you. This an easy task. We have to try and satisfy not At 9:30, music takes control again with jazz. includes avant-garde, techno and everything in only the UCI student [body, but a1so the under KUCI's jazz programming is a viable alterna between, induding a spodight of the lotal and represented masses of people outside of the tive to the jazz you hear on major L.A. radio intemational punk and heavy-metal scene from campus who don't have the opportunity to stations because we play the artists and the 9 pm until midnight. hear their favorite type of music on conven cuts that you won't hear anywhere else. Any After midnight, the rules go out the win tional radio. -
OTHER CAMP: RETHINKING CAMP, the 1990S, and the POLITICS of VISIBILITY
OTHER CAMP: RETHINKING CAMP, THE 1990s, AND THE POLITICS OF VISIBILITY By Sarah Margaret Panuska A DISSERTATION Submitted to Michigan State University in partial fulfillment of the requirements for the degree of English—Doctor of Philosophy 2019 ABSTRACT Other Camp: Rethinking Camp, the 1990s, and the Politics of Visibility By Sarah Margaret Panuska Other Camp pairs 1990s experimental media produced by lesbian, bi, and queer women with queer theory to rethink the boundaries of one of cinema’s most beloved and despised genres, camp. I argue that camp is a creative and political practice that helps communities of women reckon with representational voids. This project shows how primarily-lesbian communities, whether black or white, working in the 1990s employed appropriation and practices of curation in their camp projects to represent their identities and communities, where camp is the effect of juxtaposition, incongruity, and the friction between an object’s original and appropriated contexts. Central to Other Camp are the curation-centered approaches to camp in the art of LGBTQ women in the 1990s. I argue that curation— producing art through an assembly of different objects, texts, or artifacts and letting the resonances and tensions between them foster camp effects—is a practice that not only has roots within experimental approaches camp but deep roots in camp scholarship. Relationality is vital to the work that curation does as an artistic practice. I link the relationality in the practice of camp curation to the relation-based approaches of queer theory, Black Studies, and Decolonial theory. My work cultivates the curational roots at the heart of camp and different theoretical approaches to relationality in order to foreground the emergence of curational camp methodologies and approaches to art as they manifest in the work of Sadie Benning, G.B Jones, Kaucyila Brooke and Jane Cottis, Cheryl Dunye, and Vaginal Davis. -
Dissertation
DISSERTATION Titel der Dissertation “We’re Punk as Fuck and Fuck like Punks:”* Queer-Feminist Counter-Cultures, Punk Music and the Anti-Social Turn in Queer Theory Verfasserin Mag.a Phil. Maria Katharina Wiedlack angestrebter akademischer Grad Doktorin der Philosophie (Dr. Phil.) Wien, Jänner 2013 Studienkennzahl lt. Studienblatt: A 092 343 Studienrichtung lt. Studienblatt: Anglistik und Amerikanistik Betreuerin / Betreuer: Univ. Prof.in Dr.in Astrid Fellner Earlier versions and parts of chapters One, Two, Three and Six have been published in the peer-reviewed online journal Transposition: the journal 3 (Musique et théorie queer) (2013), as well as in the anthologies Queering Paradigms III ed. by Liz Morrish and Kathleen O’Mara (2013); and Queering Paradigms II ed. by Mathew Ball and Burkard Scherer (2012); * The title “We’re punk as fuck and fuck like punks” is a line from the song Burn your Rainbow by the Canadian queer-feminist punk band the Skinjobs on their 2003 album with the same name (released by Agitprop Records). Content 1. Introduction .......................................................................................................... 1 2. “To Sir With Hate:” A Liminal History of Queer-Feminist Punk Rock ….………………………..…… 21 3. “We’re punk as fuck and fuck like punks:” Punk Rock, Queerness, and the Death Drive ………………………….………….. 69 4. “Challenge the System and Challenge Yourself:” Queer-Feminist Punk Rock’s Intersectional Politics and Anarchism……...……… 119 5. “There’s a Dyke in the Pit:” The Feminist Politics of Queer-Feminist Punk Rock……………..…………….. 157 6. “A Race Riot Did Happen!:” Queer Punks of Color Raising Their Voices ..……………..………… ………….. 207 7. “WE R LA FUCKEN RAZA SO DON’T EVEN FUCKEN DARE:” Anger, and the Politics of Jouissance ……….………………………….…………. -
Collegiate Broadcasters'tatement in Support of Motion of Live365 and Separate Motion for Stay Pending Appeal
Before the ~ UNITED STATES COPYRIGHT OFFICE LIBRARY OF CONGRESS Washington, DC ) In the Matter of: ) ) Determination of Reasonable Rates ) Docket No. 2000-9 CARP DTRA and Terms For the Digital Performance ) DTRA 1&2 Of Sound Recordings and ) Creation of Ephemeral Phonorecords. ) ) COLLEGIATE BROADCASTERS'TATEMENT IN SUPPORT OF MOTION OF LIVE365 AND SEPARATE MOTION FOR STAY PENDING APPEAL Elizabeth H. Rader, DC Bar No. 444851 CENTER FOR INTERNET & SOCIETY Stanford Law School Crown Quadrangle 559 Nathan Abbott Way Stanford, California 94305-8610 Telephone: (650) 724-0517 Facsimile: (650) 723-4426 TABLE OF CONTENTS Page TABLE OF AUTHORITIES I. INTRODUCTION. II. THE LIBRARIAN CAN AND SHOULD GRANT A STAY FOR ALL PARTIES BOUND BY THE DETERMINATION, TO PRESERVE THE STATUS QUO PENDING APPEAL. III. CBI MEMBERS HAVE STANDING TO SEEK A STAY FROM THE LIBRARIAN BECAUSE CBI MEMBERS, WHO ARE BOUND BY THE DETERMINATION, WILL DIRECTLY BENEFIT IF ANY OF THREE APPEALS PENDING IS SUCCESSFUL A. CBI Members Webcasting on the Live365 Internet Radio Network Participated, Through Live365, In The CARP Proceeding and Their Interests Will Be Vindicated if Live365's Appeal is Successful ........... B. CBI Members Who Are FCC Licensed Terrestrial Broadcasters Will Have Their Interests Vindicated If The National Association Of Broadcasters'ppeal Is Successful C. CBI Members Who Are Non-Profit Webcasters Affiliated With Educational Institutions Will Have Their Interests Vindicated if InterCollegiate Broadcasters'ppeal is Successful IV. CBI MEMBER STATIONS OPERATED BY STATE COLLEGES AND UNIVERSITIES WILL PREVAIL ON ELEVENTH AMENDMENT GROUNDS BECAUSE COPYRIGHT ROYALTIES CANNOT CONSTITUTIONALLY BE COLLECTED FROM THE STATES V. NO CBI MEMBER WILL BE REQUIRED TO PAY ROYALTIES IN THE AMOUNTS SPECIFIED IN THE FINAL RULE IF ANY OF THE PENDING APPEALS ARE SUCCESSFUL AND RESULT IN VACATUR OF THE FINAL RULE. -
A Study in Scarlet 17
Press kit A Study in Scarlet 17. 05–22. 07.2018 Press visit, Wednesday 16th May, at 9.30am Grand opening, Wednesday 16th May, from 6pm to 9pm With Ethan Assouline, Beau Geste Press, Lynda Benglis, Kévin Blinderman : masternantes, Pauline Boudry / Renate Lorenz, Jean-Louis Brau & Claude Palmer, Monte Cazazza, Chris & Cosey, COUM Transmissions, Vaginal Davis, Brice Dellsperger, Casey Jane Ellison, Harun Farocki, Karen Finley, Brion Gysin, Hendrik Hegray, Her Noise Archive, Robert Morris, Ebecho Muslimova, Meret Oppenheim, Pedro, Muriel & Esther, Lili Reynaud-Dewar, Christophe de Rohan Chabot, Louise Sartor, Throbbing Gristle, Cosey Fanni Tutti, Amalia Ulman and Les Vagues. Exhibition curator : Gallien Déjean Action Jusqu’à la Balle Crystal, 9e Biennale de Paris, 1975 © Courtesy Cosey Fanni Tutti et Cabinet, Londres Contacts : Isabelle Fabre, Communication Manager > +33 1 76 21 13 26 > [email protected] Lorraine Hussenot, Press Officer > +33 1 48 78 92 20 > [email protected] +33 6 74 53 74 17 Le frac île-de-France- reçoit le soutien du le plateau, paris Conseil régional d’Île-de-France, du ministère 22, rue des Alouettes de la Culture – Direction Régionale des Affaires 75 019 Paris, France Culturelles d’Île-de-France et de la Mairie de Paris. T +33 (0)1 76 21 13 20 Membre du réseau Tram, de Platform, fraciledefrance.com regroupement des FRAC et du Grand Belleville 1 Press kit Contents 1. Press release —A Study in Scarlet /p. 3-4 2. Cosey Fanni Tutti, Art Sex Music —Extracts /p. 5 3. Notices /p. 6-16 4. Images available /p. 17-19 5. -
Stations Monitored
Stations Monitored 10/01/2019 Format Call Letters Market Station Name Adult Contemporary WHBC-FM AKRON, OH MIX 94.1 Adult Contemporary WKDD-FM AKRON, OH 98.1 WKDD Adult Contemporary WRVE-FM ALBANY-SCHENECTADY-TROY, NY 99.5 THE RIVER Adult Contemporary WYJB-FM ALBANY-SCHENECTADY-TROY, NY B95.5 Adult Contemporary KDRF-FM ALBUQUERQUE, NM 103.3 eD FM Adult Contemporary KMGA-FM ALBUQUERQUE, NM 99.5 MAGIC FM Adult Contemporary KPEK-FM ALBUQUERQUE, NM 100.3 THE PEAK Adult Contemporary WLEV-FM ALLENTOWN-BETHLEHEM, PA 100.7 WLEV Adult Contemporary KMVN-FM ANCHORAGE, AK MOViN 105.7 Adult Contemporary KMXS-FM ANCHORAGE, AK MIX 103.1 Adult Contemporary WOXL-FS ASHEVILLE, NC MIX 96.5 Adult Contemporary WSB-FM ATLANTA, GA B98.5 Adult Contemporary WSTR-FM ATLANTA, GA STAR 94.1 Adult Contemporary WFPG-FM ATLANTIC CITY-CAPE MAY, NJ LITE ROCK 96.9 Adult Contemporary WSJO-FM ATLANTIC CITY-CAPE MAY, NJ SOJO 104.9 Adult Contemporary KAMX-FM AUSTIN, TX MIX 94.7 Adult Contemporary KBPA-FM AUSTIN, TX 103.5 BOB FM Adult Contemporary KKMJ-FM AUSTIN, TX MAJIC 95.5 Adult Contemporary WLIF-FM BALTIMORE, MD TODAY'S 101.9 Adult Contemporary WQSR-FM BALTIMORE, MD 102.7 JACK FM Adult Contemporary WWMX-FM BALTIMORE, MD MIX 106.5 Adult Contemporary KRVE-FM BATON ROUGE, LA 96.1 THE RIVER Adult Contemporary WMJY-FS BILOXI-GULFPORT-PASCAGOULA, MS MAGIC 93.7 Adult Contemporary WMJJ-FM BIRMINGHAM, AL MAGIC 96 Adult Contemporary KCIX-FM BOISE, ID MIX 106 Adult Contemporary KXLT-FM BOISE, ID LITE 107.9 Adult Contemporary WMJX-FM BOSTON, MA MAGIC 106.7 Adult Contemporary WWBX-FM -
PROGRAM SESSIONS Madison Suite, 2Nd Floor, Hilton New York Chairs: Karen K
Wednesday the Afterlife of Cubism PROGrAM SeSSIONS Madison Suite, 2nd Floor, Hilton New York Chairs: Karen K. Butler, Mildred Lane Kemper Art Museum, Wednesday, February 9 Washington University in St. Louis; Paul Galvez, University of Texas, Dallas 7:30–9:00 AM European Cubism and Parisian Exceptionalism: The Cubist Art Historians Interested in Pedagogy and Technology Epoch Revisited business Meeting David Cottington, Kingston University, London Gibson Room, 2nd Floor Reading Juan Gris Harry Cooper, National Gallery of Art Wednesday, February 9 At War with Abstraction: Léger’s Cubism in the 1920s Megan Heuer, Princeton University 9:30 AM–12:00 PM Sonia Delaunay-Terk and the Culture of Cubism exhibiting the renaissance, 1850–1950 Alexandra Schwartz, Montclair Art Museum Clinton Suite, 2nd Floor, Hilton New York The Beholder before the Picture: Miró after Cubism Chairs: Cristelle Baskins, Tufts University; Alan Chong, Asian Charles Palermo, College of William and Mary Civilizations Museum World’s Fairs and the Renaissance Revival in Furniture, 1851–1878 Series and Sequence: the fine Art print folio and David Raizman, Drexel University Artist’s book as Sites of inquiry Exhibiting Spain at the Chicago Columbian Exposition of 1893 Petit Trianon, 3rd Floor, Hilton New York M. Elizabeth Boone, University of Alberta Chair: Paul Coldwell, University of the Arts London The Rétrospective and the Renaissance: Changing Views of the Past Reading and Repetition in Henri Matisse’s Livres d’artiste at the Paris Expositions Universelles Kathryn Brown, Tilburg University Virginia Brilliant, John and Mable Ringling Museum of Art Hey There, Kitty-Cat: Thinking through Seriality in Warhol’s Early The Italian Exhibition at Burlington House Artist’s Books Andrée Hayum, Fordham University Emerita Lucy Mulroney, University of Rochester Falling Apart: Fred Sandback at the Kunstraum Munich Edward A. -
2014 Seattle National Student Electronic Media Convention
National Student Electronic Media Convention Seattle, WA #CBISeattle October 23-25, 2014 OCTOBER 2014 Welcome to Seattle! On behalf of the College Broadcasters, Inc. (CBI) Board of Directors, I’d like to welcome you to Seattle for the National Student Electronic Media Convention (NSEMC), or CBI Seattle for short. CBI Seattle is America’s top convention dedicated exclusively to the interests of student radio stations, TV/video outlets, and webcasters. Whichever category—or categories—you fall into, we are confident that you will leave the convention with the skills and motivation to improve your student media outlet. In its third year, the NSEMC continues to grow. Among the improvements this year are an additional breakout room, giving you the choice of six sessions during most time slots; a pre-convention workshop—FCC 101, an intensive, three-hour pre-convention workshop hosted by a veteran adviser and a nationally-known attorney. That’s in addition to what’s made us so successful since our inception—high-quality sessions led by advisers and media professionals, student-led roundtables, and networking and social opportunities. I am pleased to announce that this year’s keynote address will be given by Seattle broadcast legend John Curley. During his 30-year radio and TV career, John has earned numerous accolades, including multiple local Emmy Awards and the Edward R. Murrow Award for Excellence in Journalism. John previously hosted KING 5 TV’s “Evening Magazine”—America’s highest-rated regionally produced TV show for fourteen years—and currently hosts “The Curley and Tom Morning Show” on KIRO 97.3 FM. -
Public Notice >> Licensing and Management System Admin >>
REPORT NO. PN-1-210804-01 | PUBLISH DATE: 08/04/2021 Federal Communications Commission 45 L Street NE Washington, D.C. 20554 PUBLIC NOTICE News media info. (202) 418-0500 APPLICATIONS Station Status File Number Purpose Service Call Sign Facility ID Channel/Freq. City, State Applicant or Licensee Status Type Date Accepted Renewal of 08/02 0000155776 FL KFEP-LP 196192 99.1 LOS ANGELES, CA Echo Park Film Center For License /2021 Filing From: To: CALIFORNIA Accepted Renewal of SAN LUIS OBISPO, 08/02 0000155494 FX K221FV 81483 Main 92.1 LUTHERAN For License CA /2021 UNIVERSITY Filing From: To: CENTRO Accepted Renewal of 08/02 0000155910 FX K207CM 89199 Main 89.3 RED BLUFF, CA CRISTIANO DE For License /2021 VIDA ETERNA Filing From: To: EAST COUNTY Accepted Renewal of 08/02 0000155822 FL KRLY-LP 124224 107.9 ALPINE, CA BROADCASTING, For License /2021 INC. Filing From: To: SOUTH ORANGE Accepted Renewal of COUNTY 08/02 0000155764 FM KSBR 58529 Main 88.5 MISSION VIEJO, CA For License COMMUNITY /2021 Filing COLLEGE DISTRICT From: To: Accepted Renewal of FELLOWSHIP OF 08/02 0000155847 FL KGIG-LP 123802 104.9 MODESTO, CA For License THE EARTH (FOTE) /2021 Filing From: To: Accepted Renewal of 08/02 0000155915 FM KIPE 176712 Main 89.7 PINE HILLS, CA Ink People, Inc. For License /2021 Filing From: To: Golden Gate Society Accepted Renewal of 08/02 0000155865 FL KEBX-LP 193167 100.1 PACHECO, CA for Coatings For License /2021 Technology Filing From: To: Page 1 of 19 REPORT NO. PN-1-210804-01 | PUBLISH DATE: 08/04/2021 Federal Communications Commission 45 L Street NE Washington, D.C. -
The History of Rock Music: 1976-1989
The History of Rock Music: 1976-1989 New Wave, Punk-rock, Hardcore History of Rock Music | 1955-66 | 1967-69 | 1970-75 | 1976-89 | The early 1990s | The late 1990s | The 2000s | Alpha index Musicians of 1955-66 | 1967-69 | 1970-76 | 1977-89 | 1990s in the US | 1990s outside the US | 2000s Back to the main Music page (Copyright © 2009 Piero Scaruffi) The Golden Age of Heavy Metal (These are excerpts from my book "A History of Rock and Dance Music") The pioneers 1976-78 TM, ®, Copyright © 2005 Piero Scaruffi All rights reserved. Heavy-metal in the 1970s was Blue Oyster Cult, Aerosmith, Kiss, AC/DC, Journey, Boston, Rush, and it was the most theatrical and brutal of rock genres. It was not easy to reconcile this genre with the anti-heroic ethos of the punk era. It could have seemed almost impossible to revive that genre, that was slowly dying, in an era that valued the exact opposite of machoism, and that was producing a louder and noisier genre, hardcore. Instead, heavy metal began its renaissance in the same years of the new wave, capitalizing on the same phenomenon of independent labels. Credit goes largely to a British contingent of bands, that realized how they could launch a "new wave of British heavy metal" during the new wave of rock music. Motorhead (1), formed by ex-Hawkwind bassist Ian "Lemmy" Kilminster, were the natural bridge between heavy metal, Stooges/MC5 and punk-rock. They played demonic, relentless rock'n'roll at supersonic speed: Iron Horse (1977), Metropolis (1979), Bomber (1979), Jailbait (1980), Iron Fist (1982), etc.