Billboard 1976-01-17
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The Beatles), 80, 165, 357, 358, 389
Index of Titles Abbey Road (The Beatles), 80, 165, 357, 358, 389 “Abraham, Martin and John” (Dion), 40, 75, 115, 194, 321 Absolutely Free (The Mothers of Invention), 156, 310, 375, 388 “Absolutely Sweet Marie” (Bob Dylan), 207 “The Acid Queen” (The Who), 71 “Across the Universe” (The Beatles), 222, 309, 374 “Action” (Freddy Cannon), 69 “Adagio Per Archi e Organo” (Brian Auger and the Trinity), 72 After Bathing at Baxter’s (Jefferson Airplane), 358, 388 “After the Lights Go Down Low” (Al Hibbler), 337 “Afterglow” (The Small Faces), 357 Aftermath (The Rolling Stones), 292 “Ahab the Arab” (Ray Stevens), 25, 95, 366 “Aiko Biaye” (Ginger Baker’s Air Force), 374 “Ain’t It Funky Now” (James Brown), 212 “Ain’t No Mountain High Enough” (Marvin Gaye and Tammi Terrell), 77, 111–112, 128 “Ain’t That a Shame” (Pat Boone), 314; (Fats Domino), 321 “Ain’t That Peculiar” (Marvin Gaye), 168 “Ain’t Too Proud to Beg” (The Temptations), 105, 124, 226, 319 “The Air That I Breathe” (The Hollies), 196 “Al Di Lá” (Emilio Pericoli), 114–115 “Alabama Song (Whisky Bar)” (The Doors), 115, 366 “Albatross” (Fleetwood Mac), 16, 377 “Albert’s Shuffle” (Mike Bloomfield / Al Kooper / Steve Stills), 62 “Alfie” (Dionne Warwick), 174, 199, 206, 279–280, 386 “Alice’s Restaurant Massacree” (Arlo Guthrie), 141, 203, 270, 327, 364, 379 “Alice’s Rock & Roll Restaurant” (Arlo Guthrie), 31, 327 “All Alone Am I” (Brenda Lee), 182 “All Along the Watchtower” (Bob Dylan), 172, 260 “The All-American Boy” (Bill Parsons), 175 “All Around the World” (Little Willie John), 139 “All Day and -
Music Company Orchestra |
The Music Company 2019 OUR 45th YEAR 2 3 4 5 ABOUT THE ORCHESTRA The Music Company Orchestra, incor- porated in 1974, is a 60-piece volunteer community orchestra. Its members come from all walks of life and many different backgrounds. Conducted by Dr. Gerald Lanoue, the orchestra plays a wide range of light classical and pops repertoire. The MCO is dedicated to bringing the excitement of live orchestral music to audiences of all ages and economic back- grounds, and enthusiastically plays ven- ues throughout the greater Capital Re- gion, ranging from traditional concert halls to public parks, community events, schools, retirement centers and nursing homes. The MCO performs most concerts free to the public, and also offers schol- arships to music students at three capi- tal district high schools. The MCO is a not-for-profit organiza- tion . 6 Gerald Lanoue Conductor & Music Director Gerald Lanoue, bassoonist and conductor, is a Bennington, Vermont native. He performs throughout the capital region and Vermont with the Middlebury Opera, Pro Musica Orchestra, Hubbard Hall Opera Orchestra, Sage City Symphony and Funf woodwind quintet. He is the Conductor and Music Director of The Music Company Orchestra and Associate Conductor of the Sage City Symphony. After completing studies at the Crane School of Music. Dr. Lanoue received a Masters and Doctorate at the University of Southern California. He studied bassoon with the late Stephen Mayxm, former principal bassoonist of the Metropolitan Opera. Conducting studies were under the batons of Douglas Lowry, former Dean at the Eastman School of Music, and John Barnett, the former associate conductor of the Los Angeles Philharmonic. -
Songs by Title
Songs by Title Title Artist Title Artist #1 Goldfrapp (Medley) Can't Help Falling Elvis Presley John Legend In Love Nelly (Medley) It's Now Or Never Elvis Presley Pharrell Ft Kanye West (Medley) One Night Elvis Presley Skye Sweetnam (Medley) Rock & Roll Mike Denver Skye Sweetnam Christmas Tinchy Stryder Ft N Dubz (Medley) Such A Night Elvis Presley #1 Crush Garbage (Medley) Surrender Elvis Presley #1 Enemy Chipmunks Ft Daisy Dares (Medley) Suspicion Elvis Presley You (Medley) Teddy Bear Elvis Presley Daisy Dares You & (Olivia) Lost And Turned Whispers Chipmunk Out #1 Spot (TH) Ludacris (You Gotta) Fight For Your Richard Cheese #9 Dream John Lennon Right (To Party) & All That Jazz Catherine Zeta Jones +1 (Workout Mix) Martin Solveig & Sam White & Get Away Esquires 007 (Shanty Town) Desmond Dekker & I Ciara 03 Bonnie & Clyde Jay Z Ft Beyonce & I Am Telling You Im Not Jennifer Hudson Going 1 3 Dog Night & I Love Her Beatles Backstreet Boys & I Love You So Elvis Presley Chorus Line Hirley Bassey Creed Perry Como Faith Hill & If I Had Teddy Pendergrass HearSay & It Stoned Me Van Morrison Mary J Blige Ft U2 & Our Feelings Babyface Metallica & She Said Lucas Prata Tammy Wynette Ft George Jones & She Was Talking Heads Tyrese & So It Goes Billy Joel U2 & Still Reba McEntire U2 Ft Mary J Blige & The Angels Sing Barry Manilow 1 & 1 Robert Miles & The Beat Goes On Whispers 1 000 Times A Day Patty Loveless & The Cradle Will Rock Van Halen 1 2 I Love You Clay Walker & The Crowd Goes Wild Mark Wills 1 2 Step Ciara Ft Missy Elliott & The Grass Wont Pay -
The Ultimate Monitoring Experience
The Ultimate Monitoring Experience Revolutionary Monitoring Solution …With Any Monitors “Awesome” Elliot Scheiner – Engineer (Foo Fighters, The Eagles, Steely Dan) Willisoundz II, Nashville, TN 2 There is no more important element in a control room than accurate monitoring. “The PhantomFocus™ System Our experience implementing dozens and dozens of PhantomFocus Systems in every imaginable (PFS™) addresses the sonic control room environment – from bedrooms to response of the Acoustic Trinity™ million-dollar recording complexes of our own — the relationship between the design or others’ – has taught us this: Great Yes Master mastering, Nashville, TN, speakers in a great room do not equal great with Lipinski monitors in a Mid–Field speaker, the listener and the room monitoring. PhantomFocus System — as a single entity, as if it were a new speaker being designed on a The PhantomFocus System is a The award–winning Blue Grotto, Nashville, TN, with Dynaudio M3 and test bench in an audio lab, custom turnkey solution for M1 monitors in a Dual PhantomFocus rendering the ultimate monitoring studios desiring the highest level System experience. Attempting to of monitoring accuracy in their optimize these three elements control room environment – any independently rather than by environment – any speakers! their sum in a monitoring system, Utilizing an amalgam of techniques, is tantamount to acoustic sacrilege proprietary protocols, hardware and software, and challenges the laws of the acclaimed PhantomFocus System is a powerful tool in optimizing monitor systems. physics.” — Carl Tatz Without using any sort of psychoacoustic effects, but rather relying on the laws of Great speakers in a great room do physics and powerful high-resolution digital not equal great monitoring. -
Zhuk Outcover.Indd
The Carl Beck Papers in Russian & East European Studies Sergei I. Zhuk Number 1906 Popular Culture, Identity, and Soviet Youth in Dniepropetrovsk, 1959–84 The Carl Beck Papers in Russian & East European Studies Number 1906 Sergei I. Zhuk Popular Culture, Identity, and Soviet Youth in Dniepropetrovsk, 1959–84 Sergei I. Zhuk is Associate Professor of Russian and East European History at Ball State University. His paper is part of a new research project, “The West in the ‘Closed City’: Cultural Consumption, Identities, and Ideology of Late Socialism in Soviet Ukraine, 1964–84.” Formerly a Professor of American History at Dniepropetrovsk University in Ukraine, he completed his doctorate degree in Russian History at the Johns Hopkins University in 2002 and recently published Russia’s Lost Reformation: Peasants, Millennialism, and Radical Sects in Southern Russia and Ukraine, 1830–1917 (2004). No. 1906, June 2008 © 2008 by The Center for Russian and East European Studies, a program of the University Center for International Studies, University of Pittsburgh ISSN 0889-275X Image from cover: Rock performance by Dniepriane near the main building of Dniepropetrovsk University, August 31, 1980. Photograph taken by author. The Carl Beck Papers Editors: William Chase, Bob Donnorummo, Ronald H. Linden Managing Editor: Eileen O’Malley Editorial Assistant: Vera Dorosh Sebulsky Submissions to The Carl Beck Papers are welcome. Manuscripts must be in English, double-spaced throughout, and between 40 and 90 pages in length. Acceptance is based on anonymous review. Mail submissions to: Editor, The Carl Beck Papers, Center for Russian and East European Studies, 4400 Wesley W. Posvar Hall, University of Pittsburgh, Pittsburgh, PA 15260. -
Aarhus Musikhuset Aarhus
SÆSON 2011-12 aarhus Ny forestilling fra Quorum Balletten Correr o FADO MAMMA MIA! - nu på dansk Beatles-forestillingen Come Together Nyt show med Martin Brygmann Herlig ballet med Bamse og Kylling Emerson String Quartet Mordets Melodi Melissa Horn Dianne Reeves Snehvides Spejl Ny dansk opera Rejs i hele din landsdel for kun 119 kr. t/r Med DSB Orange Sviptur kan du rejse i hele din landsdel for kun 119 kr. t/r. Lørdag kan du rejse på billetten hele dagen, og resten af ugens dage kan du rejse efter kl 16. Køb din billet i automaten eller på sms. Sms [sviptur info] til 1412 og se hvordan Musikhuset Aarhus. side 2 Foto: Steen Larsen-Ledet FØLG OS PÅ NETTET, MØD OS I VIRKELIGHEDEN Denne tid af året er helt speciel for os i Musikhuset Aarhus. Ikke alene den verdensberømte Emerson strygerkvartet samt jazzsangerinden Dianne glæder vi os til forårets komme, men vi glæder os også meget til at præsen- Reeves, der giver julekoncert. tere publikum for en farverig palet af spændende forestillinger til en ny sæson, der strækker sig langt ind i 2012. Hvis bare tre af disse forestillinger frister, kan du med fordel købe et abonnement og opnå rabat. Udbuddet er stort, og det kan måske være svært I år fylder succesmusicalen MAMMA MIA! meget i programfladen, og vi at vælge. Så kig forbi vores hjemmeside, hvor du kan læse mere, se flere bil- kan heldigvis allerede nu konstatere, at interessen for at købe billet til den leder og måske se eller høre et lille klip. Derefter kan du i fred og ro hjemme danske udgave er meget stor. -
Alletiders Melodi Grand Prix
Spillesteder Bredsten Håndværkerhus 1.november 2019 kl. 18:30 Mad og teater 160 kr. billetter Kurt 2891 9046 Givskud Forsamlingshus 2.november 2019 kl. 18:30 Mad og teater 175 kr. billetter Irene 2360 6208 Egtved Idræts og Multicenter 8.november 2019 kl. 18:30 Mad og teater 175 kr. billetter Egtved Lyd&Billede 7555 3565 Nørup Sognegård 9.november 2019 kl.18:30 Mad og teater 175 kr. billetter Dagli´Brugsen Ny Nørup 7588 3038 Tak for støtte til forestillingen Egtved Lyd&Billede Dagli’Brugsen Ny Nørup Dagli’Brugsen Bredsten Givskud Forsamlingshus Nørup og Omegns Kulturforening Musicalakademiet Fredericia Kolding Profiltøj Kirkens Korshær Bredsten Pure-Hair.dk - certificeret Grøn Salon ALLETIDERS MELODI GRAND PRIX Tekst og idé Kevin H. Larsen. Velkommen til et brag af en Melodi Grand Prix kavalkade. Her kommer alle de kendte evergreens, og et par stykker mere, kædet lystigt sammen af vores uforlignelige værter. Vi håber, I vil nyde at være i selskab med os et par timer og syng endelig med. Instruktør: Bobby Munk Vestergaard Larsen Suffli: Hanne Younes, Bettina Alrø Sminke: Sanne Væver, Tobias Væver, Emmelie Væver, Alberte Væver Kostumer: Janne Mejborn Nielsen, Kirsten Jensen Scene: Bobby Munk Vestergaard, Bent Iversen Lyd og lys: Maibritt Vestergaard Iversen, Bent Iversen, Youssef Agerbo Halabi, Kevin H. Larsen Plakat og program: Kirsten Jensen Video: Youssef Agerbo Halabi Sangere Dorthe Salomon Hvid Jette Salomon Jan Christoffersen Anne-Meta Brunsborg Jimmi Jacobsen Værter Anne Kirstine Vestergaard Iversen Søren Kristensen Margrethe Kristensen Jørgen Overgaard Kor og dansepiger Anne-Sofie Laursen Karoline Pearson Fink Stine Aaby Larsen Orkester Klaver: Morten Sandfeld Elwarth Guitar: Ole Schmidt Bas m.m.: Thomas Bové Bølkov Trommer: Kasper Tinggaard Sangene i den rækkefølge de bliver opført i vores udgave af et Melodi Grand Prix • 1957 Skibet skal sejle i nat. -
JAREN 70 Vlaamse En Nederlandse Artiesten V1
Jan 70 - Vlaamse & Nederlandse artiesten en hun songs ALEXANDER CURLY - Guus ALEXANDER CURLY - I'll never drink again ANDRE VAN DUIN - Doorgaan ANDRE VAN DUIN - Willempie ANDRE VAN DUIN - File ANDRE VAN DUIN - Angelique ANITA MEYER - The alternative way ANN CHRISTY - Duizend dromen worden waar ANN CHRISTY - Blij bij jou te zijn ANN CHRISTY - Ik wil dansen ANN CHRISTY - Hold on. ANN CHRISTY - Een woord van liefde ANN CHRISTY - Dag vreemde man ANN CHRISTY - Gelukkig zijn ANN CHRISTY - Ik mis hem zo ANN CHRISTY - Bla bla bla ANN CHRISTY - Zoals een mooi verhaal ANN CHRISTY - In rook vergaan ANN CHRISTY - Bravo ANN CHRISTY - 'k Neem vandaag de trein ANN CHRISTY - Windekind ANN CHRISTY - Oh Boy ANN CHRISTY - Als je wilt zal ik blijven ANN SOETAERT - Weet je, weet je ARNE JANSEN - Meisjes met rode haren ASTRID NIJGH - Liefde is geen simpel spel ASTRID NIJGH - Ik doe wat ik doe ASTRID NIJGH - Mensen zijn je beste vrienden BABE - Bouzouki player BARBARA NIELSEN - In het stamcafeetje BARRY & EILEEN - If you go BEN CRAMER - De clown BENNY NEYMAN - Onze straat BENNY NEYMAN - 15 jaar BENNY NEYMAN - Schaam je dame BERT DE CONINCK - Greetje BERT DE CONINCK - Evelyne BERT DE CONINCK & FRAN - Johnny BIG BILL - Ene mee hesp BIZJOE - Rijden BIZJOE - O m'n liefje BOBBY PRINS - Sancta Maria BOBBY RANGER - Klappen, stampen, fluiten BOLLAND & BOLLAND - Spaceman BONNIE ST. CLAIRE - Dokter Bernard (Sister Mary) BONNIE ST. CLAIRE & UNIT GLORIA - Clap your hands and stamp your feet BOTS - Zeven dagen lang BOTS - De man BOUDEWIJN DE GROOT - Kinderballade BOUDEWIJN DE GROOT - Apocalyps BOUDEWIJN DE GROOT - Ik zal je iets vertellen BOUDEWIJN DE GROOT - Parijs, Berlijn, Madrid BOUDEWIJN DE GROOT - Wat geweest is, is geweest BOUDEWIJN DE GROOT - Tante Julia BOUDEWIJN DE GROOT - Jimmy BOUDEWIJN DE GROOT - Een respectabel man BOUDEWIJN DE GROOT - Ik ben ik. -
American Songbook
Shocking Blue in 1970 American Songbook ‘Het nummer Venus zou het drie keer tot nummer één in de Venus Amerikaanse hitparade schoppen’ In American Songbook nemen we evergreens, muzikale iconen en songs, Kijkend naar een goed gesprek met Shocking Blue zangeres Mariska Veres is teruggaan in de die een tijdgeest belichamen onder de loep. Wie op een roadtrip door de tijd naar terug in de tijd. Een broodnuchtere vrouw, met een dode kat met stroboscoopogen Verenigde Staten een rockstation opzoekt, heeft kans de horizon tegemoet om haar nek, wordt geïnterviewd door een ontwapenende jongeman. Deze vraagsteller te rijden onder begeleiding van de stem van Mariska Veres met dat blijkt geen oor te hebben voor primeurs. Pri- meurs gedeeld door een beschonken drummer wereldberoemde deuntje: Venus. die denkt dat hij zijn mond voorbijpraat, maar zijn geheimen mixt alsof het cocktails zijn. Het Een nummer dat zelfs driemaal op is 1988. Welkom in De (wondere) Wereld van Boudewijn Büch. nummer één in de Amerikaanse Trut hitlijsten zou prijken. De drie hoofdrolspelers in bovenstaande aflevering van het VARA-programma zijn TEKST ROBERT DE KONING (JOURNEYLISM.NL) inmiddels overleden. Net als de tijd waarover ze FOTOGRAFIE WIKIMEDIA COMMONS praten. Een tijd waarin plagiaat inspiratie werd genoemd. Waarin de manager zonder blikken of blozen over de zangeres van een wereldhit kon De single Venus is echt stukgedraaid zeggen “Als Mariska maar taartjes kan kopen, 72 ZOMER 2019 AmericanS thee kan drinken en kan borduren, dan is ze wel tevreden.” Een tijd waarin je na een maanden- lange tour door de VS weer thuis bij je ouwelui in de pan keek om te zien wat de pot schaftte: “Ik dronk alleen thee en jus d’orange en kon niet tegen drugs. -
Pirates' $10 Million Haul U
JEMPHISir A BILLBOARD SPOTLIGHT r-r^'TTR c `r SECTION COIN MACHINE MARCH 29, 1969 $1.00 PAGES TWO SECTIONS SECTION I 49 TO 54 The A/o r'3 International Music -Record Newsweekly GRT in 1 -Fold Pirates' $10 Million Haul U. S. Car Mart By BRUCE WEBER LOS ANGELES Contract With - Music sales manager of Robbins, Feist, strument representatives for publishers are losing more than Miller. counterfeit product. Breakthrough $10 million a year to illegal The forged music "The worst offenders book and books, often are or- sheet music counter- peddled by traveling gan teachers, professional feiters. salesmen mu- Gamble & Huff or sold under-the-counter at mu- sic studios and musical instru- "Sheet and book music pi- For sic stores, sell in a loose-leaf ment jobbers," said Steiger. "We Cassettes By rates have been active MIKE GROSS for 30 binder for $15-$25 for 1,000 (The Big Three) prosecute every years because copyright laws By HANK FOX are songs, most of which are case our investigators NEW YORK GRT fur- not severe incom- uncover." - enough to halt the plete. The Big The Big ther solidified its foothold in the Three, which pub- Three sells product NEW YORK-The cassette practice," said Herman Steiger, lishes about (Continued recording field by wrapping up 52 hardbound folios on page 15) system will establish a beach- a year, sells its head in a deal with independent pro- books for $1.50- the U. S. automobile $3.95 for 15 IIII I IIII I Ildl I I I IIIIII1mINIIIIIIIII market this to IIIII I I I I I I I I I I 30 I summer when ducers Gamble and Huff that complete III I11111111IIIIIIIIIIOIIIIII111 Mer- songs. -
Singles 1970 to 1983
AUSTRALIAN RECORD LABELS PHILIPS–PHONOGRAM 7”, EP’s and 12” singles 1970 to 1983 COMPILED BY MICHAEL DE LOOPER © BIG THREE PUBLICATIONS, APRIL 2019 PHILIPS-PHONOGRAM, 1970-83 2001 POLYDOR, ROCKY ROAD, JET 2001 007 SYMPATHY / MOONSHINE MARY STEVE ROWLAND & FAMILY DOGG 5.70 2001 072 SPILL THE WINE / MAGIC MOUNTAIN ERIC BURDON & WAR 8.70 2001 073 BACK HOME / THIS IS THE TIME OF THE YEAR GOLDEN EARRING 10.70 2001 096 AFTER MIDNIGHT / EASY NOW ERIC CLAPTON 10.70 2001 112 CAROLINA IN MY MIND / IF I LIVE CRYSTAL MANSION 11.70 2001 120 MAMA / A MOTHER’S TEARS HEINTJE 3.71 2001 122 HEAVY MAKES YOU HAPPY / GIVE ‘EM A HAND BOBBY BLOOM 1.71 2001 127 I DIG EVERYTHING ABOUT YOU / LOVE HAS GOT A HOLD ON ME THE MOB 1.71 2001 134 HOUSE OF THE KING / BLACK BEAUTY FOCUS 3.71 2001 135 HOLY, HOLY LIFE / JESSICA GOLDEN EARING 4.71 2001 140 MAKE ME HAPPY / THIS THING I’VE GOTTEN INTO BOBBY BLOOM 4.71 2001 163 SOUL POWER (PT.1) / (PTS.2 & 3) JAMES BROWN 4.71 2001 164 MIXED UP GUY / LOVED YOU DARLIN’ FROM THE VERY START JOEY SCARBURY 3.71 2001 172 LAYLA / I AM YOURS DEREK AND THE DOMINOS 7.72 2001 203 HOT PANTS (PT.1) / (PT.2) JAMES BROWN 10.71 2001 206 MONEY / GIVE IT TO ME THE MOB 7.71 2001 215 BLOSSOM LADY / IS THIS A DREAM SHOCKING BLUE 10.71 2001 223 MAKE IT FUNKY (PART 1) / (PART 2) JAMES BROWN 11.71 2001 233 I’VE GOT YOU ON MY MIND / GIVE ME YOUR LOVE CAROLYN DAYE LTD. -
RIS299505 Bijlage Position Paper Het Popmuseum
Het Popmuseum Position Paper ‘Het Popmuseum’ Den Haag 1 maart 2018 Inhoud Voorwoord ........................................................................ 5 1. Inleiding ........................................................................ 6 2. Van Museum RockArt naar Het Popmuseum ......... 7 Mission statement 7 Het Popmuseum, Den Haag 7 Museum RockArt 7 Doelstellingen Het Popmuseum 8 Huidige situatie 7 Doelgroepen 8 3. Cultuurbeleid Den Haag ........................................... 9 Draagvlak Popmuseum 9 Beleving Popmuziek: online én offline 11 POP Experience Scheveningen, 2009 9 Talentontwikkeling 11 Politiek draagvlak anno 2018 10 Imago van de stad 12 Popnota B&W Den Haag, 2017 10 Economische betekenis 12 Locatie 10 Media-aandacht 2005 – 2017 12 Betekenis van Het Popmuseum 11 voor Den Haag 4. Opzet museum ............................................................ 13 Algemeen 13 Interactief en eigentijds 15 Collectie 13 Digitalisering 15 Huidige activiteiten Museum RockArt 14 Educatie 15 Publieksgroepen 14 Mediawaarde 16 Tentoonstellingen 14 Online 16 5. Nevenactiviteiten Het Popmuseum ......................... 17 Poppodium 17 Muziekbibliotheek 17 Café 17 Samenwerken 17 Shop 17 Ambassadeurs 18 6. Businessmodel & Organisatievorm ........................ 19 Businessmodel 19 Planning 19 Organisatievorm 19 Slotwoord ........................................................................20 Bijlages ............................................................................. 21 Bijlage I 21 Bijlage III 25 Beschrijving collectie