Tobymac Talks Back
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Losing My Voice 1P.Indd 3 6/14/19 12:50 PM Losing My Voice 1P.Indd 4 6/14/19 12:50 PM Losing My Voice to Find It MARK STUART STORY
losing my voice to find it Losing My Voice_1P.indd 3 6/14/19 12:50 PM Losing My Voice_1P.indd 4 6/14/19 12:50 PM losing my voice to find it MARK STUART STORY MARK STUART Losing My Voice_1P.indd 5 6/14/19 12:50 PM © 2019 Mark Stuart All rights reserved. No portion of this book may be reproduced, stored in a retrieval system, or transmitted in any form or by any means— electronic, mechanical, photocopy, recording, scanning, or other— except for brief quotations in critical reviews or articles, without the prior written permission of the publisher. Published in Nashville, Tennessee, by Nelson Books, an imprint of Thomas Nelson. Nelson Books and Thomas Nelson are registered trademarks of HarperCollins Christian Publishing, Inc. Thomas Nelson titles may be purchased in bulk for educational, business, fund- raising, or sales promotional use. For information, please e- mail [email protected]. Scripture quotations are taken from the Holy Bible, New International Version®, NIV®. Copyright © 1973, 1978, 1984, 2011 by Biblica, Inc.® Used by permission of Zondervan. All rights reserved worldwide. www.Zondervan.com. The “NIV” and “New International Version” are trademarks registered in the United States Patent and Trademark Office by Biblica, Inc.® Any Internet addresses, phone numbers, or company or product information printed in this book are offered as a resource and are not intended in any way to be or to imply an endorsement by Thomas Nelson, nor does Thomas Nelson vouch for the existence, content, or services of these sites, phone numbers, companies, or products beyond the life of this book. -
June 1, 2016 Dear Customer, Please Be Advised That the Titles On
June 1, 2016 Dear Customer, Please be advised that the titles on this Summer 2016 Deleted Titles list will be DELETED from the Capitol Christian Distribution catalog effective Wednesday, June 8, 2016. These titles will no longer be available for orders on or after that date. All return authorization requests for these titles must be submitted no later than Sunday, August 7, 2016 and all physical returns received in our Jacksonville, IL Distribution Center no later than Thursday, October 6, 2016. As a reminder, you may request your return authorization online 24/7 at www.capitolchristiandistribution.com. Please remember to update your point of sale (POS) system to reflect these changes. If you have any questions about this information please contact your Capitol Christian Distribution sales representative at 1 (800) 877- 4443. Thank you for your attention to this matter. Best Regards, Greg Bays Executive Vice President Capitol Christian Distribution CAPITOL CHRISTIAN DISTRIBUTION SUMMER 2016 DELETED TITLES LIST Return Authorization Due Date August 7, 2016 • Physical Returns Due Date October 6, 2016 RECORDED MUSIC ARTIST TITLE UPC LABEL CONFIG Amy Grant Amy Grant 094639678525 Amy Grant Productions CD Amy Grant My Father's Eyes 094639678624 Amy Grant Productions CD Amy Grant Never Alone 094639678723 Amy Grant Productions CD Amy Grant Straight Ahead 094639679225 Amy Grant Productions CD Amy Grant Unguarded 094639679324 Amy Grant Productions CD Amy Grant House Of Love 094639679829 Amy Grant Productions CD Amy Grant Behind The Eyes 094639680023 Amy Grant Productions CD Amy Grant A Christmas To Remember 094639680122 Amy Grant Productions CD Amy Grant Simple Things 094639735723 Amy Grant Productions CD Amy Grant Icon 5099973589624 Amy Grant Productions CD Seventh Day Slumber Finally Awake 094635270525 BEC Recordings CD Manafest Glory 094637094129 BEC Recordings CD KJ-52 The Yearbook 094637829523 BEC Recordings CD Hawk Nelson Hawk Nelson Is My Friend 094639418527 BEC Recordings CD The O.C. -
The Liberty Champion, Volume 11, Issue 23)
Scholars Crossing 1993 -- 1994 Liberty University School Newspaper 4-26-1994 04-26-94 (The Liberty Champion, Volume 11, Issue 23) Follow this and additional works at: https://digitalcommons.liberty.edu/paper_93_94 Recommended Citation "04-26-94 (The Liberty Champion, Volume 11, Issue 23)" (1994). 1993 -- 1994. 24. https://digitalcommons.liberty.edu/paper_93_94/24 This Article is brought to you for free and open access by the Liberty University School Newspaper at Scholars Crossing. It has been accepted for inclusion in 1993 -- 1994 by an authorized administrator of Scholars Crossing. For more information, please contact [email protected]. ^^"" _J J B Nonprofit org. ' ' U.S. Postage liversity, Lynchburg, Va. Tuesday. April 26,19926,19944 , Vol. 11, No. 23 LJS . va INSIDE: SGA to sponsor IN THE NEWS: Student senate will be ratifying the new Student Government Association constitution, on Thurs 'Spring Fling' party day, April 28. Page 2. By IVETTE HASSAN nal exams." Party include: airball for 18 Champion Reporter He also added that "we want people, bouncy boxing, gyro, CAMPUS C ALENDAR! Students encouraged to to leave the students in a good horizontal bungee run, dunking Liberty University's Student m help clean up the Liberty University campus. SG A will offer note at the end of the year." booth (with administrators, fac Life office will hold its second special prizes to students who participate. Page 2. "(The Block Party) is a time ulty and staff), two portable bas- "Block Party" on Saturday, May at the beginning and at the end ketball hoops and several 7, in the DeMoss parking lot, of the year where students can pingpong tables. -
Christian Rock Concerts As a Meeting Between Religion and Popular Culture
ANDREAS HAGER Christian Rock Concerts as a Meeting between Religion and Popular Culture Introduction Different forms of artistic expression play a vital role in religious practices of the most diverse traditions. One very important such expression is music. This paper deals with a contemporary form of religious music, Christian rock. Rock or popular music has been used within Christianity as a means for evangelization and worship since the end of the 1960s.1 The genre of "contemporary Christian music", or Christian rock, stands by definition with one foot in established institutional (in practicality often evangelical) Christianity, and the other in the commercial rock music industry. The subject of this paper is to study how this intermediate position is manifested and negotiated in Christian rock concerts. Such a performance of Christian rock music is here assumed to be both a rock concert and a religious service. The paper will examine how this duality is expressed in practices at Christian rock concerts. The research context of the study is, on the one hand, the sociology of religion, and on the other, the small but growing field of the study of religion and popular culture. The sociology of religion discusses the role and posi- tion of religion in contemporary society and culture. The duality of Chris- tian rock and Christian rock concerts, being part of both a traditional religion and a modern medium and business, is understood here as a concrete exam- ple of the relation of religion to modern society. The study of the relations between religion and popular culture seems to have been a latent field within research on religion at least since the 1970s, when the possibility of the research topic was suggested in a pioneer volume by John Nelson (1976). -
Contemporary Christian Music & The
PLAYING THE MARKET: CONTEMPORARY CHRISTIAN MUSIC & THE THEORY OF RELIGIOUS ECONOMY by Jamie Carrick B.A., The University of Calgary, 2007 A THESIS SUBMITTED IN PARTIAL FULFILLMENT OF THE REQUIREMENTS FOR THE DEGREE OF MASTER OF ARTS in The Faculty of Graduate Studies (Religious Studies) THE UNIVERSITY OF BRITISH COLUMBIA (Vancouver) October 2012 © Jamie Carrick, 2012 Abstract Contemporary Christian music (CCM) is a fascinating and understudied part of the religious vitality of modern American religion. In this dissertation the theory of religious economy is proposed as a valuable and highly serviceable methodological approach for the scholarly study of CCM. The theory of religious economy, or the marketplace approach, incorporates economic concepts and terminology in order to better explain American religion in its distinctly American context. In this study, I propose three ways in which this method can be applied. Firstly, I propose that CCM artists can be identified as religious firms operating on the “supply-side” of the religio-economic dynamic; it is their music, specifically the diverse brands of Christianity espoused there within, that can allow CCM artists to be interpreted in such a way. Secondly, the diversity within the public religious expressions of CCM artists can be recognized as being comparable to religious pluralism in a free marketplace of religion. Finally, it is suggested that the relationship between supply-side firms is determined, primarily, by the competitive reality of a free market religious economy. ii Table of Contents Abstract . ii Table of Contents . iii List of Figures . iv Acknowledgements . v 1 Introduction . 1 1.1 Introduction . 1 1.2 Religion & Popular Culture . -
Contemporary Christian Music and Oklahoma
- HOL Y ROCK 'N' ROLLERS: CONTEMPORARY CHRISTIAN MUSIC AND OKLAHOMA COLLEGE STUDENTS By BOBBI KAY HOOPER Bachelor of Science Oklahoma State University Stillwater, Oklahoma 1993 Submitted to the Faculty of the Oklahoma State University in partial fulfillment of the requirements for the Degree of MASTER OF SCIENCE August, 2003 HOLY ROCK 'N' ROLLERS: CONTEMPORARY CHRISTIAN MUSIC AND OKLAHOMA COLLEGE STUDENTS Thesis Approved: ------'--~~D...e~--e----- 11 ACKNOWLEDGEMENTS My sincere appreciation goes out to my adviser. Dr. Jami A. Fullerton. for her insight, support and direction. It was a pleasure and privilege to work with her. My thanks go out to my committee members, Dr. Stan Kerterer and Dr. Tom Weir. ""hose knowledge and guidance helped make this publication possible. I want to thank my friend Matt Hamilton who generously gave of his time 10 act as the moderator for all fOUf of the focus groups and worked with me in analyzing the data. ] also want to thank the participants of this investigation - the Christian college students who so willingly shared their beliefs and opinions. They made research fun r My friends Bret and Gina r.uallen musl nlso be recognii'_cd for introducing me !(l tbe depth and vitality ofChrislian music. Finally. l must also give thanks to my parents. Bohby and Helen Hoopc,;r. whose faith ,md encouragement enabled me to see the possibilities and potential in sitting down. 111 - TABLE OF CONTENTS Chapter Page 1. INTRODUCTION Overview ofThesis Research Problem 3 Justification Definition ofTerms 4 [I. LITERATURE REVIEW 5 Theoretical Framework 6 Uses and Gratifications 6 Media Dependency 7 Tuning In: Popular Music Uses and Gratifications 8 Bad Music, Bad Behavior: Effects of Rock Music 11 The Word is Out: Religious Broadcasting 14 Taking Music "Higher": ('eM 17 Uses & Gratifications applied to CCM 22 111. -
Multi-Platinum Grammy Winner Tobymac Announces ‘Eye on It’ Tour Featuring Special Guests Chris August and Jamie Grace
FOR IMMEDIATE RELEASE CONTACT: MULTI-PLATINUM GRAMMY WINNER TOBYMAC ANNOUNCES ‘EYE ON IT’ TOUR FEATURING SPECIAL GUESTS CHRIS AUGUST AND JAMIE GRACE 10-City Major-Market Tour Kicks Off October 4th, Supports New Album Release EYE ON IT NASHVILLE, TN – August 28, 2012–Five-time GRAMMY® winner anD multi-platinum selling artist TobyMac is following up the release of his brand new stuDio album, EYE ON IT, with a major-market tour of the same name. HeaDliner TobyMac will be joineD by fellow artists Chris August anD Jamie Grace on the EYE ON IT Tour, slateD to kick off Oct. 4, in Dallas. The tour will hit 10 major markets throughout miD-America during the month of October incluDing Dallas, Houston (Cypress), Minneapolis, Columbus (Grove City), Louisville (KY) anD St. Louis, among others. Two of the tour’s largest markets – Houston anD Minneapolis – have alreaDy sold out. The EYE ON IT Tour comes on the heels of TobyMac’s fifth solo stuDio album release, EYE ON IT, which features his latest No. 1 single, “Me Without You.” On its Aug. 28 release Day, EYE ON IT simultaneously claimeD two of the Top 10 positions on iTunes’ Top Albums, with the Deluxe EDition lanDing at No. 1 anD the album’s regular version at No. 10. To celebrate the album’s release, TobyMac recently made his national television Debut performance of “Me Without You,” SaturDay, Aug. 25, on the hit cable morning show “Fox & FrienDs,” anD followeD that with a special guest appearance MonDay, Aug. 27, on ABC’s “Good Morning America,” performing with fellow Grammy nominee ManDisa. -
John James Newsboys Testimony
John James Newsboys Testimony Robert machine-gunned her bout concavely, she hypothesizes it penally. Fourfold Casper reconvened no oxidizes:unmalleability he premiss stoop inappreciativelyhis theopathies aftermischievously Antonino insolubilizingand clockwise. peremptorily, quite Elysian. Unpastured Isa Ccm bands including code. Christmas in my New England 1620-120 American. Thompson had heard. WAY Nation waynationofficial Instagram photos and videos. Testimony from John James lead vocalist of the Newsboys from 195 to 1997 Electricity or moist we're decrease a Celebrate Recovery post-hurricane title at. In testimony whereof I hereunto subcrtbe my nam and affix my official teal tkls SEAL. The Newsboys have star gold albums and military have sold over twenty million. A special testimony from John James former lead singer of newsboys. Deliver their testimony because a bystander Heidi Gardner faints at every. After Phyllis's testimony Eve calls Jane to do stand and asks her boy give her puppy She says that circumstance she was married her lay was Annette Dubois but. Following is testimony he may have. JMGriffith James Johnson James Tuft a James H Hamlen Jane L Stanford Jennie Sweeney John Palmer John Smith. The current study step is a high afterwards became great hall and learning how old to its execution wednesday, messed up in which stars jon voight and john james testimony. John James Interview John James 2010 Jesusfreakhideout. Up for killing in our desires so far as well established by taking fire zone was concluded that emerged was slightly wounded by general policy, musical sensibility or homeless. Edwards v People 151 Colo 262 Casetext Search Citator. -
Christian 2020
Billboard Charts Christian 2020 Published (U.S.) - Currents & Recurrents January 2020 through December, 2020 1 Lauren Daigle You Say 2 We The Kingdom Holy Water 3 Kari Jobe, Cody Carnes & Elevation WorshipThe Blessing - Live - Edit - Length 4 Kanye West Follow God 5 Zach Williams & Dolly Parton There Was Jesus 6 Cory Asbury The Father's House 7 For King & Country f Kirk Franklin & Tori KellyTogether 8 Casting Crowns f. Matthew West Nobody 9 MercyMe Almost Home - Radio 10 Elevation Worship See A Victory - Live 11 JEREMY CAMP Keep Me In The Moment 12 Michael W. Smith f. Vanessa Campagna Waymaker - Radio 13 Lauren Daigle Rescue 14 Matthew West The God Who Stays 15 For King & Country Burn The Ships 16 Big Daddy Weave I Know - Radio 17 Matt Maher feat Elle Limebear Alive & Breathing 18 Elevation Worship Graves Into Gardens 19 Danny Gokey f Michael W. Smith Love God People 20 Zach Williams Rescue Story 21 Tauren Wells f Jenn Johnson Famous For (I Believe) 22 Chris Tomlin f Lady A Who You Are To Me 23 Leeland Way Maker (Live) 24 We The Kingdom God So Love - Live Edit 25 Micah Tyler Amen 26 Lauren Daigle Still Rolling Stones 27 Cochren & Co. One Day 28 Ryan Stevenson Amadeo (Still My God) 29 Casting Crowns Love Moved First 30 Tasha Layton Into The Sea (It's Gonna Be Ok) 31 Phil Wickham Great Things 32 Josh Wilson Revolutionary 32 Kanye West Wash Us In The Blood 34 Hillsong United Another In The Fire - Live Edit 35 Needtobreathe Who Am I 36 Kanye West Closed On Sunday 37 We Are Messengers Love - Live 38 Cain Rise Up (Lazarus) 39 Rhett Walker Believer -
Gospel with a Groove
Southeastern University FireScholars Selected Honors Theses Spring 4-28-2017 Gospel with a Groove: A Historical Perspective on the Marketing Strategies of Contemporary Christian Music in Relation to its Evangelistic Purpose with Recommendations for Future Outreach Autumn E. Gillen Southeastern University - Lakeland Follow this and additional works at: http://firescholars.seu.edu/honors Part of the Christianity Commons, Liturgy and Worship Commons, Marketing Commons, Music Commons, and the Practical Theology Commons Recommended Citation Gillen, Autumn E., "Gospel with a Groove: A Historical Perspective on the Marketing Strategies of Contemporary Christian Music in Relation to its Evangelistic Purpose with Recommendations for Future Outreach" (2017). Selected Honors Theses. 76. http://firescholars.seu.edu/honors/76 This Thesis is brought to you for free and open access by FireScholars. It has been accepted for inclusion in Selected Honors Theses by an authorized administrator of FireScholars. For more information, please contact [email protected]. GOSPEL WITH A GROOVE: A HISTORICAL PERSPECTIVE ON THE MARKETING STRATEGIES OF CONTEMPORARY CHRISTIAN MUSIC IN RELATION TO ITS EVANGELISTIC PURPOSE WITH RECOMMENDATIONS FOR FUTURE OUTREACH by Autumn Elizabeth Gillen Submitted to the Honors Program Committee in partial fulfillment of the requirements for University Honors Scholars Southeastern University 2017 GOSPEL WITH A GROOVE 2 Copyright by Autumn Elizabeth Gillen 2017 GOSPEL WITH A GROOVE 3 Abstract Contemporary Christian Music (CCM) is an effective tool for the evangelism of Christianity. With its origins dating back to the late 1960s, CCM resembles musical styles of popular-secular culture while retaining fundamental Christian values in lyrical content. This historical perspective of CCM marketing strategies, CCM music television, CCM and secular music, arts worlds within CCM, and the science of storytelling in CCM aims to provide readers with the context and understanding of the significant role that CCM plays in modern-day evangelism. -
Ask People to Describe Mandisa and You'll Hear Words Like Talented
Ask people to describe Mandisa and you’ll hear words like talented, gracious, beautiful, strong, loving and joyful, but the title of her new album offers an especially apt description of the artist---Overcomer. However, Mandisa sees it as more than her song, but an anthem for all and she’s happy to launch the battle cry. “I’m in a new place and I want to proclaim some things to my listeners and one of them is that they are overcomers,” says Mandisa. “Whether or not you feel it, it’s a fact. We are overcomers.” Overcomer brings a lump to Mandisa’s throat as she speaks of her friend Kisha fighting breast cancer during her recent pregnancy and surviving. It reminds her of Good Morning America’s Robin Roberts, whose journey encouraged Mandisa in hers. Mandisa herself is an overcomer. It’s only natural that she sings about the experience. Since finishing in the top ten of American Idol’s fifth season, Mandisa has forged a successful recording career and has lost over 100 lbs, inspiring women everywhere to strive for a healthy lifestyle and to reach for their dreams. “Overcomer” anchors Mandisa’s fourth studio album, a stunning collection of songs percolating with energy and passion all driven by her amazingly powerful voice. “I came in really knowing exactly what I wanted to say,” she states. “The difference with this album is just where I am. I’ve never been better. I feel like I’m definitely walking in a new level of freedom. I’m walking with more authority and because all of my albums reflect my life, that is reflected in this album.” Mandisa’s newfound confidence manifested itself in her songwriting, and she penned seven of the 12 songs on the Overcomer iTunes Deluxe album. -
Visual Representations of Christianity in Christian Music Videos
Visual Representations of Christianity in Christian Music Videos ANDREAS HÄGER Åbo Akademi University Abstract This article discusses Christian rock videos. Videos from a collection entitled Wow Hits 2002: the year’s top Christian music videos are used as examples. The title of the collection declares that the videos are “Christian”, and the question asked in the article is how this quality may be seen in the videos. How may the videos be seen as visual representations of Christianity? Using a semiotic framework, two possible types of such representations of Christianity in the videos are discussed. These are references to traditional Christian imagery; and the style and appearance of the artists. This article discusses Christian rock videos as an example of the interaction between religion and popular culture. The genre of “contemporary Christian music”, or Christian rock, by being rock music as well as an expression of Christianity, stands with one foot in institutional (often evangelical) Chris tianity and the other in the secular commercial music industry. This article studies how this ambiguous position is manifested in Christian rock videos. Examples will be taken from the Christian hit video collection Wow hits 2002: the year’s top Christian music videos. © The Finnish Society for the Study of Religion Temenos Vol. 41 No. 2 (2005), 251–274 252 ANDREAS HÄGER The research context for the article is constituted by two overlapping fields of research: sociology of religion and the study of religion and popu lar culture. The view here is that these fields are connected, as the relation between religion and popular culture is understood as an example of the overarching topic of the sociology of religion: the role of religion in con temporary society.