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Connie Willis the Owl by Conrad Williams a Home in the Dark by David J TABLE OF CONTENTS Issue 15, December 2013 FROM THE EDITOR Editorial, December 2013 FICTION 57 Reasons for the Slate Quarry Suicides by Sam J. Miller Distress Signal by Connie Willis The Owl by Conrad Williams A Home in the Dark by David J. Schow NONFICTION The H Word: Babes in the Wilderness by Laird Barron Artist Gallery: Łukasz Jaszak Artist Spotlight: Łukasz Jaszak Interview: Joe R. Lansdale AUTHOR SPOTLIGHTS Sam J. Miller Connie Willis Conrad Williams David J. Schow MISCELLANY Coming Attractions Subscriptions & Ebooks About the Editor © 2013 Nightmare Magazine Cover Art by Łukasz Jaszak www.nightmare-magazine.com Editorial, December 2013 John Joseph Adams Welcome to issue fifteen of Nightmare! Before we get to our stories, just a reminder that over in the Nightmare ebookstore (nightmare- magazine.com/store), I wanted to point out that we currently have the following ebook bundles available: Nightmare (Issues 1-6) - $14.99 Nightmare (Issues 7-12) - $14.99 Nightmare (Year One: Issues 1-12) - $24.99 Buying a Bundle gets you a copy of every issue published during the named period. Buying either of the half-year Bundles saves you $3 (so you’re basically getting one issue for free), or if you spring for the Year One Bundle, you’ll save $11 off the cover price. So if you need to catch up on Nightmare, that’s a great way to do so. Of course, if you don’t want to buy a Bundle, you can also just purchase an individual ebook issue, or if you’d like to subscribe directly from us, you can do that too. All purchases from the Nightmare store are provided in both epub and mobi format. Visit nightmare- magazine.com/subscribe to learn more about all of our subscription options. * * * * With our announcements out of the way, here’s what we’ve got on tap this month: We have original fiction from Sam J. Miller (“57 Reasons for the Slate Quarry Suicides”) and David J. Schow (“A Home in the Dark”), along with reprints by Connie Willis (“Distress Call”) and Conrad Williams (“The Owl). We also have the latest installment of our column on horror, “The H Word,” plus author spotlights with our authors, a showcase on our cover artist, and a feature interview with master of horror Joe R. Lansdale. That’s about all I have for you this month, but before I step out of your way and let you get to the fiction, here are a few URLs you might want to check out or keep handy if you’d like to stay apprised of everything new and notable happening with Nightmare: Website www.nightmare-magazine.com Newsletter www.nightmare-magazine.com/newsletter RSS Feed www.nightmare-magazine.com/rss-2 Podcast Feed www.nightmare-magazine.com/itunes-rss Twitter www.twitter.com/nightmaremag Facebook www.facebook.com/NightmareMagazine Subscribe www.nightmare-magazine.com/subscribe Thanks for reading! John Joseph Adams, in addition to serving as publisher and editor of Nightmare (and its sister magazine, Lightspeed), is the bestselling editor of many anthologies, such as The Mad Scientist’s Guide to World Domination, Oz Reimagined, Epic: Legends of Fantasy, Other Worlds Than These, Armored, Under the Moons of Mars: New Adventures on Barsoom, Brave New Worlds, Wastelands, The Living Dead, The Living Dead 2, By Blood We Live, Federations, The Improbable Adventures of Sherlock Holmes, and The Way of the Wizard. He is a six-time finalist for the Hugo Award and a five-time finalist for the World Fantasy Award. He is also the co-host of Wired.com’s The Geek’s Guide to the Galaxy podcast. Find him on Twitter @johnjosephadams. 57 Reasons for the Slate Quarry Suicides Sam J. Miller 1. Because it would take the patience of a saint or Dalai Lama to smilingly turn the other cheek to those six savage boys day after day, to emerge unembittered from each new round of psychological and physical assaults; whereas I, Jared Shumsky, aged sixteen, have many things, like pimples and the bottom bunk bed in a trailer, and clothes that smell like cherry car air fresheners, but no particular strength or patience. 2. Because God, or the universe, or karma, or Charles Darwin, gave me a different strength, one that terrified me until I learned what it was, and how to control it, and how to use it as the instrument of my brutal and magnificent and long-postponed vengeance. 3. Because I loved Anchal, with the fierceness and devotion that only a gay boy can feel for the girl who has his back, who takes the Cosmo sex quiz with him, who listens to his pointless yammerings about his latest crush, who puts herself between him and his bullies so often that the bullies’ wrath is ultimately re-routed onto her. 4. Because after the Albany Academy swim meet, while I was basking in the bliss of a shower that actually spouts hot water—a luxury our backwoods public school lacks— I was bodily seized by my six evil teammates, and dragged outside, and deposited there in the December cold, naked, wet, spluttering, pounding on the door, screaming, imagining hypothermia, penile frostbite, until the door opened, and an utterly uninterested girl opened the door and let me in and said, “Jeez, calm down.” 5. Because it’s not so simple as evil bullies in need of punishment; because their bodies were too beautiful to hate and their eyes too lovely to simply gouge out; because every one of them was adorable in his own way, but they all had the musculature and arrogance of Olympic swimmers, which I lacked, being only five-six of quivery scrawn; because I loved swimming too much to quit the team—the silence of the water and how alone you were when you were in it, the caustic reek of chlorine and the twilight bus rides to strange schools and the sight of so much male skin; and because of those moments, on the ride home from Canajoharie or Schaghticoke or Albany, in the rattling, medicine-smelling short bus normally reserved for the mentally challenged, with the coach snoring and everyone else asleep or staring out the window watching the night roll by, when I was part of the team, when I was connected to people; when I belonged somewhere. 6. Because I had spent the past six months practicing; on animals at first, and after the first time I tried it on my cat she shrieked and never came near me again, but my dog was not so smart, and even though his eyes showed raw animal panic while I was working him he kept coming back every time I took my hand away and released him, and pretty soon working the animals was easy, the field of control forming in the instant my fingertips touched them, their brains like switches I could turn off and on at will, turning their bodies into mirrors for my own, but I still couldn’t figure out a way to harm them. 7. Because once, while she slept, in my basement, engorged on candy and gossip and bad television, I tried my gift on Anchal, and it was much harder on a human, because she was so much bigger and her brain so much more complex and therefore more difficult to disable, and even though I tried to only do things that would not disturb her, her eyes fluttered open and then immediately narrowed in suspicion and fear, the wiser animal part of her brain recognizing me as a threat before the dumb easily-duped mammalian intellect intervened and said, no, wait, this is your friend, he would never do anything to hurt you, and she smiled a blood-hungry smile and leaned forward and said, “How the hell did you do that?” 8. Because Mrs. Burgess assigned us Edgar Allan Poe’s “Hop-Frog” for English class, which helped my vengeance take shape, and because none of the boys had read it. 9. Because Anchal did read it, and came to me, after school, eyes all laughing fire at the ideas the protagonist gave her—Hop-Frog, that squat, deformed little dwarf who murdered the cruel king and his six fat ministers in a dazzling spectacle of burned flesh and screaming death, and her excitement was infectious, and we worked on my gift for hours, until turning her into a puppet was as easy as believing she was one. 10. Because Carrie came on television that same night. 11. Because I am an idiot who still hasn’t learned how stories and movies mislead us, showing us how things ought to end up, which is never how they do; and because stories are oracles whose prophecies we can’t unravel until it is too late. 12. Because Anchal worked long and hard on the revenge scenario, sketching out all the ways my gift could be used to cause maximum devastation, all the ways we could transform our enemies into an ugly spectacle that would show the whole world what monsters they truly were. 13. Because I didn’t listen when she said we would have to kill them, that they were sick sons of bitches and would never stop being sick sons of bitches. Because I still believed that they could be mine. 14. Because Anchal, equal parts Indian and Indian— Native American and Hindu—always smelled like wood smoke, lived with her Cherokee mom in a tiny house barely better than a cabin, and so I thought that she was invincible, heiress to noble, durable traditions far better than my own impoverished Caucasian ones, and that she could survive whatever the world might throw at her.
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