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M.A Urdu and Iqbaliat
The Islamia University of Bahawalpur Notification No. 37/CS M.A. Urdu and Iqbaliat (Composite) Supplementary Examination, 2019 It is hereby notified that the result of the following External/Private candidates of the Master of Arts Composite Supplementary Examination, 2019 held in Feb, 2021 in the subject of Urdu and Iqbaliat has been declared as under: Maximum Marks in this Examination : 1100 Minimum Pass Marks : 40 % This notification is issued as a notice only. Errors and omissions excepted. An entry appearing in it does not in itself confer any right or privilege independently to the grant of a proper Certificate/Degree which will be issued under the Regulations in due Course. -4E -1E Appeared: 3515 Passed: 1411 Pass Percentage: 40.14 % Roll# Regd. No Name and Father's Name Result Marks Div Papers to reappear and chance II IV V VII XI 16251 07-WR-441 GHZAL SAIIF Fail SAIF-U-LLAH R/A till A-22 III V VII 16252 09-IB.b-3182 Mudssarah Kousar Fail Muhammad Aslam R/A till S-22 II IV V VI VII 16253 2012-WR-293 Sonia Hamid Fail Abdul Hamid R/A till S-22 III V VI VII VIII IX 16254 2013-IWS-46 Ifra Shafqat Fail Shafqat Nawaz R/A till S-22 III VI VII VIII IX 16255 2012-IWS-238 Fahmeeda Tariq Fail Tariq Mahmood R/A till S-22 II VII VIII IX XII XIII 16256 2019-IUP(M-II)- Rehana Kouser Fail 00079 Dilber Ali R/A till S-22 IV V VI VII IX 16257 2012-WR-115 Faiza Masood Fail Masood Habib Adil R/A till S-22 III IV V VI VII 16258 02-WR-362 Nayyer Sultana Fail Rahmat Ali R/A till S-22 III IV VI VII VIII IX 16259 2015-WR-151 Rafia Parveen Fail Noor Muhammad -
Book Review Essay Siren Song
Journal of International Women's Studies Volume 21 Issue 6 Article 41 August 2020 Book Review Essay Siren Song Taimur Rahman Follow this and additional works at: https://vc.bridgew.edu/jiws Part of the Women's Studies Commons Recommended Citation Rahman, Taimur (2020). Book Review Essay Siren Song. Journal of International Women's Studies, 21(6), 516-519. Available at: https://vc.bridgew.edu/jiws/vol21/iss6/41 This item is available as part of Virtual Commons, the open-access institutional repository of Bridgewater State University, Bridgewater, Massachusetts. This journal and its contents may be used for research, teaching and private study purposes. Any substantial or systematic reproduction, re-distribution, re-selling, loan or sub-licensing, systematic supply or distribution in any form to anyone is expressly forbidden. ©2020 Journal of International Women’s Studies. Siren Song1 Reviewed by Taimur Rahman2 The title of this book is extremely misleading. This is not a book about siren songs. Or perhaps it is, but not in the way you think. The book draws you in, dressed as a biography of prominent Pakistani female singers. And then, you find yourself trapped into a complex discussion of post-colonial philosophy stretching across time (in terms of philosophy) and space (in terms of continents). Hence, any review of this book cannot be a simple retelling of its contents but begs the reader to engage in some seriously strenuous thinking. I begin my review, therefore, not with what is in, but with what is not in the book - the debate that shapes the book, and to which this book is a stimulating response. -
Koppal-Davanagere-Tumkur- Approved List Bidaai-201920
Bidaai-201920 Koppal-Davanagere-Tumkur- Approved List REG NAME OF THE Name of the Account SL.NO. TALUK Holder Amount NO BENEFICIARY Father/Mother 1 79/2018-19 Gangavthi KHAJABNI KHAJABANI 25000 2 92/208-19 KOPPAL YASMEEN SHAHAJADIBI 25000 3 128/18-19 KOPPAL ASMA BEGUM SHAHIDA BEGUM 25000 4 82/18-19 KOPPAL MABOOBI RAMJA BEE 25000 5 76/18-19 KOPPAL RIZVANA KHAM SALIMA BEGAM 25000 6 78/18-19 KOPPAL RESHMA MODINA BI 25000 7 88/18-19 KOPPAL BIBI ASHIYA BEGUM BIBI BEGUM K HABEEBA 25000 8 83/19-19 KOPPAL MARDAN BEE IMAMSAB 25000 9 99/18-19 KOPPAL AYISHA BANU NILOFAR 25000 10 107/18-19 KOPPAL YASMEEN BANU BI 25000 11 129/18-19 KOPPAL CHAND BI IMAM SAB 25000 12 122/18-19 KOPPAL TASLEEM BANU SHAKILA BANU 25000 13 85/18-19 KOPPAL RUKSANA PIRAMBI 25000 14 101/18-19 KOPPAL YASMEEN BANU JAIRABEE GUDDADAR 25000 15 115/18-19 KOPPAL SANIHA TABASUM SANIHA TABASSUM 25000 16 127/18-19 KOPPAL HEENA TAZ BABUSAB DAMBAL 25000 17 96/18-19 KOPPAL RUBIYA BEGUM SHAHAJAD BEGUM 25000 18 108/18-19 KOPPAL SABEEHA BANU KHAJABANI MAJEERA 25000 19 89/2018-19 KOPPAL RUKSHANA BEGUM Rukshana Begum 25000 20 120/2018-19 KOPPAL NISHAMA FATHIMA Raheema Begum 25000 21 136/2018-19 KOPPAL Ashabee KHAJA BEE 25000 MAMTAJBI BASHUSAB 22 80/2018-19 KOPPAL Sabina Begum 25000 VALIKAR 23 106/2018-19 KOPPAL Yasmeen Kasim Sab 25000 24 79/2018-19 KOPPAL Mohaseena Nafees Hafiza bi 25000 25 84/2018-19 KOPPAL Navina Begum Mabusab Yenni 25000 26 91/2018-19 KOPPAL Shamina Begum Fathimabi 25000 27 132/2018-19 KOPPAL Yasmeen Arifa Begum 25000 28 121/2018-19 KOPPAL Parveen Mamataj Begum 25000 29 134/2018-19 -
Women Performing Artists in Colonial India There Were Few Women Painters in Colonial India
I. (A) Personal Details Role Name Affiliation Principal Investigator Prof. Sumita University of Allhabad Parmar Paper Coordinator Prof Rekha Pande University of Hyderabad Author Dr. Archana Verma Independent Scholar Content Reviewer (CR) Prof Rekha Pande University of Hyderabad Language Editor (LE) Prof. Sumita University of Allhabad Parmar (B) Description of Module Items Description of Module Subject Name Women’s Studies Paper Name Women and History Module Name/ Title, Women performers in colonial India description Module ID Paper- 3, Module-30 Pre-requisites None Objectives To explore the achievements of women performers in colonial period Keywords Indian art, women in performance, cinema and women, India cinema, Hindi cinema Women Performing Artists in Colonial India There were few women painters in Colonial India. But in the performing arts, especially acting, women artists were found in large numbers in this period. At first they acted on the stage in theatre groups. Later, with the coming of cinema, they began to act for the screen. Cinema gave them a channel for expressing their acting talent as no other medium had before. Apart from acting, some of them even began to direct films at this early stage in the history of Indian cinema. Thus, acting and film direction was not an exclusive arena of men where women were mostly subjects. It was an arena where women became the creators of this art form and they commanded a lot of fame, glory and money in this field. In this module, we will study about some of these women. Nati Binodini (1862-1941) Fig. 1 – Nati Binodini (get copyright for use – (https://commons.wikimedia.org/wiki/File:Binodini_dasi.jpg) Nati Binodini was a Calcutta based renowned actress, who began to act at the age of 12. -
Copyright by Peter James Kvetko 2005
Copyright by Peter James Kvetko 2005 The Dissertation Committee for Peter James Kvetko certifies that this is the approved version of the following dissertation: Indipop: Producing Global Sounds and Local Meanings in Bombay Committee: Stephen Slawek, Supervisor ______________________________ Gerard Béhague ______________________________ Veit Erlmann ______________________________ Ward Keeler ______________________________ Herman Van Olphen Indipop: Producing Global Sounds and Local Meanings in Bombay by Peter James Kvetko, B.A.; M.M. Dissertation Presented to the Faculty of the Graduate School of the University of Texas at Austin in Partial Fulfillment for the Degree of Doctor of Philosophy The University of Texas at Austin May 2005 To Harold Ashenfelter and Amul Desai Preface A crowded, red double-decker bus pulls into the depot and comes to a rest amidst swirling dust and smoke. Its passengers slowly alight and begin to disperse into the muggy evening air. I step down from the bus and look left and right, trying to get my bearings. This is only my second day in Bombay and my first to venture out of the old city center and into the Northern suburbs. I approach a small circle of bus drivers and ticket takers, all clad in loose-fitting brown shirts and pants. They point me in the direction of my destination, the JVPD grounds, and I join the ranks of people marching west along a dusty, narrowing road. Before long, we are met by a colorful procession of drummers and dancers honoring the goddess Durga through thundering music and vigorous dance. The procession is met with little more than a few indifferent glances by tired workers walking home after a long day and grueling commute. -
Abbott Laboratories (Pakistan) Limited List of Non-Cnic As at May 13, 2019 S.No Folio Name Address Holding 1 95 Mr
ABBOTT LABORATORIES (PAKISTAN) LIMITED LIST OF NON-CNIC AS AT MAY 13, 2019 S.NO FOLIO NAME ADDRESS HOLDING 1 95 MR. AKHTER HUSAIN C-182, BLOCK-C 14 NORTH NAZIMABAD KARACHI 2 126 MR. AZIZUL HASAN KHAN FLAT NO. A-31 181 ALLIANCE PARADISE APARTMENT PHASE-I, II-C/1 NAGAN CHORANGI, NORTH KARACHI KARACHI. 3 131 MR. ABDUL RAZAK HASSAN KISMAT TRADERS 53 THATTAI COMPOUND KARACHI-74000. 4 169 MISS NUZHAT 469/2 AZIZABAD 1,610 FEDERAL 'B' AREA KARACHI 5 223 HUSSAINA YOUSUF ALI NAZRA MANZIL FLAT NO 2 112 1ST FLOOR, RODRICK STREET SOLDIER BAZAR NO. 2 KARACHI 6 244 MR. ABDUL RASHID NADIM MANZIL LY 8/44 2 5TH FLOOR, ROOM 37 HAJI ESMAIL ROAD GALI NO 3, NAYABAD KARACHI 7 270 MR. MOHD. SOHAIL FOURTH FLOOR 192 HAJI WALI MOHD BUILDING MACCHI MIANI MARKET ROAD KHARADHAR KARACHI 8 290 MOHD. YOUSUF BARI KUTCHI GALI NO 1 1,269 MARRIOT ROAD KARACHI 9 298 MR. ZAFAR ALAM SIDDIQUI A/192 BLOCK-L 192 NORTH NAZIMABAD KARACHI 10 300 MR. RAHIM 32 JAFRI MANZIL 1,269 KUTCHI GALI NO 3 JODIA BAZAR KARACHI 11 301 MRS. SURRIYA ZAHEER A-113 BLOCK NO 2 1,610 GULSHAD-E-IQBAL KARACHI 12 320 CH. ABDUL HAQUE C/O MOHD HANIF ABDUL AZIZ 583 HOUSE NO. 265-G, BLOCK-6 EXT. P.E.C.H.S. KARACHI. 13 327 AMNA KHATOON 47-A/6 1,269 P.E.C.H.S. KARACHI 14 329 ZEBA RAZA WHITEWAY ROYAL CO. 129 10-GULZAR BUILDING ABDULLAH HAROON ROAD P.O.BOX NO. -
A Tribute to Iconic Sabiha Khanum (1935-2020)
E-CineIndia April-June 2020 ISSN: 2582-2500 Tribute Aijaz Gul A Tribute to Iconic Sabiha Khanum (1935-2020) First lady of Silver Screen of Pakistan Sabiha His first wife, Jamila Begum, was a house- Khanum passed away in the United States on wife). Sabiha and Santosh, together became June 13 at the age of eighty-five. the most likeable, romantic and bankable cou- ple of film trade. Their casting together was a sure bet for ringing box office cash regis- Born as Mukhtar Begum, she spent her child- ter. She was now teaming only with Santosh. hood in Gujrat. She began her career as stage Sabiha also produced successful Punjabi film artist in Butt Shikhan in Lahore. She moved Naji (1959) in which she repeated the role of into films with debut in Beli (1950), direct- mentally unstable woman, played earlier by ed by Masood Pervaiz in 1950 with Santosh her in Gumnam. She won tremendous appre- Kumar and Shahina. Director Anwar Kemal ciation for both these roles. Pasha, notable director from the fifties and sixties, found out the real talent in her. Her teaming with Santosh Kumar under Anwar Since, songs are an integral part of our films Kamal Pasha, resulted in some of the most (at times even when they don’t belong there), memorable films: Ghulam (1953), Gumnam Sabiha Khanum holds the credit of over a doz- (1954), Qatil (1955) and Sarfarosh (1956). In en memorable melodies filmed on her. It was Late-fifties, she got married to Santosh Kumar first Iqbal ‘Bano’ and Munawar Sultana who (this was Santosh Kumar’s second marriage. -
PPAF Disability Project Phase 3
PPAF Disability Project for Rehabilitation of PWDs Phase 3 in Rawalakot, District Poonch PROJECT COMPLETION REPORT June 2012 Monitoring, Evaluation & Research Section National Rural Support Programme Copyright © National Rural Support Programme - June 2012 We would like to thank the Rawalakot office, SSS Section and Management for their support in data collection, research, and interviews during the compilation of this report. PPAF Disability Project for Rehabilitation of PWDs Phase 3 in Rawalakot, District Poonch All rights reserved, but development organisations which are working in the rural areas specially non-profit organisations working for capacity building can use this material for the benefit of poor rural communities. It is requested that please acknowledge the effort made by NRSP. No parts of this publication may be reproduced, stored in a retrieval system or transmitted in any form or by any means electronic, mechanical, photocopying, recording for the commercial or profit making purpose or otherwise without the written permission of the National Rural Support Programme. Authored by: Ahmad Hasan, Senior Programme Officer - MER Supervised by: Muhammad Tahir Waqar (Programme Manager - MER) Design & Layout: Mansoor Abid Printed at PanGraphics (Pvt) Ltd., Islamabad PPAF Disability Project for Rehabilitation of PWDs Phase 3 - Table of Contents Table of Contents Acronyms 2 Foreword 3 Background context of Disability 4 Project Background 6 Community Based Rehabilitation Approach 7 Project Objectives 8 Project Targets 9 Implementation -
Pakistan Culture CLASSES XI-XII
Higher Secondary School Certificate Examination Pakistan Culture CLASSES XI-XII (based on National Curriculum 2002) Published by Aga Khan University Examination Board Bungalow # 233 / E.I.Lines, Daudpota Road, Karachi, Pakistan. First reviewed 2010 Latest Revision June 2012 All rights reserved This syllabus is developed by Aga Khan University Examination Board for distribution to all its affilia ted schools. Higher Secondary School Certificate Examination Syllabus Pakistan Culture CLASSES XI-XII This subject is examined in both May and September Examination sessions Sr. No. Table of Contents Page No. Preface 5 1. Aims/Objectives of the National Curriculum (2002) 7 2. Rationale of the AKU-EB Examination Syllabuses 8 3. Topics and Student Learning Outcomes of the Examination Syllabus 10 4. Scheme of Assessment 33 5. Teaching-Learning Approaches and Classroom Activities 36 6. Recommended Texts and Reference Materials 37 7. Definition of Cognitive Levels and Command Words in the Student 38 Learning Outcomes in Examination Papers Annex : HSSC Scheme of Studies 41 For queries and feedback Address: The Aga Khan University Examination Board Bungalow No. 233/ E.I.Lines, Daudpota Road, Karachi-Pakistan. Phone: (92-21) 35224702-10 Fax: (92-21) 35224711 E-mail: [email protected] Website: http://examinationboard.aku.edu http://learningsupport.akueb.edu.pk Facebook: www.facebook.com/akueb Latest Revision June 2012 Page 4 PREFACE In pursuance of National Education Policy (1998-2010), the Curriculum Wing of the Federal Ministry of Education has begun a process of curriculum reform to improve the quality of education through curriculum revision and textbook development (Preface, National Curriculum documents 2000 and 2002). -
S. No. Folio No. Security Holder Name Father's/Husband's Name Address
Askari Bank Limited List of Shareholders without / invalid CNIC # as of 31-12-2019 S. Folio No. Security Holder Name Father's/Husband's Name Address No. of No. Securities 1 9 MR. MOHAMMAD SAEED KHAN S/O MR. MOHAMMAD WAZIR KHAN 65, SCHOOL ROAD, F-7/4, ISLAMABAD. 336 2 10 MR. SHAHID HAFIZ AZMI S/O MR. MOHD ABDUL HAFEEZ 17/1 6TH GIZRI LANE, DEFENCE HOUSING AUTHORITY, PHASE-4, KARACHI. 3,280 3 15 MR. SALEEM MIAN S/O MURTUZA MIAN 344/7, ROSHAN MANSION, THATHAI COMPOUND, M.A. JINNAH ROAD, KARACHI. 439 4 21 MS. HINA SHEHZAD MR. HAMID HUSSAIN C/O MUHAMMAD ASIF THE BUREWALA TEXTILE MILLS LTD 1ST FLOOR, DAWOOD CENTRE, M.T. KHAN ROAD, P.O. 10426, KARACHI. 470 5 42 MR. M. RAFIQUE S/O A. RAHIM B.R.1/27, 1ST FLOOR, JAFFRY CHOWK, KHARADHAR, KARACHI. 9,382 6 49 MR. JAN MOHAMMED S/O GHULAM QADDIR KHAN H.NO. M.B.6-1728/733, RASHIDABAD, BILDIA TOWN, MAHAJIR CAMP, KARACHI. 557 7 55 MR. RAFIQ UR REHMAN S/O MOHD NASRULLAH KHAN PSIB PRIVATE LIMITED, 17-B, PAK CHAMBERS, WEST WHARF ROAD, KARACHI. 305 8 57 MR. MUHAMMAD SHUAIB AKHUNZADA S/O FAZAL-I-MAHMOOD 262, SHAMI ROAD, PESHAWAR CANTT. 1,919 9 64 MR. TAUHEED JAN S/O ABDUR REHMAN KHAN ROOM NO.435, BLOCK-A, PAK SECRETARIAT, ISLAMABAD. 8,530 10 66 MS. NAUREEN FAROOQ KHAN SARDAR M. FAROOQ IBRAHIM 90, MARGALA ROAD, F-8/2, ISLAMABAD. 5,945 11 67 MR. ERSHAD AHMED JAN S/O KH. -
Unclaimed Deposit 2014
Details of the Branch DETAILS OF THE DEPOSITOR/BENEFICIARIYOF THE INSTRUMANT NAME AND ADDRESS OF DEPOSITORS DETAILS OF THE ACCOUNT DETAILS OF THE INSTRUMENT Transaction Federal/P rovincial Last date of Name of Province (FED/PR deposit or in which account Instrume O) Rate Account Type Currency Rate FCS Rate of withdrawal opened/instrume Name of the nt Type In case of applied Amount Eqv.PKR Nature of Deposit ( e.g Current, (USD,EUR,G Type Contract PKR (DD-MON- Code Name nt payable CNIC No/ Passport No Name Address Account Number applicant/ (DD,PO, Instrument NO Date of issue instrumen date Outstandi surrender (LCY,UFZ,FZ) Saving, Fixed BP,AED,JPY, (MTM,FC No (if conversio YYYY) Purchaser FDD,TDR t (DD-MON- ng ed or any other) CHF) SR) any) n , CO) favouring YYYY) the Governm ent 1 2 3 4 5 6 7 8 9 10 11 12 13 14 15 16 17 18 19 20 21 22 PRIX 1 Main Branch Lahore PB Dir.Livestock Quetta MULTAN ROAD, LAHORE. 54500 LCY 02011425198 CD-MISC PHARMACEUTICA TDR 0000000189 06-Jun-04 PKR 500 12-Dec-04 M/S 1 Main Branch Lahore PB MOHAMMAD YUSUF / 1057-01 LCY CD-MISC PKR 34000 22-Mar-04 1 Main Branch Lahore PB BHATTI EXPORT (PVT) LTD M/S BHATTI EXPORT (PVT) LTD M/SLAHORE LCY 2011423493 CURR PKR 1184.74 10-Apr-04 1 Main Branch Lahore PB ABDUL RAHMAN QURESHI MR ABDUL RAHMAN QURESHI MR LCY 2011426340 CURR PKR 156 04-Jan-04 1 Main Branch Lahore PB HAZARA MINERAL & CRUSHING IND HAZARA MINERAL & CRUSHING INDSTREET NO.3LAHORE LCY 2011431603 CURR PKR 2764.85 30-Dec-04 "WORLD TRADE MANAGEMENT M/SSUNSET LANE 1 Main Branch Lahore PB WORLD TRADE MANAGEMENT M/S LCY 2011455219 CURR PKR 75 19-Mar-04 NO.4,PHASE 11 EXTENTION D.H.A KARACHI " "BASFA INDUSTRIES (PVT) LTD.FEROZE PUR 1 Main Branch Lahore PB 0301754-7 BASFA INDUSTRIES (PVT) LTD. -
AMARESHWAR COLLEGE,AURAD B202 Date
EXAMINATION CENTRE : AMARESHWAR COLLEGE,AURAD B202 Date: 05/11/18 GULBARGA UNIVERSITY, Page: 1 GULBARGA BACHELOR OF ARTS Exam: V SEMESTER ============================================================================= Reg.No. Student Name College ============================================================================= 1610781 PAWAN S.S COLLEGE,KAMALNAGAR E010 (OPKN5 ) E011 (I.A )Ex E110 (OPKN6 ) E111 (I.A. )Ex E240 (POLT5 ) E241 (I.A )Ex E250 (POLT6 ) E251 (I.A )Ex E260 (SOCI5 ) E261 (I.A. )Ex E270 (SOCI6 ) E271 (I.A. )Ex 1710764 DEVIKA ASHOK S.S COLLEGE,KAMALNAGAR E010 (OPKN5 ) E011 (I.A ) E110 (OPKN6 ) E111 (I.A. ) E240 (POLT5 ) E241 (I.A ) E250 (POLT6 ) E251 (I.A ) E260 (SOCI5 ) E261 (I.A. ) E270 (SOCI6 ) E271 (I.A. ) 1710039 SAVITA ASHOK AMARESHWAR COLLEGE,AURAD E020 (OPHN5 ) E021 (I.A ) E120 (OPHN6 ) E121 (I.A. ) E200 (HIST5 ) E201 (I.A. ) E210 (HIST6 ) E211 (I.A. ) E240 (POLT5 ) E241 (I.A ) E250 (POLT6 ) E251 (I.A ) 1713179 KAVERI BABURAO AMARESHWAR COLLEGE,AURAD E200 (HIST5 ) E201 (I.A. ) E210 (HIST6 ) E211 (I.A. ) E220 (ECON5 ) E221 (I.A. ) E230 (ECON6 ) E231 (I.A. ) E240 (POLT5 ) E241 (I.A ) E250 (POLT6 ) E251 (I.A ) 1713377 SARITA BASAWARAJ NALANDA DEG.COLL.SANTAPUR E200 (HIST5 ) E201 (I.A. ) E210 (HIST6 ) E211 (I.A. ) E240 (POLT5 ) E241 (I.A ) E250 (POLT6 ) E251 (I.A ) E260 (SOCI5 ) E261 (I.A. ) E270 (SOCI6 ) E271 (I.A. ) 1712110 AMBIKA BASVARAJ GOVT. F.G.COLL. AURAD. E200 (HIST5 ) E201 (I.A. ) E210 (HIST6 ) E211 (I.A. ) E220 (ECON5 ) E221 (I.A. ) E230 (ECON6 ) E231 (I.A. ) E240 (POLT5 ) E241 (I.A ) E250 (POLT6 ) E251 (I.A ) 1710064 RENUKA BASWARAJ AMARESHWAR COLLEGE,AURAD E020 (OPHN5 ) E021 (I.A ) E120 (OPHN6 ) E121 (I.A.