TOWARDS a NEW MATH FONT ENCODING for (LA)TEX P Matthias Clasen, Ulrik Vieth Cahiers Gutenberg, N 28-29 (1998), P
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Donald Knuth Fletcher Jones Professor of Computer Science, Emeritus Curriculum Vitae Available Online
Donald Knuth Fletcher Jones Professor of Computer Science, Emeritus Curriculum Vitae available Online Bio BIO Donald Ervin Knuth is an American computer scientist, mathematician, and Professor Emeritus at Stanford University. He is the author of the multi-volume work The Art of Computer Programming and has been called the "father" of the analysis of algorithms. He contributed to the development of the rigorous analysis of the computational complexity of algorithms and systematized formal mathematical techniques for it. In the process he also popularized the asymptotic notation. In addition to fundamental contributions in several branches of theoretical computer science, Knuth is the creator of the TeX computer typesetting system, the related METAFONT font definition language and rendering system, and the Computer Modern family of typefaces. As a writer and scholar,[4] Knuth created the WEB and CWEB computer programming systems designed to encourage and facilitate literate programming, and designed the MIX/MMIX instruction set architectures. As a member of the academic and scientific community, Knuth is strongly opposed to the policy of granting software patents. He has expressed his disagreement directly to the patent offices of the United States and Europe. (via Wikipedia) ACADEMIC APPOINTMENTS • Professor Emeritus, Computer Science HONORS AND AWARDS • Grace Murray Hopper Award, ACM (1971) • Member, American Academy of Arts and Sciences (1973) • Turing Award, ACM (1974) • Lester R Ford Award, Mathematical Association of America (1975) • Member, National Academy of Sciences (1975) 5 OF 44 PROFESSIONAL EDUCATION • PhD, California Institute of Technology , Mathematics (1963) PATENTS • Donald Knuth, Stephen N Schiller. "United States Patent 5,305,118 Methods of controlling dot size in digital half toning with multi-cell threshold arrays", Adobe Systems, Apr 19, 1994 • Donald Knuth, LeRoy R Guck, Lawrence G Hanson. -
Australian Pathology Messaging - Localisation of HL7 Version 2.4
Australian Pathology Messaging - Localisation of HL7 Version 2.4 Sponsored by: The Royal College of Pathologists of Australasia (RCPA)/HL7 Australia HL7 Australia Orders and Observations Co-chairs: Michael Legg, RCPA and Michael Legg & Associates Andrew McIntyre, Medical Objects Editors Eric Browne, Montage Systems David McKillop, Australian Digital Health Agency Jared Davison, Medical Objects Donna Moore, RCPA Joint Copyright © 2016 Health Level Seven International ® and Health Level Seven Australia Inc ABN 35 556 933 588 ALL RIGHTS RESERVED. The reproduction of this material in any form is strictly forbidden without the written permission of the publishers. HL7 International and Health Level Seven are registered trademarks of Health Level Seven International. Questions or comments regarding this document should be directed to Michael Legg ( [email protected]) or Andrew McIntyre ( a [email protected]) Table of Contents 1 Introduction 2 Patient Administration for Pathology 3 Datatypes 4 Observation Reporting 5 Observation Ordering 6 Identifiers Appendix 1 Parsing HL7v2 Appendix 2 Rendering of reports and display format Appendix 3 Common Errors Appendix 4 HL7 Code Tables Appendix 5 Conformance statements Appendix 6 Example messages Index of Tables Table 1-1. Message Element Attributes Table 1-2. Usage Conformance Testing Recommendations Table 6-1. Identifiers examples Table of Figures Figure 2-1. HL7 message segments Figure 3-1. HL7 data types by category Figure 3-2. Subcomponents of order sequences Figure 5-1. RU and RO usage (example) Figure 5-2. RQ and RO usage (example) Figure 5-3. Example of two child orders 1 Introduction Australian Pathology Messaging - Localisation of HL7 Version 2.4, Release 1 is the Australian localisation of the HL7 V2 Laboratory ordering and result reporting specification. -
ISO Basic Latin Alphabet
ISO basic Latin alphabet The ISO basic Latin alphabet is a Latin-script alphabet and consists of two sets of 26 letters, codified in[1] various national and international standards and used widely in international communication. The two sets contain the following 26 letters each:[1][2] ISO basic Latin alphabet Uppercase Latin A B C D E F G H I J K L M N O P Q R S T U V W X Y Z alphabet Lowercase Latin a b c d e f g h i j k l m n o p q r s t u v w x y z alphabet Contents History Terminology Name for Unicode block that contains all letters Names for the two subsets Names for the letters Timeline for encoding standards Timeline for widely used computer codes supporting the alphabet Representation Usage Alphabets containing the same set of letters Column numbering See also References History By the 1960s it became apparent to thecomputer and telecommunications industries in the First World that a non-proprietary method of encoding characters was needed. The International Organization for Standardization (ISO) encapsulated the Latin script in their (ISO/IEC 646) 7-bit character-encoding standard. To achieve widespread acceptance, this encapsulation was based on popular usage. The standard was based on the already published American Standard Code for Information Interchange, better known as ASCII, which included in the character set the 26 × 2 letters of the English alphabet. Later standards issued by the ISO, for example ISO/IEC 8859 (8-bit character encoding) and ISO/IEC 10646 (Unicode Latin), have continued to define the 26 × 2 letters of the English alphabet as the basic Latin script with extensions to handle other letters in other languages.[1] Terminology Name for Unicode block that contains all letters The Unicode block that contains the alphabet is called "C0 Controls and Basic Latin". -
Contribution to the Federation of the Asynchronous Smartsantander Service Layer Within the European Fed4fire Context
UNIVERSITY OF PADOVA Master Degree in Telecommunication Engineering Contribution to the Federation of the asynchronous SmartSantander service layer within the European Fed4FIRE context. Advisor Student Michele Zorzi ala Leo Turi Co-Advisors Luis Muñoz Pablo Sotres Department of Information Engineering Academic Year 2014/2015 13th October, 2015 To my parents. For all they do, all they go through while I am away, and for all the love they give me. Every time, everywhere I am. I love you. To Pippo, Matt, Fede, Gi and Eleo. And to Gabb and Marco, newly found. You’re the brothers and sisters I never had. I’m glad I met you all. To the "malvagi", our beautiful and varied TLC group. I hope we won’t lose contact in the next years, for I would miss you all deeply. You were the best classmates ever. To all the guys of the TLMAT lab: JuanRa, Rafa, Carmen, Luisco, David, Jabo, Javi, Laura, Nacho, Pablo Martinez y Pablo Garrido (el Aleman!), Vero, Jose, Jesus. To Ramon Aguero, Luis Sánchez and Jorge. You were the warmest hosts I could ever find. And, last but not least, To Pablo Sotres, who was my tutor at Unican, helped me write my thesis, and always found time to assist me (Sundays and Holidays as well). I’m happy your eternal cough ceased way before I left. ∼ You have my deepest thanks. Finally, I’d like to acknowledge the guide of Prof. Zorzi and Prof. Muñoz. Their words and trust have been fundamental during this important experience. “It’s the questions we can’t answer that teach us the most. -
The File Cmfonts.Fdd for Use with Latex2ε
The file cmfonts.fdd for use with LATEX 2".∗ Frank Mittelbach Rainer Sch¨opf 2019/12/16 This file is maintained byA theLTEX Project team. Bug reports can be opened (category latex) at https://latex-project.org/bugs.html. 1 Introduction This file contains the external font information needed to load the Computer Modern fonts designed by Don Knuth and distributed with TEX. From this file all .fd files (font definition files) for the Computer Modern fonts, both with old encoding (OT1) and Cork encoding (T1) are generated. The Cork encoded fonts are known under the name ec fonts. 2 Customization If you plan to install the AMS font package or if you have it already installed, please note that within this package there are additional sizes of the Computer Modern symbol and math italic fonts. With the release of LATEX 2", these AMS `extracm' fonts have been included in the LATEX font set. Therefore, the math .fd files produced here assume the presence of these AMS extensions. For text fonts in T1 encoding, the directive new selects the new (version 1.2) DC fonts. For the text fonts in OT1 and U encoding, the optional docstrip directive ori selects a conservatively generated set of font definition files, which means that only the basic font sizes coming with an old LATEX 2.09 installation are included into the \DeclareFontShape commands. However, on many installations, people have added missing sizes by scaling up or down available Metafont sources. For example, the Computer Modern Roman italic font cmti is only available in the sizes 7, 8, 9, and 10pt. -
Surviving the TEX Font Encoding Mess Understanding The
Surviving the TEX font encoding mess Understanding the world of TEX fonts and mastering the basics of fontinst Ulrik Vieth Taco Hoekwater · EuroT X ’99 Heidelberg E · FAMOUS QUOTE: English is useful because it is a mess. Since English is a mess, it maps well onto the problem space, which is also a mess, which we call reality. Similary, Perl was designed to be a mess, though in the nicests of all possible ways. | LARRY WALL COROLLARY: TEX fonts are mess, as they are a product of reality. Similary, fontinst is a mess, not necessarily by design, but because it has to cope with the mess we call reality. Contents I Overview of TEX font technology II Installation TEX fonts with fontinst III Overview of math fonts EuroT X ’99 Heidelberg 24. September 1999 3 E · · I Overview of TEX font technology What is a font? What is a virtual font? • Font file formats and conversion utilities • Font attributes and classifications • Font selection schemes • Font naming schemes • Font encodings • What’s in a standard font? What’s in an expert font? • Font installation considerations • Why the need for reencoding? • Which raw font encoding to use? • What’s needed to set up fonts for use with T X? • E EuroT X ’99 Heidelberg 24. September 1999 4 E · · What is a font? in technical terms: • – fonts have many different representations depending on the point of view – TEX typesetter: fonts metrics (TFM) and nothing else – DVI driver: virtual fonts (VF), bitmaps fonts(PK), outline fonts (PFA/PFB or TTF) – PostScript: Type 1 (outlines), Type 3 (anything), Type 42 fonts (embedded TTF) in general terms: • – fonts are collections of glyphs (characters, symbols) of a particular design – fonts are organized into families, series and individual shapes – glyphs may be accessed either by character code or by symbolic names – encoding of glyphs may be fixed or controllable by encoding vectors font information consists of: • – metric information (glyph metrics and global parameters) – some representation of glyph shapes (bitmaps or outlines) EuroT X ’99 Heidelberg 24. -
Zapfcoll Minikatalog.Indd
Largest compilation of typefaces from the designers Gudrun and Hermann Zapf. Most of the fonts include the Euro symbol. Licensed for 5 CPUs. 143 high quality typefaces in PS and/or TT format for Mac and PC. Colombine™ a Alcuin™ a Optima™ a Marconi™ a Zapf Chancery® a Aldus™ a Carmina™ a Palatino™ a Edison™ a Zapf International® a AMS Euler™ a Marcon™ a Medici Script™ a Shakespeare™ a Zapf International® a Melior™ a Aldus™ a Melior™ a a Melior™ Noris™ a Optima™ a Vario™ a Aldus™ a Aurelia™ a Zapf International® a Carmina™ a Shakespeare™ a Palatino™ a Aurelia™ a Melior™ a Zapf book® a Kompakt™ a Alcuin™ a Carmina™ a Sistina™ a Vario™ a Zapf Renaissance Antiqua® a Optima™ a AMS Euler™ a Colombine™ a Alcuin™ a Optima™ a Marconi™ a Shakespeare™ a Zapf Chancery® Aldus™ a Carmina™ a Palatino™ a Edison™ a Zapf international® a AMS Euler™ a Marconi™ a Medici Script™ a Shakespeare™ a Zapf international® a Aldus™ a Melior™ a Zapf Chancery® a Kompakt™ a Noris™ a Zapf International® a Car na™ a Zapf book® a Palatino™ a Optima™ Alcuin™ a Carmina™ a Sistina™ a Melior™ a Zapf Renaissance Antiqua® a Medici Script™ a Aldus™ a AMS Euler™ a Colombine™ a Vario™ a Alcuin™ a Marconi™ a Marconi™ a Carmina™ a Melior™ a Edison™ a Shakespeare™ a Zapf book® aZapf international® a Optima™ a Zapf International® a Carmina™ a Zapf Chancery® Noris™ a Optima™ a Zapf international® a Carmina™ a Sistina™ a Shakespeare™ a Palatino™ a a Kompakt™ a Aurelia™ a Melior™ a Zapf Renaissance Antiqua® Antiqua® a Optima™ a AMS Euler™ a Introduction Gudrun & Hermann Zapf Collection The Gudrun and Hermann Zapf Collection is a special edition for Macintosh and PC and the largest compilation of typefaces from the designers Gudrun and Hermann Zapf. -
And Hepatitis Delta Virus
Ai)ë' AND HEPATITIS DELTA VIRUS. Tom Bernard MACNAUGHTON B. Sc (Hons) Division of Medical Virology lnstitute of Medical and Veterinary Science ADEI.AIDE. South Australia A thesis submitted to the University of Adelaide in fulfilment of the requirements for the degree of Doctor of Philosophy December 1990. CONTENTS. SU M MARY DECLARATION ACKNOWLEDG MENTS PUBLICATIONS RESULTING AB BREVIATIONS CHAPTER f : INTRODUCTION PREFACE. 1.1 oVERVIEW. A Hepatitis B Virus: Historical Perspectives. B Pathogenesis of HBV lnfection. C Animal Models of HBV. D ln Vitro Models of Hepadnavirus lnfection. 1.2 PARTICLES ASSOCIATED WITH HBV INFECTION. A Filaments and Spheres. B Hepatitis B Virion. 1.3 HEPADNAVIRUS GENOME ORGANISATION. A Genome Structure B Open Reading Frames and Their Protein Products. C Control Elements and RNA Transcription. 1.4 REPLICATION STRATEGY OF HEPADNAVIRUSES. A Adsorption. B Uncoating to Synthesis of cccDNA. C RNA Synthesis. D DNA Synthesis. E Envelopment and Secretion. F lntracellular Amplification of cccDNA. 1.5 HEPATITIS DELTA VIRUS. A Overview. B HDV RNA. C Hepatitis Delta Antigen. D HDV RNA Replication. 1.6 AIMS OF THESIS. CHAPTER 2: MATERIALS AND METHODS. 2.1 EUKARYOTIC CELL CULTURES. A Media. B Culture Methods. C Nucleotide lncorporation Assays. 2.2 PROKARYOTIC CELL CULTURE. A Media and Cells. B Preparation of Competent Cells. ¡i 2.3 CLONING. A Vec'tors and Plasmids. B Phenol Extraction and Ethanol Precipitation of Nucleic acids. C DNA Modifying Enzymes. D Agarose Gel Electrophoresis. E Transformation and Plasmid Amplification. 2.4 TRANSFECTION. A Adherent Cell Technique. B Suspension Cell Technique. C RNA Transfection. D Subcloning. E G418 Titration. -
WO 2015/103438 A2 9 July 2015 (09.07.2015) W P O P C T
(12) INTERNATIONAL APPLICATION PUBLISHED UNDER THE PATENT COOPERATION TREATY (PCT) (19) World Intellectual Property Organization International Bureau (10) International Publication Number (43) International Publication Date WO 2015/103438 A2 9 July 2015 (09.07.2015) W P O P C T (51) International Patent Classification: BZ, CA, CH, CL, CN, CO, CR, CU, CZ, DE, DK, DM, C07K 16/18 (2006.01) DO, DZ, EC, EE, EG, ES, FI, GB, GD, GE, GH, GM, GT, HN, HR, HU, ID, IL, IN, IR, IS, JP, KE, KG, KN, KP, KR, (21) International Application Number: KZ, LA, LC, LK, LR, LS, LU, LY, MA, MD, ME, MG, PCT/US20 14/073088 MK, MN, MW, MX, MY, MZ, NA, NG, NI, NO, NZ, OM, (22) International Filing Date: PA, PE, PG, PH, PL, PT, QA, RO, RS, RU, RW, SA, SC, 3 1 December 2014 (3 1.12.2014) SD, SE, SG, SK, SL, SM, ST, SV, SY, TH, TJ, TM, TN, TR, TT, TZ, UA, UG, US, UZ, VC, VN, ZA, ZM, ZW. (25) Filing Language: English (84) Designated States (unless otherwise indicated, for every (26) Publication Language: English kind of regional protection available): ARIPO (BW, GH, (30) Priority Data: GM, KE, LR, LS, MW, MZ, NA, RW, SD, SL, ST, SZ, 61/964,383 2 January 2014 (02.01 .2014) US TZ, UG, ZM, ZW), Eurasian (AM, AZ, BY, KG, KZ, RU, TJ, TM), European (AL, AT, BE, BG, CH, CY, CZ, DE, (71) Applicant: GENELUX CORPORATION [US/US]; 3030 DK, EE, ES, FI, FR, GB, GR, HR, HU, IE, IS, IT, LT, LU, Bunker Hill Street, Suite 310, San Diego, CA 92109 (US). -
Somatostatin-Positive Interneurons in the Dentate Gyrus of Mice Provide
RESEARCH ARTICLE Somatostatin-positive interneurons in the dentate gyrus of mice provide local- and long-range septal synaptic inhibition Mei Yuan1,2†, Thomas Meyer1†, Christoph Benkowitz1, Shakuntala Savanthrapadian1, Laura Ansel-Bollepalli3, Angelica Foggetti3, Peer Wulff3, Pepe Alcami1, Claudio Elgueta1, Marlene Bartos1* 1Systemic and Cellular Neurophysiology, Institute for Physiology I, University of Freiburg, Freiburg, Germany; 2Faculty for Biology, University of Freiburg, Freiburg, Germany; 3Institute for Physiology, University of Kiel, Kiel, Germany Abstract Somatostatin-expressing-interneurons (SOMIs) in the dentate gyrus (DG) control formation of granule cell (GC) assemblies during memory acquisition. Hilar-perforant-path- associated interneurons (HIPP cells) have been considered to be synonymous for DG-SOMIs. Deviating from this assumption, we show two functionally contrasting DG-SOMI-types. The classical feedback-inhibitory HIPPs distribute axon fibers in the molecular layer. They are engaged by converging GC-inputs and provide dendritic inhibition to the DG circuitry. In contrast, SOMIs with axon in the hilus, termed hilar interneurons (HILs), provide perisomatic inhibition onto GABAergic cells in the DG and project to the medial septum. Repetitive activation of glutamatergic inputs onto HIPP cells induces long-lasting-depression (LTD) of synaptic transmission but long-term- potentiation (LTP) of synaptic signals in HIL cells. Thus, LTD in HIPPs may assist flow of spatial information from the entorhinal cortex to the DG, whereas LTP in HILs may facilitate the temporal coordination of GCs with activity patterns governed by the medial septum. *For correspondence: marlene. DOI: 10.7554/eLife.21105.001 [email protected]. de †These authors contributed equally to this work Introduction Competing interest: See The DG is situated between the entorhinal cortex and the CA3 area of the hippocampus, forming page 20 the first stage of the classical trisynaptic circuit (Andersen et al., 1971; Eichenbaum, 1993; Lis- man, 1999). -
Differential Coupling of Adult-Born Granule Cells to Parvalbumin and Somatostatin Interneurons
bioRxiv preprint doi: https://doi.org/10.1101/598615; this version posted May 15, 2019. The copyright holder for this preprint (which was not certified by peer review) is the author/funder, who has granted bioRxiv a license to display the preprint in perpetuity. It is made available under aCC-BY 4.0 International license. Differential coupling of adult-born granule cells to parvalbumin and somatostatin interneurons Ayelén I. Groisman*, Sung M. Yang* and Alejandro F. Schinder (*) Equally contriButing authors Laboratorio de Plasticidad Neuronal Fundación Instituto Leloir Av. Patricias Argentinas 435 C1405BWE – Buenos Aires Argentina Correspondence should be addressed to: [email protected] bioRxiv preprint doi: https://doi.org/10.1101/598615; this version posted May 15, 2019. The copyright holder for this preprint (which was not certified by peer review) is the author/funder, who has granted bioRxiv a license to display the preprint in perpetuity. It is made available under aCC-BY 4.0 International license. ABSTRACT The dentate gyrus of the hippocampus is dominated by a strong GABAergic tone that maintains sparse levels of activity. Adult neurogenesis disrupts this balance through the continuous addition of neW granule cells (GCs) that display high excitability While develop and connect Within the preexisting host circuit. The dynamics of the connectivity map for developing GCs in the local inhiBitory networks remains unknown. We used optogenetics to study afferent and efferent synaptogenesis between neW GCs and GABAergic interneurons eXpressing parvalbumin (PV-INs) and somatostatin (SST-INs). Inputs from PV-INs targeted the soma and remained immature until they greW abruptly in >4-week-old GCs. -
The Euler Package
The euler package Frank Jensen∗ 1995/03/05 1 Introduction The euler package provides a setup for using the AMS Euler family of fonts for math in LATEX documents. The AMS Euler family was designed by Hermann Zapf, commissioned by the American Mathematical Society. \The underlying philosophy of Zapf's Euler design was to capture the flavor of mathematics as it might be written by a mathematician with excellent handwriting." [2] The euler package is based on Knuth's macros for the book \Concrete Math- ematics" [1]. Knuth's macros can be found through anonymous ftp to labrea. stanford.edu: look for the file gkpmac.tex in directory pub/tex/local/lib. The Euler fonts can be found through anonymous ftp to e-math.ams.org: look in directory pub/tex/amsfonts. The purpose of the euler package is to provide the math part of the look of [1]. The other part (text fonts) is provided by the beton package. The reason for creating two packages is to make it easy to use the Euler math fonts together with other text fonts (in particular, it appears that the Euler fonts match many of the popular PostScript fonts pretty well). Basically, the euler package provides the same setup (the same definitions, math codes, etc.) as gkpmac.tex with respect to the Euler fonts. However, Knuth [2] admits that the macros were written for one specific project, namely to typeset the \Concrete Mathematics" book [1]. So, the euler package actually does a little more than gkpmac.tex: for example, some `exotic' symbols, present in CM math italic, are missing from the Euler fonts; the euler package takes care of this (whereas gkpmac.tex does not).