"Kennewick Man" Or "Ancient One"? - a Matter of Interpretation Maura A
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An Analysis of Deixis in Students‟ Writing of Recount Text of the Eighth B Grade of Smp N 1 Jeparain the Academic Year 2012/2013
REFERENCES Anggraini, F. (2013). An Analysis Of Deixis In Students‟ Writing Of Recount Text Of The Eighth B Grade Of Smp N 1 Jeparain The Academic Year 2012/2013. Thesis. Kudus: Universitas Muira Kudus Arikunto, S. (2002). Prosedur Penelitian. Jakarta: Rineke, Cipta, Croker, R. A. (2009). An Introduction to Qualitative Research. In Juanita. H. and Robert A. C. (Ed), Qualitative Research in Applied Linguistics: A Practical Introduction. (pp. 3-24). New York: Palgrave Macmillan. Cruse, A. (2000). Meaning in Language: An Introduction to Semantics and Pragmatics. Oxford: Oxford University Press ________. (2006). A Glossary of Semantics and Pragmatics. Edinburgh: Edinburgh University Press. Griffiths, L. (2006). An Introduction to English Semantics and Pragmatics. Edinburgh: Edinburgh University Press. Grundy, P. (2000). Doing Pragmatic. New York: Oxford University press, Horn, L. R. & Gregory W. (2006). The Handbook of Pragmatic. United Kingdom: Blackwell Publishing. Jamjuri. (2015). Social Deixis in Elizabeth the Golden Age Movie Script. Thesis. Yogyakarta: Universitas Islam Negri Sunan Kalijaga Kreidler, C. W. (1998). Introducing English semantics. New York: Routeledge. Kurniyati, L. (2011). Deixis Used in the Readers‟ Forum of the Jakarta Post Newspaper. Thesis. Tulungagung: The State College For Islamic Studies (STAIN) Levinson, S. C. (1983). Pragmatics. London: Cambridge University Press, Mayer, C. F. (2009). Introducing English Linguistics. New York: Oxford University Press, Movie Script of “Doctor Strange”. (n.d). Retrieved from https://transcripts.fandom.com/wiki/Doctor_Strange Noviyanti, E. D. (2013). Deixis Types in President Barac Obama‟s Speech in Universitas Indonesia. Thesis. Tulungagung: IAIN Tulungagung. Saeed, J.I. (2003). Semantics 2nd edition. United Kingdom: Blackwell Publishing. 57 Yule, G. -
Doctor Strange Comics As Post-Fantasy
Evolving a Genre: Doctor Strange Comics as Post-Fantasy Jessie L. Rogers Thesis submitted to the faculty of the Virginia Polytechnic Institute and State University in partial fulfillment of the requirements for the degree of Master of Arts in English Karen Swenson, Chair Nancy A. Metz Katrina M. Powell April 15, 2019 Blacksburg, Virginia Keywords: Fantasy, Comics Studies, Postmodernism, Post-Fantasy Copyright 2019, Jessie L. Rogers Evolving a Genre: Doctor Strange Comics as Post-Fantasy Jessie L. Rogers (ABSTRACT) This thesis demonstrates that Doctor Strange comics incorporate established tropes of the fantastic canon while also incorporating postmodern techniques that modernize the genre. Strange’s debut series, Strange Tales, begins this development of stylistic changes, but it still relies heavily on standard uses of the fantastic. The 2015 series, Doctor Strange, builds on the evolution of the fantastic apparent in its predecessor while evidencing an even stronger presence of the postmodern. Such use of postmodern strategies disrupts the suspension of disbelief on which popular fantasy often relies. To show this disruption and its effects, this thesis examines Strange Tales and Doctor Strange (2015) as they relate to the fantastic cornerstones of Tolkien’s The Hobbit and The Lord of the Rings and Rowling’s Harry Potter series. It begins by defining the genre of fantasy and the tenets of postmodernism, then it combines these definitions to explain the new genre of postmodern fantasy, or post-fantasy, which Doctor Strange comics develop. To show how these comics evolve the fantasy genre through applications of postmodernism, this thesis examines their use of otherworldliness and supernaturalism, as well as their characterization and narrative strategies, examining how these facets subvert our expectations of fantasy texts. -
Genome Results Rekindle Legal
NEWS IN FOCUS — had not contaminated groundwater in Pennsylvania. Siegel did not disclose that the Chesapeake Energy Corporation of Okla homa City, Oklahoma, had paid him and provided the water samples that his team analysed. Environmental Science & Technol- ELAINE THOMPSON/AP ogy, which published the analysis, posted a correction in April after the media revealed Siegel’s links to the company. Siegel says that he thought that this relationship was obvious, because he was working on a summer contract with the company’s consultants, some of whom were listed as co-authors. “I never really antici pated this, but perhaps I was naive,” Siegel says. “Because of the public nature of some of this science, I think we probably need a much tighter rein on what disclosure is.” Disclosure demands are coming from both sides of the aisle: climate sceptics have objected to a Nature Climate Change study6 that analysed some of the US Environ mental Protection Agency’s greenhouse- gas regulations, because it was written by researchers who have received grants from the agency — even though the grants are A plastic cast of the skull of Kennewick Man. listed in a public database. Some experts suggest that Earth scien ANCESTRY tists should look to the biomedical com munity for guidance. Many biomedical journals require authors to fill out a com mon disclosure form that publishers devel Genome results oped in 1978 and have continued to update. And universities and hospitals often require medical researchers to report each year on their financial arrangements with industry. rekindle legal row Eric Campbell, a sociologist at Harvard’s Edmond J. -
The Characters and Conflicts in Marvel Studios “Doctor Strange” Movie
DOI: 10.24843/JH.2018.v22.i03.p30 ISSN: 2302-920X Jurnal Humanis, Fakultas Ilmu Budaya Unud Vol 22.3 Agustus 2018: 771-780 The Characters and Conflicts in Marvel Studios “Doctor Strange” Movie Ni Putu Ayu Mitha Hapsari1*, I Nyoman Tri Ediwan2, Ni Luh Nyoman Seri Malini3 [123]English Department - Faculty of Arts - Udayana University 1[[email protected]] 2[[email protected]] 3[[email protected]] *Corresponding Author Abstract The title of this paper is The Characters and Conflicts in Marvel Studios “Doctor Strange” Movie. This study focuses on categorization and function of the characters in the movie and conflicts in the main character (external and internal conflicts). The data of this study were taken from a movie entitled Doctor Strange. The data were collected through documentation method. In analyzing the data, the study used qualitative method. The categorization and function were analyzed based on the theory proposed by Wellek and Warren (1955:227), supported by the theory of literature proposed by Kathleen Morner (1991:31). The conflict was analyzed based on the theory of literature proposed by Kenney (1966:5). The findings show that the categorization and function of the characters in the movie are as follows: Stephen Strange (dynamic protagonist character), Kaecilius (static antagonist character). Secondary characters are The Ancient One (static protagonist character), Mordo (static protagonist character) and Christine (dynamic protagonist character). The supporting character is Wong (static protagonist character). Then there are two types of conflicts found in this movie, internal and external conflicts. Keywords: Character, Conflict, Doctor Strange. Abstrak Judul penelitian ini adalah The Characters and Conflicts in Marvel Studios “Doctor Strange” Movie. -
Marvel-Phile: Über-Grim-And-Gritty EXTREME Edition!
10 MAR 2018 1 Marvel-Phile: Über-Grim-and-Gritty EXTREME Edition! It was the best of times, it was the worst of times. It 90s, but you’d be wrong. Then we have Nightwatch, a was a dark time for the Republic. In short, it was...the bald-faced ripoff of Todd MacFarlane’s more ‘90s. The 1990s were an odd time for comic books. A successful Spawn. Next, we have Necromancer… the group of comic book artists, including the likes of Jim Dr. Strange of Counter-Earth. And best for last, Lee and hate-favorite Rob Liefield, splintered off from there’s Adam X the X-TREME! Oh dear Lord -- is there Marvel Comics to start their own little company called anything more 90s than this guy? With his backwards Image. True to its name, Image Comics featured comic baseball cap, combustible blood, a costume seemingly books light on story, heavy on big, flashy art (often made of blades, and a title that features not one but either badly drawn or heavily stylized, depending on TWO “X”s, this guy that was teased as the (thankfully who you ask), and a grim and gritty aesthetic that retconned) “third Summers brother” is literally seemed to take all the wrong lessons from renowned everything about the 90s in comics, all rolled into one. works such as Frank Miller’s Dark Knight Returns. Don’t get me wrong, there were a few gems in the It wasn’t long until the Big Two and other publishers 1990s. Some of my favorite indie books were made hopped on the bandwagon, which was fueled by during that time. -
Copyrighted Material
1 Bargaining with Eternity and Numbering One’s Days Medicine, Nietzsche, and Doctor Strange George A. Dunn From the standpoint of modern medicine, death is a failure—and one of the first things that we learn in the 2016 movie Doctor Strange is that Stephen Strange does not like to fail. In fact, at the time of the automobile accident that brought his brilliant career as a neurosur- geon to a tragic end, Stephen Strange and failure had apparently never yet crossed paths. He had a “perfect record,” as he casually reminded Nurse Billy in an offhand boast when Billy proposed that he help a “68‐year‐old female with an advanced brain stem glioma.” Such a diagnosis predicted a poor outcome that he would prefer not to have sully his résumé. At the same time, though, he doesn’t want to build his reputation on easy victories. He declines to help “a 35‐year‐old Air Force colonel who crushed his spine in some sort of experimental armor,” dismissing it as the surgical equivalent of child’s play: “I could help but so can fifty other people.”1 So it’s no surprise that after Stephen’s catastrophic accident that crushes his hands, his world collapses. Physical therapy alone can never restore his hands to what they were before and—ironically, in light of his own practice of rejecting patients who might ruin his perfect record—another doctor rejects him as a candidate for a cutting‐ edge experimentalCOPYRIGHTED treatment lest it fail and ruin MATERIAL the doctor’s reputation. -
Marvel Pop! List Popvinyls.Com
Marvel Pop! List PopVinyls.com Updated December 2016 01 Thor 23 IM3 Iron Man 02 Loki 24 IM3 War Machine 03 Spider-man 25 IM3 Iron Patriot 03 B&W Spider-man (Fugitive) 25 Metallic IM3 Iron Patriot (HT) 03 Metallic Spider-man (SDCC ’11) 26 IM3 Deep Space Suit 03 Red/Black Spider-man (HT) 27 Phoenix (ECCC 13) 04 Iron Man 28 Logan 04 Blue Stealth Iron Man (R.I.CC 14) 29 Unmasked Deadpool (PX) 05 Wolverine 29 Unmasked XForce Deadpool (PX) 05 B&W Wolverine (Fugitive) 30 White Phoenix (Conquest Comics) 05 Classic Brown Wolverine (Zapp) 30 GITD White Phoenix (Conquest Comics) 05 XForce Wolverine (HT) 31 Red Hulk 06 Captain America 31 Metallic Red Hulk (SDCC 13) 06 B&W Captain America (Gemini) 32 Tony Stark (SDCC 13) 06 Metallic Captain America (SDCC ’11) 33 James Rhodes (SDCC 13) 06 Unmasked Captain America (Comikaze) 34 Peter Parker (Comikaze) 06 Metallic Unmasked Capt. America (PC) 35 Dark World Thor 07 Red Skull 35 B&W Dark World Thor (Gemini) 08 The Hulk 36 Dark World Loki 09 The Thing (Blue Eyes) 36 B&W Dark World Loki (Fugitive) 09 The Thing (Black Eyes) 36 Helmeted Loki 09 B&W Thing (Gemini) 36 B&W Helmeted Loki (HT) 09 Metallic The Thing (SDCC 11) 36 Frost Giant Loki (Fugitive/SDCC 14) 10 Captain America <Avengers> 36 GITD Frost Giant Loki (FT/SDCC 14) 11 Iron Man <Avengers> 37 Dark Elf 12 Thor <Avengers> 38 Helmeted Thor (HT) 13 The Hulk <Avengers> 39 Compound Hulk (Toy Anxiety) 14 Nick Fury <Avengers> 39 Metallic Compound Hulk (Toy Anxiety) 15 Amazing Spider-man 40 Unmasked Wolverine (Toytasktik) 15 GITD Spider-man (Gemini) 40 GITD Unmasked Wolverine (Toytastik) 15 GITD Spider-man (Japan Exc) 41 CA2 Captain America 15 Metallic Spider-man (SDCC 12) 41 CA2 B&W Captain America (BN) 16 Gold Helmet Loki (SDCC 12) 41 CA2 GITD Captain America (HT) 17 Dr. -
Kennewick Man: the Meaning of Cultural Affiliation and Major Scientific Benefit in the Native American Graves Protection and Repatriation Act
Tulsa Law Review Volume 33 Issue 1 Dedicated to the U.S. Supreme Court Fall 1997 Kennewick Man: The Meaning of Cultural Affiliation and Major Scientific Benefit in the Native American Graves Protection and Repatriation Act Douglas W. Ackerman Follow this and additional works at: https://digitalcommons.law.utulsa.edu/tlr Part of the Law Commons Recommended Citation Douglas W. Ackerman, Kennewick Man: The Meaning of Cultural Affiliation and Major Scientific Benefit in the Native American Graves Protection and Repatriation Act, 33 Tulsa L. J. 359 (2013). Available at: https://digitalcommons.law.utulsa.edu/tlr/vol33/iss1/16 This Article is brought to you for free and open access by TU Law Digital Commons. It has been accepted for inclusion in Tulsa Law Review by an authorized editor of TU Law Digital Commons. For more information, please contact [email protected]. Ackerman: Kennewick Man: The Meaning of Cultural Affiliation and Major Scie KENNEWICK MAN: THE MEANING OF "CULTURAL AFFILIATION" AND "MAJOR SCIENTIFIC BENEFIT" IN THE NATIVE AMERICAN GRAVES PROTECTION AND REPATRIATION ACT Douglas W. Ackermant I. IRODUCTION Passed quietly and without dissent' in 1990, the Native American Graves Protection and Repatriation Act2 ("NAGPRA") was intended to terminate cen- turies of plundering of Native American grave sites.' Native American cultural and religious beliefs with respect to the dead, most of which differ significantly with Anglo-American traditions, were affronted by the collection of thousands of Native American skeletal remains in attics, basements, and glass enclosures in museums, universities, and private collections across the country-including over 18,000 alone in the federally run Smithsonian Institution.4 Perhaps more t J.D. -
MANUAL of MYSTICISM PD F Version 1.0
Book 2: MANUAL OF MYSTICISM PD F Version 1.0 TABLE OF CONTENTS Introduction.....................................................................2 Miscellaneous Spells ....................................................27 Magic in General.............................................................2 Magical Items ...............................................................29 Dimensions ..................................................................6,7 Locations of Importance...............................................37 Entities and Entreating .................................................16 Cults..............................................................................38 Specific Entities ...........................................................18 Index .............................................................................40 Credits Designed by Canting Kim Eastland Edited by Epigraphic Ed Sollers (Books 1 and 2) and Erudite Eric Tobias (Book 3) Cover by Marshall Rogers and Terry Austin, TSR, Inc. Colored by Jeff Butler POB 756 Interior artwork by the Marvel Bullpen and Jeff Butler Lake Geneva, WI 53147 Graphic Design by Steve Winter TSR, Inc. ISBN 0-88038-278-3 PRODUCTS OF YOUR IMAGINATION™ 39 4 - 5 5 4 2 3 - X T S R 1 2 0 0 Typography by Betty Elmore Thanks to Peter Sanderson and Carl Potts for some clarifications. This book is protected under the copyright laws of the United States of America. Any rep roduction or other unauthorized use of the material or artwork contained herein is proh i b- ited without the -
36 Washington INTHEPACIFICNORTHWEST
36 Washington INTHEPACIFICNORTHWEST ¾ PEOPLE TO KNOW James Chatters Kennewick Man David Thompson ¾ PLACES TO LOCATE AmericanAmerican Asia Siberia Bering Straight Pacific Coast Columbia Plateau Cascade Mountains Great Plains Olympic Peninsula Puget Sound Vancouver Island Cape Flattery Ozette (Cape Alava) Columbia River Pend Oreille River The Dalles (Celilo Falls) Kettle Falls Sequim Clovis, New Mexico ¾ WORDS TO UNDERSTAND animism cache Caucasian (Caucasoid) Makah petroglyphs are coroner carved into the rock at decimate Cape Alava, Ozette region, Olympic National Park. dentalium shells Photo by Tom Till desecrate forensic anthropologist immortality materialism Paleo-Indian potlatch MMMM protohistoric relief (art) TIMELINE 30,000 B.C. 20,000 B.C. 10,000 B.C. 0 repatriate resurrect 30,000–8,000 B.C. Paleo-Indians enter the Pacific Northwest. spawn spoils 10,000–8,000 B.C. Salmon return to the Columbia River tule as the Ice Age ends. weir 4,500–2,000 B.C. Plateau and Coastal Cultures emerge. 2,000–200 B.C. “Indian Golden Age” of population expansion 37 CC h h a a p p t t e e r r IndiansIndians of of the the PacificPacific 33 NorthwestNorthwest MM MM MMM MM 1700 1750 1800 1950 1960 1970 1980 1990 2000 1700–1810 Protohistoric period 1950s 1966 1977 1987 1996 (time of great change) Marmes Rockshelter Ozette site is Sequim East Kennewick site is discovered. discovered. mastodon Wenatchee Man is Smallpox 1760–1800 site is Clovis site is discovered. epidemics devastate discovered. discovered. Indian tribes. 1800 Ash falls from Mt. St. Helens. Prophet Dance appears. 1786–1810 Most tribes experience white contact. -
The Drink Tank 344
The Drink Tank 344 That’s a Kurt Erichsen civer! It’s been a while since we’ve had him in these pages! Also, you’ll be seeing that there Gallifreyan symbol (a ha’penny to the first person who can tell me what it means!) from the wonderful Jesi Pershing a bunch! It’s awesome, no? Plus, Teddy Harvia, and words from good folks, including Hugo-nominee (and Future Supremem Court Justice!) Steve Stiles. But mostly, this issue is about Chuck Serface’s piece leading in to our MASSIVELY AWESOME Marvel Comics edition of Nerdvana Podcast (JC Arkham and JoshBot do a GREAT job with it! You can listen to it at http://nerdvanapodcast.com/ and it’s all over the place and a lot of fun (start with the Batman episode at http:// www.nerdvanapodcast.com/Episodes/Nerdvana-S01E03a.mp3) and keep on going! I’ve got a lot of thoughts about Marvel, it’s a comic line I’ve only been into at times, but largely I’m not a fan. I love The Flash, Batman, Plastic Man, Elongated Man, Johnny Thunder, Wildcat, and especially The Justice Soci- ety. Always my favorite. Marvel had The Hulk, who was awesome at times, and Daredevil. When I was growing up, there was the X-Men, at the time the biggest thing in comics. I liked the X-Men to a degree, but always into the DC stuff far more. On the plus side, there were stories back in the day that were awesome. There was a X-Men issue where it was Kitty telling a bedtime story about Pirates! But mostly, it passed over me while I was reading about Barry Allen and Crisis On Infinite Earths. -
REALMS of MAGIC Book 3: CODEX of CHARACTERS and CREATURES by Kim Eastland PD F Version 1.0 TABLE of CONTENTS INTRODUCTION
REALMS OF MAGIC Book 3: CODEX OF CHARACTERS AND CREATURES by Kim Eastland PD F Version 1.0 TABLE OF CONTENTS INTRODUCTION .............................................................1 D’SPAYRE .......................................................................8 BARON MORDO.............................................................2 MAGIK.............................................................................8 BROTHER VOODOO ......................................................2 MORGAN LE FEY ...........................................................9 CLEA ..............................................................................3 NIGHTMARE...................................................................9 DIABLO ..........................................................................4 SHAMAN AND TALISMAN................................10 and 11 DOCTOR DOOM.............................................................5 SILVER DAGGER ..........................................................12 DOCTOR DRUID.............................................................4 UMAR............................................................................12 DOCTOR STRANGE .......................................................6 MAGICAL CREATURES..............................13 through 16 DORMAMMU..................................................................7 IN T R O D U C T I O N Hail, persistent seeker of the arcane arts , powers or Book 2 for Dimensional decades in Marvel adventures, the char- and welcome to the third