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Equity News Winter 2018

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WINTER 2019 | VOLUME 104 | ISSUE 1 ACTORS’ EQUITY ASSOCIATION Equity NEWS MIND MATTERS MAINTAINING MENTAL WELLBEING THROUGHOUT AN ARTS CAREER Equitydirectory EASTERN REGION WESTERN REGION BUSINESS THEATRE Kaitlyn Hoffman [email protected], x322 SPECIAL APPEARANCE, GUEST AND DINNER THEATRE ARTIST Philip Ring [email protected], x106 CABARET Kaitlyn Hoffman [email protected], x322 CASINO Kathy Mercado [email protected], x335 WITHIN LA - 99 SEAT Albert Geana-Bastare [email protected], x118 DINNER THEATRE Gary Dimon [email protected], x414 TYA, STOCK, LOA TO COST & LOA TO WCLO Christa Jackson [email protected], x129 Austin Ruffer [email protected], x307 DINNER THEATRE ARTIST SPT, HAT Gwen Meno [email protected], x110 DISNEY WORLD Donna-Lynne Dalton [email protected], x604 Buckly Stephens [email protected], x602 LORT Ethan Schwartz [email protected], x150 GUEST ARTIST Austin Ruffer [email protected], x307 LOA TO LORT Lyn Moon [email protected], x119 LABS/WORKSHOPS Corey Jenkins [email protected], x325 CONTRACTS WITHIN NORTHERN CALIFORNIA Ethan Schwartz [email protected], x150 LOA-NYC Raymond Morales [email protected], x314 CONTRACTS WITHIN SOUTHERN CALIFORNIA Albert Geana-Bastare LOA-PP Timmary Hammett [email protected], x376 [email protected], x118 LORT Gary Dimon [email protected], x414 CONTRACTS WITHIN TEXAS & UTAH Christa Jackson [email protected], x129 Jeffrey Bateman [email protected], x338 Kathy Mercado [email protected], x335 CONTRACTS WITHIN ALASKA, ARIZONA, COLORADO, HAWAII, IDAHO, MONTANA, NEW MEXICO & WYOMING Gwen Meno [email protected], x110 MIDSIZE Timmary Hammett [email protected], x376 Raymond Morales [email protected], x314 CONTRACTS WITHIN WASHINGTON, OREGON & NEVADA Lyn Moon MINI [email protected], x119 NEAT Timmary Hammett [email protected], x376 OAT Doug Truelsen [email protected], x606 OFF-BROADWAY Kaitlyn Hoffman [email protected], x322 Raymond Morales [email protected], x314 PRODUCTION Corey Jenkins [email protected], x325 Walt Kiskaddon [email protected], x336 TOURS (SETA/PRODUCTION) Tripp Chamberlain [email protected], x320 SHEAR MADNESS (BOSTON, WASHINGTON, D.C.) Kathy Mercado [email protected], x335 SHOWCASE/NYMF Logan Cypher [email protected], x339 ADDITIONAL RESOURCES SPECIAL APPEARANCE Austin Ruffer [email protected], x307 Corey Jenkins [email protected], x325 SPECIAL PRODUCTIONS WESTERN REGION Timmary Hammett [email protected], x376 THE ACTORS FUND SPT/LOA NORTHEAST (NATIONAL HEADQUARTERS) 5636 Tujunga Avenue SPT/LOA MID-ATLANTIC Jeremy Bohmstein [email protected], x378 (800) 221-7303 North Hollywood, CA 91601 SPT/LOA SOUTHEAST Kathleen Munroe [email protected], x413 Telephone: (323) 978-8080 STAGED READING CONTRACTS Walt Kiskaddon [email protected], x336 BROADWAY CARES/EQUITY FIGHTS AIDS Jeffrey Bateman [email protected], x338 Audition Hotline: (877) AEA-1913, Ext. 826 STOCK (COST, CORST, RMTA) (212) 840-0770 Rehearsal/performance-related emergencies SUNDANCE SPECIAL AGREEMENT Jeremy Bohmstein [email protected], x378 (for after-hours only): (818) 414-8525 TRANSITION Raymond Morales [email protected], x314 ACTORS' EQUITY FOUNDATION TYA Kathy Mercado [email protected], x335 (212) 869-1242 General Office Hours 9 am to 5 pm, Monday-Friday URTA Kathy Mercado [email protected], x335 ACTORS' FEDERAL CREDIT UNION Membership Office Hours (212) 869-1242 9:30 am to 4:30 pm, Monday-Friday EQUITY-LEAGUE BENEFIT FUNDS (800) 344-5220 CENTRAL REGION EASTERN REGION 165 West 46th St. CAT AND ILLINOIS (outside the Chicago Metropolitan Area) New York, NY 10036 Cynthia Hanks [email protected], x239 CENTRAL REGION Membership, 14th Floor M. Nathan Wilkinson [email protected], x246 Actors' Equity Building Reception, 15th Floor David Kolen [email protected], x236 557 West Randolph Street Audition Center, 16th Floor SECOND CITY Cynthia Hanks [email protected], x239 Chicago, IL 60661 Telephone: (212) 869-8530 Cynthia Hanks [email protected], x239 MENOPAUSE THE MUSICAL Telephone: (312) 641-0393 Audition Hotline: (877) AEA-1913, Ext. 831 SPECIAL AGREEMENTS WITHIN CHICAGO M. Nathan Wilkinson [email protected], x246 Audition Hotline: (877) AEA-1913, Ext. 815 Rehearsal/performance-related emergencies M. Nathan Wilkinson [email protected], x246 Rehearsal/performance-related emergencies (for after-hours only): (866) 270-4232 LOA-COST WITHIN CHICAGO (for after-hours only): (312) 307-2781 LORT WITHIN CHICAGO – GOODMAN & COURT THEATRES General Office Hours M. Nathan Wilkinson [email protected], x246 General Office Hours 9:30 am to 5:30 pm, Monday-Friday Membership Hours LORT WITHIN CHICAGO – NORTHLIGHT THEATRE 9 am to 5 pm, Monday-Friday David Kolen [email protected], x236 Membership Office Hours 10 to 4:30 pm, Monday-Friday 9 am to 5 pm, Monday-Friday CONTRACTS WITHIN KANSAS CITY METROPOLITAN AREA, NEBRASKA, MINNESOTA, ORLANDO OKLAHOMA & LOUISIANA David Kolen [email protected], x236 10319 Orangewood Blvd. CONTRACTS WITHIN WISCONSIN, OHIO & KENTUCKY M. Nathan Wilkinson Orlando, Florida 32821 [email protected], x246 Telephone: (407) 345-8600 Fax: (407) 345-1522 CONTRACTS WITHIN MISSOURI (EXCEPT KANSAS CITY METROPOLITAN AREA), Audition Hotline: (877) 232-1913, ext. 821 MICHIGAN, INDIANA, ARKANSAS, IOWA, NORTH DAKOTA & SOUTH DAKOTA Cynthia Hanks [email protected], x239 Equitynews Actors' Equity Advisory Committee Director of Communications Christine Toy Johnson (Chair) Brandon Lorenz Al Bundonis Diane Dorsey Editor Nicole Flender Doug Strassler Bruce Alan Johnson Ruth E. Kramer Contributor Heather Lee Joyce Vinzani Kevin McMahon Barbara N. Roberts Got a question or Melissa Robinette comment? Email us at Buzz Roddy [email protected] Kate Shindle Joann Yeoman EQUITY NEWS (ISSN: 00924520) is published quarterly by Actors’ Equity Association, 165 West 46th St., New York, NY 10036. Telephone: (212) 869-8530. Periodicals postage paid at New York, N.Y. and additional mailing offices. Copyright 2019, Actors’ Equity Association. Postmaster: Send address changes to Equity News, 165 West 46th St., New York, NY 10036. Equitynews CONTENTS WINTER 2019 | VOLUME 104 | ISSUE 1 7 8 FOUNDATION AWARDS REGIONAL REPORT Learn who received this year's The second annual report offers St. Clair Bayfield and the latest findings about work Joe A. Callaway Awards weeks in all 28 Liaison Areas. 10 14 MIND MATTERS THEATRE SPOTLIGHT Members share their Read all about one of the experience and advice nation's most recognizable with mental wellness. LGBT theatres. 15 18 ACROSS THE NATION SWING DAY Check out the area Equity recognized that is home to third largest the invaluable work of arts economy in the country. swings across the country. 21 22 HIGMEC STRONGER THAN HATE Two members share Members gathered to raise stories about how they money for victims of the Tree of got their Equity cards. Life shooting. FRONT of HOUSE FROM THE PRESIDENT THINKING ABOUT MENTAL HEALTH I once heard someone say actors and stage managers are having similar experiences at any that good theatre, like most art, given time, but because there are resources available to help rarely focuses on stories about you. Recognize your limits. Check in with yourself when things happy, healthy, well-adjusted don’t feel so great; no matter who you are or how successful you people. Of course, there are are, that will happen. Money and success alone are not super plenty of theatrical pieces which effective at exorcising demons. If you’re on tour, for example, you revolve around situational drama might be making great money … but the challenges of living on (or comedy), but just as often, the extremes and heightened the road full-time can still pull the rug out from under you. emotions that create compelling plays focus on larger-than-life One of my favorite organizations in the business is The characters who might be a handful to deal with in real life. But Actors Fund, a not-for-profit resource for everyone in the while it’s true that the heroes and villains of great romances and entertainment industry. The Fund serves as a very literal lifeline in great tragedies are often prone to a touch of madness, the same all kinds of ways: training entertainment professionals in survival does not need to be true of those of us who crawl into their skins or transitional jobs and financial literacy, providing emergency and live there eight times a week. assistance at times when the bills become overwhelming, helping Sometimes, though, it can be difficult to shed that skin us navigate the world of health insurance in the Obamacare era once we exit stage left. As a young actor, I remember well the and providing support through counseling and social work when challenges of playing Sally Bowles in Cabaret, specifically when it we find ourselves in an abusive or harassing situation, or when came to leaving her behind at the end of the night. And it seems our mental or emotional wellness starts to slip. You should not that every awards season, we hear glowing praise of some film hesitate to give them a call if you’re in trouble; that’s why they actor who “stayed in character,” on and off the set, for the weeks exist. You can find out more about the
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    Screen Actors Guild Awards Acceptance Speech Transcripts TABLE OF CONTENTS INAUGURAL SCREEN ACTORS GUILD AWARDS ...........................................................................................2 2ND ANNUAL SCREEN ACTORS GUILD AWARDS .........................................................................................6 3RD ANNUAL SCREEN ACTORS GUILD AWARDS ...................................................................................... 11 4TH ANNUAL SCREEN ACTORS GUILD AWARDS ....................................................................................... 15 5TH ANNUAL SCREEN ACTORS GUILD AWARDS ....................................................................................... 20 6TH ANNUAL SCREEN ACTORS GUILD AWARDS ....................................................................................... 24 7TH ANNUAL SCREEN ACTORS GUILD AWARDS ....................................................................................... 28 8TH ANNUAL SCREEN ACTORS GUILD AWARDS ....................................................................................... 32 9TH ANNUAL SCREEN ACTORS GUILD AWARDS ....................................................................................... 36 10TH ANNUAL SCREEN ACTORS GUILD AWARDS ..................................................................................... 42 11TH ANNUAL SCREEN ACTORS GUILD AWARDS ..................................................................................... 48 12TH ANNUAL SCREEN ACTORS GUILD AWARDS ....................................................................................